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CATALOGUE OF 


» _LHE LAMM COLLECTION 


adit Srah Hall: SOUHOUNUOCOCT OT laa  aer oor ge 


“hinge e ant 


FROM NASBY CASTLE (NEAR STOCKHOLM), SWEDEN 
TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


FEBRUARY 21st, 22np, 23RD anv 24TH, 1923 ~ 


IN THE ASSEMBLY HALL 
OF 


THE BLOCK OF MADISON AVENUE, 56TH TO 57TH STREET 
| ENTRANCE, 30 EAST 57TH STREET 
NEW YORK 


17 SUL 


_ a 
— ° 


‘a few etchings and the Valuable Paintings, Collection of 


Mr. CARL ROBERT LAMM 


sold at the American Art Galleries, February 22, 1923. = = 
| age 
Ne. Price Buyer No. Price Buyer ; 
BDT, $150. Eugene Metzger 604 $ 650. Bernet, agt.L. ‘ 
558 W715. -~J,chien. - 605. 4,100. Parke Agt. S. 3 
559 90. Count Sparre 606.7 175. John Levy. 
560 200. A.W.Beskon 607 6 8,400. Wm. Lounquist 
561 120. John Bass 608. Sos Jos.Brummer. 
562. LEDs Judge Samuel Seabury. 609. 450. E.F.Tyler 
563 4,600. Mrs.H.P.Stromberg 610.. 800. A.M.Bing 
564 3,100. A. Akerman. 611. 475. A. Rothbart 
565 275. W.F.Laporte 612. 800. Parke Agt, M. 
566 410. A.Wallenberg (abehc 3,900. E.F.ALbee 
567 425. " 614. 2,000. C.T.Engberg 
568 300. Amos Pinchot 615. 4,100. C.T.Svenson 
569 250. Arthur Hoe 616. EYE} Lewis & Simmons 
570 275. Mrs.N.Luyka Gir. 3,600. A.Schnidt. 
Sls 210. J.W.Quistgoard 618. 6,100. L. Bergener 
Biles 400. Wm.Fox. 619. Te DOGe A.Schnidt 
573 180. A.Wallenberg 626.5 31,0007 Gust. Ad. Bergen 
574. 180. Mr.Donald Brown 625 < 2,600. w.Akerman 
EY AST EVO J.W.Quistgoard 622, 10,300. Bernet , agh. R. Ss 
ya 300. K.Stanley 624, 800. Bernet, agt.L. = 
578. Sepals John Bass 625. Neos Bernet, F. | 
579, 625. E.F.Albee 626, 950. Wm. Fox. | 
580. 270 Bernet agt. Le 627. 300. P.Sussmenn. 
581. 2,100. Mrs.Frank Billings 628. 550. Bernet, agt.C. 
582. 180. Mrs .Kdw.D.Faulkner 629. 3,400. Seaman, agt. R. 
583 750. J.H.Lehman 630. 2,900. E.F. Albee 
584. 925. Mrs .Edw.D.Faulkner Gaile 2,900. ‘H 
S85. 1502 -Dr.kast. 632. 5,700. J.Aspegren 
586. S10) D.J.Knobloch 633. 2a06 E.J.Lownes 
587 BH ig Bernet, agt.F. 634, 300. Ehrich Gals. 
588. 825. S.V.Steiner 635. 250. E.J.Lownes 
589 200. Wm. Fox. 636. 350. Milch Gals. 
590. 600 F.V.Chappell. $637. 4,100. G.# Y.Fuerth. 
591. 300. Sam Schiffer 639 3,500. A.Schmidt. 
892. (240. Wm. Fox. 639. 9,500. E.Engberg. 
593. per ein E.F.Bonaventi 
594. 625. Wm.Fox 
595. 1,800. B.Akermen 
596. 225. $.A.Powell 
597. 575 Wmn.Fox. 
598. 650. Clara Block 
599. 450. Bernet, agt.W. 
600. 575. A.Olivotti & Co. 
601 800. A.Wallenberg 
602. Revs Count Sparre 
603. 1,000. Alfred Allen 


’ 
. 
rE 
5 
x 
* 


— gn the. furniture, French of the Bayes! 
of the Louis’s predominates, — 
are. heavily carved pleces oon 
and | Sere: Famous _ 


9) 
2) 
; 
| 


i pace ae property of queen’ Louise: 
; fi 


rica of Sweden; - a 
_ There is what {8 said to ‘pe a vonage 
able’ collection of aa cand. armor | 
brought together from all” parts of. the 
world 2 ind notably from Japan and Per- 
sia. - ere is great aah ee, in the ‘sil- 
ver, bronzes, porcela &¢., inclu ding | 
pleces from different’ toyed houses. A’ 
‘Napoleon > hee a eee marble 
‘Mare by Barancourt, is inseribed - rae 

rechal Ney par T'Empereur.” Many 
ot the articles. are from other famous 
ollections. 


Nasby art tre sure; will é on e oh 
ible on from Web. i. Bbla eo 


‘Sweden ts the latest of the Burop an 
eouhttien: to send its art treasures to 
‘America, and the American Art Gal- 
leries report that beginning Feb. 21 anc : 
continuing for four days théy will put 
jon sale the famous and varied art ie 
| lection of Carl Robert Latam, of | Nasby 
| Castle, | Sweden, 
cae in that country | {0 be worth 


Ptton eit: hie Sintater: of State. and 
| Director eof the National Museum 
showed that financially it » eee be 
linponatble: é 


ane 
| cient and selebented in ‘Sweden, . built. 
| in 1665-6, situated near the capital at 


|.nas some 8; 000 ecios of “woodland and 
tarms tilled by more. ‘than 500° peasant 

tenants. Nasby Castle has been | a 
famous show place of the nation 

| cause of the collection, and. Carl Robert 

| Lamm, who is one of Sweden’s. great 

| industrials, has been’ equally famous. as 
a connoisseur -and collector of. art. He 
has covered the world in his search tor 
art treasures, — 


Among his antings, which take” per- 
ec first place in the. collection are 
ithe famous Rembrandt Self-Portrait, 
F pnitee to the self-portrait in Mrs. Gard- | 
iner’s collection in Boston and listed in 
ae Groot, Bode and by Dr, Valeéntiner, | 
a ‘' Portrait of a Lady,” by Frans Hals, » 
declared by dée’-Groot to be an early 
tasterpiece; five canvases .by_ Peter. 
Paul Rubens, expertised by Max Rooses, 
and including a vigorous ‘' Portrait of 
a Young Man ee ‘Holy Family,’’ from 
the collection’ of. the Earl of Chester- 
field and, later, the Earl of Carnarvon; 
a fine big ‘‘ Landscape with Figures,” 
painted by. Rubens; three Van Dycks, all 
authenticated, of special interest among. 
them a ‘ Portrait of Paulus Ponitus ’’; 
three etchings and two notable oil§- by 
Anders Zorn, flower pictures by~ Des- 
ae a sketch by. Veronese, examples 
-by Lucas Cranach, by Bernard Striegel, 
by the Dutch artists van Ruysdael, van 
der Hels Ae _Mierevelt, van Go ene and. 
van der Neer; by Rigaud, David, Largil- 
liare, Mme. Le Brun,. Boucher, Guardi, 
Magmasco, Tiépelo; py the well-known 
Swedish artist Roslin, by Leibl, by Sir 
Thomas Lawrence and Sir Peter Lely 
among others.« , ; 


te > 


Sees 


~ ee 


—————— 


Includes Rembra: dt ‘and. Ru- 


bens Masterpieces, Rare Ar- — . . warm 
; ; _ |ereation of real flesh and. blood, and 
the hair-and beard have been brushed 


5 _ mor and Rugs. 


The celebrated Lamm collection of 


art, departure of which from Sweden, 


caused such acute distress to Swedish 
hewspapers; is on view in the galleries 
of the American Art Association and 


proves to be fully as important as ad- 


vanee notices led one to expect. Sales 
of the art objects and furniture will 
-be February. 21-24, and the paintings are 
to be sold on ‘the evéning of Febru: 
ary 22. > 

Should there be any overcrowding of 
millionaires in the city this week it 
will be due to this sale. It is exactly 
the sort of event to call back al such 
individuals from the wilds of Florida, 
the excitements of Hollywood or the 
winter’ sports of Montreal.’ There are 
thins in this sale which everyone needs 
—Rembrandts, Rubenses, splendid hits 
of armor and ancient Persian rugs; and 
it would be: pleasant to hold out! the 
hope that such things might be picked 
up at a bargain. But what’s the use? 

The pictorial treasures of Carl Rob- 
ert Lamm not only include specimens 
by Rembrandt and Rubens but. by 
Franz Hals, Sir Anthony Vandyck ‘and 
Many others of the very great. These 
‘paintings, with the brilliant collection 
of antique silver, rare rugs and armor, 
come from Mr. Lamm’s old castle of 
Nasby, near Stockholm, which for a 
long time has been a place of pilgrim- 
age for Swedish art lovers, Mr. Lamni, 
with his wife, whose father and brother 
were curators of museums, have spent 
thitry years in forming it, and with 
singular success. 

The Rembrandt heads the coddection. 
fit is a long time since an accredited 
‘work of this master has appeared in 
the auctions, and the advent of this 
one seems to indicate that at last the 
war iS over. eciseca: Self-portrait, 
‘painted in early manhood, about. the 
(time that the self-portrait in Mrs, 
(Gardner’s collection was painted. It 


[is attested by Dr. Bod 


Collection Now On- 


View B-*ore Sale 


|more highly in that it dates from the, 
‘period - 


ship to.an exhibition 


the artist's brother and is, thought ,to 


1 Herat — Pb /ge9, 


be 7 a 


it the) 


and other experts, who rate. 


before Rembrandt became so, 
imitated. It was acquired, by 
Jam from R.,B.. Berens, \of 
ho Jent it, during his owner-, 
in the Royal | 

, 


widely 


London, 1 


Agecemiy, of! London. tet Coss 
One of the portraits by Rubens is of: 


have been painted after Rubens’s rez 
tur from Italy. It is a warmly felt. 


in with especial gusto. Another by 
Rubens is a portrait of a boy, said, 
by Dr... Bode to have been painted 
between 16138 and 1615, which is a search- 


ing and bold analysis.of Flemish youth. 


The Frans Hals is a portrait. of a 


jlady‘‘of a certain age,” with a wide 


and deep ruff around ,her neck. She 
is. a Meager, ascetic \type, and Hof- 
stede de Groot, the expert, declares it 
to be one-of the earliest known por- 
traits; in ij éxistence by this . master. 
Among’ the Van Dycks, and this painter | 
is almost rarer than Rembranlt in | 
our auctions, are portraits of the Prince 
D’Oneglia, of the House of Savoy, and 
of the engraver, Paulus Pontius. 
Other notable pictures are a portrait 
of Sedaine by David; a striking portrait 


| Of a nobleman in.a plumed cap by Bern- 


hard Striegel: a portrait of an old 
woman by Wilhelm Liebl; a portrait 
of Cardinal Fluery by Hyacinth Rigaud: 
two. decorative still lifes by Oudry; the 
“Death of Mary,” by Lucas Cranach; 
a large ““Holy Family,’’ by Rubens, and 
two by Anders Zorn. : 

An entire gallery is required for the 
swords, pistols, halberds, helmets and 
other armor of this collection, and some 
among the visitors yesterday were re- 
calling the Wallace collection in an ef- 
fort to make comparisons. There are 
many weapons of the greatest rarity. 
For instance, there is a sword with a 
1680 Toledo blade. There are halberds 
and spontoons from the sixteenth and 
seventeenth centuries and an entire suit 
of Japanese armor of the seventeenth 
century. e 

The rugs are not the least important 
feature of the collection and contain at 
least fourteen that may be called ex- | 
traordinary. The earliest is a Kouba) 
or dragon carpet from Eastern Asia 
Minor. An imperial Ispahan of the sev, 
enteenth century is a marine carpey 
with a central medallion and boats, ¢ 
the utmost rarity. Four of these ri 
are reproduced in Dr. Martin's ‘‘EHisto) 


of Oriental Carpets.’” / 


xamples | 


Pre 


Btn gh ie — pe Cea wish ns , aa has 
rye TRIES Oe Me eee BOs ae y formed in an| 
Examples From Many accumulations 


|. Schools#rom Carl Lamm 


J 4 
> . Will Be Sold This Week f the master painted by him- 
; at American Galleries 


Includes Rare Furniture 


Renaissanc e _ ¢ ‘a bir . mt ok the Low Countries are distinetly un- | 
ris FI re. ne aS poet and even in quality. The Vandyke “ 'rince 
pat emish Changer’s Table d’Oneglia” (No, 617) is a‘really charm-_ 
% Pas ae f te] oCaPe 


We 4.2. IP 


O cile mood. | a “Paulus Pontius” (No.| 


ion has been 
and placed on 
can Art Galleries, 
in five sesstons, 
"hursday afternoon. It 
f Mr. Carl Lamm, who 

it over from his ancestral home, Rub 
‘Rear Stockholm. He is introduced in 
| the catalogue as a connoisseur. of ro- 
in Scandinavia and it is to be 
rred that he began his experience 
collector-in the atmosphere of 8 
chateau historically provided with 


One of the five paintings here attrib- 
uted to him earries immediate con- 
vietion, the charming “Portrait of a 
Young Man” (No. 615). The others 
leave us cold and this is especially so 
where the “Holy Famil under the 
Apple Tree” (No. 689) is concerned. 
It is @ rather tepid, ironed-out version. 
of the™ picture at Vienna, the one 
Rubens painted for the back of the. 
wings of the great San Ildefonso altar-— 
piece. There ia no sign, here of his | 
flowing maestria, or of the splendor | 
of his color. The big “Landscape with 
Figures” (No. 688), leaves the name | 
doubtful impression though it>-is in-! 
dubitably a ban decne picture, Apropos 
of landscape, by the way, there is 
nothing better in this section of the 
show than the luminous Italian scene 
og 623) by Alessandro Magnasco 

uard!’s master. Guardi himself and 
two or three old Dutchmen are like- 
wise represented. 


Some Fine Portraits ‘ 


‘The best of the early portraits are 
the unpretentious but life-like and | 
polished examples of Mierevelt. Raves- | 
teyn and Adrian Key. The “Sir Wal- 
ter. Raleigh” (No. 562)) by the last! 
named Fieming may or may not be a} 
memorial to'the great Eliza ethan, but 
it is the kind of panel to appeal to 
the lover of good old portrait painting, 
'[regardles of subject. At this point we 
must cite, too, with unqualified cordi~ 
ality, the “Young Nobleman in Plumed 
Cap” (Ne. 614) by Bernhard Strigel. 
It is a fascinating fragment of 15th 
century German drawing and .color. 
The remainder of the arresting por- 
traits or pictures are nearly all of the 
'French school. 


the enth It is that 
School which is most conspicuously 
‘Tepresented in his furniture, though e@ 
few earlier pieces are to be noted. 
» One of the star examples shown is 
Renaissance cabinet of. sculptured 
walnut (No. 966), which in the cata- 
logue ig allied to the tradition of 
Goujon. It -is beautiful] enough to 
justify the ascription and Wwe may 
Speak’ with as much warmth of the 
rred. Flemish _changer’s table (No. 
970), a Superb: piece of simple but 
smposing medieval: furmiture. Never- 
theless and despite the glittering 
‘ vie Seventeenth century Ital- 
tan “tortoise shell cabinet (No. 964),’ 
the ‘salient things in ‘this category. 


hin 


- cemenencrit GIT at charg ta 

Geppemreneh AS Displayed 

| These were she en like Jean al 
roduc 


cols “Oeben, who. need & table oF 


writing table here (No. 987), | .Tw9 good portraits “hy. Lawrence | 
“gbeniste” shine in the English contingent, bat 
ee rd and “OG, P.” who | then the honors belong altogether to 
eee led the mountings, ossibly the the decorative achievements of such 
son. of the Sculptor Caffieri. ‘te ts | courtly types as Rigaud, Largilliere, | 
typical. in. its “fine artistic ‘distinction Boucher, Roslin and Peane. ‘There is 
ote BO eT La | trait by ° Perronnesu. 
collection. The mountings aré not al- There are prett trivialities by Taraval 
weys persuasive, but the cabinet mak- and others. here are good bits of 
ng is unmistakably of the great still-life by Oudry and Desportes. The 
nch school. These items include catalogue 18 Wt ‘4 1 
peautiful tuli wood secretary life (No. 588) is only “attributed to” 
4 ed by -Oeben. Along Chardin, but it is a charming painting 


with the handsome commodes, encoign- her the same. DG) ae oe 
~~ other 5 which |? : | . 


inlaid cantonniere important ut sullic’ 
(No. 962). Tt is one of the -most. in-. istic in their QR TPS ave 
teresting relics of the Regency atyle with 8 Oryty academic severity. 
we have ever Seen. Fre style 


nd two ‘oer three 
They strike, however, 


| hibition. fe 
)~ There is, of course, the assemblage | 
of chairs ‘aeual ‘upon an oceasion Of{4r¢ and 
{this sort. They are English, French’. 
g§ Flemish, some of them covered } ee 
: avith needlework. The group, which: is 


but it is evenly good. The Orlenta 

rugs form ‘an imposing company of. 
yeally fine examples, and the tapestries 
likewise make a strong appeal to ams- 
teurs of exacting judgment. The mis- 
eellaneous fragmicn' of Florentine pro- 


SSE er 


—— 


* 


of Design was the “runner up” in the) 


jast »evenins. 
n 1910, ; 
Borgia Stabbing 
For ‘$13,000, 


prowght $51,0005 
Herself” sold 


fa abt picture, sold in the yerkes sale 


and 


sold in the Charles Stewart Smith s 


of 1919, brought $60,000. 
Wan Dyck’s i 
Paulus Pontius,” 
Bredius, 


mans, was sold last night to Otto Bernet, 


agent, for $10,300; 
anders Zorn, to Mr. Parke, agent, 


$8,400 5 “ppne Portrait of Philip Rubens,” 
py his brother, Peter Paul Rubens, to A. 
“The Portrait of a 
Frans Hals, declared by ©X- 
earliest can- 
Bergener for | tion. 
“A Premiere,” | 
of nudes and surf, to 


Senmidt, for $7,500; 
Lady,” by | 
perts to be among the very 
vases by this artist, to L. 
$6.100, and Anders Zorn’s 
a brilliant canvas 
J. Aspegren for $5,700. 
Pictures that sold for 
thé buyer and the price paid follow: 
Portrait of a Child, by Mademoiselle 
Philiberte Ladoux, J. Chet 
Portrait of Sir Walter Raleigh at the 
age of 34, by Adrian Thomas Key, 


jee tovsor qeeee 


by Peter 
Rubens, Mrs. H. ey 
by Jean Francoise de Troy, 
we, Akerman ----seresersss Po teenies 
Portrait of a Man, by Sir Thomas Law- 
rence, ; 
Portrait of @ Young Lady, 


Porti 
Pau 


y Sir 
Thomas Lawrence, Pp; Ry Au, EF. Billing.2,100 


Portrait of a Young Lady, by John Opie, 


~ J, H. Lehman ....--++- Poa cig ee pee mere 750 
Dame ati Manteau Rouge (attributed to. 
Nicolas Largilltere), Mrs. Edward D 
D MPAMNGIOT ns sae dees eer ots eke Rsipaieur 925 | 
zorn and his Wife (etching), by Anders / 
Worn, Theodore Stone.....--+eea syn 825 
Portrait of Monsieur (pastel) Sarazin 
of Bordeaux, EH. Akermamtis..+.-++ser 1,800 
Portrait of a Lady, by Alexandre Ros- 
lin, A. Wallesberg...---1--+°°5 pasate 800 
Portrait of the Grand Duchess Bliza- 
beth of Russia, Mr. Parke, agent... .4,100 
Portrag, of an Old Woman, by Wilhelm 
. Leibl, John UN eicrccsenrevreeerte t PRSLED 
Portrait of Prof. Salvaggi, by Jacques 
Louis David, M. Bingiseds Sa ecss soe 800 
Portrait of a fady, by Jan van Rave- 
steyn, Mr. Bernet, agent....s+--se0s0% 800 
Portrait of a_ Gentleman, by Nicolas 
Largilliere, HE. FF, Albee... se eceeseees 3,900 
Portrait of a Young Nobletian din 
Plumed Cap, by Bernhard Striegel, ©. 
Mm. Wngberg «+s. cesses eases Pyne 2,200 


Portrait of a Young Man, by Peter Paul 


thy ship puilder of Sweden | 
The Rhode Island School 


“John the Baptist,’ 
ale 


Max Rooses and Gaston Neu-+ 


was| price of the afternoon. 


$750 or more, | 


47 | 
Stromberg .4,600 
3,100 


A., Mr. Parke, agent. .1,550 


Rubens, ©. T. Svenson..--.s--ree is? 100 
Portrait of the Prince ad’ Oneglia, of the 

House of Savoy, A. Schmidt.....04++- 3,600 
Portrait of a Man, by Sir Anthony van 

Dyck, E. Ackerman....--+++y-crs7 ee: 2,600 
Portrait of Gardinal Fleury, by Hya- 


cinthe Rigaud, Mr. Bernet, 


| with the Rampolla del Pindaro ‘Mariano 


heey 
Figures, by » 
aco ete se 


kn the A: 
ubens, B. 


, weapons and armor 
collection, were sold 
$13,008. 


dagge > 


precious stones, sold-to Mrs. John Gosta 
Bergquist for $1,400, brought the highest 

pair of mid- 
eighteenth century German flint lock 
pistols- from ‘the Bukowiski | collection 
went to Edward H. Litchfield for $420, 
a pair of French flint lock pistols | 
the seventeenth — century; orn 


amented 
to Clapp & Graham, for 
$320; a French flint lock double barrel 

m the gallery of St. Georgia, 


Italian sword, 
B. Boss, for $210, and a Turkish Maxi- 
sixteenth 
Thomas Hoops, assistant 
r, Dean of the Metropolitan 
or $220. | | 

the fourth session of the sale will 
be held this afternoon, with silver, 
clocks, fabrics and rugs as the attrac- 


eentury, t 
curator to 
Museum, 


ON OPREE “PUBLIC VI lew 
FROM 9 A. M. UNTIL 6 P. M. 


Pr THE AMERICAN ART GALLERIES 


BLOCK OF MADISON AVENUE, 56TH TO 57TH STREET, NEW YORK 
ENTRANCE, 30 EAST 57TH STREET 


BEGINNING SATURDAY, FEBRUARY 17rn, 1923 
AND CONTINUING UNTIL THE DAY OF THE SALE 


THE VERY NOTABLE 
LAMM COLLECTION 


FROM 


NASBY CASTLE, NEAR STOCKHOLM, SWEDEN 


OBE SOLD AT UNRESTRICTED PUBLIC SALE 


ON THE AFTERNOONS OF FEBRUARY 2lI1st, 22ND (WasHINGTON’ Ss 
BIRTHDAY), 23RD AND 24TH 
A‘T 2.15 O’CLOCK 


EVENING OF THURSDAY, FEBRUARY 22np 
(W ASHINGTON’s BIRTHDAY) 
AT 8.15 O’CLOCK 


IN THE ASSEMBLY HALL 
OF THE AMERICAN ART GALLERIES 


made aie 
é last 


ike teinlities Kee eee The 
to date is $177,798 [£35,559], and 
remains to be disposed of a number 
cks, fabrics, and rugs. It is a long 
since New York has seen*the sale of 
rt collection containing so many 
nely beautiful things, a 


No. 620—SeLF Porrralir 


HERMENSZ REMBRANDT VAN RYN 


ILLUSTRATED CATALOGUE 
= ie SE) aio 


VERY NOTABLE COLLECTION OF 


MR. CARL ROBERT LAMM 


NASBY CASTLE (NEAR STOCKHOLM), SWEDEN 


|[Hwcerpt from the Stockholm “Aftonbladet,” November 7, 1922] 


“Is there no help to ward off such a calamity as having the Lamm 
Collection leave the country? As everyone knows, it is extremely valu- 
able and was brought together with the most discriminating taste and 
understanding. _ . 

“The collection contains real masterpieces of the very highest value, 
paintings by the foremost masters of the world, period furniture of the 
very finest kind, rare weapons, a remarkable collection of silver objects 
and other choice and beautiful-objects of art.” 


TOLBE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF THE OWNER 


_ MR. CARL ROBERT LAMM 


THROUGH HIS REPRESENTATIVE 


MISS RUTH TESCHNER 


OF NEW YORK CITY 


UNDER WHOSE AUSPICES THE COLLECTION WAS BROUGHT 
TO THIS COUNTRY 


feertit AMERICAN ART GALLERIES 


ON THE AFTERNOONS AND EVENING HEREIN STATED 


THE SALE TO BE CONDUCTED BY 
MR. THOMAS E. KIRBY 


AND His associATEs, Mr. Orro Berner anp Mr. Hiram H. Parke, OF 


THE AMERICAN ART ASSOCIATION, MANAGERS 
ENTRANCE, 30 EAST 57rH STREET 
NEW YORK 
1923 


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TEXT AND TYPOGRAPHY: — iS 


REGARDING THE LAMM COLLECTION 
; 749 Fifth Avenue. 
AMERICAN ArT AssociaTION 
30 East 57th Street, 
New York City. 


Dear Sirs: Although many interesting and important art collec- 
tions have come from the Old World to the New: although many who 
have come to these shores to make this their home, have brought with 
them all of their hereditary and valued household possessions, it has sel- 
dom if ever happened that the entire contents of a great and famous 
European palace have been brought to this country to be here dis- 
‘posed of, either by private treaty or public sale. 

While in Stockholm last October, my advice was sought by Mr. 
Carl Robert Lamm, the present owner of Nasby Slott, at Roslags 
Nasby, Sweden, as to whether or not, the great art-loving public of 
the United States would appreciate and purchase his widely known 
collection of paintings, rugs, fabrics, armor, furniture, bronzes, silver 
and numerous other objects that furnished, and were housed in, this 

wonderful old castle, about twenty-five miles north of Stockholm. 
: A visit to Nasby Slott, and an examination of its contents, con- 
vinced me that the collection was truly a remarkable one, and that 
the general character of it was such as to appeal to many American 
art lovers, both by reason of its quality and variety. 

It is thus that Mr. and Mrs. Lamm have entrusted me with the 
dispersal of their collection, and that I in turn have consigned it to 
you, the American Art Association, for public sale under your man- 
agement, and in accordance with the usual terms and conditions of 
your sales. 

Nasby Slott was built in the year 1665-1666 for Count Peder 
Larsson Sparre by Nicodemus Tessin the Elder, the architect, who 
soon thereafter built the Royal Palace in Stockholm. 

Living way up in the North, in this splendid old castle on the 
shores of the Baltic, surrounded by acres of his own ground, with his 
own farms and his own villages, Mr. Lamm has spent thirty beautiful 
and romantic years, gathering from all corners of the earth such 
treasures and works of art as appealed to his taste and his imagination. 

It was never his aim to form a collection of one kind of art, or 
the art of one nation or period, for his enthusiasm was too great and 
his interests too varied to permit of such limitations. 

In forming his collection he was prompted largely by the impulse 
to surround himself with all that was beautiful and by the profound 
desire to understand countries and ages other than his own. So he 


lived and worked with his art treasures around him, and in his spare 
hours he delved into their histories and studied their beauties. As in 
all great collections that express the collector’s progress, there is 
much that is below the standard and unworthy of the high merit of 
his later purchases. For Mr. Lamm, even more than most, became a 
student as well as a lover of art, and as his knowledge grew, his en- 
thusiasm and ardor increased, and thus his collection was constantly 
enriched by the acquisition of finer and finer objects. 

Few men are as fortunate as Mr. Lamm in having so sympathetic 
and interested a helpmate, and one who so thoroughly shares his 
enthusiasm as does Mrs. Lamm. The daughter and the sister of 
museum curators, she has not only enjoyed an art education from 
her youth, but has herself developed much taste and discrimination. 

Among others in their artistic circle may be mentioned, as a close 
friend for many years, and one who has much assisted Mr. Lamm in his 
selections, Dr. Frederick Martin, the well-known art expert, and 
author of the great work entitled: “A History of Oriental Carpets 
before 1800.” 

Many of the paintings, rugs and art objects have been shown at 
important exhibitions in London and Paris, and several were repro- 
duced in the catalogue of the Munich Exhibition of Mohammedan Art 
in 1910, and other publications of note. Of the rugs, nine are de- 
scribed and reproduced in Dr. Martin’s book. 

Much of the furniture and silver in the collection, and many of 
the clocks and bronzes, represent France of the eighteenth century in 
all her glory. As a result of the very cordial and friendly relations 
that existed between Gustavus III and Louis XVI, Sweden accepted 
and delighted in French culture of the time. Through this friendly 
intercourse between the two nations, a great deal of fine French art 
found its way into Sweden, and the taste of that country still reflects 
the dominating influence of eighteenth century France. 

The large assemblage of arms and armor, and the interest which 
it never fails to arouse in that land of the descendants of the Vikings, 
is truly a relic of feudalism, and the age when Sweden was one of the 
greatest fighting powers the world has ever known. 

Rembrandt heads the list of famous painters represented by ex- 
amples in the Lamm Collection, and this picture is doubly inter- 
esting because it is a well-known self portrait of that greatest of 
masters in the prime of his youth, glowing with warmth and vitality. 
It dates from about the same period as the self portrait in Mrs. Gard- 
ner’s Collection in Boston, and shows a more mature subject than a 
number of self portraits of earlier dates in the Hague Museum, and 
other public and private collections. Its unquestionable authenticity 
and its high artistic merit are not only attested by Dr. Bode, Dr. 


Valentiner and other Bees but also by the fact of its being of that 
period before the many contemporaries and followers of Renneait 
were so influenced by his style of painting as to produce many can- 
vases which undoubtedly have been and are now erroneously considered 
the work of the great master’s own hand. The painting was in British 
possession for many years, and was acquired by Mr. Lamm from the 
estate of the late R. B. Berens of London. 

Rembrandt’s famous contemporary and countryman, Frans Hals, 
is represented by the portrait of a woman dressed in luminous black, 
with a white ruff and cuffs, and wearing a small lace cap. The back- 
ground, of light mahogany color, lends charm to the figure, which 
‘Stands out with dignity and self-possession. The beautiful simplicity 
of the woman’s pose and the position of her hand is typical of the 
master’s work. Although painted around 1616, when the artist was in 
his thirty-seventh year, it is, according to Hofstede de Groot, one of 
the earliest of Hals ‘‘chef-d’ccuvres” that has come down to us. 

There are five Rubens canvases of various types and sizes. The 
portrait of a young man, painted between 1614 and 1615, deserves 
special mention as one of the most vigorous and finished products of the 
artist’s brush, and one of his most successful male portraits. 

Of the three important examples of Rubens’s no less famous pupil, 
Anton Van Dyck, perhaps the most interesting historically is the por- 
trait of Paulus Pontius, the artist whose name we associate chiefly 
with his excellent engravings after paintings by Van Dyck, and with 
a number of portraits which Van Dyck etched of him. 

“The Death of the Virgin,” by Lucas Cranach, is most interesting 
in its conception and beautiful in color, with its gold background and 
fabrics of Gothic design. 

Bernard Striegel, the early German artist, and contemporary of 
Diirer, whose work is extremely rare, is represented by the portrait 
of a young nobleman, dated 1502. Dr. Friedlander, of the Kaiser 
-Friederich Museum in Berlin, declared it to be of unusual value because 
of its early date, the museum having no example of his work of that 
period. 

No Swedish collection is complete without examples of its greatest 
artist of this generation, the late Anders Zorn, and here he is found, 
not only in two notable oils, one of which he personally declared to 
be the best he ever did, but also in three etchings, of which one, pre- 
sented to Mr. Lamm by the artist himself, is so rare as to have it said 
that there is but one other copy in existence. 

Besides those already mentioned, the splendid examples by great 
masters whose works are both rare and valuable are too numerous to 
be described individually, for they include canvases of many countries 


and periods. 


Among the tapestries there are several of unusual importance 
and charm. A seventeenth century Brussels pastoral tapestry, with 
landscape and figures of exceptionally fine weave, is signed “M. de 
Vos,” and bears the Brussels mark on the selvedge. 

A splendidly preserved early sixteenth century Arras Gothic 
Verdure, with leaves, wild animals and flowers, and complete border 
of fruit and flower design, is still bright in color and of desirable size 
and proportions. 7 

A magnificent French tapestry, woven at the Gobelins factory 
in Paris around 1712 by J. Souet, represents the month of October. 
and is one of a set of twelve months woven for Louis XIV, similar to 
those made for the Infante Ferdinand of Portugal around 1530, after 
cartoons of Lucas Van Leyden, which are known as “Les Mois dit de 
Lucas.” This particular tapestry was presented by Louis XIV to 
the Swedish ambassador at his court, Count Sparre, through whom it 
became the property of Queen Louisa Ulrica of Sweden. Aside from 
its historic interest, it is of rare importance, for it is so well preserved 
and so beautiful in color that one can still appreciate each gradation 
of tone as it was originally executed. 

Very unusual is the huge Brussels tapestry table cover of the 
early seventeenth century, with its gay detached sprays of flowers 
and butterflies on a blue-black field, and its center medallion depicting 
the “Angel’s Visit to Abraham.” 

A beautiful pair of sixteenth century Arras tapestry cushions 
were made for Charles [X when Dauphin of France. 

Among the many pieces of signed eighteenth century French fur- 
niture, perhaps the finest is the important inlaid tulipwood upright 
secrétaire, mounted with cuivre doré, and signed by the great “Ebéniste 
du Roi,” Jean Francois Oeben. 

No less interesting is the remarkably fine inlaid tulipwood writing 
table which has the unusual distinction of having both the cabinet 
work and the mountings signed. The signature of Pierre Bernard, 
“Maitre Ebéniste,” is found on the top of the left-hand drawer, while 
C. P., presumably Philippe Cafferi, is responsible for the splendidly 
sculptured mounts. 

Of unusual beauty is the richly inlaid Louis XV tulipwood com- 
mode, with its serpentine front of perfect proportions, and elaborately 
mounted in cutvre doré in the style of Cafferi. This piece comes from 
the collection of the Chateau de Courbiéres, Haute Loire, France. 

A pair of inlaid tulipwood Encoignures are delightful examples 
of the work of the “Maitre Ebéniste,” G. Jansen, and illustrate the 
French genius in furnishing the corners of a room. 

There are four Régence carved walnut fauteuils, splendidly uphol- 
stered in the original petit- and gros-point, and many state and side 


chairs covered in brocade, needlework, tapestry and_ illuminated 
leather. | 

Of the Louis XIV period there are a number of very fine inlaid 
kingwood Commodes mounted in cutvre doré, and topped with slabs 
of ‘Rouge Royal” marble. One of the best of these is signed I. B. 
Fromageval. 

It is hardly possible to find a better or more typical example of 
French Renaissance furniture than the superb cabinet, reminiscent of 
the work of Jean Goujon. Dr. von Falke of the “Kunstgewerbe 
Museum” in Berlin has written about it. 

A unique specimen of the finest Syro-Damascan carving of the 
fifteenth century is the cypress-wood door, which has been reproduced 
and described both by Dr. Ernest Diez of Vienna and Dr. Frederick 
Martin of Stockholm. 

The rugs in the Lamm Collection are by no means the least impor- 
tant feature of it, for there are not less than fourteen of extraordinary 
type, and supreme beauty. Perhaps the earliest is a Kouba, or Dragon 
Carpet, from Eastern Asia Minor,-with a lustrous ruby-red field fluc- 
tuating to a deep rose as its predominating color, but including many 
_ others, in superbly delicate shades. Experts disagree as to the date 
of this rug, and their opinions vary from the middle of the thirteenth 
to the early fifteenth century. All, however, agree as to its beauty 
and rarity. 

An Imperial Ispahan seventeenth century Marine Carpet, with a 
central diamond medallion and boats, is so rare that in Persia it is 
said that the possession of it is punishable by death. 

Probably unique in color and type is the Ispahan, late seventeenth 
century, sapphire-blue Garden Carpet, of a rare design simulating gay 
flower-beds, fountains, canals and drifting boats. 

The sixteenth century Persian flowered cartouche carpet has long, 
arched stems of hyacinths sweeping down its entire length, and is bril- 
liant in color and splendid in design. 

All four of these rugs are reproduced in Dr. Martin’s book: “A 
History of Oriental Carpets before 1800,” and mentioned in A. F. 
Kendrick’s book entitled: ‘Handwoven Carpets, Oriental and Euro- 
pean.” 

There are a number of miscellaneous objects of particular interest. 
A rare sixteenth century Italian cuivre doré lock, hasp and key show 
superb workmanship and excellent modeling of the figures. 

One of the earliest European bronzes in the collection is a fine 
group of “Neptune and the Marine Monster,” by Adrien de Vries 
(1560-1627). 

An exquisite example of seventeenth century German workman- 
ship is the Augsburg cuivre doré and crystal clock, supported on the 


head of a kneeling Atlas and surmounted by the standing figure of 
St. John the Baptist. A folding shrine, painted with scenes from the 
life of Christ, is concealed in the foot, and signed “Wilhelm Zoller.” 
It comes from the collection of Count Raoul Hamilton, Oversholm, 
Skane, Sweden. 

A rare specimen of sixteenth century rock crystal is the small 
ewer, with episodes from the life of Neptune, and mounted in gilded 
silver. 

The amateurs of French art will delight in two beautiful cusvre 
doré and marble candlesticks of the Régence period which are exqui- 
sitely chiseled and of the highest quality. 

A beautifully modeled gilded bronze group, in the form of a 
chubby cupidon reclining and slumbering on the back of a dolphin, 
is by Nicolas Couston (French, 1650-1733). 

A pair of alabaster vases, with the finest cwivre doré mounts, are 
in the manner of Gouthiére, and show the Louis XVI style in its noblest 
form. 

Worthy of special attention is an imposing and unusual pair of 
French eighteenth century bronze, cutvre doré and marble candlesticks 
from the collection of Count Stenbock of Sweden, who inherited them 
from Princess Sophia Albertina, sister of King Gustavus III. 

Regal and of great value are the two cutvre doré French vases of 
the Louis XVI period, with another, somewhat larger, fitted with a 
clock by Nils Berg, Stockholm. There is an identical vase, slightly 
smaller, in the Royal Swedish Collection. 

A splendid example of the simpler type of Louis XVI ¢lock is 
one of bronze and cutvre doré, with a green bronze cupidon, of which 
the dial is signed: “Courvoisier a Paris.” 

Both artistically and historically the cuivre doré mounted marble 
clock by Barancourt is an item of the first importance. This fine 
timepiece was presented by the Emperor Napoleon to Marshal Ney, 
and is inscribed on the ball under the eagle at the top: “A M. Ney 
par L’Empereur.” 

The silver includes pieces both for collection and utility, and 
dates from the sixteenth to the late eighteenth century. 

Regal and imposing are the two large silver tureens and covers 
which are monogrammed and dated 1794, and come from the Royal 
Danish House, of which they bear the crest. | 

Of extremely rare quality is the important French silver coffee- 
pot made by Jacques Léger in Paris in 1690. 

Very fine, too, is the pair of eighteenth century French, urn- 


shaped silver “réchauffeurs” bearing the maker’s monogram and other 
marks of identification. 


Of great rarity and importance is the thirteenth century Mosul 
silver inlaid bronze candlestick, with medallions of royal figures inter- 
rupting minutely scrolled Cufic inscriptions, of which the letters at the 
top all terminate with human heads. It is signed on the interior lip, 
and was exhibited and reproduced in the catalogue of the Munich 
Exhibition of Mohammedan Art in 1910. 

A Pentelic marble water jar, which is Arabic of the fourteenth 
century, is very interesting with its band of ornamental Cufic inscrip- 
tions, and is most graceful in form. 

There are many splendid examples of European and Japanese 
textiles, but perhaps the most unusual in the collection are several 
pieces of Persian origin. Three very long Ispahan sixteenth century 
gold brocade table covers, woven of the pure metal thread and colored 
silks, are very beautiful and extremely rare. 

There are also a number of very fine sixteenth century Asia Minor 
velvet panels, of which one of the most interesting has a design in red 
and soft green on a cream ground. 

The extensive collection of ancient European and Oriental fire- 
arms, weapons and armor dating from the fifteenth to the eighteenth 
century includes a remarkable gathering of Japanese, Persian and 
European helmets, and many rare halberds, spontons, swords, guns, 
daggers, maces, stirrups and spurs which the owner has procured from 
famous European collections during years of study and searching. 

And thus, with this wealth of material, Nasby Slott became a 
great show place in Sweden, and was enjoyed by many visitors, from 
their Majesties, the King and Queen of Sweden, to the simple peasants 
and villagers living on its domains. Great was the country’s regret, 
as expressed through its daily newspapers, when it became known that 
the collection was being taken to America, and would be lost to the 
nation forever. 

To have packed the entire contents of an ancient Swedish castle ; 
to have these valuable contents transported, shipped, received, exam- 
ined and catalogued, all in a little over three months, has been no easy 
task, but I am confident that with their presentation and display in 
your very beautiful and remarkably conducted American Art Galleries, 
and your subsequent management of the sale, you will neither disap- 
point Mr. Lamm nor shake his great confidence in the American public, 
which he has expressed by offering to it his acquisitions of a lifetime. 


Faithfully yours, 


(Signed ) RutH TEscHNER. 
January 22, 1923. 


CONDITIONS OF SALE 


__1. Rejection of bids: Any bid which is not commensurate with the value of the 
article offered or which is merely a nominal or fractional advance may be rejected by the 
auctioneer if in his judgment such bid would be likely to affect the sale injuriously. 

II, The buyer: ‘The highest bidder shall be the buyer, and if any dispute arises 
between two or more bidders, the auctioneer shall either decide the same or put up for 
re-sale the lot so in dispute. 

Ill. Identification and part payment by buyer: The name of the buyer of each lot 
shall be given immediately on the sale thereof, and when so required, each buyer shall 
a a card giving the lot number, amount for which sold, and his or her name and 
address. 

Payment at the actual time of the sale shall be made of all or such part of the 
purchase prices aS may be required. 

f the two foregoing conditions are not complied with, the lot or lots so purchased 
may at the option of the auctioneer be put up again and re-sold. 

IV. Risk after purchase: Title passes upon the fall of the auctioneer’s hammer. 
and thereafter neither the consignor nor the Association is responsible for the loss or 
any damage to any article occasioned by theft, fire, breakage or any other cause. 

V. Delivery of purchases: Delivery of any purchases will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made at the place of sale or at the storage warehouse to which 
purchases may have been removed. 

Deliveries at the American Art Galleries will be made only between the hours of 
9 A. M. and 1 P. M. on sales’ days and on other days—except holidays, when no deliveries 
will be made—between the hours of 9 A. M. and 5 P. M. 

Deliveries at places of sale other than the American Art Galleries will be made 
only during the forenoon following the day of sale unless by special notice or arrange- 
ment to the contrary. 

Deliveries at the storage warehouse to which goods may have been sent will be made 
on any day other than holidays between the hours of 9 and 5. 

Deliveries of any purchases of small articles likely to be lost or mislaid may be 
made ayeue discretion of the auctioneer during the session of the sale at which they 
were sold. 

VI. Storage in default of prompt payment and calling for goods: Articles not paid 
for in full and either not called for by the purchaser or delivered upon his or her order 
by noon of the day following that of the sale will be turned over by the Association to 
some carter to be carried to and stored in some warehouse until the time of the delivery 
therefrom to the purchaser, and the cost of such cartage and storage will be charged 
against the purchaser and the risk of loss or damage occasioned by such removal or 
storage will be upon the purchaser. 

NOTE: The Limited space of the Delivery Rooms of the Association 
makes the above requirements necessary, and it is not alone for the 
benefit of the Association, but also for that of its patrons, whose goods 
otherwise would have to be so crowded as to be subject to damage 
and loss. 

VII. Shipping: Shipping, boxing or wrapping of purchases is a business in which 
the Association is in no wise engaged, and will not be performed by the Association 
for purchasers. The Association will, however, afford to purchasers every facility for 
employing at current and reasonable rates carriers and packers; doing so, however, 
without any assumption of responsibility on its part for the acts and charges of the 
parties engaged for such service. 

VIII. Guaranty: The Association exercises great care to catalogue every lot cor- 
rectly and endeavors therein and also at the actual time of sale to point out any error, 
defect or imperfection, but guaranty is not made either by the owner or the Association 
of the correctness of the description, genuineness, authenticity or condition of any lot 
and no sale will be set aside on account of any incorrectness, error of cataloguing or 
imperfection not noted or pointed out. Every lot is sold ‘as is” and without recourse. 

very lot is on public exhibition one or more days prior to its sale, and the 
Association will give consideration to the opinion of any trustworthy expert to the 
effect that any lot has been incorrectly catalogued and in its judgment may thereafter 
sell the lot as catalogued or make mention of the opinion of such expert, who thereby 
will become responsible for such damage as might result were his opinion without 
foundation. ; 

IX. Buying on order: Buying or bidding by the Association for responsible 
parties on orders transmitted to it by mail, telegraph or telephone will be faithfully 
attended to without charge or commission. Any purchases so made will be subject to 
the foregoing conditions of sale except that, in the event of a purchase of a lot of one 
or more books by or for a purchaser who has not through himself or his agent been 
present at the exhibition or sale, the Association will permit such lot to be returned within 
ten days from the date of sale and the purchase money will be refunded if the lot 
in any manner differs from its catalogue description. ; a 

Orders for execution by the Association should be written and given with such 
plainness as to leave no room for misunderstanding. Not only should the lot number 
be given, but also the title, and bids should be stated to be so much for the lot, and 
when the lot consists of one or more volumes of books or objects of art, the bid per 
volume or piece should also be stated. If the one transmitting the order is unknown to the 
Association, a deposit should be sent or references submitted. Shipping directions should 
also be given. i ; 

Priced Catalogues: Priced copies of the catalogue or any session thereof, will be 
furnished by the Association at charges commensurate with the duties involved in copying 
the necessary information from the records of the Association. 


AMERICAN ART ASSOCIATION, ; 
New American Art Galleries, 
Block of Madison Avenue, 56th to 57th Street, 
Entrance, 30 Hast 57th Street, 
New York City. 


INTELLIGENT APPRAISALS 


FOR 


UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 
AND 


CATALOGUES OF PRIVATE COLLECTIONS 


APPRAISALS AND CATALOGUES. ‘Together with the increase in 
its exhibition and sales rooms, the American Art Association will expand its 
service of furnishing appraisements, under expert direction, of art and literary 
property, jewelry and all personal effects, in the settlement of estates, for in- 
heritance tax, insurance and other purposes. It is prepared also to supplement 
this work by making catalogues of the contents of homes or of entire estates, such 
catalogues to be modelled after the finely and intelligently produced catalogues 
of the Association’s own Sales. 


The Association will furnish at request the names of many Trust and Insur- 
ance Companies, Executors, Administrators, Trustees, Attorneys and private 
individuals for whom the Association has made appraisements which have not only 
been entirely satisfactory to them, but have been accepted by the United States 
Revenue Department, State Comptroller and others in interest. 


THE AMERICAN ART ASSOCIATION 


AT ITS 


NEW AMERICAN ART GALLERIES 
THE BLOCK OF MADISON AVENUE, 56TH To 57TH STREET 


ENTRANCE, 30 EAST 57TH STREET 
NEW YORK CITY 


CATALOGUE - 


I. 
: 


7 
} 


[Copy of letter to Mr. Carl Robert Lamm from His Excellency Cap- 
tain Axel Wallenberg, Minister from Sweden to the 
United States of America| 


ROYAL SWEDISH LEGATION 


Wasuinetron, D. C. 


December 15, 1922. 
Cart Rozerr Lamm, Esquire, 
Nasby Slott, 
Roslags Nasby, Sweden. 


My Dear Mr. Lamm: His Excellency, Minister Morris, at a public 
dinner a few days after his arrival in this country from his post in 
Stockholm, stated that Sweden had met with the misfortune of losing 
forever the fine pictures, tapestries, rugs, armor and other artistic 
objects which, for so many years, have furnished your home at Nasby, 
and which have given so many of us both pleasure and education in 
viewing. 

To be sure, as Minister Morris said, “What is Sweden’s loss is 
America’s gain,” and I have no doubt that the homes of many of 
America’s well-to-do will be made more beautiful by their acquisitions 
from your treasures when Miss Teschner, who I have heard has brought 
the collection from Sweden with her, offers it for sale, which, I am 
told, will happen shortly. 

At the same time, it is unfortunate that we can no longer have 
the pleasure of enjoying this collection as such, and more particularly 
that we can no longer see it in our own dear country. 

May all be well with you, and now that definite plans have been 
made for the dispersal of your property, may it be attended with all 
success. 


Faithfully yours, 


(Signed) AxEL WALLENBERG. 


FIRST AFTERNOON’S SALE 


WEDNESDAY, FEBRUARY 21, 1923 


IN THE ASSEMBLY HALL 


OF 


THE AMERICAN ART GALLERIES 


BEGINNING AT 2.15 O'CLOCK 


Catalogue Numbers | to 229, inclusive 


LACQUER INROS AND BOXES 


1—Jaranres—E Moruer-or-PeEArL Goup Laceuver Inro, or MeEpt- 
CINE Box 

Oval, with five sections. Enriched with clustered royal chrysan- 

themums on partial aventurine grounds; flecked with mother-of- 


pearl. 
Length, 24% inches, 


2—JAPANESE GOLD AND Buacx Lacever Inro, or Mepicine Box 


Oval, with six sections. Enriched with riverside palace land- 


scape. Partial silver grounds. 
Length, 314, inches. 


3—JAPANESE Goutp Laceurr Inro, or Mepicint Box 


Flattened oval, with five sections. Enriched with portrait of a 
dignitary seen on a rustic tree trunk; reverse with flying cranes. 
Button netsuke with palm leaves. Signed: Kajikawa. 


Length, 3 inches. 


Kindly read the Conditions under which every ttem is offered and sold. 


They are printed in the forepart of the Catalogue. 
EE eee ee eee 


4— JAPANESE Gotp AND Brack Lacevuer Inro, or Mepicinr Box 
Oval, with five sections. Enriched with mountainous landscape, 


blossoming chrysanthemums and cloudy sky. 
Length, 234 inches. 


5—JapANESE Burr Lreatuer Inno, or Mepicine Box 
Oval, with two single covers. Enriched with polychromed metal 
figure of a Hessian soldier and sprigs of golden flowers. Rustic 


ivory netsuke and coral stop. | 
Length, 8%, inches. 


6—JapranesE Intarip MoruHeEr-or-PEarL Goutp Laceuer Inro 
Oval, with five sections. Enriched in mother-of-pearl and other 
colored hard stones with bird perched on prunus spray, growing 
chrysanthemums, wistaria and a minutely cut butterfly. Button 


netsuke, with two metal figures under parasol. | 
Length, 3 inches. 


Y—JAPANESE Goup Lacever Inro 


Oval, with six sections. Enriched with mountainous landscapes 


and waterfall. Signed on end: Kajikawa. 
Length, 31%, inches. 


8—JAPANESE Buack anp Goup Laceurr Inro 


Oval, with five sections. Enriched with fish jumping a waterfall 
and chickens. Carved rustic netsuke. Signed on end: Senlei. 


Length, 4 inches. 


9—JAPANESE Goutp Lacever Inro 
Oval, with six sections. Enriched with growing bamboo and 


landscapes. 
Length, 3%, inches. 


10—JapanEsE Buacxk anp Gop Lacever Inro 


Flattened oval, with five sections. Enriched with sprays of fine 
chrysanthemums; on powdered black grounds. Signed on end: 
Kajikawa. 

Length, 234 inches. 


eee 


First Afternoon 


11—JaPranrEsE Buack anp Goup Inro 


Oval, with six sections. Enriched with delicately drawn rustic 
landscapes and birds flying before black skies. Signed on end: 
Kajikawa. 

Length, 3 inches. 


12—JapanesE Moruer-oFr-PEarLt Goutp Lacever Ineo 
Oval, with five sections. Enriched with carved mother-of-pearl 
“Dog Foo” sporting in landscape. Reverse, with waterfall and 
fir tree. Colored ivory netsuke, with two mother-of-pearl “Dogs 
of Foo” and seal; aventurine stop. Signed on end: Kakjosai. 


Length, 31%, inches. 


1383—JaPANEsE CorAt anp Buack anp Goxup Lacever Inro 
Oval, with five sections. Enriched with black birds, one perched, 
the other flying over most delicately cut and inlaid coral flower- 
ing prunus. Black grounds powdered in gold. Signed on end: 


Kajikawa. 
Length, 31, inches. 


14—- JAPANESE GoLp AND Gray LacauEr Inro 
Oval, with five sections. Enriched with chrysanthemums grow- 
ing over waterfalls; aventurine sky. Signed: Fokasai. 


Length, 3 inches. 


15—JAPANESE GoLp AND Brack Lacevuer Inro 


Oval, with six sections. Enriched with mountains, waterfall, 


birds and growing chrysanthemums. 
Length, 34, inches. 


16—JapPaNEsE Goutp LacavEer Iyro 
Oval, with six sections. Enriched with ‘Dogs of Foo” sporting 
in mountainous landscapes. Aventurine sky. Signed: Bon- 


saikun—Tatsunari. 
Length, 31, inches. 


17—JaPANESE Gotp LaceuEr [nro 
View of Arashiyama, Kyoto. Oval, with five sections. Enriched 
with mountainous landscapes and riversides. Skilfully modeled. 


Signed: Shojoyo-Shin. 
Length, 31, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


18—JapanEsE Gotp anp Brack Lacquer Inro 
Oval, with six sections. Enriched with mountainous landscape, 


lake and edifices ; powdered black grounds. 
Length, 3% inches. 


19—Japanes—E MotTuer-or-PEart Gorp Laceurr Inro 
Oval, with five sections. Skilfully enriched with fisherman in 
mother-of-pearl lined boat striking with a sword at an octopus. 


Carved ivory netsuke. 
Length, 2% inches. 


20—JapaNESE Buack anp Goxp Iyro 
Oval, with six sections. Finely enriched with skilfully modeled, 


“Mountainous Landscape with Edifices.” 
Length, 3% inches. 


21—JaApANEsE Goutp LacevuEer Inro 
Oval, with six sections. Enriched with detached Imperial chrys- 


anthemums. Signed: Yenami—Shoga. 
Length, 3%, inches. 


22— JAPANESE Goxup LaceuErR Inpro 


Oval, with five sections. Enriched with delicately modeled moun- 
tainous landscapes, edifices and fishing boats on stream. Ivory 


netsuke carved with recumbent “Dog Foo.” 
Length, 3%, inches. 


23—JAaPANESE Gotp Laceuver Inro 


Oval, with five sections. Enriched scrolled panels variously occu- 
pied by weird dragon and rapacious tiger; brocaded aventurine 
grounds. 

Length, 3 inches. 


24—Larcre JAPANESE Sitver Intatp LacevER Inro 


Oval, with three sections. Enriched with silver owl on red lac- 
quer perch. Brown aventurine grounds. 
Length, 51% inches. 


25—ENAMELED Kirt-woop Toracco Box, or TaBaKoire 


Oval, with loose lid. Enriched with mandarin duck flying with 


fish in bill over rushes. Rustic and cash netsuke. Signed: Han- 
zan. 


Length, Ad, inches. 


: 
7 


First Afternoon 


296—JAPANESE LEATHER PoucH AND PIPE 


Oblong pouch and pipe cases. Mounted in silver with coiled 
dragon; bamboo pipe with silver bowl and mouthpiece, enriched 
with figure of peasant and symbols. Silver chain. of many 
strands terminating in ivory netsuke, kylin and cubs playing 


with coral ball. 
Length, 834, inches. 


27—JAPANESE Goxtp LacevuER Box 


Heart-shaped ; decorated with spray of leaves in duo-gold. 
Length, 3 inches. 


28—Japanese Gotp Laceurr Box 
Helmet-shape; enriched in mother-of-pearl with lily leaves and 
bands of aventurine. Signed: Yashikawa—Koshinsai. 


Height, 31, inches. 


29—J APANESE SILVER-PLATED Box 
Round; enriched with landscape; the interior with flying birds. 
Powder gilding. Signed: Rokujiugoso Shoami. 
Diameter, 3 inches. 


30—JapaNEsE Goutp LaceuEer Box 
Vase-shape; enriched with “Springtime Landscape” and scrolling 
borders. 
Length, 3°4 inches. 
31—-JaPANESE Gotp Laceurer Box 
Oblong, with round corners; enriched on cover with mountainous 
landscape having arched bridge over stream in foreground. 
Sides of trailing flowers on black grounds. 
Length, 3°, inches. 
32— JAPANESE Goutp Lacaver Box 
In the form of a peach; richly decorated with minute blossoms 
and stream. Interior with tray similarly enriched. 


Length, 4 inches. 


33—JAPANESE Goutp Lacever Box 
Heart-shaped, with leaf-lobe at right side; enriched with sprays 
of flowers, symbols and butterflies, touched with red and black. 


Length, 5 inches. 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


34—JapanEesE Gotp LacevEer Box 
Lobed oblong, with domed cover; decorated with panoramic 
mountainous landscape, flecked with mother-of-pearl; the side 
with dragons seeking the sacred pearl. 
Length, 41% inches. 
35—JapanEsE Goip LaceauvEer Box 
Oblong; decorated with flocks of standing and flying cranes, 
touched with red and black. Interior tray with bowls of flowers 
on black ground. 


Length, 41% inches. 
36—JaPANESE MorHer-oF-PEARL Gotp LacauER Box 


Oblong, with flanges on two sides; decorated with ‘“Mountainous 


Landscape” and brocade bandings. 
Length, 41% inches. 


37—Two Cuines—e Moruer-or-PEarL Lacquer CoverepD Bowtis 
Ming 
Black lacquer bowl, with short foot; domed and galleried cover, . 
both bowl and cover silver lined. Daintily inlaid with sprays 
of minute flowers, figures of the “Eight Taoist Immortals” and 
scroll-bandings in high-colered mother-of-pearl. 


Diameter, 5 inches. 


38—JAPANESE GoLp LaceuER Box 


Shaped oblong, with small box shape superimposed. Decorated 
in reds, blue and black with seals and sprays of lilies. 


Length, 5%, inches. 


39—MorHER-oF-PEARL Lacaurr Bown Ming 
Tapering quadrilateral shape. Enriched with delicate high-col- 
ored mother-of-pearl landscape on golden grounds. | 


51, inches square. 


40—Japanres—E MoTuer-oFr-PEARL Goutp Laceuver Box 


Shaped oblong; with three sections and tray. Finely enriched 
with flowers growing before a mountainous landscape. The in- 
terior tray with figure of a maiden drawing a leaf. 


Length, 51%, inches. 


First Afternoon 


41— JAPANESE Goup LaceuvER Box 


In the form of three clam shells; enriched with varied landscapes 


in duo-gold and greenish tones. 
Length, 5% “inches. 


42—JAPANESE GoLpD LaceuER Box 
Shaped oblong; with three sections and tray. Enriched with 
varied interesting landscapes in duo-gold, touched with greenish 
gray. 
Length, 5% inches. 


42—JAPANESE GoLtp LacaquER Box 


In the form of three clam shells; enriched with varied landscapes 


in duo-gold, red and black. 
Length, 53/4, inches. 


44—JAPANESE GoLp LaceuER Box 


Oblong, with canted corners; decorated with wooded stream and 
varied trailing flowers on sides ; powdered black grounds. Signed: 


Oko. 
Length, 6 inches. 


45—JapanrsE MoTHer-oF-PEARL Goutp LaceuEr Box 
Double fan-shape. Finely enriched in carved mother-of-pearl 
with sprays of prunus and peonies and flying bird. Coral and 
tortoise-shell stems and buds. Sides and lower box cover with 


varied flowers on black ground. 
Length, 714 inches. 


46—JAPANESE GoLp LaceuvER Box 


In the form of a guitar; decorated with “Palace Landscape” and 


delicate brocade band, touched with black. 
Length, 9 inches. 


47—JAPANESE Gotp LacevuEer TRay 
Oblong, with round corners. Enriched with “Springtime Land- 
scape” and Fujiyama in distance. Floral brocade borders in 


delicate colors. 
Length, 91, inches. 


48—JAPANESE Sitver Invai Goup Lacaver Tray 
Lobed oval; enriched with two fans having silver sticks and flow- 


ered foils. 
Length, 13814 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


49—JapanrsE Gorp LaceuEer Tray 
Oblong, with incurved corners and silver rims; decorated in duo- 
gold with “Panoramic Landscape,” with flying birds and florally 


scrolled borders. 
Length, 101% inches. 


50—CuinesrE Carvep RHINOCEROS-HORN CUP Ming 
Cusped flaring oval; enriched with rustic foot and sprays of 


magnolia blossoms. (Imperfect.) 
Length, 6 inches. 


JAPANESE BRONZES 


51—BronzeE Animat CENSER Japanese Eighteenth Century 


Recumbent kylin playing with a brocade ball under his raised 
left forepaw. Fine grotesque modeling. Loose head, with open 


bearded mouth. 
Height, 234 inches. 


52—Japanyse Bronze Grovr Eighteenth Century 


Snake attacking a tortoise. The tortoise standing with head 
thrust over back to encounter the snake wound round its tail and 
body. Yellow and green patina. 

Height, 3% inches. 


53—JAPANESE CLOISONNE VASE Eighteenth Century 
Cylindrical straight-sided. Enriched with chimeric monsters in 
colors on a reticulated greenish turquoise-blue ground. 


Height, 4%, inches. 


54—JapanesE Tron CENSER Siateenth Century 
Curious in-lobed round body, with open circular flanged lip and 
similar central aperture. Rich ruddy-brown patina. 


Diameter, 5 inches. 


55—GrortesauE Bronze CENSER Japanese Seventeenth Century 


Recumbent figure of ‘Dog Foo,” with forepaw raised, tail erect 
and loose head with grinning open mouth. Rich yellow and 
brown-black patina. 

Height, 514, inches. 


First Afternoon 


56—JApANESE Bronze Dovusie CENsER Eighteenth Century 


Standing coupe shape, with loose bowl having open lobed border. 
Pierced scrolled body; the high foot enriched with weird scrolled 
dragon. Rich mottled golden-yellow patina. 

Height, 51% inches. 


57—JaAPANESE Bronze FLower Vase Eighteenth Century 


Lobed-circular body, and broadly flaring lip; enriched with 
tiger crouched on shoulder and band of scrollings. <A coiled 
dragon embellishing the high foot. Rich green-black patina. 


Height, 6 inches. 


58—Low Japanese Bronze Bowr Early Nimeteenth Century 
Straight-sided, with broad flanged lip and ball feet; decorated 
with band of minute archaic scrollings and cartouches of Ho-Ho 
birds. Ruddy-brown patina. 


Diameter, 6 inches. 


59—JAPANESE BronzE Hancinca Fitrowrer Houper 


Eighteenth Century 


A “Locust” settled on a conventionalized lobed lily. Rich ruddy- 


brown and black patina. 
Height, 6%, inches. 


60—JapaNEsE Bronze Bowx Eighteenth Century 


Gourd-shaped, with small aperture; enriched with open spray of 
peach stem which forms a rustic lug handle and two feet, the 
third foot a small peach. Golden-bronze patina. Impressed seal 


on foot. 
Height, 6% inches. 


61—JapaNnEsE Bronze Dousie VAsE Late Eighteenth Century 
In the form of twin-bamboo stems of irregular height. Enriched 
with sprays of leaves. Deep rich brown-black patina. 


Height, 61, inches. 


62—JaPANESE Bronze VASE Eighteenth Century 


Incurved beaker-shape, enriched with spray of apple buds. Rich 
rust-color and variable green patina. Signed toward foot. 


Height, 6%/, inches. 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


ee 


63—JAPANESE BronzE CANDLESTICK Eighteenth Century 


Stem and base formed of a scrolling lotus spray having large 


curled leaves. Golden-yellow-black patina. 
Height, 6%, inches. 


64—JapanEesE Bronze Fiower Vase Eighteenth Century 


_ Expanding-tubular shape; enriched in relief with stems of bam- 
boo tied with cords. On short feet. Rich rose-brown patina. 


Height, 6%, inches. 


65—JapanEsE Bronze Covered VESSEL Eighteenth Century 
Molded oblong body, with ring handles surmounted by seals, 
scrolled legs with demon-mask knees. Body paneled with small 
archaic S-scrollings. Teak cover, with gold inlaid terminal. 


Deep brown-black patina. 
Height, 3 inches; length, 6 inches. 


66—JAPANESE CLOIsoNNE Bown Sixteenth Century 
Bell-shaped. Enriched on exterior and interior with scrolled 
lotus blossoms and valanced blossoms in reds, amber, jade-green, 
lapis-blue, pink and white on deep rich turquoise-blue grounds. 


Diameter, 7% inches. 


67—JapanrsE Bronze Antmaut Crnser Early Nineteenth Century 


Standing quacking Mandarin duck, with pierced plumage to 
loose cover on back. Golden-yellow patina. 
Height, 71/4 inches. 


68—JapanrsE Bronze Covurr Seventeenth Century 


Deep bowl; enriched with lotus blossom whose stem scrolls and 
forms a rustic support. A lizard-like dragon crawls upon the 
plain side. Rich green patina. 


Diameter, 7 inches. 


69—Japanesr Bronze Beri Eighteenth Century 


Flattened pear-shape, with upright rustic loop handle; enriched 
with “Fujiyama Landscape,” sun, moon and inscription. Rose- 
brown patina. | 

Height, 7 inches. 


First Afternoon 


70O—JApPANESE Bronze VASE Eighteenth Century 


Beaker-shape, enriched with bands of brocade pattern and nat- 
uralistic leaf-spray handles. Rich ruddy-black patina. 


Height, 7 inches. 


V1— JAPANESE GILDED Lacquer SHRINE Eighteenth Century 
Lobed oval shrine, with folding hinged doors. Standing Bud- 


dhistic figure, with many arms and pierced oval nimbus at rear. 


Height, 714 inches. 


72—JapaNESE Bronze TEeMpiLe VESSEL 
Deep bowl, with high foot and animal-head and ring handles. 
‘Enriched with archaic band-of scrollings, surmounted by pearl 
motive and having pendent spear-shape motives. Deep golden- 
yellow patina. 
H Diameter, 8 inches. 


73—JAPANESE IRon BASKET 


Formed as a mother-of-pearl shell; with two chrysanthemum 
lacquered covers and copper handle in the shape of an arched 


fish. 
Length, 8% inches. 


74—Courious JAPANESE Iron ‘TEAPOT Eighteenth Century 
In the form of an inverted cusped water lily with stem and tendril 
scrolled into a high looped handle. ‘Loose lid, with crab as 
handle; short rustic spout. Red-black patina. 


Height, 81 inches. 


75—JAPANESE Bronze FIGURINE Seventeenth Century 
The Taoist Immortal known to the Chinese as the “Beggar with 
the Hempen Bag.” Standing weird figure with a cape of large 
leaves, a gourd at his side and low draped skirt. On hexagonal 
stand having scrolled cabriole legs. Rich yellow-black and 


green patina. 
Height, 8%, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


“6—JAPANESE Bronze VASE Eighteenth Century 
Lobed incurved beaker, with scrolled handles terminated in chim- 
eric heads. Enriched with spear-shaped panels flanking central 
band of antique scrollings. Signed on lip. Rich black-brown 


patina. 
Height, 8% inches. 


Y7—JAPANESE SrtvERED Bronze Mirror | 
Early Nineteenth Century 
Circular; the back enriched with flowering shrubs growing in 


landscape. 
Length, 9% inches. 


78—JAPANESE Bronze CENSER Seventeenth Century 


In the form of a grotesque mask, with scrolled head-dress. Slight 
inlay of blue and green enamel. Rich ruddy-brown patina. 


Length, 1014 inches. 


79—JapPANESE Bronze TEMPLE SET Eighteenth Century 


Consisting of candlestick, censer and beaker-shaped vase. Molded 
balustered candlestick with open domed center. Censer with 
pierced cover terminating in a kylin playing with brocaded ball; 
base with animalistic-head lug handles. Each with a band of 
archaic scrolled enrichment. Golden-yellow patina. Signed at 
foot *‘Naho Minesado.” 

Heights, 1014, inches, 434 inches and 5 inches. 


80—ImrprriAL JAPANESE Bronze VASE Seventeenth Century 


Quadrilateral beaker-shape, with broad straight lip and interest- 
ing scrolled flanges of bamboo motives at corners. Enriched 
with “Imperial Chrysanthemum Seal” on body. Golden and 
gray-black patina. | 

Height, 10% inches. 


81—JAPANESE SILVERED Bronze Mrrror Eighteenth Century 
Circular, the back enriched with cranes and tortoise in flowering 

landscape; seal above. | 
Length, 11 inches. 


First Afternoon 


82—JapANESE CLoIsonNE Rounp DisuH Eighteenth Century 
Deep dish; on gilded stump feet. Enriched in deep blue, white, 
red, yellow and orange with three weird monsters amid small 
scrolling lotus; on greenish turquoise-blue ground. 


Diameter, 1114 inches. 


83—JapanESsE Bronze TemMpLe VaAsE Seventeenth Century 
Beaker-shape, with animal-head looped handles. Enriched: with 
panels of blossoming lotus and j’wi panels on shoulder of body. 


Deep yellow and black patina. 
Height, 1134 inches. 


84—Larce JAPANESE SitveER Bronze Tempe VEsseEL 
Late Seventeenth Century 
Bowl-shaped, with outcurving stump tripod feet and curious 
looped lug handles. Enriched with band of minute scrollings at 
mouth on which two dragons are imposed. Silvery-yellow patina. 
Impressed seal under foot. 


Height, 10 inches; diameter, 11%, inches. 


85—JAPANESE Bronze VaAsE Eighteenth Century 


| Body formed of three elephant-heads, with flaring trumpet 
mouth. On lugged outcurving base. Rich rose-black patina. 


Height, 111% inches. 


86—BronzE VASE Japanese Eighteenth Century 


Depressed globular, with slender neck and lobed bulbous mouth. 


Rich gold, red and black patina. 
Height, 1114 inches. 


87—Po.tycHROMED JAPANESE Bronze CrEnsER Seventeenth Century 


Low apple-shaped, the cover pierced with series of frogs and 
having inverted bell terminal, heavy L lug handles and gro- 
tesque animal-head legs. Enriched in polychromed relief with 
bandings of scrolls and others with dragon seeking sacred pearl. 


Stand. 
Height, 1314 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


88—JAPANESE Bronze CENSER Eighteenth Century 
Bowl-shaped lotus blossom, with domed cover pierced with in- 
scription and having square balustered terminal finished with a 
cusped lotus flower. On gadrooned high spreading base. Orange- 
brown patina. Height, 141, inches. 


89-—Two JAPANESE Bronze AniIMAL CANDLESTICKS 
Early Nineteenth Century 


Crane standing on back of chimeric tortoise and reaching over 
with beak seizing a spray of lotus. Varied black patina in one, 
golden-yellow in other. Height, 123, inches. 


CHINESE BRONZES 
90—CuInEsE Bronze SEAL Early Mmg 


Circular, with long ideographic inscription. Diambter a0aneiee 
91—Curneszt Bronze TEMPLE SEAL Ming 


Circular, with enrichment on obverse of many-armed Buddha sur- 
rounded by lengthy ideographic inscription. Reverse, with bor- 
der of similar inscription. Diameter, 33, inches. 


92—CHInESE Bronze CENSER Ming 


Bowl shape, with lizard handles, dome cover with circular aper- 
ture and stump tripod feet. Enriched with all-over bandings 
of archaic scrollings in the ancient Han manner. Deep variable 


black patina. © Height, 3% inches. 


93—CuinEsE Bronze Bown Ming 


Low incurving bowl, with flanged lip, kylin-head handles and 
scrolled stump feet. Enriched with fine band of scrolled gad- 
roons on shoulder. Yellow patina. Diameter, 81/, inches. 


94—CuHINESE BronzE TEempPuE VESSEL Ming 


Inverted bell-shape, with incurved foot, animalistic loop handles 
and interrupting central lugs. Enriched with bands of archaic 
animalistic motives and scrollings. Deep black-brown patina. 


Height, 334 inches. 


: 
: 
: 
i 
| 
| 
: 


First Afternoon 


95—CHINESE GILDED Bronze Bown Ming 


Broad pear-shaped bowl, with cartouched scrolled loop handles 
and short foot. Golden patina. Impressed seal under foot. 
Stand. 


Diameter, 444 inches. 


96—CuHINESE GILDED Bronze Miniature TEMPLE VESSEL Ming 


Body and loose cover globular, with upright square lug handles 
and hoofed legs. Enriched with bands of mock inscriptions. 
Brown patina obscures the gilding in large areas. 


Height, 434 inches. 


97—CuineEsE GitpED Bronze Tempite VAsE Ming 


_ Bottle-shape, with expanding neck having tubular lugs. En- 
riched with archaic bands of scrollings. 
Height, 5 inches. 


98—CuinEseE GitpED Bronze CENsER Ming 
Very broad pear-shape, with round lug handles on shoulder and 
small incurved foot. Rich gold-bronze patina. Impressed seal 


of many characters under foot. 
Diameter, 514 inches. 


99—CuInEsE Sitver Intaip Bronze CENsER Ch’ten-lung 


Rectangular, with flanged lip and upright lug-handles. On high 
square legs. Delicately inlaid with intricate all-over key pattern 
in silver threads. Golden patina. 


Height, 51 inches; width, 514 inches. 


100—Curnest Gorp Intaip Bronze Trempie VEssEL Ming 
Deep bowl-shape with upright loop handles and high tripod legs. 
Enriched with archaic Han scrollings which are inlaid with fur- 
ther scrollings of gold and silver. Yellow-black patina. 


Height, 6 inches. 


101—BronzeE VasE Hindu-Chinese Sixteenth Century 
Pear-shaped bottle, with square foot and elephant-head handles. 
Enriched on neck with lotus scrollings, on body with festoons of 


jewels. Rich ruddy-brown patina. 
Height, 6 inches. 


Kindly read the Conditions under which every item is offered and sold, 
They are printed in the forepart of the Catalogue. 


102—CuinrsE Bronze VAsE Early Ming 
Quadrilateral inverted pear-shape, with T-patterned flanges at 
corners, partially up quarters and on neck. Enriched with 
spear-shape motives, bandings and small rudimentary-head 
handles, all adorned with varied archaic scrollings. Ruddy- 


brown patina. Very heavy bronze casting. 
Height, 61, inches. 


103—CuinEse Bronze CENSER Ming 
Rectangular, with indented lugs at centers and corners interrupt- 
ing two bandings of archaic scrollings; flaring lip and upright 
loop handles. On high molded round legs. Variable golden-black 


patina. Inscription under foot. 
Height, 634 inches; width, 61, inches. 


104—CuinEsE Bronze Coverep CENSER Ming 
Bowl-shape, with upright lug handles; enriched with jeweled val- 
naced band of facing fantastic animals amid scrollings. On high 
tapering round legs. Rich mottled gold and brown patina. 
Domed cover with carnelian fungi terminal. Inscription under 

foot. d 
Height, 7 inches. 


105—Cuinetst Bronze Vase Ming 


Flattened bottle-shape, with animalistic scrolled handles. In- | 
cised with key-patterned basket band above central inscription ; , 
archaic animalistic panels below. Rich old brown patina. 


Height, 7 inches. 


106—Cuinest Croisonnt Enamet PAanen ‘ 


| 
: 


Late Seventeenth Century 
Oblong; depicting in curious yellows, greens and pink a languid 
seated figure of a maiden amid scrollings and before a vase of 


chrysanthemums. 
Height, 5°4 inches; length, 714 inches. 


Note: An early specimen made under the European influence of the first 
Jesuit Fathers in China. 


First Afternoon 


107—CuInEsE CiLoIsonnt ANIMAL CENSER Ming 


Standing figure of a chimeric bird with long tail, wonderful comb 
and loose scrolled cover on back. Remains of blue enamel are 
visible. Red-black patina. 

Length, 81 inches. 


108—Inuarp Sitver TeEmMpLue VESSEL Ming 


Almost egg-shaped, with the domed close fitting cover; curiously 
embellished with three ring handles on cover and three at base 
for feet; two upright ring handles on body. Enriched with sil- 
ver thread scrollings. Rich yellow-black patina. 


Height, 834, inches. 


109—Cninest Sitver Inuaip Bronze Tempxue VASE Late Ming 


Quadrilateral beaker-shape, with wide spreading lip. Enriched 


in threads of silver with archaic scrollings of Han type. 


Height, 9 inches. 


110—Cuinerst Bronze Vase Ming 


Tall quadrilateral, with incurved foot and similar circular mouth. 
Enriched with the signs of the trigrams in relief. Interesting 
gold and black patina. Impressed seal at foot. Stand. 


Height, 914 inches. 


111—Cuinese CxLotisonnE CANDLESTICK Ming 

Slender round shaft, with broad circular saucer supported on 

outcurved foot. Enriched with beautiful scrollings of lotus blos- 

soms in red, white, lapis-blue and green; on fine turquoise-blue 
grounds. 

Height, 91%, inches. 


From the collection of Ambassador Brandt, Pekwn. 


112—Curinest Bronze VAsE Late Eighteenth Century 


Flattened pear-shape; with expanding mouth, outcurved foot 
and elephant-head and ring handles. Enriched with two band- 
ings of archaic scrollings in the Han manner. Rich black patina. 


Height, 11 inches. 


Kindly read the Conditions under which every item is offered and sold. 
| They are printed in the forepart of the Catalogue. 


113—Two Cuines—E Bronze Vases Late Ming 
Flattened hexagonal pear-shape, with inset mouth, incurved foot 
and looped kylin-head handles. Enriched with fine spear-shaped 
panels rising on body almost to band at neck and band at foot 
all of small varied scrollings. Handsome patina of rosy-brown 


and black. 
Height, 10 inches. 


114 


CHINESE Bronze VASE Ming 
Quadrilateral barrel-shape; with straight lip, similar canted foot 
and rudimentary animal-head handles. Enriched with paneled 
bands of minute S-scrollings, similar spear-shaped motives and 


a small band on neck. Green-black patina. 
Height, 1114 inches. 


115—CuHInESE Bronze TEMPLE VASE Ming 


Pear-shaped, with straight mouth and base; enriched with con- 
centric rings and bosses, the upper body and incurved foot with 
archaic scrollings. Grotesque kylin handles. Rich deep green- 
black patina. 

Height, 1134 inches. 


116—Cuinest Bronze Ficurine Early Ming 


Standing figure of Buddha, wearing armor and a floating scrolled 
drapery. On pedestaled base. Curious green-black patina. 


Height, 12 inches. 


117—CuinesE Bronze CENSER Eighteenth Century 


Bowl-shaped; with incurved mouth; scroll pierced dome cover, 
terminating in a kylin playing with brocaded ball, scrolled rudi- 
mentary-head handles and high similarly adorned tripod legs. 
Enriched with bandings of brocade pattern and curious scroll- 
ings. 

Height, 13%, inches. 


118—JapangsE Cioisonné VAsE Eighteenth Century 


Hexagonal oviform, with flaring base and lip. Enriched with 
white, yellow and turquoise-blue chrysanthemums and close 
scrollings; on lapis-lazuli blue grounds. 

Height, 12 inches. 


First Afternoon 


119—Curnest Bronze Lity Vase Sung 


Graceful slender beaker-shape, with ribbed flanges at quarters 
of small body and outcurving foot. Enriched with long spear- 
shapes of scrollings on flaring mouth and archaic Han scroll- 
ings on body and foot. Rich gold and brown-black patina. In- 


scription under foot. Stand. 
Height, 12%, tches. 


120—Curnese Crotsonnét Enamet Coverep Trempie Vase 
K’ang-hst 
Globular, with short neck and domed cover having ball terminal, 
flaring scrolled lug handles on S-scrolled high legs. Finely en- 
riched with intricate lotus scrollings and j’ui band in greens, 
yellow, red, lapis-blue and white on rare turquoise-blue grounds. 


Scroll-lobed stand. 
Height, 1424 inches. 


121—Japanese Crorsonné VasE Eighteenth Century 
| Oviform with cap cover; enriched with green and lavender panels 
of cranes in landscape and flowers interrupted by smaller panels 


| of brocade motives. 
Height, 15 inches. 


122—JrweLED AND ENAMELED GILDED TEMPLE SET Ch’ien-lung 
Comprised of quadrilateral covered censer and two beaker-shaped 
vases. Censer with domed, vase-terminated cover, scrolled lug 
handles and high kylin-headed legs. Enriched with gadroons of 
turquoise at shoulder, scrolled floral panels on similar colored 
grounds on body, lapis-lazuli leaf motives on pierced cover with 
pink and lapis enamels. Vases with toothed flanges at corners 
and similar enameled floral scrolled enrichment. 


Heights, 15 inches and 11% inches. 


123—CuinEsE Enamet VASE Late Eighteenth Century 
Club-shaped; enriched with reticulated apple blossoms stems of 
bamboo and j’ui valances on blue grounds. (Slightly imper- 


fect.) 
Height, 18 inches. 


Kindly read the Conditions under which every item ts offered and sold. 


They are printed in the forepart of the Catalogue. 
snr cn 


124—Cuinest Bronze Tempe Brazier Early Nimeteenth Century 


Low bowl, with broad flange finished with Gothic lobes. On 
broad baluster stem and pierced domed foot. Enriched with en- 
graved sprays of lotus and scrolling vines. Golden patina. 


Height, 81% inches; diameter, 1714 inches. 


125—Curnesrt Enamet Tray Ch’ien-lung 
Oblong, with molded border. Decorated with birds perched on 
branches of flowering peonies and rockery. Intricate valanced 
border of floral sprays. (Restored.) 


Length, 19 inches; width, 12 inches. 


126—CurinesE Bronze Vase Early Ming 
Depressed globular body, with tall cylindrical neck having four 
curious tubular motives at lip, two on the dragon enriched neck 
placed diagonally and four similar motives at quarters of body. 
Embellished in the Han manner with bands of archaic scrollings. 
Golden-black patina. (One tubular motive imperfect.) 


Height, 214, inches. 


: 
: 


First Afternoon 


PERSIAN FAIENCE 


127—Two Persian Farence Trempre Eeces Seventeenth Century 
One glazed in royal blue; other in ivory-white. Chains for sus- 
pension. 


Height, 534 inches. 


128—Ruopran Fatence Muc Seventeenth Century 
Bottle-shape, with looped handle. Decorated in red, blue and 


green with carnation blossoms and serrated leaves. (Restored. ) 


Height, 734 inches. 


129—Ruopian Fatence Piate Seventeenth Century 
Enriched with blue tulip and red carnation sprays. Pearl and 
scroll border. 
Diameter, 934 inches. 


130—Ruopian Farence Piate Seventeenth Century 
Decorated in red, blue and green with sprays of flowers. Scrolled 
pearl border. 


Diameter, 1014 inches. 


131—Buve Persian Farencre Vase Sivteenth Century 


Bottle-shape; enriched with floral panels and scrollings in rich 
pale and deep sapphire-blues, having metal “reflet.” (Lip 
chipped. ) } 

Height, 111% inches. 


-1382—Ruopian Fatence PLATE Seventeenth Century 


Decorated with basket trellis and chevroned border in greens, 
yellows and aubergine. (Chipped.) 


Diameter, 11 inches. 


183—Ruopian Farence Puate Seventeenth Century 


Decorated with red, blue and green tulips and carnations and 


black pearl border. Greenish glaze. 


Diameter, 1114 inches. 


1384—Ruopian Fatence Piate Seventeenth Century 


Decorated in red, blue and green with scrollings of flowers and 


blossomed border. (Restored.) 


Diameter, 12 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


135—Persian Farence CoFFEeE-PoT Seventeenth Century 
Ewer-shape, mellow blue, enriched with reserved heart-shaped 
panels in relief displaying yellow jardinieres of flowers. Scrolled 
brass spout, hinged cover and handle. (Restored.) 


Height, 1334 inches. 


1386—Ruopian Farence Puate Seventeenth Century 
Decorated with pink, green and blue tulips and carnations; gray 


panels of pearls in border. 
Diameter, 1314 inches. 


1387—Ruopian Farence Puate Seventeenth Century 


Decorated in red-pink, blue and green with carnations and sprays 
of serrated leaves. Scroll-paneled pearl border. (Glaze 


chipped. ) 


Diameter, 13% inches. 


138—Ruopian Decoratep Farence Piatre Seventeenth Century 


Deep center; enriched with carnations, birds and serrated leaves, 
in blue, green and old-red. Gray-black paneled pearl border. 
(Restored. ) 


Diameter, 1414 inches. 


139—Lusrrep PLaQuE Hispano-Moresque Seventeenth Century 
Deep center, with boss; enriched in copper “reflets” and blue 
with scrolled cruciform motive, birds and fruit. (Restored. ) 


Diameter, 1434, inches. 


From the famous Sauer Collection, Gottenburg. 


140—Lustrep PLaauEr Hispano-Moresque Seventeenth Century 


Deep, bossed center; enriched with shrub motives in blue and 
sprayed olives in copper “reflets.” 
Diameter, 15 inches. 


From the famous Sauer Collection, Gottenburg. 


First Afternoon 


PERSIAN TILES 


141—Fovr IntTerestinc PotycHrome Farence Tires 
Tunisian Fourteenth Century 
Interlacing strap arabesques in reserve, banded with aubergine; 
the irregular panels formed by the arabesques variously in rare 
orange, sapphire-blue, rich green and deeper aubergine. 
4 inches square. 


Note: These tiles show marked affinity with those of the Moriscos of 
Spain and are probably contempcrary. 


: 142—Two Fracments or Persian Farencre Ti1Es 

: . Fourteenth Century 
(4) With raised scrollings and bandings of Saracenic character ; 
in blues, creams and soft old yellows. 

(3) With scrollings of pointed and husk-shaped leaves; in tur- 
quoise-blues and aubergine; on crackled varying deep ivory 
grounds. 


Respective sizes, 7°/, inches by 71% inches and 71%, inches by 6 inches. 


143—Two Fracments or Farencre TILes 
Ispahan and Hispano-Moresque Fourteenth Century 
Ispahan; displaying aubergine bird perched on a spray of blue 
and green flowers, flanked by flame-like motives in rich blue. On 
mustard-yellow ground. Hispano-Moresque. Gothic blue and 
yellow leaves scrolling from a green band; cream ground. 


Respective sizes, 8% inches by 81% inches and 4 inches square. 


144—Fovur Fracments or Faience TILEs 
Rhodian Fifteenth Century 
Reserved with ivory, turquoise-blue and old-red scrollings of 
pomegranates, floral motives and long serrated leaves. Ex- 
tremely rich lapis-lazuli blue grounds. One fragment with tulips 
and carnations in same colors, earlier in date. 
Size of largest, 10 inches by 434 inches. 


Note: Fourteen varied size fragments of the principal pattern will be 
given purchaser. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


145—Lustrep Farence TILE Persian Fourteenth Century 
Eight-pointed stellate-shape; reserved with intricately lobed 
floral arabesques, having innumerable supplementary tendrils; 
on copper “reflets” ground. Borders of Cufic inscriptions in 
similar color, on ivory grounds. (Has been restored.) 
Diameter, 12%, inches. 
From the Mosque of Veramin. 


146—TvraqvolisE-BLUE Farence TILE 
Egypto-Arabic Fourteenth Century 
Dense lustrous glaze resembling in color the ancient Egyptian 


ceramic and glass jewelry. 
8 inches by 5%, inches. 


Note: This tile was obtained from one of the ceilings of the Kalif’s 
tombs, Cairo. 


147—FovurtTEEN FracmMents oF Persian Lusrrep Fatencre Tinks 
Fifteenth Century 
Portions of cornices, bases and wall tiles. Enriched with tur- 
quoise and lapis-blue raised scrollings simulating Cufic inscrip- 
tions. Grounds with small leaf and berried scrollings reserved 
on curious copper “reflets.” Various sizes and shapes. 


ORIENTAL BRONZES AND BRASSES 


148—Sitver Inuaip Bronzz Box 
Syro-Damascan Sixteenth Century 
Cylindrical, enriched with floral medallions and bandings. (Im- 
perfect and no cover.) Diameter, 2%, inches. 


149—Bronze Bown Italo-Saracenic Sixteenth Century 
Incurving at lip; enriched with coat-of-arms flanked by chimeric 
birds and medallion opposite coat-of-arms. Yellow-green patina. 


Diameter, 314 inches. 


150—Encravep Bronze CENsER Mosul Fifteenth Century 
Cylindrical, with curiously footed and shaped legs. Enriched 

with nomadic figures within arcades. Loose lead lining. 
Height, 414 inches. 


a 


First Afternoon 


151—Intaip Sitver anp Gowp Bronze Cover 
Persian Sixteenth Century 
Cylindrical, inlaid in thread silver with finely interlaced all-over 
medallions; grounds engraved with scroll motives. 


Diameter, 414 inches. 


152—Brass Morrar Persian Sixteenth Century 


High molded bell-shape, with straight foot; enriched with numer- 
ous bands of Saracenic medallions and interlacing motives. Fine 
deep patina. Height, 41, inches. 


153—Sitver Inuaip CuisELED Brass Bown 
Syro-Damascan Fifteenth Century 
Tapering bowl, with insloping shoulders and molded lip ; enriched 
with whorled rosettes interrupting scrollings and inscriptions. 


Diameter, 54, inches. 


-154—Sitver Inuaip Brass Vase Persian Sixteenth Century 
Globular, with broad molded mouth; inlaid with geometric Sara- 
cenic motives. Height, 5 inches. 


155—Sitver Inuaip Brass Bowt with Fiat Cover 
Veneto-Saracentc Sixteenth Century 
Bowl, with molded lip; elaborately enriched with varied all-over 
arabesque motives. Diameter, 514, inches. 


156—CuisELED Bronze CoFrFRET Mosul Fifteenth Century 
Oblong, with sides expanding into lipped, scroll-feet and domed 
cover having swinging bail handle and hasp for padlock. En- 
riched with medallions of Asiatic warriors amid lotus scrollings. 
Height, 5 inches. 


157—Sitver Inia SHALLOW Bown 
Syro-Damascan Sixteenth Century 
Outcurved flaring sides; enriched with rosettes interrupting 
Cufic inscription. Signed under foot. Diameter, 51/4, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 
i 

158—Sinver Inuari anp ENAMELED Bronze Bow. 
Veneto-Saracenic Sixteenth Century 
Bowl, with round foot and molded rim. Enriched with floral 
medallions interrupting interlaced Gothic arcading and ara- 
besqued motives. Black grounds. Diameter, 5%, inches. 


159—Rarer Bronze ANIMAL CENSER Persian Sixteenth Century 


Cat, crouching ready to spring. Mouth open showing her teeth; 
carrying molded domed pinnacle on back, enriched with birds. 
Fine archaic modeling. Varying yellow-green patina. 

Length, 6% inches. 


160—CuisELED Brass Bown Mosul Fifteenth Century 
Slightly expanding sides, with molded lip. Enriched with band 
of Cufic inscription interrupting floral medallions, under foot 
with band of arabesque scrollings. Diameter, 7 inches. 


161—Goruic VENETIAN Brass Kerrie Fifteenth Century 


Molded sides, with round bottom and dragon balustered swing- 
ing bail handle. Very finely engraved with medallions of “Kingly 
and Queenly Personages,” birds and Gothic strap scrollings. 


Diameter, 7 inches. 


162—Rare Inpian Bronze Group Siateenth Century 
Archaically modeled caparisoned elephant bearing a mahout and 

howdah on its back. Rich gray-black patina. (Imperfect. ) 
Height, 71% inches. 


163—GiLpED Coprrr Bown Asia Minor Eighteenth Century 


Low gadrooned bowl; enriched with scroll band at lip and rosette 


at center of base. Diameter, 734, inches. 


164—Inuai Sittver Bronze Bown 
Syro-Damascan Sixteenth Century 
Broad pear-shaped, with finely scrolled long spout. Beautifully 
enriched with medallions and arabesque scrollings surmounted by 
band of Cufic inscription. Rich yellow-green patina. 


Diameter, 8 inches. 


First Afternoon 


165—Persian Brass Lamp-stTanp Siateenth Century 
Many-sided shaft, with molded collar and spreading foot. En- 
riched with chevrons interrupting panels variously occupied by 

gazelles and arabesque scrollings. Signed about center. 
Height, 834 inches. 


166—Perrsian CuiseLED Brass Lamp-sTanp Seventeenth Century 
Slightly expanding round shaft, with molded collar and spread- 
ing foot; enriched with delicate medallions and arabesque scroll- 
bandings. Height, 9 inches. 


167—-Hispano-Moresavur Brass Bown Fifteenth Century 
Broad pear-shape, with molded lip. Finely engraved with val- 
anced band on shoulder displaying casteled coats-of-arms inter- 
rupting floral scrollings and animalistic motives. Rich ancient 


green-yellow patina. Diameter, 91, inches. 


168—Persian Brass Lamp-stTanp Srxcteenth Century 
Many-sided shaft, with molded collar, spreading foot and small 

loop handle. Enriched with Saracenic arabesque scrollings. 
Height, 10% inches. 


169—Sizver Inia ann ENAMELED Bronze CANDLESTICK 
Persian Stateenth Century 
Round expanding shaft molded at crown and base. On large 
flaring base. Enriched with inscribed medallions interrupting 
cursive inscriptions scrolled with minute vines, bands of scrolled 
leaves and procession of quaint birds. Shaft with blossomed 
trellis. Black enamel grounds. (Restored.) Signed on in- 


terior. 
Height, 10 inches. 


170—Goutp anv Sitver Inuaiw Bronze Fish Bown 
Persian Fifteenth Century 
Round-sided, with molded lip. Beautifully engraved with bands 
of medallions, scrollings and inscriptions. The interior engraved 

all over with concentric scrolled swimming fish. 


Diameter, 101, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed wn the forepart of the Catalogue. 


171—Two JEeweLeD Bronze AnimMAL VASES 
Chino-Thibetan Eighteenth Century 
Gaily caparisoned elephant, festooned with jewels. ‘Temple vase 
similarly adorned as howdah. Yellow-green patina. Pair facing 


with heads toward front. ; 
Height, 10 inches; width, 71%, inches. 


172—Inpian Goup Iniaip CoverepD TanxKarp Sivteenth Century 
Cylindrical, with finely domed loose cover having gilded vase 
terminal and loop handle. Beautifully enriched with arabesqued 
palmette motives and bandings. Rich ruddy-brown patina. 


Height, 10%, inches. 


173—ENAMELED Brass VasE Hindu Seventeenth Century 
Graceful molded pear-shaped bottle. Enriched with cypress, ar- 
cadings of flowers and geometric bandings in black and red. 


Height, 1114 inches. 


174—Perrsian CuisELED Brass Lamp-sTanp Sixteenth Century 
Many-sided expanding shaft, with molded collar and spreading 
foot. Enriched with Saracenic medallions and bands of scrolled 


arabesques. 
Height, 1114 inches. 


75—Rare Persian Sitver Invarp Writine Box 
Staxteenth Century 
Obiong, extremely fine engraving, displaying varied floral medal- 
lions interrupting strap scrollings of further floral motives. In- 
terior of lid similarly engraved. Fitted with shaped interior cover 
for utensils. 
Length, 11% inches. 


176—Prrstan Encravep Writinc Box Fifteenth Century 


Oblong, with round corners, hasp for padlock and finely pierced 
hinges. Enriched with scrolled floral medallions and quaint ob- 
long panels on body. Has been inlaid with silver. 


Length, 111% inches. 


First Afternoon 


177—Iniarp Sitver anp Goxp Bronze Fish Bown 
Persian Sixteenth Century 
Broad pear-shape, with straight lip. Very beautifully engraved 
with minutely blossomed medallions interrupted by lengthy cur- 
sive inscriptions. Interior with medallion of swimming fish. 


Diameter, 1114 inches. 


178—Ginpep Coprer Ewer Asta Minor Seventeenth Century 


Flattened pear-shape, with molded neck, chained domed screw 
cover, S-scrolled handle and spout with chains. Enriched with 
repoussé panels of flowers and lobed ring handles having chains 


for suspension. 
Height, 1314 inches. 


179—ImporTANT SitveR InLAID AND ENAMELED Bronze CANDLE- 
STICK Mosul Thirteenth Century 


Round shaft, with molded overhanging neck; on large molded 
: bell-shaped base. Very beautifully engraved with floral and bird 
| medallions interrupted by scrolling flowers and inscriptions. The 
body with a deep band of Cufic inscription posed on a back- 
ground of minute scrolling flowers, flanked by bands of small 
leaves. Black background. Traces of gilding are visible. 


Height, 16 inches. 
Exhibited at the Munich Exhibition, 1910. 


180—Perrsian Encravep Brass Wririnc Box Sixteenth Century 
Oblong, with strap-hinges and hasp. Enriched with arabesqued 
medallion flanked by panels of cursive inscriptions; front with 
similarly inscribed panels. Interior fitted with engraved car- 


touche for ink and sand. Signed on cartouche. 
Length, 181% inches. 


181—Eneravep Brass Bown Syro-Damascan Sixteenth Century 


Broad pear-shape, with round base and small lip. Finely en- 
graved with lotus medallions interrupting lengthy cursive inscrip- 
tions and Saracenic bandings. (Has been restored.) 


Diameter, 17 inches. 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 
AS a ie SO See eee 


182—ImrorTANT Siuver Inuaip BronzE CANDLESTICK 
Mosul Thirteenth Century 


Round shaft with overhanging molded collar and foot, on very 
large molded bell-shape base. The collar enriched with ara- 
besqued oblong interlacements and bandings; neck with intricate 
octagonal interlacing tile motives; the base with bands of large 
and small lobed medallions occupied by quaint royal figures in- 
terrupting minutely scrolled mock inscriptions and further scroll 


bandings. Signed on interior lip. 
Height, 161, inches. 
Exhibited at the Munich Exhibition, 1910. 


183—EneraveD Brass Bow. Syro-Damascan Fifteenth Century 


Broad pear-shape. Finely engraved with whorled and blossomed 
medallions interrupting Cufic inscriptions, enriched with vines. 
(Dented at sides.) 


Diameter, 17 inches. 


ee ee ee 


First Afternoon 


184—Larcrt Encravep Brass Bown 
Syro-Damascan Sixteenth Century 
Round, with expanding sides and broad curving lip. Enriched 
with valanced band of medallions and inscriptions on lip; the 
exterior with cursive inscription interlaced with fine scrollings of 
minute flowers, valanced with and interrupted by graceful pointed 


arabesques and ogivals. Copper base. 
Diameter, 18 inches. 


185—Larcr Encravep Brass Bow Mosul Fifteenth Century 
Round, with slightly flaring sides and broad outcurving flanged 
lip. Enriched on interior of lip with figure medallions interrupt- 
ing band of mock inscriptions; the body with medallions occu- 
pied by seated Shahs interrupting panels depicting mounted war- 
riors at combat, finished with bands of domestic animals, bulls, 
gazelles, dogs and elephants. Golden-toned brass. 


Diameter, 201% inches. 


186—Ewneravep Brass Disx Mosul Fifteenth Century 
Deep circular dish; enriched with large central medallion occu- 
pied by subject, “A Royal Persian Audience,” surrounded by 
band of further medallions on lattice grounds. Cavetto with 
floral plaquettes. Fine golden-toned brass. 


Diameter, 2414 inches. 


MISCELLANEOUS PORCELAIN AND GLASS 


187—-Camero-cut Guass VASE Chinese Early Nineteenth Century 
Oviform short-necked bottle. Enriched with royal blue scrolling- 

dragons; on milk-white glass grounds. 
Height, 4 inches. 

188—Two Porce.ain Curs and Savceks 
Chinese Eighteenth Century 
Heavy porcelain; with coral-red rustic scrollings and dragons 

in pink, gold and green. (One saucer restored. ) 


Note: A Chinese rendering of French rococo porcelain. 


189—CuinesE Porcrerain Bow. Ch’ten-lung 
In the form of a green maple leaf, with aubergine stem. En- 
riched with peony blossom. Bowl for “Temple Offerings.” (Stem 
chipped. ) Length, 43, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


190—CuinesE PorceLaIn Vase 
Oviform; with heavy blue marbled glaze trickling over and form- 
ing feet at base. Stand. 
Height, 4°, inches. 


From the International Paris Exhibition of 1900. 


191—Cuterse Mrrror-puack PorcELAIN VASE 


Bottle-shaped, with white reserved figures in landscape. Mirror- 


black glaze. Stand. 
Height, 6 inches. 
From the International Paris Exhibition of 1900. 


192—CuinEsE Porcetain Box | Ch’ien-lung 


Oblong, with loose cover and partition. Royal yellow ground, 
enriched in brilliant enamels with dragons seeking the sacred 
pearl. Stand. 

Length, 7 inches. 


198—Decoratep ImprriaL YELLOW PLaTE Ch’ten-lung 
Enriched with two five-clawed dragons seeking the sacred pearl. 


Brilliant enamels. Mark under foot. 
Diameter, 7 inches. 


194—Two Brack Fatencr CENSERS Chinese Eighteenth Century 


Molded bowl-shape with dome cover, tripod tao-tieh legs and 
_ dragon handles. Enriched with bands of scrollings. (One cover 

restored. ) 
Height, 8 inches. 


195—Two CutnesE Porcetarn VAsEs Ch’ten-lung 


Oviform, with small necks; decorated in colored enamels with 
sprays of peonies, gilded bamboo and brocade bandings at necks 
and feet. (One restored.) 


196—CuHInEsE Porcetarn PLATE Ch’ten-lung 


Enriched in semi-reserved blue and pale pink, with conventional- 
ized chrysanthemum blossoms; on deep rich blue ground. Seal 
mark under foot. 

Diameter, 734 inches. 


First Afternoon 


197—CuineEsE Porcetawn Vase | Ch’ien-lung 


Bottle-shape, with metal lip. Enriched with green dragon seek- 
ing the pearl of price amid cloud forms; on black ground. Seal 
under foot. 

Height, 8°, inches. 


198—Curineszt Lowrstrorr Prater Eighteenth Century 
Scalloped rim; decorated with figure of man carrying tea. chest, 
sprigs of flowers and landscape medallions. Diameter, 834, inches. 


e 


199—CuinEsE Porcetain Bown Early Nineteenth Century 
Deep bowl, with tripod scrolled feet. Exterior enriched with 
blue flowers on imperial yellow ground; interior with four sages 
amid scrolling dragons. Diameter, 834 inches. 


200—Two CuinEsE Lowestrorr DisHEs Eighteenth Century 
Lobed oval, with leaf-scrolled feet. Decorated in colors and gold 
with central coat-of-arms and interior medallioned border. (One 
restored. ) Length, 121%, inches. 


201—Two Curnese Mirror Brack Vases 
Early Nineteenth Century 
Tapering quadrilateral, with incurved neck. Enriched with 
white reserves of domestic figures in landscapes; on black 


grounds. Height, 2314 inches. 


202—Detrr Hancine JARDINIERE Eighteenth Century 
Semicircular; enriched with gadroons, scalloped rim, birds and 

bouquets of flowers in blues. (Rim much chipped.) 
Length, 61, inches. 


203—CoreNnHAGEN Porcetain CovereD ButrerpisH 
Eighteenth Century 
Spirally enriched, and painted in the Dresden manner with sprays 
of flowers. Pink rosebud terminal, Copenhagen mark in blue 
under foot. | Diameter, 634, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


204—FRANKENTHAL PorceLaIn Tea Servick kighteenth Century 
Consisting of tray, teapot, sucrier, creamer, two cups and two 
saucers. Lobed oval tray; enriched with bouquets of flowers 
and lavender imbricated border. Other pieces match. 
Length of tray, 1714 inches. 
(Illustrated) | 
205—Two Brus anp Wuitt Derr Vases 
Early Eighteenth Century 
Triple gourd-shape; decorated in blues with pseudo-Chinese fig- 
ures in varied landscapes. Aides 
Height, 20%, inches. 
206—CorEAN FateENcE CENSER WITH SILVER CovER y 
Tapering square body; enriched with sprays of blue flowers. 
Pierced dome cover with leafage and blossom. 
Height, 334 inches. 


From the International Paris Exhibition of 1900. 


JAPANESE FAIENCE 


207—JapanEsE Fatence Vase Eighteenth Century 
Oviform, with crinkled leaf saucer; enriched with leaf and geo- 
metric motives. Gray and white glaze. 
Height, 2%, inches. 
208—Two JAPANESE Fatence JARDINIERES 
Early Nineteenth Century 
Deep bowls; decorated with “Trigram Symbols” in gold; on 


variable green glaze grounds. 
Height, 24%, inches. 


209—Trrez Smart Faience Bowrs Persian Eighteenth Century 


(a) Decorated with “Lion and Sword of Persia,” on interior and 
exterior. | 


(s) With lobed floral motives in colors. 
(c) Gadrooned sides with sprays of flowers in blues. (Chipped.) 


210—JapanesE STonEware Box Eighteenth Century 


Round; enriched with alternate rosettes and gadroons. Glazed in 


rich brown. Ivory cover. 
Diameter, 314 inches. 


No. 204—FRANKENTHAL PorcELAIN TEA SERVICE 


(Highteenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


211—Corran CrELapon Bown 
Enriched with two lizard-dragons in relief on lip. Crackled 


cream glaze. 
Height, 3% inches. 


From the International Paris Exhibition of 1900. 


212—Satsuma Trea Bowu 
Light café-au-lait crackled glaze. Enriched with brocaded band 
in red, green, blue and gilding. 


Diameter, 4 inches. 


From the International Paris Exhibition of 1900. 


213— JAPANESE FarENcCE JARDINIERE 
Straight-sided octagonal; decorated with flying Ho-Ho birds in 


blue, browns and greens. 
Height, 4 inches. 


214—Decoratep Farence Ky1in By Haritsu 


Kylin playing with huge brocaded ball. Glazed in pale blue, 
red and gilding. Signed. 
Height, 4p inches. 


From the International Paris Exhibition of 1900. 


215—Satsuma Tra Bow1 Early Nineteenth Century 


Decorated with two dragons in relief and golden-red chrysanthe- 
mum seals. 


Diameter, 434 inches. 
216—Satsuma Bown anp Cover 
Flaring bowl and cover; with tortoise-shell and green glazes. 
Diameter, 414 inches. 


From the International Paris Exhibition of 1900.. 


217—J APANESE Farence CENSER 


Vase-shape, with animal head and ring handles. Scerolled tripod 
feet and pierced dome cover. Enriched with fluted band and 
leaves in green and gold. 

Height, 53, inches. 


First Afternoon 


218—Satsuma TEAPOT Early Nineteenth Century 
Bowl-shape; with kiri-wood cover and high loop handle. Cream- 
gray crackle glaze, with chrysanthemum seals in blue and brown. 


Height, 5%, inches. 


219—Japanese PorcELAIN CENSER AND SILVER CovER 
Deep bowl-shape, with lug handles and tripod feet. Decorated 
with medallioned Ho-Ho birds. Domed silver cover pierced with 
medallioned similar bird. 
Height, 6 ‘inches. 


From the International Paris Exhibition of 1900. 


220—JapanEsE PorcEeLAIn Saxe Botte 
In the form of a ‘“Buddhistic Temple Bell.” Enriched in blue 
with lengthy inscription and brocade bandings. 
Height, 6%, inches. 


From the International Paris Exhibition of 1900. 


221—Satsuma CovERED CENSER Early Nineteenth Century 
Quadrilateral, with black corners, cover and feet. Decorated 
with sprays of flowers on fishroe cream-crackle glaze. 


Height, 6% inches. 


222—Satsuma VAsE 
Pilgrim bottle-shape. Enriched with medallioned peony in old- 
red, blue, aubergine and gilding; on a cream minutely crackle 
glaze. 
Height, 714, inches. 


From the Paris International Exhibition of 1900. 


223— JAPANESE Mitterteurs Porcetain Tra Cappy 
Eighteenth Century 
Tapering quadrilateral, with small neck and cover. Decorated 
in red with landscapes surrounded by numerous flowers ; black re- 


served band on shoulders. 
Height, 714, inches. 


eee First Afternoon 
ee 


224—Sarsuma Sake Borrre 
Cylindrical; decorated with gay-plumaged Ho-Ho bird on caré- 
au-lait crackle glaze. Silver and copper bail handle. 


Height, 8% inches. 


From the Paris International Exhibition of 1900. 


225—JapanrsE CELADON VASE Eighteenth Century 
Bottle-shape, with open rustic foot and scrolled lug handles. In- 


cuse scrolling of blossoms. Sea-green glaze. 
Height, 11 inches. 


226— JAPANESE PorcELAIN VASE Eighteenth Century 


Cylindrical; enriched with numerous flying storks in reserve; on 


rich blue ground. 
Height, 12 inches. 


227—JaPANESE FateNcE Disu By Kutan 


Round, decorated with couple walking near a fir tree. Brocade- 
paneled border in dull tones. Signed. 


Diameter, 111%, inches. 


228—JapanEesE Farencre Disu Eighteenth Century 


In the form of a shell. Decorated in gold and colors with group 
of eight ‘Taoist Immortals” and attendants in landscape; bro- 


caded border. 
Length, 17 inches; width, 1414 inches. 


229—Imari PorcELAIN GARNITURE Eighteenth Century 


Comprising three covered vases and two beakers. Finely en- 
riched in reds, blues and gilding with floral sprays, j’wi valance 


and borders. 
Heights, 16%, inches and 15 inches. 


‘SECOND AFTERNOON'S SALE~ 
THURSDAY, FEBRUARY 22, 1923 : 


IN THE ASSEMBLY HALL 
OF 


THE AMERICAN ART GALLERIES 


BEGINNING AT 2.00 O'CLOCK 


Note: —Owing to the length of Session the Sale will begin 
| promptly at 2 0’clock. 


Catalogue Numbers 230 to 556, inclusive 


AN EXTENSIVE COLLECTION 


OF 


ANTIQUE FIREARMS, WEAPONS 4np ARMOR 


Catalogue Descriptions by C. A. OssBAHR, one-time Superintendent 
of the Royal Swedish Museum, and Dr. GusTaF UPMARK, Super- 
intendent of the Nordiska Museum, Stockholm. 


PISTOLS 


230—Pair Furmt-Ltock Pistrors French Eighteenth Century 
Plain bored, round, back part 8-sided (8 angular) with gold in- 
crusted ornaments. Lock, flint-lock with plain engraved rococo- 
ornaments. Signed Labarde, Paris. Stock of walnut with en- 
graved butt-plate, lock-plate and guard of silver and ornaments 
of inlaid silver-threads (wire). 


Length, 0.147 m.; barrel length, 0.067 m.; caliber, 0.012 m. 


Collection of Professor Holm, Stockholm. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


231—Pair Fumt-tock PIistots French 


Plain bored, with upper chamber angular, with inlaid gold-orna- 
ments. Lock, flint-lock. Signed T. Coignet, Pusil. Stock of 


walnut with silver mountings. 


Length, 0.17 m ; barrel length, 0.079 m.; caliber, 0.011 m. 


232—Parr Frint-tocx Pisroxs French Eighteenth Century 
Plain-bored, above chamber heavier, at the back 8-angular (or 
8-sided), richly inlaid with gold in flowers, roses and leaves, also 
shell, and nearest the muzzle a head from which radiating rays. 
Lock, flint-lock plainly signed: A ALLARY ST. ESTIENNE. 
Stock of walnut, somewhat sculptured with mountings of steel 
enchased and engraved in rococo-style; on the butt-cover a head 
in profile against gold-pricked foundation. 


Length, 0.28 m.; barrel length, 0.15 m.; caliber, 0.01385 m. 


233—Pair Fumut-tockr PIisrors Dubois, Lissieuxr 


Front part round, upper chamber 8-angular, grooved. Stock of 
walnut, sculptured with mountings of silver, enchased in tro- 
phies, flowers, etc. French stamps, indistinct. Lock, flint-lock 
signed Dubois, Lissieux. 


Length, 0.267 m.; barrel length, 0.184; caliber, 0.011 m. 


234—Fint-tock Pisror French Early Eighteenth Century 
Plain bored, round with heavier ware around the chamber, inlaid 
with gold in curving line-ornaments. Lock with enchased and 
engraved ornaments against gold-pricked foundation. Stock of 
light walnut with mountings, guard, lock-plate and butt-cover en- 
graved and embossed as the lock against gold pricked foundation. 


Length, 0.244 m.; barrel length, 0.18 m.; caliber, 0.011 m, 


235—Funt-Ltock Pistor Brescia, Seventeenth Century 
Plain bored, front part round, back part angular. Signed 
LAZARINO. Lock, flint-lock. Signed Picins Frusca. Stock of 
walnut with mountings, richly enchased in leaf-ornaments and 

fantastic animals; ramrod. 
Length, 0.282 m.; barrel length, 0.157 m.; caliber, 0.018 m. 


Collection Hammer, Stockholm. 


Second Afternoon 


236—Funt-Lock Piston Early Eighteenth Century 
Plain-bored, front part round with enchased leaf-ornaments at 
the muzzle and round the center; the back-part 8-sided (8-angu- 
lar) with ornaments inlaid in silver. Stamps over the chamber, 
one gilded. Strong whole-stock of walnut with rich engraved and 
enchased mountaings of brass and silver, on the neck a manly 
laurel-wreathed head in silver; ramrod. Lock, flint-lock with ro- 
coco-ornaments; on opposite side a long hook of iron. 


Length, 0.846 m.; barrel length, 0.193 m.; caliber, 0.017 m. 


Collection Ludwig Heineman, Wiesbaden. 


237—FuintT-Lock Piston French, 1730 
Barrel above the chamber engraved (nearly effaced cartridge- 
box). The lock engraved and signed 

Mercier 
| Wiene 
Guard, inner mounting, butt-cover and tube of silver-plated, cast 
and enchased brass. Stock of walnut. 


Length, 46 cm.; barrel length, 29.5 cm.; caliber, 16 mm. 


Note: French works (not Wien naturally!) 1730’s. An F. Mercier 
worked in the eighteenth century in Liége. 


238—Matcu-snapr-Lock Pisrou Japanese Nineteenth Century 
The barrel 8-sided, blackened, with strong muzzle-ring, inlaid 
with silver and gold in dragon-figure and above the chamber en- 
graving in brass (three leaves). Large breech-sight. Lock- 
plate and cock of brass; muzzle-sight of silver-tankered iron, pan 
with brass lid. Plain stock of wood with downward pointing 
butt, brass-rosettes and leather-band holes. 


Length, 25 em.; barrel length, 14.5 em.; caliber, 9 mm. 
Collection Fr. R. Martin. 


239—Pair Frurt-tock Pisrois Albanian Eighteenth Century 


Plain bored, covered with silver-plate with enchased ornaments. 
The stock covered with silver-plate ornamented as the barrel. 


Length, 0.42 m.; barrel length, 0.293 m.; caliber, 0.013 m. 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


240—Parr Furnt-tock Pisrors Beginning of Eighteenth Century 
Plain-bored, round, on the top a flat border (or streak) muzzle- 
sight of brass, the chamber flattened from the sides, above the 
chamber brass-ornaments, on the back of the barrel: IGNATI 
MAYR. Stock, whole-stock of walnut, sculptured and with rich 
mountings of engraved and enchased brass; ramrod. Lock flint- 
lock with engraved ornaments on the plate, a dog hunting a hare. 


Stamp. 
Length, 0.515 m.; barrel length, 0.34 m.; caliber, 0.018 m. 


241—Parir Fuint-Ltockx PIisTous Turkish, 1800 
Barrel with engraved and enchased ornaments above the cham- 
ber. Bridge: Stamp (indistinct) Lock (engraved) butt-cover 

(also engraved), inner mounting guard and tube of iron.’ Ram- 
rod of iron with edge lining of bronze. Stock, blackened, with 
carvings and incrustments of silver (?) wire; butt-plate silver- 
plated. 

Length, 48 cm.: barrel length, 29.5 cm.; caliber, 17 mm. 


Note: Constantinople-make after Western pattern. About 1800. 


242—Pair Fruint-tocx -Pisrors German, 1720 
Barrel damaskeened, with 8-sided (8-angular) chamber. Smith- 
stamps: Lock signed 

FROMERY 
ABERLIN 


Mounting (butt-cover, guard, inner mounting) open worked and 
with enchased dragon and dog. Stock of walnut. 
Length, 54 em.; barrel length, 36 cm.; caliber, 15 mm. 


Note: German make, 1720s. Barrel with certainty not Spanish; “the 
horse” is not dignifying in regard to the stamp for “G. Ternandez” only. 
It was used by Nie. Bis. (at times) and by a great number of Germans, as 


‘ 

Frey, Thumbforth, Stechel, Bachthold, ete. 

4 

243—Parr Fuint-Ltockx Pisroxs Early Eighteenth Century 
Plain bored, round, back part 8-sided (8-angular) and with . 


lengthwise running lines. Lock, flint-lock with etched ornaments, 
signed SCHIAZZANO and dated 1702. Stock of walnut and 


open-worked and engraved mountings of brass. 
Length, 0.5 m.; barrel length, 0.823 m.; caliber, 0.014 m. 
Collection Osbahr, Rome, 1908. 


Second Afternoon 


244—P air Fut-Locx Pisrors Italian 
Plain bored, round with back, above the chamber 8-angular (8- 
sided) with plain line-ornaments ; stock of sculptured walnut with 
mountings of richly embossed steel, lock with similar enchasings. 


Length, 0.5 m.; barrel length, 0.33 m.; caliber, 0.016 m. 


Collection Dr. Frederick Martin, from the Irene Church in Con- 
stantinople, 1900. 


245—Pair PErcussion-Lock Pistous 
Round, above the chamber four flattenings, plain bored ; enchased 
in figures against gold-pricked ground. Lock altered flint-lock 
engraved in and signed in gold lettering. Stock of walnut with 
brass mountings, enchased and engraved. 


Length, 0425 m.; barrel length, 0.249 m.; caliber, 0.016 m. 


246—Pair Fuint-Lock Pisrous Italian Eighteenth Century 
Barrel above chamber inlaid with embossed silver-ornamenta- 
tions; bridge with breech-sight of silver. Lock similarly orna- 
mented. Differently signed. Guard, butt-cover, plate, inner 
mounting and tube of brass with inlaid enchased silver ornaments. 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


247—Parr WHEEL-LOCK PisTous French, 1675; Lows Quatorze 


Barrel above the chamber enchased in figure sitting down within 
garlands of laurel and dressed in costume imitating the antique. 
Butt-cover enchased in antique town-views (!). Lock with free 
wheel; cock, guard and tube plain of iron. Stock of walnut. 


Length, 60 cm.; barrel length, 39 cm.; caliber, 14 mm. 


Note: French (?) workmanship. 


248—Pair Fuit-tock Pisrous Italian Eighteenth Century 


Plain-bored, round, above the chamber 8-sided (8-angular) 
muzzle-sight in shape of a face, over the chamber etched gro- 
tesque-ornaments and signed: Andree Sigl. a Slaco Verde; stock 
of walnut sculptured with mountings of steel, lock enchased. 


Length, 0.545 m.; barrel length, 0.365 m.; caliber, 0.015 m. 


249—Pair Fruint-tocx Pisrous French? 


Plain-bored, round, the back part flattened from the sides, with 
ornaments, trophies on gold-pricked foundation and gold-incrust- 
ment ; stock of walnut with silver thread (wire) inlay and mount- 
ings of enchased silver plate; signed: Lamotte Ainé a S. Etienne. 


Length, 0.485 m.; barrel length, 0.81 m.; caliber, 0.016 m. 


Collection Bukowski, Pontsh, 1900. 


Second Afternoon 


250—Parr Frint-Ltock Pistous French Seventeenth Century 


Plain bored, round, the chamber 8-sided (8-angular) around the 
muzzle-sight and upper chamber, one-third of the back-part of 
the barrel, rich ornaments, figure, trophies and two lions holding 
a sword under a burning heart (the Italian family Rampolla del 
Pindaro Mariano’s coat-of-arms). Lock, flint-lock, decorated 
as the barrel. Stock of walnut, sculptured and with richly en- 
chased and gilded mountings of bronze, ornaments, figures and 
trophies ; extremely fine (handsome) workmanship. On the neck 
medallion with head of prophet under crown. 


Length, 0.5 m.; barrel length, 0.82 m.; caliber, 0.015 m. 
Collection Ossbahr, Rome. 


251—Pair Fuint-Locxk Pistoxs 
Probably German; about Eighteenth Century 
Barrel above chamber enchased in angel-head and foliage; bridge. 
Lock engraved. Inner mounting richly openworked and enchased. 
' Butt-cover and plates enchased and engraved. All of iron. Stock 
of walnut. On the guard A.V. (in ink?). 


Length, 53 cm.; barrel length, 34.5 cm.; caliber, 16 mm. 


Note: Probably German work about 1700. Handsome though some- 
what dry engraving, after French pattern. 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 
nS 


252—Parr Fuwt-tock Pisrots German, Mid-Eighteenth Century 
Plain-bored, round, back part with rich rococo-ornaments and a 
deer; signed along the barrel. Over the chamber three stamps of » 
which two exactly alike. The third with a horseman surrounded 

by the letters L.I.K. Lock, flint-lock, with hunting-scene in 
rococo-ornaments. Stock of walnut with rich mountings in en- 
chased and gilded bronze, rococo-ornaments and hunting-scenes. 
Length, 0.416 m.; barrel length, 0.283 m.; caliber, 0.0125 m. 


Collection Bukowski. 


253—Pair Fur t-Lockx Pistois Brescia, 1670 
Altered to percussion. Barrel thin with ridges going lengthwise 
above the slow-match-chamber then slangtingly grooved towards 
weak center-ridge. Signed LAZARINO x COMINAZZO. Lock- 
plate enchased in high foliage with trace of signature; cock (of 
later date) with similar coarse ornamentation. All mountings 
of colored brass openworked in rich flower-pattern. Stock of 
walnut-root. Length, 49 em.; barrel length, 31.5 em.; caliber, 14 mm. 

Note: Brescia-make from the 1670’s with even as rich though naturally 
easier made ornamentation than with the original iron-la kinken (?). On 


the locks, having been straight, the signature is effaced, may have been F. 
Garati or J. Gaspass (?). : 


254—Patr Fuint-Ltocx Pistrors Dutch, about 1700 


The barrel above the chamber highly enchased in mascaroons with 
outgoing ornaments. Stamp. On the bridge: PENTERMAN 
UTRECHT. Lock, signed as barrel, and guard and butt-cover 
well engraved (Roman figures, etc.) butt-plate and inner mount- 
ing openworked and enchased, all in iron. Stock of walnut with 
some carvings (one stock broken off). 

Length, 58 cm.; barrel length, 34.5 cm.; caliber, 17 mm. 

Note: Dutch, of excellent workmanship in French style, about 1700. 


255—Pair PrERrcussion-Lock Pistors About the year 1800 


Round, above the chamber 8-sided, plain-bored, damaskeened ; 
lock altered flint-lock. Stock of walnut, somewhat sculptured 
(feather-motive), with mounting; guard, lock-plate, etc., and 
butt-cover in shape of eagle’s head in gilded bronze. Empire 
work, about the year 1800. 


Length, 0.3848 m.; barrel length, 0.194 m.; caliber, 0.014 m. 


Second Afternoon 


256—Pair Furt-tocx Pistrors 1750 


Barrel of brass, enchased in lion’s head at the tail-screw. Bridge. 
~ Lock-plate, guard, butt-cover, inner mounting, tube and rammer 
of brass. Stock of walnut somewhat carved. 


Length, 39.5 em.; barrel length, 24 cm.; caliber, 10 mm. 


257—Pair Fuint-tockx Pistrors Italian Seventeenth Century 


Plain bored, two-thirds of front part many-sided (or angular) 
back part 8-sided (8-angular) with grooves. Signed over the 
chamber: LAZARINO COMINAZO. Lock, flint-lock. Stock of 
walnut, somewhat damaged, with richly openworked and engraved 
steel-mountings, very long belt-hook; ramrod. 


Length, 0.564 m.; barrel length, 0.397 m.; caliber, 0.013 m. 


258—Funt-Ltock Prstrou Turkish, about 1700 


Barrel with originally gilded engraved rococo-ornaments above 
the chamber. Stamps. Lock made blue with. silver-tanskering. 
Guard, butt-cover, plate and inner mounting of coarsely enchased 
silver (trophies, etc.). Strongly blackened, inlaid with silver- 
thread (wire?) ; bands of pressed silver-plate around the barrel ; 
appearing ramrod with tube of silver. 


ae Ure 


Length, 44.5 em.; barrel length, 28.5 em.; caliber, 14 mm. 


ee ee OT a a mena 


Note: Constantinople make. About 1700. The barrel-stamps seem to 
imitate the English “control-stamps.” 


259—PisTou Russian, Earlier part of Exghteenth Century 
Plain bored, around the chamber 8-sided (8-angular) damas- 
keened, over the chamber ornaments in gold with a figure of a 
woman holding a gun, muzzle-sight of silver surrounded by gold: 
ornaments. Signed on barrel. Stock, whole stock of walnut. 
sculptured and with rich enchased silver-mountings with trophies 
and leaves (ornaments). Lock missing; the plate with ornaments 
in relief against gold pricked foundation. Signed. 


Length, 0475 m.; barrel length, 0.302 m.; caliber, 0.013 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


260—Fuint-Lock Piston. ee: Brescia, 1670 
Barrel (plain) with 8-sided chamber. Lock with obliterated sig- 
nature, enchased in foliage on cock-foot and end. Guard, butt- 
cover and tube open-worked and enchased in rich flower-pattern. 
plain (later) screw-mountings. Stock of walnut. 

Length, 47 cm.; barrel length, 31 cem.; caliber, 13 mm. 


Note: Handsome, typical Brescia-work from 1670’s. The barrel not 
belonging to it; the stock therefore added unto. 


261—F umnt-Lock Pistou | 
Round plain-bored, the back part with enchased band and leaf- 
ornaments against gold pricked ground. Lock, flint-lock, orna- 
mented as the barrel. Stock with plain sculptured ornaments 
and mountings ornamented the same as the barrel. 


Length, 0.51 m.; barrel length, 0.438 m.; caliber, 0.015 m. 


262—F iint-Lockx Piston About 1700 
Plain-bored, round, flat ridge, muzzle-sight of silver, above the 
chamber cartridge-box with lions, etc., against gold-pricked 
foundation; tail-plate with mascaroons and etched ornaments. 
Lock ; flint-lock ; with figures and signed S. HAVSCHK. Stock 
of walnut sculptured with enchased bronze mountings; on the 
neck coat-of-arms under closed crown. 


Length, 0.505 m.; barrel length, 0.325 m.; caliber, 0.015 m. 
BATTLE-AXES AND HELMET-CRUSHERS 


263—BatTTLE-AXxE Persian, about 1800 


Of damaskeened steel with gold-ornaments around the edge, at- 
tached to painted helve mounted with latten. 
Length, 55 m. 


264—BaTTLE-AXE Persian Seventeenth Century 


Similar to the preceding, but with enchased blade. 


265—-Iron BatTTLE-axE 


Bent with edge put slanting and four-sided head ; on the blade and 
on each side a medallion, within gold incrusted frame, wherein a 
bishop with mitre and sceptre engraved. New helve of wood. 


Length, 0.455 m.; awve-head length, 0.155 m.; breadth, 0.085 m. 


Second Afternoon 


266—Iron HELMET-CRUSHER Turkish 


Of iron, with silver inlay on handle and stock. 
Length, 70 em. 


267—BATTLE-AXE French 


Blade with edge put slanting richly incrusted with silver in lines 
and fruits. Helve of wood, on center covered with red velvet, 
above and below with copper-plate hammered in foliage orna- 


ments. 
Length, 0.617 m.; axe-head length, 0.16 m.; length of edge, 0.115 m. 


_268—Hetmet-crusHer Polish or Hungarian, Seventeenth Century 


Of iron with 7 kinds of blades. Handle of iron, its lower part 


twisted. 
Length, 55 em. 
269—W ar-HAMMER | Turkish Nineteenth Century 
Of iron with silver. Small head and turned point. On a new 
handle. | 
8 Length, 19 em. 
27 0—ParTIsAN Danish Eighteenth Century 


With short broad blade on which the arms of Denmark etched 
(also Denmark’s, Norway’s and Sweden’s together) and 
SONDRE JYDSKE NAT RIGIMENT (Sondre Jydske Night 
Regiment ), with traces of gilding; short straight chape, on 


which is No. 30. 
Length, 2.14 m. 


271—Iron Morninc-star German Sixteenth Century 
Eight-sided rod with spiral-grooved handle at the end, and half- 
sphere shaped knob. The star oblong with eight wings running 


out into points from the center. 
Length, 0.655 m. 


272—NeEpuritE PowpdER-HORN India 
Narrow horn shape of very thin grayish-green nephrite carved 
out with animal heads and flowers with leaves, with openworked 


ring and top of silver. 
Length, 0.116 m. 


273—BronzE PowpdER-HORN Persian (?) 


With gold incrustments and Arabian letters in relief. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


er eee err ew 


2'74—Sitver PowpER-HORN Tula, Russia 
Small horn-shaped, with snap lock along one side; rich ornamen- 
tation in black niello, on one side against gilded foundation. 


Tula-work. 
Length, 0.115 m. 


2'75—PowbDER-HORN Persian, Nineteenth Century 

Of damaskeened steel in the shape of a horn, the mountings open- 
worked. 

Length, 14.5 em. 

276—PowbDER-HORN Seventeenth Century 


Made of the horn of an ox, spiral-grooved; the bottom of wood 
highly carved out with flowers and fruits. (Rare.) 
Length, 019 m. 


27'7—P owpDER-HORN Latter half of Seventeenth Century 
Of horn of an ox, flattened and towards the point carved out 
with animal head with bone-eyes (top, stopper, missing). On 
the side threefold wheel-lock-key of iron. 


Length, 20.55 cm.; width, .7.5 em. 


278—PowDER-HORN 
Ball-shaped lower part, afterwards narrowing and bent neck 
covered with dark brown leather, pressed and gilded in ornaments, 
flowers and inscriptions; the neck with mountings of steel in re- 
markably fine pierced work with Moresque ornament rings of 


iron, in which black leather-thong. 
Length, 0.28 m. 


279—EncrRAvVED Woop PowpER-HORN Italian 


Very large, flattened from two sides, with cylindrical mouth- 
piece; the sides engraved: on one side a horseman fighting with 
a bull, on the other side: a horseman and a centaur fighting 
against a wolf-like animal. Belt and trimmings of satin, silk 


fringes and gold braid, probably put on later. } 
Length, 0.03 m. 
Collection G. Cittore, Rome, 1907. 


Second Afternoon 


280—PowpDER-HORN- Italian 


Of wood, covered with leather, with figures, warriors in antique 
costumes in relief, on both sides at the narrow end a ring of iron, 


other mountings missing. 
: Length, 0.885 m.; width, 0.19 m. 


281—Parr Iron STirrvups Arabian 


With long shanks, large heel support and very long neck, pointed, 
without rowel, inlaid with silver in leaf-ornaments, European pat- 
tern. 

Length, 0.162 m. 


282—BronzEe STirRRvUPS Italian Eighteenth Century 
The step oval with plain line-decorations, the bow pressed, be- 
low embossed in leaves, above with hole, in which a four-sided loop. 


Height, 0.148 m.; breadth, 0.14 m. 


283—Bronze STIRRUPS 
The sides enchased in trophies and fruits; at the top large leaf- 
like embellishments ; the foot-steps open-worked with six holes. 


Height, 0.28 m.; breadth, 0.125 m. 


284—Iron STirRUPS Italian Sixteenth Century 
The steps of four narrow bars, the bow half elliptic, high, broader 
at the bottom richly embossed in Renaissance ornaments with 
mascarons and arms, a half-winged dragon, 
Bvon Compagni. 


Height, 0.178 m.; breadth, 0.12 m. 


285—Sitver-PLATED Bronze Stirrurs Italian Sixteenth Century 
The step oval of four bars, the bow broad, narrowing upwards, 
enchased in renaissance ornaments with figures: at the lower part 
a water-nymph with two fish-tails holding up two putti who in 
their turn hold up a vase. At the very top a coat-of-arms with 


cross-bars. 
Height, 0.17 m.; breadth, 0.125 m. 


286—Pair Scoop-sHAPED STIRRUPS Japanese 


With rich silver inlay, peacock with spread tail and flowers and 
leaves, red-lacquered within. Signed “Kastin ‘Tozaemon Mori- 


kuni.”’ 


‘Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


a 


STIRRUPS | Japanese 
The shape similar to the preceding, No. 286; on the outside a 
crab in relief. Signed Fujiwora Munenage Myocbin Tojima_ 
Daijio. 


287 


DAGGERS AND PONIARDS | 


288—DaccER Middle of Sixteenth Century 
Hilt with many sided knob and straight chaps with thumb-ring, 
grooved wooden block, originally covered with brass-wire. Blade 
four-sided with long break. 


289—SmatL DaccEer Caucasian 
With ivory-hilt and sheath of silver inlaid with niello. 
Length, 28 cm. 


290—DaccEerR Bokhara 


One-edged, knife-like, with narrow lines nearest the back, finely 
damaskeened ; hilt of ivory with a line of oblong turcois nearest 


to the blade. 
Length, 0.805 m.; length blade, 0.18 m.; breadth, 0.03 m. 


291—DaccErR Italian, about 1600 


Shape and ornamentation similar to the following, No. 292, 
though the ends of the chape are spiral-grooved ; “measures” on 
the blade missing. 


Length, 32.5 cm.; length of blade, 22 cm.; breadth, 1 em. 


292— DaccER Italian, about 1600 


Hilt with oval spiral twisted knob, wood-block spiral grooved 
with traces of brass-rivets, and short chape with egg-shaped ends. 
Blade three-sided with grooved break one side with carelessly 
stamped “measures” (even 120). 


Length, 36 cm.; blades length, 26 cm.; breadth, 1.2 cm. 


Note: Italian (Venetian) dagger from about 1600. “Caliber measures” 
on the blade were a thing of fashion since they had been used originally on the 
daggers of the cannoniers; these were namely the only ones during a certain 
period who had the right to carry a dagger in Venice and several other 
Italian cities. 


Second Afternoon 


2 


293—DaccER : Italian, Early Seventeenth Century 


Hilt with knob and short chape of brass; block of horn. Blade 
three-sided, etched on two sides with climbing foliage, on the third 
with “measures” (see No. 292). Leather-sheath with plain brass- 


mountings. 
Length, 32.3 cm.; blade length, 22.3 cm.; breadth, 1 em. 


294— ARROW-POINT Persian Seventeenth Century 
Two-edged, pointed with enhanced edges and narrow back; 
damaskeened ; the ferrules eight-sided with narrow ridges. 


Length, 0407 m.; blade length, 0.24 m.; breadth, 0.029 m. 


295—Daccer (for left hand) German Seventeenth Century 


Six-sided, flat, pointed. Signed at the top in brass. Hilt with 
straight chape ending in small volutes iron-wire wound capsule 
and grooved round knob. 


Length, 0476 m.; blade length, 033 m.; breadth, 0.024 m. 


296—Daccer (“main-gauche’’) 

Point two-edged with back, break and cross-shaped stamp. Hilt 
with half-sphere-shaped downward bent chape, small horizontal 
guard and almond-shaped knob, all with ornaments, the knob 
with figures in relief with gold pricked foundation, wound. 


Length, 0.425 m.; blade length, 0.295 m.; breadth, 0.019 m. 


297—Daccer WITH SHEATH India 
Two-edged with narrow back and gold-incrusted ornaments 
nearest the hilt ; hilt of nephrite sculptured with knob in shape of 
five clusters of grapes, below: a ring of rubies set in gold, and a 
part of darker nephrite; sheath of silver enchased and pricked in 
cheque ornaments. 


Length, 0.347 m.; blade length, 0.18 m.; width, 0.021 m. 


298—DaccER WITH SHEATH India 
One-edged with broad back and sharply narrowing point, finely 
damaskeened with ornaments in gold nearest the hilt; the hilt 
of jade, with flowers and leaves in relief; sheath of iron with rich 
ornamentations in gold. 


Length, 0.367 m.; blade length, 0.25 m.; breadth, 0.03 m. 


‘Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 
Be SS eee 
299—Daccrr witH Jape Hitt India 
Two-edged with back pointed, somewhat crooked finely damas- 
keened and inlaid with gold at the top. Hult of jade (length, 
0.12 m.; breadth, 0.054 m.) the knob sculptured in shape of a 
horse’s head with ruby-eyes and golden bridle, below with flowers. 


Blade length, 0.225 m.; breadth, 0.031 m. 


300—DaccER WITH SHEATH Italian Seventeenth Century 
Two-edged ; pointed, with weak back and two lines; hilt of brass, 
six-sided, richly enchased with flower-ornaments; sheath of dark 
green velvet with mountings as on the hilt. Venice, end of seven- 
teenth century. | 


Length, 0.38 m.; blade length, 0.25 m.; breadth, 0.017 m. 


301—DaccER witH SHEATH Venetian Seventeenth Century 
Straight, pointed, with narrow back and two narrow blood-chan- 
nels. Hult with round block, knob with turcois in silver setting, 
and short chape of gilded silver, enchased in leaf ornaments. 
Sheath of black leather with silver mountings with engraved orna- 
ments, gilded at the top a small chape. 


Length, 0875 m.; without sheath, 0.3872 m.; blade length, 0.264 m.; 
breadth, 0.019 m. 


302— DaccER India 


Broad two-edged, edges and back raised, damaskeened, near the 
hilt ornaments in silver incrustments. Hilt of dark green jade 
with turned knob inlaid with silver in flower pattern. 


Length, 0.857 m.; blade length, 0.28 m.; breadth, 0.036 m. 


303—DaccER Persian 


Crooked, two-edged, pointed, with back and damaskeened ; hilt, 
oval cylindrical, one side plain, the other richly sculptured 
in warrior-figures surrounded by arabesques and above and below 
with angels carrying shields, in European style, all in relief. 


Length, 0.846 m.; blade length, 0.225 m.; breadth, 0.043 m. 


304—Srreet Kyire Chinese or Japanese 


In cylindrical sheath of ivory, with sculptured figure representa- 
tions. 


Second Afternoon 


305—DaccER . Persian Seventeenth Century 
The blade bent, of fine damask. The hilt of carved walrus-tooth, 
on one side a European in the costume of the end of the seven- 
teenth century. On the other side a flower, both in low framing. 


306—DaccEr India 
Of fine damaskeened steel; edge-grooves, and ridge in center; at 
the top gold-incrustments. Hult of ivory. Sheath of wood, cov- 
ered with brown cloth embroidered in gold and lined with red 
cloth. 


307—Knire Afghan 
One-edge with broad pack finely damaskeened, with ornaments, 
traces of gilding at the top; hilt of ivory and gold- incrusted 

steel; sheath of bright-green leather with chape of bone. 
Length, 0.4 m.; length, of blade, 0.265 m.; breadth, 0.032 m 


3808—DaccER WITH SPRING-BLADE India 
Broad at the top, two-edged many-sided, narrowing into sharp 
point, along the back separable in two parts opened by a spring 
in the blade and showing an inner shorter blade of the same 
shape; the outer blade enchased and engraved at the top with ele- 
phant’s head. Hult fork-shaped with handle between the claws, 
in which the spring-mechanism to open the blade, richly engraved 

and silver-encrusted. 
Length, 0.397 m.; blade length, 0.207 m.; breadth, 0.067 m. 


309—DaccER India, 1590-1610 
Short, triangle-shaped with back, handle with two shanks united 
by two blocks; all richly gold incrusted in flower-motives. 

Length, 0.317 m.; length of blade, 0.174 m.; breadth, 0.066 m. 


310—Kris Javan 
Undulated damaskeened blade. Hilt of wood in the shape of a 
fantastical figure. Length, 51 em. 
311—DaccErR Persian Eighteenth Century 


Crooked, blade with center-ridge, near the hilt inlaid with gold 
which forms a background or foundation for a beautifully shaped 
Arabian inscription. The hilt of walrus tooth, plain. 


Length, 35 cm. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


312—DaccER wiTH SHEATH India 
Crooked, two-edged with high back and sharply narrowing point, 
finely damaskeened; hilt of jade with flowers in relief set with 

rubies ; sheath of black leather with silver mountings. 
Length, 0.385 m.; blade length, 0.235 m.; breadth, 0.043 m. 


313—DaccER WITH SHEATH India, Early Sixteenth Century 


Two-edged with raised edges and with 
narrow back; nearest the hilt ornaments 
in gold incrustments; hilt of nephrite 
richly set with diamonds, rubies and em- 
eralds in gold; sheath covered with green 
velvet with point- and mouth-mountings 
of nephrite set with precious stones as the 
hilt ; extremely magnificent work from the 
beginning of the sixteenth century. 


Length, 0.428 m.; blade length, 0.229 m.; 
breadth, 0.035 m. 


Collection of Dr. Frederick Martin, 
Stockholm. 


Exhibited at the Mohammedan E«ahibi- 
tion, Munich, 1910. 


(Illustrated) 


314—DaccEr India 
Straight, pointed, two-edged with back 
and two small blood-channels. Hult fork- 
shaped with handle between the claws and 
tongue down the blade, richly silver-in- 
crusted in plain ornaments. 


Length, 0495 m.; blade length, 0.294 m.; 
breadth, 0.037 m. 


315—DaccEr India 
Two-edged evenly broad with two small 
blood-channels. Hilt fork-shaped with 
handle between the claws and tongue 
downward on the blade, richly gold incrusted in undulating lines. 
Length, 0.545 m.; blade length, 0.029 m. 


313 


Second Afternoon 


316—HUNTING-KNIFE WITH SHEATH 
Italian, Early Eighteenth Century 
One-edged, heavy, with handsomely etched hunting-scenes, wild- 
boars, deer, a bird and dogs. Hilt of dark wood sculptured in 
foliage. Mountings of bronze, knob in shape of a bird’s head. 
The sheath of wood with brass mountings. 


Length, 0.544 m.; blade length, 0.855 m.; breadth, 0.055 m. 


317—DaccER WITH SHEATH Caucasian 
Two-edged with deep blood-channel and rich gold-incrustments 
along the whole of the blade; hilt of black horn with gold-in- 
crusted steel mountings; sheath of dark leather with mountings 
similar to those on the hilt and tassels of leather bands. 


Length, 0.66 m.; blade length, 0.505 m.; breadth, 0.055 m. 


318—Court Sworp 
Six-sided, with plain engraved ornaments at the top. Hilt, 
guard-hilt of silver, with small vertical guard-plate (chape?), 
guard, round, almond-shaped kncb, and block enchased in rococo- 
ornaments and flowers and leaves. Scabbard of black leather 
with plain pricked silver mountings. 


Length, 0.83 m.; blade length, 0.7 m.; breadth, 0.019 m. 


319—Covurt Sworp Eighteenth Century 
Narrow six-sided, upper part with etched, gilded ornaments, and 
blue-made. Hilt, guard-hilt, of silver with enchased rococo-orna- 


ments. 
Length, 0.957 m.; blade length, 0.792 m.; breadth, 0.018 m. 


320-—Sworp German Seventeenth and Eighteenth Centuries 
Hilt of silver, openworked and enchased as the so called steel 
pair hilts on knob, block chapes and guard. Blade flat 4-sided ; 
lettered in large characters on both sides. 


Length, 102 em.; blade length, 88 cm.; breadth, 17 cm. 


Note: Handsome, particularly rare hilt from end of eighteenth century. 
Blade from beginning of seventeenth century by the Solinger-smith Johan Brach 
(or Broch), who certainly had worked in Toledo and signed at times “del 
rei Deviel” (Paris), at times used Toledo stamp (St. Petersburg). 


Kindly read the Conditions wnder which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


321—Sworp 
Four-sided with narrow flat back and short blood-channels, gilded, 
and lettered on both sides. Hilt, guard-hilt, of silver with knob 
guard, double sided guard-plate (chape?) and block openworked 4 
and richly enchased in rococo-ornaments. Sheath of white a 
leather with silver-mountings and sword-belt of green satin lined 


with leather. 
Length, 0.98 m.; blade length, 0.815 m.; breadth, 0.024 m. 


322—Court Sworp 
Six-sided, at top with etched and gilded ornamentation, medal- — 
lion with cherub and inscription around: 7 
JE NE PVIS L’ADOUCIR a 
Hilt, guard-hilt of silver, with small vertical guard-plate (chape?) ia 
guard and ball-shaped knob, enchased in rococo-ornaments with [ 
flowers, sir gilded; block of Sachsen-porcelaine with flowers in | 
colors against white foundation. Scabbard of black leather with ; 
enchased mountings. 
Length, 0.889 m.; blade length, 0.723 m.; breadth, 0.018 m. 


323—Covurt Sworp : a 
Six-sided, upper part with etched and gilded ornaments and in- 4 
scription within oval framing: ‘‘cent Livres de melancholi ne 
scaurayhet payer une once de debtes.” Hilt, guard-hilt with 
double-sided guard-plate (chape?) guard and ball-shaped knob, 
enchased with rococo-ornaments and four-footed animals (horse, .@ 
lion, deer, dog) and birds, etc., in steel against gold pricked 4 
ground ; block wound with steel and gold wire. 


Length, 0.935 m.; blade length, 0.77 m.; breadth, 0.021 m. 


324—Court Sworp Eighteenth Century 
Three-sided, pointed with two blood-channels. Hilt, guard-hilt 
of steel with a small horizontal openworked chape down the blade, 
the whole hilt with decorations of rococo-ornaments and figures 
in steel against gold pricked ground. Sheath of black leather 
with mountings decorated as the hilt. 


Length, 1.02 m.; without sheath, 0.99% m. Blade length, 0.858 m.; 
breadth, 0.019 m. 


Second Afternoon 


3825—Court Sworp 


Six-sided, at top with etched and gilded ornaments and medal- 
lions, with figures of ladies in large hats and plumes. Hilt, guard- 
hilt of silver with double-sided guard plate (chape?), guard and 
8-sided knob, plain, and block wound with silver wire. Scabbard 
of black leather with hook of silver. : 


Length, 0.872 m.; blade length, 0.706 m.; breadth, 0.02 m. 


326—Sworp About 1700 


Hilt of brass, cast and enchased in partly open-worked ornaments 
with mascaroons; oblong guard- (plate?) (chape?), hand guard, 
block wound with brass wire (original). The blade slightly six- 
sided (six-angular), at the top etched in foliage-ornaments and 
medallions. 


Length, 85 cm.; blade, 1.675 cm, (the point broken off). 


027—Covurt Sworp 
Three-sided rapier-blade at the top very much broader than 
towards the point. Hilt, guard-hilt, with double-sided guard- 
plate (?) (chape?), guard and ball-shaped knob, all openworked 
in small holes and enchased in leaf-ornaments, squares with small 
flowers and cartridge-boxes with weapons in steel against gold- 
pricked ground, hilt wound around. 


Length, 0.97 m.; blade length, 0.795 m.; breadth, 0.029 m. 


328—Sworp 
One-edged, at top with broad blood-channel and made blue, 4 
gilded ornaments on each side. Hilt, guard-hilt with one-sided 
downward-bent guard plate (?) (chape?) guard and knob in 
shape of a helmet, enchased; block of mother-of-pearl. Scab- 
bard of black leather with mouth-mountings. 


Length, 0.974 m.; blade length, 0.814 m.; breadth, 0.02 m. 


329—Sworp 
Two-edged, pointed, at the top etched ornaments in rococo-style 
and figure with shield and sword. Hilt, guard-hilt of silver, with 
heart-shaped guard-plate (chape?), enchased in mussel, guard 
and knob spiral-grooved, and block wound with twined silver- 
wire. Sheath of black leather with plain silver-mountings. 


Length, 0.923 m.; blade length, 0.765 m.; breadth, 0.027 m. 


Kindly read the Conditions under which every item is offered and sold. q 
They are printed in the forepart of the Catalogue. 9 


a  ————————e—_=Eee 


330—Sworp 
Six-sided, upper part with sparse ornaments, with traces of gild- 
ing. Hilt, guard-hilt with double-sided guard-plate (?) (chape?) 
guard, and almond-shaped knob enchased in ornaments, trophies, y. 
musical instruments, etc., in steel against gold pricked ground; “a 
block wound with iron and silver-wire. 


Length, 0.991 m.: blade length, 0.831 m.; breadth, 0.015 m. 


331—Sworp (Sabel) Turkish, 1820 
Crooked, one-edged, with broad back, damaskeened and richly in- 
laid with gold in ornaments and inscriptions along the back and 
at the top. Hilt with cross-shaped plain chape of brass, ending 
in six-sided knobs, block bent, of yellowish-brown horn. 


Length, 0.859 m., blade length, 0.727 m.; breadth, 0.047 m. 


332—S worpD Early Seventeenth Century 
Hilt of iron with ornaments stamped in. The guard filled out 
with brass-plate going out into hand chape. Knob, flat pear- 
shaped; block covered with brass-plate. Blade two-edged, at the 
top deep blood-channel and lettered on both sides. 


Length, 96 cm.; blade length, 81 cm.; breadth, 2.3 cm. 


Note: Solinger-work from the earlier half of the seventeenth century. 


333—CourtT Sworp 


Rather narrow, two-edged, the greater part etched in rich orna- 

ments at top with a six-pointed star with traces of gold ground. 

Hilt, guard-hilt with double-sided guard-plate, ball-shaped knob 

and hand-guard, enchased in fan-like ornaments, etc., in rococo . 

style against gold pricked ground, block wound with copper- 4 

wire. : 
Length, 0.915 m.; blade length, 0.75 m.; breadth, 0.02 m. 


334—H uNTING-swoRD Mid-seventeenth Century 
Hilt of well enchased brass (animal-head) with short straight 
chape going up into handguard, and thumb-ring; block covered = 
with leather. Blade evenly broad with blood-channel. ; 
Length, 110 cm.; blade length, 89.5 cm.; breadth, 2.6 cm. 


Note: Peculiar weapon from the middle of the seventeenth century. 
Probably not original blade; its inscription seems to be some misunderstood 
signature (not uncommon with blades from this period). 


Second Afternoon 


335—Courtr Sworp 


Six-sided, at top with short blood-channel and unreadable in- 
scription with six letters. Hult, guard-hilt of iron, with double- 
sided guard-plate, open-worked, guard and open worked almond- 
shaped knob, block one-sided (or turned) nearly cylindrical open- 
worked and enchased. 

Length, 0.94 m.; blade length, 0.79 m.; breadth, 0.019 m. 


336—Sworp 
Two-edged, six-sided, very narrow, with rococo-ornaments en- 
graved, and partly gilded. Hilt, guard-hilt with guard-plate (?) 
(chape?) with particularly finely enchased rococo-ornaments in 
steel against gold-pricked foundation. 
Length, 0.959 m.; blade length, 0.806 m.; breadth, 0.016 m. 


337—Covurt Sworp 
Three-sided rapier-blade rather broad at the top, with etched 
ornaments. Hilt, guard-hilt with double-sided guard-plate 
(chape?), guard and ball-shaped knob enchased with rococo- 
ornaments and trophies in steel against gold-pricked ground, 
block wound with steel and gold-wire. 
Length, 0.821 m.; blade length, 0.664 m.; breadth, 0.025 m. 


338—Sworp 
Hilt of iron, blackened, with knob and guard-hilt openworked and 
enchased in dragon-ornaments ; the guards enchased with foliage 
(the hand-guard new); the guard-plate (?) (chape) on both 
sides enchased in tritons and water-nymphs, the block wound 
with wire. Blade with high back, at the top blood-channel in 
which on both sides 
x x ENTOLEDO x x 


Length, 97 em.; blade length, 80.5 em.; breadth, 1.7 em. 


Note: Handsome, the blade seems to be real Toledo, 1680's. 


339—CovurtT Sworp 

Three-sided ducat-sword, made blue, with sparse etched and 
gilded ornaments. Hilt, guard-hilt with double-sided guard- 
plate (?), guard and round, almond-shaped knob, enchased with 
hunting-scene, dogs hunting deer, wild boars, birds, etc., in steel 
against gold-pricked ground; block wound with steel and gold- 
wire. 

Length, 0.982 m.; breadth, 0.023 m. 


Kindly read the Conditions under which every ttem ts offered and sold 
They are printed in the forepart of the Catalogue. 


340—Sworp (Schiavona) Seventeenth Century 
Hilt of iron with unusually rich guard system. Knob of brass, 
widened at the top, block grooved leather-covered. Blade evenly . 
broad with broad blood-channel towards the point; at the top 
etchings on each side trophies and medallion with the figure of 
a man in the costume of 1750; round the offset openworked 
leather-lning. Scabbard covered with leather; bands of brass 
with cross bands up to half the height of the scabbard. 


Length, 118 em.; blade length, 97.5 em.; breadth, 3.7 em. 
Note: Interesting Schiavona-type of early seventeenth century type 
(note the scabbard) ; though the etchings point to the 1750’s. 
(Illustrated) 


341—Covurt Sworp 
Three-sided rapier-blade without ornamentation. Hilt, guard- 
hilt of silver, with double-sided guard-plate (chape?), guard and 
ball-shaped knob and cylindric block, richly enchased in figure- 
scenes, mermaids, Roman warriors, figures and trophies and orna- 
ments. 
Length, 0.766 m.; blade length, 0.635 m.; breadth, 0.017 m. 


(Illustrated ) 


342—Sworp Sixteenth Century , 
Two-edged, signed 1413. Hilt, guard-hilt of iron, with figures, 7 
horsemen, in high relief ; block wound with iron-wire. 

Length, 0.94 m.; blade length, 0.18 m.; breadth, 0.02 m. 
(Illustrated) 


343—Covurt Sworp 


Three-sided rapier-blade, fairly broad at top, upper part made 
blue and with etched and gilded ornaments, and a wild man with 
bow and arrow. Hilt, guard-hilt, with double-sided guard-plate 
(chape?) guard and flattened ball-shaped knob enchased with 
leaf-ornaments and scenes from animal fables, the fox and the 
stork, etc., in steel, partly gilded, partly against gold-pricked 
ground ; the block wound with silver-wire and steel-wire with gold- 
pricked stars. | 

Length, 1.044 m.; blade length, 0.887 m.; breadth, 0.028 m. 


(Illustrated) 


| 
. 
| 


| } | 341 
Vy, Hi 


340 


343 


SIXTEENTH AND SEVENTEENTH CENTURY SworRDSs 


Kindly read the Conditions wnder which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


344—Covurt Sworp 
Three-sided, rapier-blade, broad at top without ornamentation. 
Hilt, guard-hilt, with double-sided guard-plate (chape?) open- 
worked in rich foliage, guard enchased, and knob openworked as 
guard-plate; block plain of wood. 


Length, 0.981 m.; blade length, 0.154 m.; breadth, 0.03 m. 


345—S worD Siateenth Century 
Two-edged, with back, with engraved ornaments, a bird and a . 
hand out of a cloud, holding a sword; and an inscription (Latin?) = 
difficult to solve; hilt, guard-hilt of iron, with guard-plate 
(chape?), knob and guard with figures, horseman, fights, in high 
relief, block wound with iron-wire. 

Length, 0.98 m.; blade length, 0.82 m.; breadth, 0.025 m. 


Similar to a specimen in the Musée de Cluny, Paris. 


346—SworpD About 1700 
Hilt of iron, tanshered (?) with silver in high relief in flower- 
ornaments and mascaroons on knob, hand-guard and guard-plate 
(chape?) The blade 4-sided with deep blood-channel at the top, 
and lettering on both sides. 
Length, 102 em.; blade, 1.47 em.; breadth, 1.7 em. 208 q 


Note: Particularly handsome work. The blade hardly by Francisco 
Rinz in Toledo as the name has been so haphazardly applied. 


347—Court Sworp 
Three-sided rapier-blade, without ornaments. Hilt, guard-hilt 
with double-sided guard-plate (chape?), guard and almond- 
shaped knob enchased with hunting scenes and ornaments, gar- 


lands, etc., in steel against. gold-pricked ground; the block wound 
with steel and silver-wire. 


Length, 0.957 m.; blade length, 0.789 m.; breadth, 0.019 m. 


348—Sworp Eighteenth Century 
Two-edged, with plain engraved ornaments; hilt, guard-hilt of 4 
steel, richly openworked and enchased, knob guard and double- 4 
sided guard plate (chape?); block wound with steel-wire. End | 


of eighteenth century. Handsome work. 


Length, 0.935 m.; blade length, 0.763 m.; breadth, 0.03 m. 


Second Afternoon 


349—Sworp (Sabel) India 
Crooked, one-edged, with back with traces of gold-inlay. Hilt 
with short chape, small block, and large flat knobs of iron inlaid 
with gold and silver in naturalistic flower-pattern. 


Length, 0.886 m.; blade length, 0.77 m.; breadth, 0.038 m. 


350—Sworp German, 1670 


Hilt of iron made blue, enchased in foliage on the knob, guard 
and chape; the guard also openworked and decorated with medal- 
lions with the head of a man; block wound with brass-wire (orig- 
inal). Blade with back, at the top etched with horseman in cos- 
tume from the midst of the seventeenth century; there above a 
Roman warrior. Inscription above the latter on one side: Rom- 
Trojanus (?) on the other side quite indistinct ; inscription above 
the horseman on one side: Tor te Domino non conpundan Res 
parva crescunt, Discordia Res magna dilabuntur. 


Length, 93 em.; blade length, 76 cm.; breadth, 2.5 em. 


351—Sworp Mid-seventeenth Century 
Two-edged, with back, without ornamentation. Hult of steel, with 
double-sided guard-plate (?) (chape?) openworked in foliage and 
with two medallions with grotesque heads of women, short spiral- 
grooved chape, ball-shaped knob with heads of women as on the 
plate, and block wound with iron-wire spiral-grooved. 


Length, 1.002 m.; blade length, 0.889 m.; breadth, 0.023 m. 


352—Covurt Sworp Earlier half Eighteenth Century 
Six-sided, with etched ornaments at the top. Hilt, guard-hilt 
with double-sided guard-plate (?) (chape?) guard and _ ball- 
shaped knob, enchased in figure scenes with horsemen, women, 
etc., in steel; block wound with steel-wire. 


Length, 0.884 m.; blade length, 0.722 m.; breadth, 0.017 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


353—Covurt Sworp 

Three-sided rapier-blade, upper part made blue, with ornaments 
etched and gilded. MHilt,- guard-hilt with double-sided guard- 
plate (?) (chape?), guard, and almond-shaped knob with en- 
chased and gilded ornaments, flower-sprays and oval fields with 
trophy-bunches against dark ground; the block wound with sil- 
ver-wire with crosses stamped in and cords. 

Also two scabbard mountings. 


Length, 1.004 m.; blade length, 0.839 m.; breadth, 0.023 m. 
(Illustrated) 


354—Sworp Eighteenth Century 

Three-sided (or 3-angular) with blood-channels, at the top etch- 

ings, trophies and rococo-ornaments, gilded. Hilt, guard-hilt 

of silver, with pear-shaped knob, openworked in rosettes, chape, 

double-sided guard-plate also openworked, and block wound with 
silver-wire. 

Length, 0.985 m.; blade length, 0.822 m.; breadth, 0.02 m. 


(Illustrated) 


355—SworpD Early Seventeenth Century 


Basket-hilt of iron, with concentric guards, and straight chape 
with knob-shaped ends. Blade with offset and blood-channel, 
with, on both sides: IOHAN. Thin, flat back. 


Length, 106 cm.; blade length, 93 em.; breadth, 2.8 em. 
(Illustrated) 


356—Court Sworp 


Six-sided, rather broad at top, upper part. with etched leaf-orna- 
ments. Hilt, guard-hilt with double-sided guard-plate (?) 
(chape?), guard and ball-shaped knob, enchased with rococo-or- 
naments, trophies, musical instruments, gardening tools, globe 
and scientific instruments in steel against gold-pricked ground; 
block wound with gold and steel-wire. 


Length, 0.983 m.; blade length, 0.817 m.; breadth, 0.024 m. 


A ES RINE Sm 


353 


7 
. 
2 
ra 


355 


SEVENTEENTH AND EIGHTEENTH CENTURY SworDs 


Kindly read the Conditions under which every ttem ts offered and sold. 
They are printed wn the forepart of the Catalogue. 


3857—Court Sworp Latter half Eighteenth Century 2 
Narrow, evenly broad, one side plain, the other with back. Hilt, 
guard-hilt of silver, openworked in small facets, double-sided 
guard-plate (chape?) to one side downward bent to the other 
side upward bent, knob egg-shaped, block four-sided, wound with 
small garlands of roses and leaves enchased in silver, guard-plate 
(chape?) and knob with similar decoration. a 


Length, 0.86 m.; blade length, 0.7 m.; breadth, 0.011 m. 


358—Court Sworp mn 
Three-sided, broad at top, with etched and gilded rococo-orna- 
ments, the point rust-damaged. Hilt, guard-hilt of steel, with 
double-sided guard-plate (chape?) and ball-shaped knob, extra- 
ordinarily well enchased in rococo-ornaments and flowers against 
gold-pricked foundation, block, thick, wound with gilded and 


twined silver-wire. 


Length, 0.985 m.; blade length, 0.821 m.; breadth, 0.025 m. 


359—Sworp 


Hilt of iron, cross-shaped with rounded block and chape and 
round knob and chape-end ; smithed in two pieces, brazed together 
at the foot of the block; plain lines and dots stamped in. The 
blade 4-sided at the top 14 turn wound round; ornaments 
stamped in. 

Note: Peculiar weapon, the whole character of which points to the six- 
teenth century, but hardly can be looked upon as an original sword. I be- 


lieve the blade has belonged to a so called rod-weapon. Observe the weight 
of the blade. Probably from Steyermark. 


3860—Court Sworp 
Three-sided rapier-blade fairly broad at the top, upper part 
with etched ornaments and trophies. Hilt, guard-hilt with 
double-sided guard-plate (chape?) and ball-shaped knob, en- 
chased in rococo-ornaments with roses and leaves in steel against 
gold-pricked ground; the block wound with copper-wire. 


Length, 0.949 m.; blade length, 0.782 m.; breadth, 0.025 m. 


Second Afternoon 


361—Sworp German, 1730 
Hilt of colored brass, enchased in partly openworked rococo- 
ornaments, with silver-plated medallions, in which trophies, musi- 
cal instruments, agricultural tools, etc. The block wound with 
copper-wire. Blade (so called: Apostle-blade) along the whole 
of its length etched in figures of the Apostles and underneath in- 
scriptions, on one side: ‘“‘Ne me tire pas sans raison,” on the 
other: ““Ne me remette point sans honneur.” 


Length, 86 cm.; blade length, 79 cm.; breadth, 1.9 em. 


362—Sworp 
Six-sided with plain engraved ornaments; hilt, guard-hilt of 
partly gilded bronze with openworked pear-shaped knob, double- 
sided openworked guard-plate (chape?) and guard; the block 
wound with silver-wire, Louis XVI. 
With guard-hilt court-sword, length, 1.004 m.; blade length, 0.84 
m.; breadth, 0.022 m. 


363—Sworp | German, 1730 
Hilt of colored brass, enchased in strong but fairly coarse rococo- 
ornaments, on knob, block, chapes and guard. Blade (somewhat 
rust-damaged) with flat back, at the top etched ornaments. 


Length, 86 cm.; blade length, 71.5 em.; breadth, 2 em. 


364— DaccrrR Italian Sixteenth Century 
Hilt with oval, black many-sided knob, iron-wire-wound block and 
C-shaped downward bent chape with thumb-ring. Blade two- 
edged with long blood-channel. Smith stamped (3 times on 


each side). 
Length, 67 cm.; blade length, 58.5 cem.; breadth, 4.3. cm. 


Note: North Italian work from sixteenth century. Rare size. 


365—Sworp Italian Sixteenth Century 
Hilt of iron with downward bent chape finished in prismatic knobs. 
Oval knob, spiral-grooved wood block. Blade with short narrow 
point, two-edged with high back and suddenly narrowing towards 

the point. Smith stamp. 
Length, 121 cm.; blade length, 110 em.; breadth, 2.5 em. 


Note: Rare and elegant shape. Similar specimen in the Arsenal at 


Venice. 


Kindly read the Conditions wnder which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


TD 


366—Sworp with Basxer-Hitt Italian, End of Sixteenth Century 

Very long, narrow four-sided blood-channel and hole at the top. 

Hilt, basket-hilt of iron, richly openworked in foliage, straight, 

long chape, iron-wire-wound capsule; narrow guard and knob~ 
openworked as basket. Italian duelling-sword, Spanish blade. 

Length, 1.25 m.; blade length, 1.04 m.; breadth, 0.018 m. 


367—PaNAcHE Swedish 
Hilt of colored, enchased brass, with hand-guard (enchased at 
bottom) and mountings on the ivory-block in shape of dolphin- 
head. Blade with knife-back, at the top made blue and gilded. 
Carl XIV Johans and the crown-prince Oskar’s names (letters) 
and “Three Crowns” and the arms of Norway. Scabbard of 
black leather with colored brass-mountings, enchased: ‘Three 
Crowns” and emblems of the Navy. 


Length, 91.5 cem.; blade length, 79 cm.; breadth, 2.3 em. 


Note: Swedish navy-officer’s weapon from the reign of Carl Johan. 


368—Sworp (Sabel) Beginning of Nineteenth Century 

| Hilt of gilded, enchased brass with hon’s head knob, block, wound 
with copper-wire. Blade with knife back, towards the point two- 
edged. Scabbard of leather, mostly color-covered, enchased 
brass-mountings (trophies). 


Length, 95 cm.; blade length, 82 em.; breadth, 2.5 em. 


369—Covurt Sworp 
Six-sided, plain at top with etched ornaments and figures. Hilt, 
guard-hilt of gilded silver with double-sided guard- (plate?), 
round chape, knob somewhat pressed together from the sides and 
spool-shaped block richly enchased and pricked in rococo-orna- 
ments, mussels and strapwork (?). 
Length, 0.9238 m.; blade length, 0.773 m.; breadth, 0.02 m. 
370—Sworp 7 
Two-edged six-sided, with two short blood-channels in which 
gilded etchings and signature: TOMAS AYALA. Hilt, guard- 


hilt of gilded bronze, richly enchased in rococo-ornaments ; hand- 
some work. 


With guard-hilt court-sword, length, 1.009 m.; blade length, 0.849 m.; 
breadth, 0.023 m. 


Second Afternoon 


371—Sworp Nineteenth Century 
Hilt in cross-shape, of gilded, cast, and enchased brass, with 
mother-of-pearl covered block (one side defective). Blade with 
knife back to half of its length, and made blue, and gilded. Scab- 


bard of black leather with coarse gilded brass mountings. 
Length, 95.5 em.; blade length, 81.5 cm.; breadth, 1.9 cm. 


Note: Civilian uniform-sword from nineteenth century. 


3872—Covurt Sworp 

Six-sided, two-edged, pointed upper part etched and gilded orna- 
ments, and a medallion with Roman warrior-head, underneath 
which incrusted: RECTE FACIENDO-NEMINEM TIMEAS. 
Hilt guard-hilt with double-sided guard-plate (?) guard and 
ball-shaped knob with finely enchased ornaments in rococo-style 
flowers and figures Neptune with trident, etc., in steel against 
gold-pricked ground; block wound with gold and silver-wire. 

| Length, 0.9 m.; blade length, 0.733 m.; breadth, 0.018 m. 


373—SworpD 
Two-edged, with back, richly enchased and gilded with leaf-orna- 
ments and trophies; hilt in cross-shape of gilded, richly enchased 
brass, knob in shape of a Roman helmet; scabbard with gilded 
brass-mountings and signed: Salter (Sivard Catler & Jeveller) 
to H.R.H. the (Duke of Sussex) 35 Strand, London. Empire 


work. 
Length, 0.94 m.; blade length, 0.78 m.; breadth, 0.02 m 


374—SworpD Earlier half of Seventeenth Century 
Hilt of iron with slightly S-shaped chape, guards and branched 
hand-chape; ovally six-sided knob, coarsely stamped; iron-wire- 
wound (new) block. Blade with weak back, two-edged, at the top 
etched on both sides in ornaments, the inscription SOLI DEO 
GLORIA and smith-stamps. 


Length, 107 cm.; blade length, 90 cm.; breadth, 4 em. 


Note: Solinger-work from the earlier half of the seventeenth century. 
The first mark (or stamp) was to be found (also in etching) on a sword 
in Furst Schwarzenberg’s collection; the second is unknown to me. Johannes 
Wirsberg died 1640. The “Prisoner” was used as stamp by Wilhelm and 
Clemens Wirsberg. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


375—SworpD Early Seventeenth Century 
Hilt of iron with S-shaped chape and guard; oval knob, block 


wound around with brass-wire. ‘The blade evenly broad with long 
offset and then two deep blood-channels till quite near the point. 
On the offset inlaid with copper on both sides: x WILHELM x 


WIRSBERG x. 
Length, 106 cm.; blade length, 90 em.; breadth, 2.8 cm. 


Note: Solinger work by Wilhelm Wirsberg, Jr., in 1620’s. See previous 
No. 374. 


376—RaPIER About Seventeenth Century 
Hilt of iron with traces of gilding. Strongly S-shaped chape 
finished in grooved urn-shaped knobs, upturned openworked 
heart-shaped guard. Urn-shaped grooved knob; iron-wire-wound 
block. Blade with back, flamberg. Trace of smith-stamp 


Length, 109 cm.; blade length, 94 cm.; breadth, 2.5 cm. 


Note: Elegant parade-sword from about 1600 (the hilt has a shape usual 
to daggers). On the guard a filling screwed on in later times from a sword 
of the end of seventeenth century. 


377—CuRVED SABRE Earlier half of Seventeenth Century 
Hilt of same type as No. 355, though with broader and more 


freely arranged chapes, with leaf-ornaments stamped in. Blade 
with knife-back. Smith-stamp. 


Length, 98 cm.; blade length, 84 cm.; breadth, 4 cm. 


Note: Handsome possibly Steyric weapon from the earlier half of the 
seventeenth century. 


378—Sworp German, 1630-1650 
Hilt of iron, with heart-shaped chape, tin-ring and hand-guard, 
oval somewhat enchased knob, and iron-wire wound (new) block. 
Blade, two-edged, with broad blood-channel, with lettering on 
both sides. 

Length, 95 em.; blade length, 82 cm.; breadth, 3.2 cm. 


Note: The inscription is characteristic of the mass-production of the 
seventeenth century (can be: In te Domine speravi non confundar). 


Second Afternoon 


379—SworD WITH SHEATH Chinese 
Two-edged with a blood-channel. Hilt with block of black 
grooved horn, inlaid with mother-of-pearl, knob and short chape 
with richly enchased silver-mountings, sheath of black wood, with 
mountings similar to those of the hilt. 


Length, 0.875 m.; blade length, 0.56 m.; breadth, 0.032 m. 


380—Sworp Beginning of Seventeenth Century 

Hilt of iron with iron hand-chape and rich guards. -Large, flat- 
tened, grooved knob; block special-grooved, iron-wire-wound. 
Blade with long offset faintly six-sided and with deep blood- 
channel. Smith-stamp. 


Length, 121 em.; blade length, 105.5 cm.; breadth, 2.2 em. 


Note: Handsome Spanish blade; the stamp said to be by Kugnel Cantero 
(the 1560’s) though the blade and the hilt are most likely from about 1600. 


381—Sworp | Beginning of Seventeenth Century 
Hilt of iron with S-shaped chape, oval openworked plate, thumb- 
ring, flat pear-shaped knob and iron-wire-wound block. On knob 
and chape ornaments engraved and stamped. Blade evenly 
broad, two-edged with three narrow blood-channels down towards 
the point. Smith-stamp. 


OU _ 


i Length, 94 cm.; blade length, 79 cm.; breadth, 3.4 cm. 


Note: Probably Spanish work from the beginning of the seventeenth 
century; the stamp at least reminds one very much of the Spanish from that 
time (see No. 380). 


382—Sworp Earlier half of Seventeenth Century 
Hilt as No. 381 with traces of gilding. The blade two-edged 
with flat back. Smith-stamp. 


Length, 108.5 em.; blade length, 94 em.; breadth, 3 em. 


Note: The stamp has Spanish character most like “Juanes” the elder in 
Toledo in the sixteenth century. The name IVANNI is generally accom- 
panied by the stamps of Juan Wartinez; probably it is altogether a Ger- 
man (?) imitation. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


Sworp witH BaAskET-HILT Seventeenth Century 
At the point two-edged, with two blood-channels, nearest the blade 
openworked ; hilt basket-hilt with long S-shaped chape, one-sided 
basket of four guards and openworked plate; not fastened to the 
knob, thumb ring and eight-sided half-sphere-shaped knob, the 


block wound with brass-wire. Blade stamped in copper inlay. 


383 


Length, 0.867 m.; blade length, 0.725 m.; breadth, 0.038 m. 


384—CuRVED SABRE Seventeenth Century 
Hilt of iron, with mussel-shaped guard, openworked and enchased 
in three heads on pricked foundation; handguard and knob- 
lamina also enchased; the block wound with brass-wire (new). 
Blade with knife-back, two-edged towards the broader point. 
Decorated towards the hilt on both sides with figures of men in 
rich costumes from the 1640’s. 


Length, 75 em.; blade length, 62.5 cm.; breadth, 3.2 m. 


385—Sworp German Seventeenth Century 
Basket-hilt of iron with openworked guards, double chapes, 
guard-chape and hand chape. Oval knob. Block spiral-wound 
and wound with brass-wire. Blade with long offset, evenly broad, 
broad blood-channel in which “Ulf” between “Balls of the King- 
dem.” Smith-stamp. 


Length, 102 cm.; blade length, 83 em.; breadth, 3.38 em. 


386—RaPieRr 1617-1627 
Hilt of iron, made blue, with oval upward turned, openwerked 
and enchased guards, hand-chape and oval knob with ornaments 
stamped in; iron-wire wound block; blade two-edged with long 
offset ; lettering on both sides in copper inlay. 

Length, 104 cm.; blade length, 87 cm.; breadth, 2 cm. 


Note: Handsome work by the Solinger-smith Peter Wirsberg (mayor in 
Solingen 1617-27). 


Second Afternoon 


387—Sworp Spanish Seventeenth Century 
Two-edged blade with short blood-channel, with lettering on both 
sides. Hilt, guard-hilt with straight chape, large plain concave 
guard-plate (?) and narrow guard; knob with deep vertical 
grooves; block of wood. 


Length, 0.97 m.; blade length, 0.79 m.; breadth, 0.041 m. 


388—CuRVED SABRE Seventeenth Century 
Basket-hilt with rich guards and S-shaped chape with lines 
stamped in. Four-sided knob, leather-covered block. Blade with 

knife-back and two-edged point. Signs of stamp. 
Length, 94 cm.; blade length, 81 cm.; breadth, 3.6 cm. 


Note: Belongs to a type of weapons from the middle of the seventeenth 
century which often appears in Norwegian collections. 


389—CurvED SaBre (Sabel) Seventeenth Century 
Hilt as No. 388, though with iron-wire-wound block. Blade also 
as No. 388. Smith-stamp. 
| Length, 93 em.; blade length, 81 cm.; breadth, 3.4 em. 
Note: See No. 388. 


390—CuRVED SABRE 


Hilt of same type as No. 388, though with rounded knob, with 
plait-like enchasing, straight chape and iron-wire-wound block. 


Blade same as No. 388. 
Length, 98.5 cm.; blade length, 86.5 cm.; breadth, 4 cm. 


391—Sworp Spanish Seventeenth Century 


Two-edged blade with short blood-channel in which EN ++ 
MEME. Hilt, guard-hilt with straight chape, large plain, con- 
cave guard-plate (?) and narrow guard, pressed half-sphere- 
shaped with vertical grooves; block vertical grooved and wound 
with iron wire. 

Length, 1.017 m.; blade length, 0.826 m.; breadth, 0.04 m. 


392—Sworp (Sabel) Persian 
Crooked, one-edged, finely damaskeened and with letters in gold- 
incrustments ; hilt with straight chape and plain block of dark- 
brown horn, at bottom wound with silver-wire; sheath of wood, 
covered with black pressed leather, partly fallen off. 


Length, 0.96 m.; blade length, 0.83 m.; breadth, 0.035 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


393—Sworp | Caucasian 
Straight one-edged at the top and point two-edged, with a blood- 
channel, damaskeened. Hilt plain of black horn; on the right 
hand side with two cylindric knobs; possibly a kind of bayonette. 


Length, 0.619 m., blade length, 0.46 m.; breadth, 0.055 m. 


394—Sworp (Epée Wallon) 
Hilt of iron with mussel-shaped guard and br ached hand-chapes ; a 
knob and guard with faintly enchased foliage. The blade evenly ‘= 
broad with broad blood-channel, and lettered on both sides. | ; 


Length, 92 cem.; blade length, 77 cm.; breadth, 31 em. 


Note: The hilt points to 1630-40. A sword with the similar signature on 
the blade in the Arsenal in Berlin is said to be from the beginning of the 
seventeenth century though. 


395—Sworp (Epée Wallon) Seventeenth Century 
Hilt of same type as No. 394, the block wound with plaits of 
brass. Blade at top slightly six-sided afterwards with center- 
back. At the top on both sides etched in head with turban, orna- 
ments and the inscriptions Soli Deo Gloria Inc (?) abs cit-t 

Augusta. 
Length, 103 m.; blade length, 89 cm.; breadth, 3.8 em. 


Note: Handsome blade, the rather indistinct inscription seems to be 
Augsburg’s make (Augusta), the 1650’s. 


396—Sworp Earlier half Seventeenth Century 
Hilt of iron with branched hand-chape and guard; oblong six- 
sided knob; the block wound with iron- and brass-wire. The 
blade evenly broad with flat back, at the top inlaid with undu- 


lating ornament. 
Length, 114 em.; blade length, 97.5 em.; breadth, 3.2 em. 


397—Sworp 1670-80 


Handsome military sword from this period. Hilt of gilded brass, 
cast and enchased in men’s heads, geni and rich ornaments; the 
block wound with silver-plated wire. Stab-blade, narrow, long 
with deep blood-channel with letters stamped in. 


Collection Von Post, Graz. 


Second A fternoon 


398 


399 


398—Sworp (Schiavona) Seventeenth Century 
Hilt of iron with rich guards. Knob of brass widened at the top; 
special-groovyed wood block. Blade evenly broad with blood- 
channel at the top and then (slanting) center back. 


Length, 105 cm.; blade length, 91 cm.; breadth, 4.2 em. 


399—Sworp (Schiavona) 
Halt as 398, though with original knob, and original leather- 
block, and talon-protection of leather. Blade one-edged, with 
stamp and diverse ornaments hammered in. 


Collection Von Post, Graz. 


Note: Uncommonly handsome Schiavona-type Stamp generally ascribed 
to an unknown Milano smith, probably here refers to Belluus make. 


400—Sworp witH GUARD-HILT 
Two-edged six-sided blade with short blood-channel, in which 
Ulf-mark (or stamp) ; offset with stamp; hilt, guard-hilt with 
strongly downward bent chape and small mussel-shaped guard- 
plate and free 3-shaped hand-guard, egg-shaped knob and block, 


wound with brass wire. 


Length, 0.927 m.; blade length, 0.775 m.; breadth, 0.028 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


401—Sworp (Sabel) Turkish 

Crooked, one-edged blade; hilt with straight chape and mount- 

ings of enchased silver, block of ivory, sheath of silver, with rich 

engraved and gilded flower-ornaments and mountings of enchased 
silver similar to those of the hilt. 

Length, 0.98 m.; blade length, 0.82 m.; breadth, 0.03 m. 


402—Sworp Earlier half Seventeenth Century 
Hilt of iron with guard system of Schiavona type; particularly a 
well made. Knob pear-shaped, spiral-grooved, block leather-cov- | 
ered. Blade evenly broad with, on both sides, short blood-chan- 
nels, 
HANS 
ADAM. 


Length, 90 cm.; blade length, 74 cm.; breadth, 4 cm. 


Note: The hilt seems.to be put together of pieces not originally belonging 
together; the “basket” rare as to shape and ornamentation (similar at Eger- 
ton Carth and in the Northern Museum at Stockholm, the latter one from 
Norway). Naming of the blade unknown to me. All parts from earlier half 
of seventeenth century. 


403—CuRVED SABRE Dalmatian, Early Seventeenth Century 


Hilt of iron with down bent chape, hand- and chape-guards, all 

of which are ornamented here and there by spiral-grooved knobs ; | 

the block, 8-sided, leather covered with lamina. The blade 7 

slightly bent with knife-back and two-edged point; along the 

back on one side ornaments. Smith-stamp. . 
Length, 81 em.; blade length, 69 cm.; breadth, 3.2 cm. 


Note: Earlier half of seventeenth century. Possibly Dalmatian or similar 
make. 


404—Sworp (Sabel) Indian-S panish 
Broad, flat, two-edged blade at top inscription on one side: 
EKIOAN 1612; on the other side SVARES 1612. Hilt, guard- 
hilt with double-sided guard-plate from which tongues down the 
blade, broad hand-guard, as the plate on the inside covered with 
dark green velvet, large concave knob with a bent horn-like 
point, all parts richly encrusted with gold in flower-ornaments ; 
block wound with iron and silver-wire. Scabbard of green velvet 

with gold incrustments on chape. Blade Spanish; hilt Indian. 
Length, 1.082 m.; blade length, 0.86 m.; breadth, 0.042 m. 


Second Afternoon 


GUNS 


405—WHueeEL-Lock Gun (Carabine) 1650 


Barrel 8-sided browned. Smith-stamp. Lock with completely 
covered wheel, engraved with flowers and signed Johan Kvach, 
Sulla. Guard with three-finger support and screw head in the 
shape of a resting fox. Stock of hard wood with inlaid flower- 
rosettes and, on cover, mermaid. 


Length, 98 cm.; barrel length, 70 cm.; 8-grooved 17 mm. caliber; 
loose inner barrel, 6-grooved, 11 mm. caliber. 


Note: Suhl-fabrication (Sulla-Suhl) from the 1650’s. Also the barrel 
stamp belonged (according to signature f. et. in Schwartzberg’s collection) 
to a Suhl smith, and can possibly, judging from the lock signature, be of 
some other member of the family Kvach. The double-barrels are rather 
rare; the gun, especially the iron parts, good workmanship. 


406—Guwn (Carabine) German Eighteenth Century 


With flint-lock, altered to percussion (?). The barrel 8-sided 
made blue, inlaid in silver and some gold in deer hunt on horse- 
back, and at the muzzle ring and powder-chamber lambrequins. 
7-grooved. Lock-plate enchased in hunting-scene on gold ground. 
Stock of walnut with some baroque carvings; at the shoulder 
“star” in ivory and ebony, drawer-lid missing. Mountings of 
enchased brass. Tail-screw stamp: 7 guard V. 


Note: German (Thiiringerwork), about 1700. 


407—Gun (Standbiichse) 1730-1750 


With wheel-lock. The barrel 8-angular, signed in silver, FR. 
NEGELEAMUNCHEN, and “heart-stamp” 7-grooved. Lock 
(large) altogether engraved in rococo ornaments. Stock of wal- 
nut (coarse) rococo carvings. Plain brass mountings, guard with 
finger support. 


408—F1int-Lock GuN German, 1730-1750 


Barrel, half of length, coarsely enchased with hunting-scenes. 
Lock-plate. Guard, butt-cover and inner mountings with similar 
ornamentation. Stock of walnut, somewhat carved. 


Length, 115 em.; barrel, 77 cm.; caliber, 17 mm. 


Kindly read the Conditions under which every item os offered and sold. 
They are printed in the forepart of the Catalogue. 


409—Fiuint-tock DovusLe Barret Gun 

French Eighteenth Century 
Plain-bored, round, richly inlaid with gold, above the chambers 
in ornaments, palmettes and flower-baskets in Louis XVI style, 
the breech-sight incision in mountain motive, around the breech- 
sight ornaments; signed in gold: FATOU. ARQUEBUSSIER, 
RUE DU BACQ. A PARIS. Lock, flint-lock beautifully em- 
bossed in ornaments and shells, and signed in gold: Fatou. Stock, 
half-stock of walnut, sculptured in ram-head at the butt-neck, 
and besides inlaid (richly) with silver engraved and enchased in 
sprigs, trophies, clusters of grapes, etc., mountings, guard, push- 
plate and ramrod-casings enchased in horns of plenty, masca- 
roons, three-foot with fruits, eagle with serpent and with designs. 
Piece of luxury. 


Collection Gallery St. Georgio, Palace Borghese, Rome. 


410—Gtun (Musket) Seventeenth Century 
With match and wheel-lock. Round barrel at the back 8-sided, 
plain-bored, stamps over the chamber 53 mm. So called Suhl- 
barrel. Lock match- and wheel-lock, plain. Stock, whole-stock 
of brown stained wood; uncommon specimen. 


Length, 1.508 m.; barrel length, 1.117 m.; caliber, 0.019 m. 


411—Fiumnt-tock Gun India 


Heavier above the chamber, with rich gold-incrustments along the 
whole length; narrow stock of light wood, the barrel attached to 
the stock with several bands of narrow strips of leather; around 
the lock behind the breech-sight a thin silver plate. 


Length, 1.65 m.; barrel length, 1.135 m.; caliber, 0.017 m. 


412—Gun (Carabine) : 1750 
With flmt-lock. The barrel 8-sided, damaskeened, over the pow- 
der-chamber enchased in rococo ornaments with hunter and dog 
on gold ground. Signature in gold: CLAVS. A. HILDESHEIM. 
8-grooved. ‘The lock-plate enchased in hunting scene on gold 
ground. Stock of walnut with some rococo carvings. The guard 
and mountings of colored and well enchased brass. The steel- 
plate marked 9. In the butt-drawer three breech-sights. 


Second Afternoon 


413—Fumnt-Lock Gun Eighteenth Century 
Plain-bored, round, back part many-sided, chamber round, 
damaskeened and richly inlaid with silver in moresque ornaments 
and signed. Lock, flint-lock with exceedingly well embossed hunt- 
ing scenes, three horsemen, dogs and a deer. Stock, half-stock of 
walnut, sculptured with mountings, guard, lock-mountings, push- 
plate, ramrod-casings and cartridge-box on butt-neck of gilded 
bronze, splendidly enchased in war scenes, mascaroons and orna- 
ments. The barrel Oriental, lock and stock European, beginning 
of the eighteenth century. 


_ Length, 1.297 m.; barrel length, 0.909 m.; caliber, 0.016 m. 


414—Frint-Ltock Gun Italian Eighteenth Century 
Barrel with 8-angular chamber, inlaid with brass in Roman head, 
lines, etc. Large breech-sight of brass. Lock similarly deco- 
rated, signed in lower edge P x BONAFINO. Guard, butt-cover, 
inner mountings and tube of enchased brass (antique heads, etc.). 

Stock of walnut (somewhat repaired). 

| 

| 


Length, 145 cm.; barrel length, 110 cm.; caliber, 17 mm. 


Note: Italian workmanship of the eighteenth century in a style reminding 
one of Lazaro Lazarino (see pistols). Similar gun signed F. Bonafi in 
Schwarzberg. 


Le 415—Gun (Carabine) 1830 
With percussion-lock. The barrel 8-sided, browned, signed in 
gold: WEIGANDT IN LEPZIG. Eight-grooved. The lock- 
plate altogether engraved and signed as the barrel. Stock of 
walnut with some carvings and silver-tacks. T'ail-screw has me- 
dallion engraved G.H. Mountings of silver (°). 


416—Fuint-Lock Gun 
Plain-bored, round, with plain upper surface and at the back 
with plain sides, above the chamber etched, Diana with bow and 
arrow and signed PIER WLDEMAN. Lock, flint-lock, etched 
and engraved with warrior with bow in a chariot, signed PIER 


WLDEMAN. Stock of walnut. 


Length, 1.23 m ; barrel length, 0.828 m.; breadth, 0.018 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


417—Funt-Lock GuN French, 1787 
Plain-bored, the chamber 8-angular, then round, above the cham- 
ber ornaments Louis XVI style, two colonnes and between them 
an altar and rococo ornaments, a lily with rays, etc., and T. A.: 


breech-sight of silver. Lock, plain flint-lock, signed ALLEVIN 


BREVETE (ARQVEBVSIER) DE MONSIEUR AARIS, 
and below the cock 1787. The whole stock of walnut finely sculp- 
tured with mountings; guard, butt-cover, lock-mountings of sil- 
ver, very finely chased. 


Length, 1.312 m.; barrel length, 0.924 m.; caliber, 0.015 m. 


418-—F1int-Lock Gun Beginning of Eighteenth Century 
Plain bored, round with thicker, heavier ware round the chamber, 
completely covered by rich ornamentations, acanthus borders 
around spaces occupying shells and trophies in niello against 
gilded foundation. Lock, flint-lock, plain of steel, whole stock of 
walnut, sculptured in leaf motive, and with mountings, guard, 
lock-mounting, push-plate, ramrod-casings, etc., of silver, richly 
and beautifully enchased in ornaments against gold-pricked 
foundation with shells, trophies, warrior-figures (on the push- 
plate) mascaroons, etc., on the butt-neck or royal crown. 


419—WHEEL-LocKk GuN Seventeenth Century 


A hunting gun. Ejght-sided, 8-grooved with large adjustable 
breech-sight, stamp: a frame in which a figure and H M (H. 
Mendel). Lock, wheel-lock engraved in fruit garlands and tro- 
phies, distinguished workmanship. Stock of walnut with inlaid 
bone, deer, mussel; butt-drawer of ivory, engraved. 


420—Gun witH Percussion Lock 


Upper chamber 8-angular, then 12-sided, and at the muzzle, 
round plain-bored, silver and coral richly inlaid. Lock altered. 
Stock, half-stock of walnut with steel-guard and push-plate of 
brass. 

Length, 1.96 m.; barrel, 0.797 m.; caliber, 0.02 m. 


: 
| 
: 


Second Afternoon 


421—F1int-Lock Gun . 


Barrel less than one-third of length chased in medallions with 
trophies, goddess of victory, horsemen in costume imitating the 
antique, and sitting figure of a woman with a heart in her hand, 
wreathed by cherubs. Lock, bad workmanship. Signed. Guard, 
butt-cover and inner mounting of iron with plain rococo engrav- 
ing. Stock of walnut, somewhat carved. 


Length, 141 em.; barrel length, 103 cm.; caliber, 16 mm. 


Note: Barrel beautiful French(?) workmanship from the 1680’s. Stock, 
lock (note the probably misunderstood “signature”) and mountings from 
the 1750's. 


422—F rint-Lock Gun French, 17380 


Barrel one-third of the whole length, enchased in flower garlands 
and medallions with trophies, warriors on horseback, Roman 
emperor figures, all on silver foundation. Lock engraved in 
rococo ornaments in silver. Guard, butt-cover inner mountings 
and tube of horn. Stock of walnut. 


Length, 135 cm.; barrel length, 94 cm.; caliber, 15 mm. 


Note: Fine French workmanship from the 1730’s. Barrel more finely 
chased than No. 421. Horn mountings, for lightness of the weapon, uncom- 
mon. 


423—F Lint-Lock GuN French Eighteenth Century 


Plain-bored, round, above chamber 8-sided and inlaid with gold 
in ornaments and trophy with bow, quiver, hunting-horn, etc. 
Lock engraved in rococo and inlaid with lettering in gold. Stock 
of walnut with mountings, guard, lock-plate, butt-cover and 
shield on butt-neck of silver chased in rococo style. | 


Length, 1.346 m.; barrel length, 0.962 m.; caliber, 0.017 m. 


424—Gun Japanese Eighteenth Century 


With match-snap-lock, altered to percussion. The barrel 8-sided, 
blackened, inlaid with silver in dragon ornaments, etc. Strong 
muzzle-ring and large breech-sight. Lock parts and guard of 
brass; the cock-spring outside the plate. Stock with coarse 
brass mountings underneath and on the butt; at the shoulder a 
number of rosettes and a dragon in silver. 


Length, 180 em.; barrel length, 99 cm.; caliber, 11 mm. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


425—GuN - = 
| With flint-lock altered to percussion. Barrel with 
4 angular chamber (1/3 of length) finished in en- 
chased mascaroon then grooved towards center. 7 
Signed VICENZO x COMINAZZO.  Lock-plate 4 
chased in mascaroon and signed OTTAVIO. AZ- 
ZON. The cock new (screw-head from the older 
cock). Guard, butt-cover, inner mountings and 
tube of silver, engraved in rococo ornaments. Half- 
stock of walnut. 


soci age eet 


sores. 


Length, 121 cm.; barrel length, 86 cm.; caliber, 16 mm. 
Note: Barrel (originally not intended for half-stock) and 


lock Brescia-work from the time 1670-1690. Stock and mount- a 
ings from 1730’s (not Italian work). Lock altered in the i 
1850's. | 


426—F.Lint-Lock GuN 

Plain-bored, many-sided, back part 8-sided with 
breech-sight of chased silver; above the chamber two 
stamps. Lock, flint-lock, engraved and enchased in 
rococo ornaments, stamp as on barrel, and signature 
on pan-top-lid: ICVALADA. Stock, whole stock 
of walnut with mountings engraved and chased in 
ornaments and trophies, drums, ete. 


Length, 1477 m.; barrel length, 1.085 m.; caliber, 0.018 m. > 


427—F unt-Lock Gun Sardinian 
Plain bored, six-sided, above the chamber en- 
graved with ornaments and a sun-head and the 
letters B. F.; stock of dark wood completely 
covered with steel-plate very richly enchased 
and engraved; the butt very narrow; the lock 
plain, with large guard, ramrod of steel. 


Length, 1.645 m.; barrel length, 1.84 m.; caliber, 
0.01 m. 


427 


Second Afternoon 


428—Perrcussion Guyn- German Seventeenth Century 
Barrel embellished along the whole length with pricked ornaments 
(rising foliage and genii) partly gilded, partly silver-plated ; 
along the sides gold thread-fine arabesques. Lock, the so called 
Whitelock’s patent, and so signed, is put underneath the stall. 
Stock of walnut. 


Length, 124 cm.; barrel, 87 cm.; caliber, 7 em. 


Note: Barrel is a very rare piece of luxury of German (Augsburg?) 
make from beginning of seventeenth century. Stock and lock from 1820’s- 
1830’s. Colonel Whitelock apparently often took pleasure in spoiling older 
guns of luxury so as to put to use his rather genial but on the whole useless 
“safety-lock.” 


429—Gun (Barrel from Sixteenth Century) 

India, Sixteenth Century 
Of excellent ‘“‘coarse-threaded” damask, inlaid with massive gold. 
Three leaves with flowers inside. At the muzzle beautiful tur- 
quoise inlaid. Signed. Stock of ebony with mountings of green 
transparent enamel. Lock and other mountings gilded. Mount- 


ing from the beginning of this century. Made in Sind in North 
India. 


430—F.nt-Lock GuN 
- Plain-bored, round, back-part 8-sided coarsely damaskeened in 
spiral border. Lock, engraved and enchased, two deer in land- 
scape. Stock, half-stock of walnut sculptured with mountings, 
guard, lock-plate and butt-cover of brass, engraved and en- 
chased: hunting-goddess and deer and dogs. Rammer of wood. 


Length, 1402 m.; barrel length, 1.015 m.; caliber, 0.0155 m. 


431—DovuBLE-BARRELED GUN Eighteenth Century 
With flint-lock. The barrels, also the powder-chamber orna- 
| mented in gold and with inscription: CANON TORDU. Lock 
| engraved and signed: JEAN GRIOTTIER. Half-stock of wal- 
nut somewhat carved, with silver mountings, beautifully engraved 

and chased in late rococo style. Silver stamp deer head. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


432 —GuN-BARREL Spanish, 1746 
Plain bored, round, back-part 8-sided at the joining enchased, 
inlaid with gold in Moresque ornaments and lettering and stamps. 
The tail with ornaments and figure enchased in steel against gold- 
pricked foundation. The workmanship by the armourer Joachim 
de Zelaia in Madrid in 1746. 


Length, 1.052 m. (including tail); caliber, 0.016 m. 


433—Crosssow (for firing at targets) Seventeenth Century i= 
Stock, similar to gunstock, of dark wood, with rich sculpture q 
work, eagle-head and wreath with quiver; chase of brass. Bow, 


length, 0.8 m., of steel with three springs. 
Length, 0.96 m. 


HALBERDS AND SPONTOONS 


434—HaLBERD | Swedish Seventeenth Century 
Crescent-shaped axe, open-worked in nine small holes in three 
groups; small pike with seven small holes, four-sided point with 
long splints. Rod with off-faced edges. 


Length, 2.185 m.; blade length, 0.61 m. 


435—SPONTOON 


The blade evenly broad, back and small ears, at the bottom 
etched: “‘Double-eagle” with, on one side, Austrias, on the other 
side, Lothringens arms within center coat-of-arms. On the sides 
Maria Theresias and Frans I name-stamp; ferrule with three 
raised rings, and long splints. Rod, round, original. 


Length, 223 cm.; blade length, 31 cm.; breadth, 11 cm. 


Note: The spontoon of an Austrian officer during the reign of Maria 
Theresia. 


436—HaLperp End of Sixteenth Century 
Slender blade with four-sided point, crescent-shaped, thin axe 
and sharply downward bent pike, openworked at the base with 
round holes; long splints. Four-sided original rod (broken off 


at the end). 
Length, 202 cm.; blade length, 58 cm.; breadth, 82 cm. 


Second Afternoon 


43°7—HAaLBERD Sixteenth Century 


Shape similar to No. 438, though not so elegant, broader axe 
and pike, openworked with round holes. Original rod, four-sided 
with off-faced corners. (Seems to have an incised ideograph. ) 


Length, 245 em.; blade length, 85 cm.; breadth, 28 em. 


438—HAaALBErRD Sixteenth Century 


Shape similar to No. 442, though the axe is broader and open- 
worked also in groups of round holes; the uppermost rivets on 
the splints are with brass-rosettes. Rod not original. Smith- 
stamp. 

Length, 258 em.; blade length, 89 cm.; breadth, 29 cm. 
Note: Probably from Steyermark. 


439—Harnexp Swedish Seventeenth Centura y 


Small crescent- -shaped axe with three groups of small holes: three, 
three and five, etc. Small pike with four holes in a lne at the 
root; long four-sided point; very long splints. Rod four-sided 
with pearly edges. 

Length, 2.4 m.; blade length, 0.97 m. 


440—HaLBEerD Steteenth Century 


Broad point with back, small axe-blade and hook, all etched in 
rich foliage and figures in the costume of the time; fringe ar oe 
the rod. Handsome, rare yeoman weapon. 


Collection Von Polsk, Graz. 


44.1—Haperp Sixteenth Century 
Blade with short four-sided point, axeblade drawn out upward, 
X-shaped openworked, short pike, openworked in clover shape; 
long splints. Four-sided bar (not original). Smith-stamp. 
Length, 178 em.; blade length, 45 em.; breadth, 27 em. 
Note: Probably from Steyermark. 


44.2—H aALBERD Stateenth Century 
Shape same as No. 441, though with long point and the axe open- 
worked in clover shape. Rod not original. 


Length, 233 cm.; blade length, 75 cm.; breadth, 26 cm. 
Note: Probably from Steyermark. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


4.4.3—W AR-AXE Austrian Sixteenth Century 
Long point, axe-blade with crescent-shaped edge and large hook, 
all etched in ornaments with the arms of Austria and K. F. 1563. 
Handsome yeoman weapon from the time of Emperor Ferdi- 
nand I. 


Collection Von Polsk. 
(Illustrated) 


444—War-axe (Hatchet) Norwegian 
The axe-blade with upward-turned point and broad helve; 
stamped ornaments and date 1640 and deep smith-stamps. Helve 
of light-colored wood with ornaments along the back of it and 
ending in serpent’s head. 


Note: Norwegian so called peasant-weapon. 


445—Rop-wEapron (Trabantenspiess ) Itahan Sixteenth Century 
Long blade narrowing towards the point, engraved in band-ara- 
besque with Italian inscription, etc., bronze ferrule. Red silk 
fringe around the rod. Extremely rare. Italian yeoman weapon. 


446—SPoNnTooNn 
The shape and ornamentation of the blade as No. 435, though 
the ‘‘Double-eagle” is of gilded enchased brass, and the lower 
part of the blade and the ferrule with splints gilded, Fringe 
of red silk; rod round, original, with iron chape. 
Length, 214 em.; blade length, 32.5 em.; breadth, 115 on 
(Illustrated) 


44'7-——_S PONTOON Austrian Seventeenth Century 
Seventeenth century, end. Blade with broad point and short ears, 
etched with imperial eagle at the top, with cannons at the bottom. 
The lower part gilded. Original fringe of red silk; original rod 
with chape. Austrian officer’s spontoon. 


Collection Count Latour. 
Collection Von Polsk. 


(Illustrated) 


446 ' 443 4AT 


HaLBerD AND SPONTOONS OF THE SIXTEENTH AND SEVENTEENTH CENTURIES 


7 
q 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. 


448—PARTISAN Danish Eighteenth Century 
With short broad blade on which the arms of Denmark etched 
(as previous No.) and HOLSTEENSKE REGIMENT, with 


traces of gilding; short chape. 
Length, 2.128 m.; point length, 0.3886 m. 


449—PARTISAN Danish, 1'731 
With short blade, hook, and concave axe, on which etched a wad- 
ing bird and Hold Vugl. Tiden Agl; below: a cartridge box and 
trophies marked: Kiébmager Compagnes 1781. 

Length, 2.084 m.; point length, 0.81 m. 


450—Harperp Flemish Seventeenth Century 
High-backed flamy blade, small heart-shaped axe, and broad 
pike; long splints. Original rod, four-sided with off-faced cor- 
ners. Chape of iron with strong point. 


Length, 207 cm.; blade length, 44 cm.; breadth, 24.5 cm. 


451—SprpontToon South German, Sixteenth Century 
Blade of iron, shaped at the bottom, etched on both sides: The 
“Double-eagle” with coat-of-arms in center unoccupied, ‘and un- 
derneath: an empty inscription-band; straight chape with ends 
bent in opposite directions; long splints. Smith-stamp. 


Length, 194 em.; blade length, 40 cm.; breadth, 6.5 cm. 


452—HatperpD Vira-bruk (?), Sweden, Seventeenth Century 
Crescent-shaped axe with three groups of small holes, three, three 
and five, etc., pike with three small holes and stamp in long four- 
sided point, long splints. Original rod four-sided with off-faced 


edges. 
Length, 2.25 m.; blade length, 0.7 m. 


453—HALBERD Swedish Seventeenth Century Style 
Crescent-shaped axe with blade split upwards and downwards, 
openworked in three large holes; pike turned backwards, open- 
worked and with very long point; at the axe a short four-sided 
perpendicularly out-jutting point on each side; long splints. 
Rod eight-sided. Length, 2.45 m.; blade length, 0.8 m. 


Second Afternoon 


454——HALBERD ae Swedish, End of Seventeenth Century 


With crescent-shaped axe, openworked in two small holes, back- 
ward turned pike with three small holes at the base, long four- 
sided point, long splints. Rod four-sided with off-faced corners. 


Length, 2.495 m.; blade length, 0.72 m. 


455—HALBERD Swedish Seventeenth Century 


Axe with four bent points; one long point bent backwards and 
in straight angle against that two short ones; four-sided point, 
broad splints. Rod with off-faced edges. . 


Length, 2.83 m.; blade length, 0.43 m. 


456—HaLBerp Swedish Seventeenth Century 
Crescent-shaped axe, shaped at the root, openworked with nine 
small holes, pike bent backwards, with three small holes, long 
four-sided point, long splints. Rod four-sided with off-faced 


edges. oy 
Length, 2.57 m.; blade length, 0.73 m. (to the root of the axe). 


45°7—HALBERD Swedish Seventeenth Century 


Axe with rectangular indent, and points turned outwards ; open- 
worked in three profiled holes, pike turned backwards with a simi- 
lar hole; long four-sided point, splints. Rod, four-sided with 
off-faced edges, at the top wound with gold braid. Rod new. 


Length, 2.32 m.; blade length, 0.67 m. 


458—PartTIsan About 1600 
High blade, small ears fashioned at the base, and six-angular 
ferrule with openworked. knob; short splints. Rod (new) four 
sided. Smith-stamps. 

Length, 265 cm.; blade length, 61.5 em.; breadth, 17 cm. 


Note: About 1600. Possibly Swedish, same shape was used for the 
Swedish partisans in the 1620’s and including the reign of Carl X Gustaf. 


459—HatpBerp About Seventeenth Century 


Broad blade, small crescent-shaped axe, and short pike, the two 
latter openworked in round holes; long splints. Original rod, 
four-sided with off-faced corners. Smith-stamp. 


Length, 227 cin.; blade length, 60 cm.; breadth, 25 cm, 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


460—Ha Berd Stwteenth Century 
Blade with broad crescent-shaped axe, short four-sided point and 
down turned pike, short (originally longer) splints. Rod four- 
sided, not original. Smith-stamp. 
Length, 255 cm.; blade length, 56 cm.; breadth, 28 em. 
Note: Probably from Steyermark. 


461—W HEEL-LOCK German, 1650 
Wheel completely covered underneath the plate, large cock-plate, 
engraved in fantastic animal; the plate, engraved in St. George’s 
fight with the dragon; signed: 

10. LEONH 
GERSTE 
MAI 


The inner parts of the lock engraved. 
Length, 23 cm.; height, 8 cm. 


iVote: German, probably Johan Leonard Gerster in Mainz, 1650's. 


MISCELLANEOUS OBJECTS 


462—BronzE SworbD-HILT India, About 1600 


Cross-shaped; at the top round openworked plate with knob; 
decorations flower garlands against pricked ground. 


463—SILVER SWORD-HILT Enghteenth Century 
Guard-hilt for court-sword with double-sided guard (plate?), 
spool-shaped block, nearly ball-shaped knob and rather narrow 
hand chape all enchased in mussel ornaments against pricked 
ground. 
Length, 0.153 m. 
464— KNEESPLINT 


Of iron with silver on roughened foundation. 
Length, 14 cm. 


From Sultan Mohammed the Conqueror’s Arsenal. Has its 
stamp. . 


465—KNEESPLINT Turkish Fifteenth Century 


With attached mail-coat and leg protector of small iron splints. 
Kneepiece, engraved and inlaid with silver in ornamental Kufic 
letters. ; 


From Sultan Mohammed II’s Arsenal. 


Second Afternoon 


466—Bow India 
Long bow of steel; on center round handle, towards the ends flat, 
bent in long S-shape at the furthest ends with hooks for strings ; 
all with richest gold incrustments in ornaments and inscriptions. 


Length, 1.026 m. 
Collection Dr. Frederick Martin. 


(Martin affirms that this is the only one he has ever seen.) 


467—Bow India 


Shape same as the previous; with rich gold and silver incrust- 
ments in ornaments and inscriptions. 
Length, 1.005 m. 


468—StTEEL ARMSPLINTS Russian Seventeenth Century 
Splints for lower part of arm oblong, decorated with plain etched 
star ornaments within quadratic frames; at the wrist angular 
bent mountings of brass with similar ornaments, and attached 
wrist protection of ring-armour, and on each splint two oblong 
steel plates with ornamentation same as on the splints. 


Length, 0.295 m.; width, 0.085 m. 


469—“‘S1x’’-RING India, Nineteenth Century 
Of blue steel, on one side Sanskrit inscription in gold. On the 


other side ornaments in gold. 
Diameter, 21 cm.; breadth, 19 cm. 


4770 —ARMSPLINT Persian Sixteenth Century 
Of steel with uncommonly handsome arabesques, probably made 
from a breastplate. Border of three leaves. Edged at a later 
period with brass. 


Length, 30 cm. 


4.71—ARMSPLINT Persian Seventeenth Century 


Of finely damaskeened steel with plain ornamentation. 


Length, 37 cm. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


472—Patr ARMSPLINTS India 
For lower part of arm; with very rich gold incrustments over the 


whole surface; lined with red velvet and with attached hand-pro- 
tectors of embroidered black velvet. 


Collection Dr. Frederick Martin. 


473—Two ARMSPLINTS Persian Seventeenth Century 


Of finely damaskeened steel. Around the edge inscriptions in 
gold. In center eye-shaped ornaments in low relief. 


4'74—Patr Iron GLoves | Seventeenth Century 


With high gauntlets, the glove with six joints, the fingers with 


small scales mounted with rivets of brass. 
Length, 0.383 m. 


4'75—HorskE-FOREHEAD (Horse-star) , 
German Mid-sixteenth Century 
In one piece with eye-screens and mounted with brass rivets, ear- 
and neck-piece and forehead point with rosette shaped base. 
Collection Duke of Osuna. 3 


Collection Von Polsk. 


Second Afternoon 


476—Iron SHIELD Persian 
Slightly convex, with four large knappar in center surrounded 
by openworked frames; around the edge a richly enchased orna- 
ment wherein four enchased and engraved flower-ornaments; the 
inner side with four rings, one ring with a leather-thong; lined 
with red and yellow checkered cloth stuffed with wool. 


Diameter, 0.58 m. circle-round. 


477—Iron SHIELD Persian, 1800 
Round, convex with originally 13 (9 lost) alveated knapper em- 
bellished with 4 leaves inlaid in brass. The inner side lined with 
red cloth; in center a square cushion for the hand covered with 
green cloth. ~ =< ROvcnn 


4'78—Iron SHIELD Persian 
Circle-round convex, decorated with etched and engraved repre- 
sentations: around the edge a border with hunting scenes, archer, 
horsemen pursuing deers, two fighting elephants, tiger with oxen, 
etc., in the center, figures and birds and four large riveted knap- 
per holding four rings on the other side. 
Diameter, 0.452 m. 
479 —CENTER-PLATE 
Of a Seldiucian breast-armor, of iron, with engraved arabesques 
and inscriptions with traces of gold. Diameter, 28 em. 


480—ARMOR Persian Seventeenth Century 


Consisting of plates of finely damaskeened steel, around the edge 
a border with figure motives, horsemen hunting wild ani- 
the center arabesques in low relief. 


481—Coat or Maint 
Of small rings riveted with points at the lower edge. 


EUROPEAN AND ORIENTAL HELMET 


482—Herimer (Zisehegge) English, 1680 
The calotte of two pieces. Spring-shell (or plume-socket), rivets 
and grate-visor of color-punctured iron; of the neck-protector 
only one splint left, the left cheek-protector not original, the 
visor-grille somewhat repaired. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


483—Hetmet (Morion) German, About 1620 
Smithed in two parts and welded together, alongside the uncom- 
monly high crest, the brims sharply crescent-shaped; along these 
brass-rosettes, the edges grooved in undulations. Blackened. 
Smith-stamp. Height, 38 cm.; largest breadth, 40 cm. 


484—Maximinian VisoR-HELMET Turkish Stateenth Century 


The calotte rounded, with the crest sunken into it; the crest sur- 
rounded by two pair of sparse grooves. The visor in one piece 
with sharply prickled profile, chin protector in one piece with 
narrow collar-edge; neck-protector of two sparsely grooved 


splints. Height, 830 cm.; greatest breadth, 30 cm. 

Note: Part of Maximilian armor from beginning of sixteenth century. 
(Illustrated ) 

485-—-Hetmet (Storm-hood) German Sixteenth Century 


The calotte in one piece with high crest, jutting out front-screen, 
and neck-splint ; cheek pieces ; somewhat spiral-grooved edges. 


Height, 29 cm.; largest breadth, 30 em. 


486—Hertmet (Storm-hood) German Sixteenth Century 
Of similar shape to the preceding No., but plainer. 
(Illustrated) 
487—VisoR-HELMET Seventeenth Century 


Low crest, visor in two parts with rich grille and screen; neck- 
protector of three splints. 


Collection Count Frolich. 


Collection Von Polsk. 
(Illustrated) 


488—Breast and BackpLatTE (Cuirass) Early Eighteenth Century 


Of polished iron; on the chest depressed ornament. 


489—Breast AND BAckPLATE Persian Eighteenth Century 


Iron, of European make, embellished in Persia with fine engrav- 
ings; horsemen, flowers and inscriptions. 


Sard OLNd) HINGALNAATS aNvV HINAALXIS GHHL fo SLAW TAFT HSIMUNT, GNV NVWUaAYD 


. 


L8P 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


490—Iron HELMET Turkish Thirteenth Century 


Pointed at the top, slightly angular (or many-sided); at the 
bottom round with several holes. At the top a knob ending in a 
point. Probably from Sultan Mohammed II’s Arsenal. 

Height, 31 cm.; diameter, 23 cm. 


491—SteeL Heimer Persian Sixteenth Century 
Half sphere-shaped, at the top very faintly chamfered; at the 
bottom a border, broad, with an exceedingly handsome Arabian 
inscription (from the Koran) inlaid in (later fallen out) gold. 


Modern mail-coat of riveted steel and brass rings. 
Diameter, 20 ecm. 


492—Tron HELMET Persian 

Half sphere-shaped with sixteen weak ridges, short four-sided 

conic knob (or button) small forehead ornament, movable in 

vertical position, and two plume-sockets in front; neck and fore- 
head-protector of ring-armor, at the back in five lappets. 

Height, 0.165 m.; diameter, 0.22 m. 


493— ARMOR India 
Consisting of helmet, semi-sphere-shaped with long four-sided 
point, at the sides two plume-holders and around the edge ring- 
armor decorated with gold incrusted runners and around the edge 
a border with figure motives, horsemen hunting wild animals; 
breast-plate of four plates (two larger, height, 0.8 m.; width, 
0.24 m.; and two smaller, height, 0.255 m.; width, 0.195 m.), 
with concavation for the arms. <Arm-splints in two semi-cylindri- 
cal parts, lined with red velvet, all of these parts with gold-in- 
crusted borders in foliage motives. 


494—GENERAL’s HELMET Mongolian, 1680 
Calotte in one piece with an end ornament with offset (or break) ; 
round the bottom a ring; small forehead-screen ; rich damascened 
ornaments, four-clawed dragons and cloud forms. 

Height, 0.28 m. 

495—HELMET Japanese, 1750 
Calotte of iron in one piece, conic, enchased so as to represent the 
mountain “Fujiyama” with hills and groups of trees; forehead- 
screen in the same piece. Style of Myochin. 

Height, 0.198 m.; breadth, 0.24 m. 


Second Afternoon 


496—LizUTENANT CoMMANDER’s HELMET Japanese, 1500 
The calotte of iron in shape of an oblique cone put together of 
six ring-shaped parts, riveted together with hole at the top; neck- 
protector of five rings held together by blue cords with red and 
white ends on the lowest ring; at the back a heart-shaped hole; 
the forehead screen red-lacquered inside; long violet-colored 
braid. Signed in Japanese writing: Made by Katsushigé Asai, 
to order of Numata Murashigé, Lieutenant Commander. 


Height, 0.24 m.; breadth, 0.24 m. 


4.9'7— HELMET Japanese, 1680 
The bell with a low crest along the center. In front embossed 
eye-brow motives, horizontal short eye-screen. Small, upturned 
wings. The neck-protector of lacquered iron-plate separated 
in three parts. Hood. School of Myochin. 

Height, 21 em.; length, 24 cm. 


498—BEETLE-SHAPED Iron HELMET Japanese, 1680 
Calotte of blackened plate in two pieces with pointed rivets; jut- 
ting out at the back; ear-protectors, and neck-protector of five 
jointed plate-rings, black lacquered on the inside, and jointed 
together by iron-wire. By Myochin. 

Length, 0.25 m.; breadth, 0.205 m. 


499—NansBan Forcep-iron Heimer Japanese, 1550 
Calotte of six pieces, outside of which an outer calotte riveted 
onto it—with lists of instamped lines and with openwork in 
scale (or mountain) pattern, at the bottom a ring openworked 
in holes, and straight forehead-screen on one side red-lacquered ; 
the helmet gilded inside. Rare specimen. 

Height, 0.175 m.; breadth, 0.232 m. 


500—Very Rare LacauereD War Hart Japanese, 1580 
Oval, center pointed hood-shape, and brims in two parts; in front 
sculptured in winding ornaments and the family-arms of Hide- 
yoshi; brown and yellow lacquered inside. A beautiful example 


of one of the rarest forms. 
Length, 0.395 m.; breadth, 0.36 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


501—Hetmet Japanese, 1750 
In two pieces, each with eagle in relief; Daimio-mark: eagle’s 
head with four wings. 


502— HELMET Japanese, 1700 


Calotte of thin iron-plate in one piece, in front two horn-like 
ornaments in enchased work; large round opening at the crown 


of the head. Myochin School. 
Height, 0.185 m.; breadth, 0.24 m. 


503—HELMET Japanese, About 1375 
Of black-lacquered iron-plate, in shape of Phrygian hood with 
prominent top. In front a sun and two wings of brass starting 
from a well made openworked ornament of gilded bronze with 
Daimio-mark (a butterfly). Neck-protector of black-lacquered 


iron-plate. Early Ashikaya period. 
Height, 87 cm.; length, 24 em. 


504—Rarre Myocuin HELMET Japanese, 1620 


Calotte of iron half-sphere-shaped of many pieces closely covered 
(set with) rounded rivets and two small button-shaped ornaments 
of gilded bronze with inscription and four rings; hole at crown 
of head. Name ‘‘Hachiman” inscribed on the button. 


Height, 0.11 m.; breadth, 0.259 m. 


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a ae ee ee ee ae eT! Lee ee eee ee a ee ee Se eee 


_——— 


Second Afternoon 


505—Raret Iron HEtMer Japanese Thirteenth Century 
Gold-lacquered. In shape of a Phrygian hood put together of 
five riveted pieces and at the bottom a ring; in front a small 
screen, altogether gold-lacquered. ‘The screen red inside. Prob- 
ably of Kamakura period. Height, 0.24 m. 


506—HELMET Japanese, 1675 
In shape of a European soldier-hood, made of six iron-splints ; at 
the bottom outstanding splints with several holes for fastening 
the neck-protector and the eye-screen. Gaotome School. 


Height, 17 em.; length, 21 cm. 


507—ComMANDER’s Iron HELMET Japanese, 1550 
Calotte of two pieces, half-sphere-shaped with curved front part 
rising in a point of S-shaped band, set with a row of prickles and 

_ four rows of rivets; brim with cotyledon-shaped intakes; on the 

7 sides two ear-protectors, leaf-shaped, and at the back neck-pro- 

: tector of four half-rings joined together by blue-green cords; 

: the half-rings are of lacquered wood, the outer one gilded; inside 

i lined with blue cloth, an edging of white chamois and some long 

| red braid. Bears crest of original owner. 

| 


Height, 0.268 m.; breadth, 0.84 m. 


| 508—HeELME1 Japanese, 1580 
| Of black-lacquered iron-plate in shape of an antique helmet. 


Champered with low crest. 
Length, 25.5 em.; height, 24 em. 


509—KEerosui HELMET Japanese, 1380 
Of black-lacquered iron-plate without ornamentation, high hood 
and flattened from the sides. Neck-protector of black-lacquered 
iron-plate. 

Height, 48 cm.; length, 30 cm. 

510—Bortrerryry HEe_Mer Japanese, 1650 
Black-lacquered in shape of a Phrygian hood with high rounded 
point; in front a large decoration in the shape of an insect crawl- 
ing downwards, with black and red body and two pair of large 
wings in black and gold; forehead-screen covered with red leather 
and two small ear-protectors, and neck-protector of four half- 
rings with blue cords. Forehead-screen red-lacquered inside ; hel- 
met lined with blue cloth. By Gaotome. 

fleight, 0.32 m.; breadth, 0.4 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


511—HeEtMeEt ‘ Mongolian, 1350 
The bell, of iron, made of six broad splints, high with highly 
raised breathing hole from which a serpent-like mounting comes 
out. Six large iron-mountings riveted onto the bell with small 
decorated rivets, at the top three concentric circles, buttons simi- 
lar to rivets. On the large mountings inscriptions in silver. Nar- 
row horizontal eye-screen. Neck-protector of lacquered iron. 
Hood and strings. Rare and important specimen. Chinese char- 
acter Chui inlaid in silver. 

Height, 26 cm.; length, 26 cm. 


512—HeEtmMer Japanese, 1650 
Of iron in so called pear-shape made in one piece. In front orna- 
mented with a running lion in silver. The eye-screen edged, with 
gilded copper. On the back Japanese inscription in red lacquer. 
Mycchin School. Height, 23 cm.; length, 23 em. 


513—HELMET-BELL Japanese, 1580 
Made of several pieces of iron-plate riveted together with deco- 
rated rivets. The upper part consists of three round slabs riv- 
eted one on the top of the other. On the center of the plate a 
Daimio-mark. ‘The eye-screen with enchased eye-brows, edged 
with copper. 

Height, 17 em.; length, 24 em. 

514-—_HELMET Japanese, 1580 
Calotte in two parts of thick iron-plate in shape like a Doge-cap; 
forehead-screen with plume-holders and trace of red-lacquer on 
the inside. 

Height, 0.2 m; breadth, 0.235 m. 

515—Myocuin HELMer Japanese, 1550 
S-shape of a Phrygian hood with low center crest and slightly 
outbent forehead-screen; decorated on each side of the calotte 
with two dragons with claws in relief (the claws of gold) in front 
a short hook for forehead ornament; the forehead-screen with 
traces of having been red-lacquered on the inside. 

Height, 0.262 m.; breadth, 0.209 m. 


516—Iron Heimer Japanese, 1675 


Made of several pieces long in shape, covered with small embossed 
buckles. Neck-protector of black-lacquered iron-plate. 


Lenath inside, 26 em. 


Second Afternoon 


517—HELMET Japanese, 1700 


Calotte of thin iron-plate in eight splints put together, with small 
forehead-screen, rivets form jagged lines. The calotte inlaid in 
silver in dragons and clouds. Gilded inside; on the inside of the ~ 
front brim are traces of gilded drawing. 


Height, 0.167 m.; breadth, 0.215 m. 


518—Iron HELMET Japanese, 1680 


Made of several splints, with edges ornamented by a row of small 
knobs. On the eye-screen a Japanese letter. Daimio-mark, a 
gilded shell of wood. Neck-protector of black-lacquered iron- 
plate. Hood inside the helmet. Inscribed: “Patriotism with the 


12th Lamiations.” 
Length, 31 cm. 


519—CoMMANDER’s Iron HELMET 


Japenese Early Fifteenth Century 
Calotte with narrow grooves, crown-ornament gilded enchased 
bronze, forehead screen, red-lacquered inside, neck-protector of 
four jointed rings of black-lacquered wood, held together by red 
and blue woolen braid; raised at the ears, covered with painted 
parchment and mountings in bronze; lining and braid of red wool. 
Has “Mayedate,” an articulated butterfly. Signed specimen by 
Myochin-Nobuiye. Bears chiscled gold crest of Fukikaeshi, Lord 


of Fakashima. An exceedingly rare example. 


Length, 0.81 m.; breadth, 0.25 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


520—Iron HELMET Japanese Sixteenth Century 
Calotte of twelve wedge-shaped pieces, with spiral-grooved lists, 
inlaid with silver in fine leaf ornaments; the point openworked 
with toothed lists around the hole, red-lacquered; at the bottom 
a vertical grooved, gilded list, and forehead-screen, red-lacquered 
on the inside, silver inlaid on the outside, in front three hooks for 
(as) forehead ornament. Inlay work by the famous armor deco- 
rator, Umetada. 


: _ 
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er ee ST , oe 


Height, 0.22 m.; breadth, 0.273 m. 


521—HeEtMeEtT Japanese, 1675 
Calotte of iron of many parts in the shape of a Phrygian hood 
with sharp crest and short forward-pointing point, closely cov- 
ered with rivets in vertical lines; on the sides two large hooks for 
some kind of helmet ornament that is missing; small forehead 
screen. Gaotome School. 


Height, 0.245 m.; breadth, 0.255 m. 


§22—Raret HELMET Japanese, 1550 
In shape of a conch-shell. Calotte of six pieces of iron covered 
with dark brown pulp shaped as a large shell; the forehead screen 
gilded, on the inside red-lacquered, in front a ring-shaped orna- 
ment of bronze. By a follower of Myochin-Nobuiye. 


Height, 0.252 m.; breadth, 0.203 m. 


Second Afternoon 


523—HELMET Japanese Fifteenth Century 
Calotte of iron in two parts and broad forehead-screen richly 
enchased with dragons in clouds; lined inside with black and 
gilded paper; enchased and embossed iron work of excellent 
workmanship. Repoussé by the hand of a master metal worker; 
by the skill shown and lightness of metal, is no doubt an example 
by Myochin. Height, 0.184 m.; breadth, 0.225 m. 


524—Iron HELMET Japanese, 1650 
Calotte of three pieces, plain bell-shape, higher at the back; 


around the bottom a broad ring; and short forehead-screen; at 
the sides two small ear-protectors, wing-like, covered with painted 
parchment and three-lappeted bronze-leaf; in front holders for 
forehead ornaments. Height, 0.168 m.; breadth, 0.224 m. 


525—Rare HetMert Japanese, 1450 
Of black-lacquered iron-plate in shape of a Napoleon hat. Neck- 


protector missing. Decoration, dragon-face. Lacquer orna- 
mentation on iron is now held as a lost art by the Japanese. 
Height, 33 cm.; length, 24 em. 


526—Iron HELMET Japanese, 1737 


Made of 62 narrow splints with upturned edges. Eye-screen. 
Daimio-mark of wood, lacquered, in shape of wreathed head. By 
Myochin Muneshida; signed and dated: Genbun 2nd Year’s 


Lucky Day in the twelfth month, 1737. 
Length inside, 24.5 em. 


527—CoMMANDER’S HELMET Japanese, 1575 


Calotte of iron, similar to previous No.; on the back-part a ring 
with red cords and tassels, forehead screen with gilt leather ; red- 
lacquered on the inside; neck-protector missing; signed in Jap- 
anese writing: Nari Kuni Masa; on the inside of the edge three 
rings. Visor covered with ancient Spanish leather. 

Height, 0.14 m.; breadth, 0.228 m. 


§28—HeELMeErT Japanese, 1580 
Calotte of black wood with overbent helm ornament of Roman 
type, at the point a red-lacquered horizontal piece, on the sides 
two gilded horns of wood, neck-protector of six half-rings of 
black-lacquered iron with blue cords, forehead screen, small, red- 
lacquered inside; lining-hood of hempen-stuff. Finished in imita- 


tion of the coiffure of a Japanese female. 
Height, 0.387 m.; breadth, 0.34 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed im the forepart of the Catalogue. 


529—BEETLE-SHAPED HELMET Japanese, 1680 
With calotte in two pieces riveted; neck protector, short fore- 
head screen; without Daimio-mark. 


5380—HELMET Japanese, 1650 


Bowl-shape of many narrow wedge-shaped pieces of thin iron- 


plate riveted together; on the outer side forming sharp upstand- 


ing edges; round hole on crown of head. 
Height, 0.185 m.; breadth, 0.22 m. 


531—Rare Coprer HELMET Japanese, 1550 


Of chased copper in the shape of a squatted hare with long loosely 
attached ears of copper. Whiskers, eyebrows of horsehair. Eyes 
of glass. Eye-screen and wings of engraved bronze, with large 
decorated rivets. Probably for ceremonies, not for war use. 
Height, 15 cm.; length, 25 cm. 


532—Facr PRoTrectTor Japanese, 1580 


Of black-lacquered iron-plate with neck-protector. Forehead, 
nose and center part of face loose. Red-lacquered inside. Whis- 
kers of white horsehair. School of Myochin. 


5383—Facr Prorector Japanese, 1550 


Protector for the lower part of the face formed as a mask of iron, 
with the nose-protector movable, at the ears openworked in 5- 
pointed stars red-lacquered inside. Neck-protector of three 
black-lacquered half-rings held together by blue cords. School 


of Myochin. Height, 0.165 m.; breadth, 0.18 m. 


534—Facrt Prorectror Japanese, 1700 


Of iron, lacquered to imitate rusty iron. Nose loose. Whiskers 
of horsehair. Red-lacquered inside. Mvyochin School. 


5385—Facret ProrecTror 


Of iron with loose pointed large nose. Red-lacquered inside. 
Signed Matsuki. 


536—Iron War Har Japanese, 1750 


Round, of thin iron-plate, flat, with a dragon with four claws 
winding itself around the edge; of enchased work. Myochin 


School. Diameter, 0.415 m. 


* “ 
ee ae ee a es ee. 


Second Afternoon 


537—Iron SHIELD ~ Japanese, 1650 


Embossed decorations. High, conic, with three lions in embossed 
work, the inner side red-lacquered with four small guards; be- 
tween two of these a cord with silk tassel. Myochin School. 


Diameter, 0.465 m.; height, 0.185 m. 


538—MusHroom-sHaPeD Iron War Har Japanese, 1750 


Of eight pieces riveted together, hole in crown; decorated with 
dragon-fly in silver, black-lacquered inside. 


_§89—Iron War Har Japanese, 1700 


Eight-sided (or 8-angular) of thin iron-plate, flat, with a four- 
footed wild animal in enchased work on the upper side; the in- 
side red-lacquered. Myochin School. 


540—Iron SHIELD Japanese, 1750 


Embossed decorations. Slightly convex, in center a round hole; 
decorations represent a warrior with raised sword in his night 
hand, fighting- against a couple of dragons that come creeping 
from the left hand side out of the clouds. The inner side gilded 


and with four small ring-shaped guards. 
Diameter, 0.446 m. 
Collection Consul Torsten Uddén, Tokio. 


541—HeELMeET Japanese, 1500 


Black-lacquered with a broad abruptly shaped crest, with sides 
in the form of a mussel, forehead ornament like a fan in black 
with gold ornaments, and neck-protector of four half-rings, held 
together by brown cords. Lined with blue cloth and long light 


red cords. 
Height, 0.245 m.; breadth, 0.285 m. 


542—HELMET Japanese, 1686 
The calotte of iron half egg-shaped, closely covered with prickles, 
with hole on the top of the head and large forehead screen; two 
small upstanding ear-protectors and neck-protector of five half- 
rings, black-lacquered and held together by black cords ; the front 
screen gilded inside; signed on the forehead screen and the inside 
of the calotte in Japanese writing: Myochin Munesuke, and dated 


3 August in the year Teikio. 
Height, 0.142 m.; breadth, 0.21 m. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


543—BEETLE-SHAPED HELMET Japanese, 1650 
Calotte of brown-made plate with two pieces riveted together, 
projecting at the back; small forehead screen and a crescent- 
shaped ornament in front; the inside of the screen red-lacquered. 


Height, 0.15 m.; breadth, 0.24 m. 


544—Tron HeELMetr Japanese Sixteenth Century 


Calotte of six pieces outside of which an outer calotte with spiral- 
grooved lists and the upper part open-worked in net-shape; the 
lower part in six fields with silver in decorations, swords, etc. At 
the bottom a list openworked in holes, and forehead screen, red- 
lacquered inside. Case with blue cloth. 


Height, 0.18 m.; breadth, 0.229 m. 


545—Iron HeELMeEtT Mongolian, 1550 
High, made of eight splints riveted together, covered with open- 
worked dragons; the dragons are covered with silver. Around 
the lower part of the bell a projecting slab covered with a jagged 
iron-splint. Small eye-screen with black velvet edged with an en- 
graved bronze edge-lining. Daimio-mark of brass (crescent). 


Height, 19 cm.; length, 28 cm. 


546—Iron HELMET | Japanese, 1500 
Made of several pieces, with 10 smaller and 1 large champer at 
the top; at the bottom plain. Eye-screen and edge black-lac- 


quered. Hood. 
Height, 23 cm.; length, 28 em. 


547— HELMET Japanese, 1550 
Made of sixty-two narrow iron splints riveted together, with up- 


turned edge. Eye-screen with sharp edges. Myochin School. 
Height, 15 em.; length, 26 cm. 


548—HrEtLMeEtT Japanese, 1550 


Calotte of many narrow, wedge-shaped pieces of thin plate with 
upstanding sharp edges on the outer side; hole on the crown of 
the head; forehead screen, red-lacquered on the inside. Myochin 


School. 
Height, 0.15 m.; breadth, 0.22 m. 


Second Afternoon 


549—Iron Hetmer — Japanese, 1600 


Calotte of one piece with flat round knob and embossed at the top 
in large scales (or mountains); with narrow horizontal screen 
pointed in front. On the front two dragons riveted on, hook as 
or for forehead ornament. On the inner side at the bottom a 
ring openworked in holes. Myochin School. 


Height, 0.185 m.; breadth, 0.26 m. 


550—Evropran Iron Hat Japanese, 1700 


With high upstanding edge and broad brims, has been fitted for 
helmet in Japan. 
Height, 22 cm.; length, 22 cm. 


551—Iron HELMET Japanese, 1650 


Of several pieces, half-sphere-shaped calotte with two wing-like 
ornaments of iron rising from the front brim. Gaotome School. 


Height, 0.832 m.; breadth, 0.292 m. 


552—BrEETLE-SHAPED HELMET Japanese, 1750 


Made of plates, several pieces riveted together with decorated 
rivets. In front eyebrow-like decorations. The top part of the 
helmet stands straight out, with an opening underneath. 


Height, 17 cm.; length, 23 cm. 


553—Iron HELMET Japanese, 1620 


Decorated with some loose brass bands. Eyelashes of horse-hair, 
neck-protector of black-lacquered iron. On the upturned brims 
a mark of brass. Hood inside the helmet. Perforated crest of 


Lord Todo of Ise. 
Length, 24 em. 


554—CoMMANDER’S HELMET Japanese, 1450 


Of iron splints with edge upturned and decorated with a row of 
high knobs, unusually large breathing-hole, two large mountings 
of gilded copper with engraved clouds. Eye-screen and the up- 
turned wings covered with painted leather. Neck-protector of 
lacquered iron-plate. Daimio-mark of brass in the shape of a 
crescent formed by leaves. Myochin School. Beautiful example. 
Visor and wings covered with genuine Sho-hei leather. 


Height, 21 cm.; length, 24 cm. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


555—HELMET Mongolian, 1450 


Calotte of iron with six enchased ornaments and covered with six 
broad cut out lists, with horizontal edge all around; in front an 
ornament in shape of a grinning cat’s head enchased and some- 
what gilded; two small ear-protectors with parchment and gilded 
edges and neck-protector of five half-rings covered with reddish- 
brown leather and held together by dark-blue cords. 


Height, 0.19 m.; breadth, 0.215 m. 


556—Suirt or ArMoR Japanese Seventeenth Century 
Consisting of: Helmet with face-mask, coat of mail, breast- 
plate, back-plate with shoulder-protector, arm-splints with 
gloves, breeches with ring-armor, thigh-splints and tunic. 


Helmet with calotte in several parts richly decorated with 
dragons, silver inlaid, neck-protector of several half-rings of 
lacquered iron with red cords, crescent-shaped forehead ornament, 
richly engraved, forehead and eye-protectors of iron overlaid with 
painted parchment, on the latter the family arms of the Mikado; 
grinning face mask red-lacquered within. 

Coat of mail of gold-colored satin beset with narrow pieces of iron 
held together by rings. 


Breast- and back-plate with attached side-protectors and shoul- 
der-pieces, all richly silver-inlaid with dragons and ornaments; on 
the shoulder-protector the family arms of the Mikado. 
Armsplints of richly embroidered cloth beset at the shoulder with 
a jointed splint of lacquered iron with red cords and below the 
elbow with a splint of iron with dragon in silver; on the gloves 
the family arms of the Mikado. 

Breeches of gold-colored satin beset with ring-armor. 
Thigh-splints of iron with dragons. 


Tunic, short, of yellow leather in six pieces beset with narrow 
pieces of iron held together by rings. 


By Myochni. Bears crest of Lord Doi of the Province of Settsu. 


EVENING SALE 


THURSDAY, FEBRUARY 22, 1923 


(WasHinctTon’s Birrupay) 
IN THE ASSEMBLY HALL 


OF 


THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O'CLOCK 


Catalogue Numbers 557 to 639, inclusive 


SALOMON VAN RUYSDAEL 


DutcH: 1600—1670 


557_LANDSCAPE AND FIGURES 
(Panel) 


Height, 914, inches; length, 1284 inches 


Ar right the bend of a river crossed in the middle distance by a 
brick bridge of two round arches, and at left in the foreground two 
Dutchmen standing in the gray road which winds between green grassy 
edges along the border of the stream. Two other figures are standing 
on the bridge, and in front of it a man is seated in a boat. In the 
background trees and ancient buildings. 


| ¢ S50 Signed on the boat, SvR, 1667. 


bugene Lelirg & 


MADEMOISELLE PHILIBERTE LEDOUX 
Frencu: 1767—1840 | 
(Has been attributed to Greuze) 


558—PORTRAIT OF A CHILD 
Height, 16 inches; width, 124% inches 


Heap and shoulders of a bright-faced child, inclined to smile; observed 
in back view, with head turned across right shoulder so that the face 
appears three-quarters full. Hazel eyes and golden hair, and rosy 
cheeks. Brown jacket striped in emerald and shot with golden lights, 
over a white lawn frock, and about the shoulders a dark scarf. 


In a letter on the back, dated 1904, E. M. Hodgkins, the London art dealer, 
expresses his belief that the painting is by Greuze, and a good example. 


446 p Cheon 


FRENCH SCHOOL 


EIGHTEENTH CENTURY 


559 _-HHAD OF A MAN 


(Oval) 
Height, 18 inches; width, 1434 inches 


Bust portrait of a man of advanced years, with grayish hair and en- 
croaching baldness, full and florid face and firmly held mouth, and 
dark and steady eyes. He faces slightly to the right, with eyes turned 
upon the observer. White stock and jabot, waistcoat of greenish tone 
banded in brown, and grayish coat with large gilt buttons. 


qo. De Spare 


: 
; 
a 
. 


WILHELM | LEIBL 
GERMAN: 1844—1900 


560—STUDY OF A HEAD 
Height, 1314 inches; width, 1084 inches 


Heap and shoulders portrait of a comparatively young woman of 
serious aspect, to left, three-quarters front, before a nebulous, slightly 
reddish background. Brown eyes directed at the observer. She has 
dark hair, brought up to a broad and braided knot on top of her head, 
with a slightly curling fringe over the forehead, and wears a dark waist 
with a suggestion of black lace at the throat. 


200. | SS heb how. 


ANTOINE COYPEL 
Frencu: 1661—1722 


561—DE DIFFICILE DEFAITE 
Height, 1684 inches; length, 1834 inches 


Acarnst a background of trees under a blue sky with shifting clouds, a 
Venus, partly nude and half-reclining on rose draperies, pines, sighs 
and pleads with a youthful warrior-hero in helmet and coat-of-mail 
and carrying a leopard skin, to abide with love against the urgings to 
other conquerings, which are seconded by two of his helmeted warriors 
whom he starts to accompany to fields of duty. Apparently a scene 
from Alexandrian legend, in the style popular with Coypel and his 
contemporaries, or perhaps from the Aineid, representing Afneas quit- 
ting Dido. 


eo. 13abe. 


ADRIAN THOMAS KEY 


FLEMISH: SIXTEENTH CENTURY 


562—PORTRAIT OF SIR WALTER RALEIGH 
AT THE AGE OF THIRTY-FOUR 


(Oak Panel) 
Height, 20 inches; width, 15 inches 


Heap and shoulders, slightly to right. Dark hair, short, and care- 
lessly arranged. High forehead, already broadly seamed; large and 
thoughtful brown eyes; finely chiseled nose. Moustache and beard 
reddish-brown. White ruff in rolling and open folds. Dark costume 
of rich material. 


Inscribed at upper left: 1585; at upper right: Anra 34. 


A painting by this artist in the museum at Antwerp is signed: “Adrianus Thomae 
Keii, fecit, 1575.” 


47 be gi ey, de aa 


PETER PAUL RUBENS 
Fremisu: 1577—1640 


568—PORTRAIT OF AN OLD WOMAN 
(Said to be the artist's mother-in-law) 


(Panel) 
Height, 1984 inches; width, 16 inches 


Heap and shoulders, to front, the head turned very slightly to the 
sitter’s right, the sunken and filmy eyes directed upon the observer. A 
woman of hard-working life and rugged features now seamed, with the 
hollowed cheeks and retracted lips of toothless age, yet preserving on 
her cheeks the flush of rosy color. A high and strong light on her 
features from directly above. Gray hair bound by a white band; white 
underwaist and lace collar-edging coming to view within her plain and 
simple jacket of dark olive tones. Dark background. 


4, 600 . lin .A4° Miombenrg 


JEAN FRANCOIS DE TROY 
Frencu: 16798—1752 


564—L’ AMOUR 
Height, 16 inches; width, 114% inches 


On a marble seat at a fountain enclosure within a French park, two 
lovers are enjoying a tryst, the young lady in a rose-pink gown and a 
white lace cap tied with blue ribbon, who is partly reclining, and the 
youthful beau more soberly clad, in court clothes, leaning toward her 
with ardent declarations. ‘They are admonished by a sympathetic lady 
who leans over a balustrade giving upon their retreat, with a caution- 
ary gesture and the suggestion of other presences in the green forest. 


F100 | Oe herman 


CASPAR NETSCHER 
Dutcu: 1639—1684 


565—PORTRAIT OF A NOBLE 
Height, 2014 inches; width, 17 inches 


Porrrair nearly at full length of a man of importance with large 
features, and a smile of somewhat cynical suggestion, seated on a 
terrace in a formal park and facing the observer. He wears a huge 
periwig, elaborate white lace neck cloth, and a great cloak-mantle of 
cerulean velvet with heavy gold embroideries and golden-orange lining. 
In the background a drapery of dark golden tones, and in the land- 
scape of the park architecture, statuary and sunflowers. 


FRENCH SCHOOL 


EIGHTEENTH CENTURY 


566—PORTRAIT DE MADAME LA COUR 
(Oval) | 
Height, 2034 mches; width, 161% inches 


Bust portrait of a fair and smiling and rose-cheeked young matron 
with dark eyes and brows, and high and abundant powdered coiffure © 
decked with a spray of pink blossoms. Figure slightly to left, she turns 
her head to face the observer. Décolleté gown of white lace over a 
red fabric, with a pink rose at the corsage. Olive-gray background. 


(A pendant to the succeeding canvas) 3 a ; 
E10 ae A. Wallerturg. 


FRENCH SCHOOL 


EIGHTEENTH CENTURY 


567—PORTRAIT DE MONSIEUR LA COUR 
(Oval) 
Height, 2034 inches; width, 1614, inches 


Busr portrait of a man past middle age, of warm complexion and the 
life-time seams of a genial firmness, and intent dark blue eyes, In a 
gray peruke curled above the ears. Figure to right, face three-quarters 
front. Red coat with a slight ornamentation of gold embroidery at the 
edge, waistcoat of the same color, and white neckcloth and jabot. 
Olive-gray background. 


(A pendant to the preceding canvas ) 


Addr Fe 


(ATTRIBUTED TO) 


J. B. SIMEON CHARDIN 


Frencu: 1699—1779 


568—STILL LIFE 
Height, 2184 inches; width, 18 inches 


Own a creamy stone balustrade in a garden some pomegranates and red- 
faced apples, a lemon, a green pear and a tangerine are lying, in bright 
sunshine. One of the pomegranates, on top of its neighbors, is divided 
into halves, revealing the luscious interior. Moss forms a bed for the 
apples. In the background and the shade appear large purple grapes 
and the green leaves of the vine, and in a standing cup of crystal glass 
a bouquet of simple flowers. 


JOO. Gens Le bape 


 AERT VAN DER NEER 


Dutcu: 1603—1677 


569—-LANDSCAPE IN MOONLIGHT 
(Panel) 


| Height, 1314 inches; length, 1884 inches | 


Susurss of a town at the border of the sea, with gabled cottages amid 
tall trees at the left and a high building on a point in the middle dis- 
tance. In the foreground huge tree-logs, and some cattle standing and — 
lying down, near the edge of the tide. Toward the right the sea, with 
the moon just emerging from clouds at the horizon, its rays reflected — 
from the water and its light penetrating to the houses among the trees. 


Signed in monogram at the left. 


Certified as a veritable Van der Neer, by Hofstede de Groot. 


160. : Orth, Hoe. 


PHILIPPE DE CHAMPAIGNE 
Frencu: 1602—1674 


570—PORTRAIT OF A MAN 
(Oval) 
Height, 2214 inches; width, 181% inches 


Heap and shoulders of a man perspicacious and complacent, with dark 
blue eyes, and gaze sharply scrutinizing, eyes and features expressing 
a smile of prescience and a tolerant if a bit cynical humor. He faces 
the right three-quarters front, in a strong light from the left, and is 
wrapped in a rich black cloak falling loosely about his shoulders and. 
seemingly held by his concealed arms folded across his breast. Deep 
and spreading white lawn collar with the tassel of its tying cord visible | 
in front. Brown hair parted at the centre and falling in loose curls 7 
nearly to the shoulders; slight moustache and lip and chin tufts. | 


176 llr M? haha 


GIAN FRANCESCO MAINERI 


Trattan: 1486—1504 


571—_CHRIST CARRYING THE CROSS 
(Panel) 


Height, 2414 inches; width, 18 inches 


Tue Christ is depicted facing toward the left, three-quarters front, 
at three-quarters length, with head bent down and mouth partly open 
for breath, both hands clasping the Cross which rests heavily on His 
right shoulder, a nimbus above His head, which supports the crown of 
thorns. He is robed in crimson trimmed with black and lettered in 
gold, over a garment of old golden-brown ornamented in black. 


(AFTER) 
FRANCOIS BOUCHER 


Frencnu: 1703—1770 


572 VENUS COUCHEE ET ENDORMIE 
PRES DE L’AMOUR 


Height, 1834 inches; length, 2616 inches 


Venus unadorned reclines on a couch of white and blue draperies, her 
sleeping face in profile to the left and extended figure observed partly 
in back view. Her chestnut hair is tied with pearls and a blue ribbon, 
and pearls adorn her arm. Cupidon with golden hair and turquoise 
wings dozes at her side. Background of rose draperies. 


400 - Wem PO. 


JOSEPH SIFRIEDE DUPLESSIS 
Frencu: 1725—1802 


573—PORTRAIT OF A MAN 
(Oval) 
Height, 2514 inches; width, 2084 inches 


A BROWN-EYED man of young middle-age, with short brown whiskers 
beside his ears and otherwise clean-shaven, wearing a powdered wig 
curled up at the sides; figure to right and face turned toward the 
front. He wears a light gray coat with darker vertical stripes and 
high fold collar, and a turquoise-blue waistcoat whose lapel tips come 
to view at the sides of his white lace jabot. 


[$0 Ob. wallembeng. 


i ’ “ ‘ P a 
ee a ee es ee ae ee eee ee oe SL ee 


Pin ae *). 


ee oe 


ee a 


FRENCH SCHOOL 


EIGHTEENTH CENTURY 


574—PORTRAIT OF A MAN OF RANK 


Height, 25°24 mches; width, 21 inches 


-Har-Lenetu, facing the left, three-quarters front; right hand 
brought to breast and fingers inserted within golden toned coat, just 
below the insignia of an order in red. A smooth faced man with 
large and genial brown eyes, and lips parted in a smile. White stock 
and: conspicuous jabot, and about the neck also the loose folds of a 
black velvet ribbon. Ermine-lined crimson mantle. Neutral grayish 


background. | 3 
a clr, Sonal 1b row 


UNKNOWN 


DanisH ScHootu(?) 


575—PORTRAIT OF A SMILING MAN 


Height, 26 inches; width, 21 inches 


Bust portrait of a close shaven man, mature yet youthful, in a great 
wig of soft dark gray, smiling genially upon the observer. Figure to 
right, face three-quarters front. A man of parts and importance, in 
rich apparel, his blue-lined buff coat embroidered in red and gold and 
enclosed in the folds of a crimson mantle, and down his chest a white 
lace jabot. Light from the left; dark background. 


//0 pt: suslgoard. 


SIR THOMAS LAWRENCE, P.R.A. 


Encusu: 1769—1830 


576—PORTRAIT OF A MAN 
Height, 24 inches; width, 18 inches — 


Busr portrait of a man youngish in features, with carelessly dressed 
gray hair, figure to the front and face turned slightly to his left. He 
is of warm complexion, smooth shaven, with quiet blue eyes, and wears 
a blue coat with gray collar, a high-collared mauve-gray waistcoat, 
and a white neckcloth loosely tied. Reddish background. 


Loe es fae jag 12 7 


28. abr T3085, 


(ATTRIBUTED TO) 
JOHN HOPPNER 


EncusuH: 1759—1810 


577—_PORTRAIT IN WHITE AND BLUE 

Height, 30 inches; width, 25 inches 
A youne lady sitting rigidly erect yet wholly at ease is portrayed at 
half-length, facing the left, three-quarters front. She is clad entirely 
in white, her waist bound by a deep belt of greenish turquoise-blue and 
otherwise strapped in the same color, which also borders her collar, 


and she wears a tall and spreading white lace cap which is trimmed 
with a turquoise ribbon tied in a bow. Dark background. 


JOO | | HK. Hanter). q 
SAMUEL COTES ‘ 


Eneuisu: 1734—1818 


578—PORTRAIT D’HOMME, | 
TRICORNE SOUS BRAS 


Height, 30 inches; width, 25 inches 


Hatr-tenctu and facing front, head turned very slightly to his 
right, and eyes on the observer, with a merry twinkle. A middle-aged 
man with gray wig rolled and expanded above his ears, white stock and 
jabot, steeply sloping shoulders, and clad in a light gray coat and 
waistcoat. Under his left arm his black cocked hat. 


Sold at Christie's, London. 


JOHAN VAN DER BANCK 


EncusyH: 1694—1739 


579—PORTRAIT OF KATHARINA AFFLECK 


Height, 30 inches; width, 25 inches 


Haur-LeNnecrH, painted within an oval on a rectilinear canvas. <A fair 
young woman with violet-gray eyes and delicately tinted cheeks, her 
golden-chestnut hair abundant and curled and adorned with pearls. 
She looks directly at the observer. Clad in a blue gown with low cor- 
sage, lace edged, and tucked-up sleeves revealing white undersleeves ; 
about her a mantle of rich yellow. Olive background. Inscribed at 
lower left: “KATH: AFFLECK. Born Feby. 1718/9; married Wm. 


7 Metcalfe, Esqr. ; died May, 1760.” e r 
/ See tom. 6: Vtnital€ Voters 206 28 ve eae (924. b#. G5) 


625, | Ce bee. 


(ATTRIBUTED TO) 
HYACINTHE RIGAUD 


Frencuo: 1659—1743 


580—PORTRAIT OF A COURTIER 


Height, 3144 inches; width, 251% inches 


Ar half-length, figure to left, face three-quarters front; white periwig. 
Said to be a likeness of Philbert Orri, Minister of State. Dark grayish 
velvet coat and cloak, trending to black; star and dove of the order 
of St. Esprit; blue ribbon below; neckcloth of elaborate white lace, 
falling low and broadly spread across the chest. Neutral grayish 
background. 


eae O. 
ied (Jernel 29 ag 


SIR THOMAS LAWRENCE, PRA 


| ea 1769—1830 


581—PORTRAIT OF A YOUNG LADY 


Height, 3014 inches; mn}, 25 inches 


Ficure to the front, face turned slightly toward her right shoulder, — 
and pale blue eyes directed somewhat downward. Dark and rich brown- 
ish hair dressed with many curls, its abundance enhancing the beauty of 
her face, the irregularity of the curls and waves yielding numerous 
light reflections. Rose cheeks of England. Décolleté gown of dark 
material with sleeves in loose folds. Over her shoulders a ey filmy 
scarf. 


2 100. c : a | ele Franke tle 


FRENCH SCHOOL 


SEVENTEENTH CENTURY 


582—PORTRAIT DU ROI SOLEIL 
(Oval) 
Height, 311% inches; width, 264% wmches 
Lovurs Le Granp at a little less than half-length, to left, three-quarters 
front. In great dark brown periwig. Ermine mantle with rich azure 
lining embroidered with the fleur-de-lys in gold. Neckcloth of elabo- 
rately wrought white lace falling down the chest to a golden and 


jeweled collar, or broad chain, with the emblem of the St. Esprit 
pendent. 7 


ie: lun be 9 Faubhada 


JOHN OPIE 


Enceuisu: 1761—1807 


| 
* 


5883—PORTRAIT OF A YOUNG LADY 


Height, 3014 imches; width, 2514 inches 


SraTeD, at three-quarters length, bust to front and limbs crossed 
toward the left, and gracious face turned full upon the observer. A 


handsome young woman of regular features, with dark eyes, and black . 
hair parted at the centre and dressed in curling waves, brought down b 
over her temples and concealing her ears. Light creamy or buff-écru ¥ 
gown, with small and fluffy white lace collar, below which a small old- | 
rose scarf is rolled and loosely tied. Right elbow resting nearly at f 


shoulder height on a chairback and the hand lowered and clasping the 
left hand, which is brought across her lap to meet it. Conventional 
atmospheric background. t 


Ee, ve W- Lehn 


(ATTRIBUTED TO) 
NICOLAS LARGILLIERE 
Frencu: 1656—1746 


584 DAME AU MANTEAU ROUGE 


Height, 33 inches; width, 2614 inches 


THREE-QUARTERS length standing figure of a young lady with powdered 
hair, figure to right, and head turned slightly to left, with blue eyes 
bent upon the observer. Sprigs of flowers adorn her high-dressed hair, 
a long curl of which is brought forward over her right shoulder, and 
a red carnation decks the low corsage of white lace. Tight bodice of 
golden-yellow adorned with pearls and other jewels, and an outer waist 
of light material. Over her shoulders and concealing both arms a 
scarlet mantle, whose folds with those of the waist reflect shimmering 
lights. Conventional landscape background. 


GA oe | clLlpo. Pobiu/ ve Paulhres’ 


(SCHOOL OF) 
FRANCOIS BOUCHER 
FrencH: 17038—1770 


| 585—ALLEGORICAL COMPOSITION: 
DOOR PANEL 


Panel rectilinear, height 31 inches; width, 231% inches: painting oval, 
vertical diameter 2214 inches; horizontal, 1814 inches 


Youturut and handsome female figure in classical robes and coiffure, 
to right, three-quarters front, face in profile as she leans her head 
toward a cupid perched at her left shoulder, and with him reads a 
scroll—a quill held in her left hand. Doves at one side of and below 
the group. In gray heightened by white lights; light grayish back- 
ground. Angular ground brown. 


190. Ler Kast. 


MELCHIOR DHONDECOETER 
Dutcu: 16386—1695 


586—_STILL LIKE 
Height, 29 inches; width, 27 inches 


In a soft and diminishing light from the left, against a dark gray- 
greenish background of forest depths, a group of game birds destined 
to man’s appetite and the color-sensitiveness of his eye lies on a sandy 
stone plinth gray in tone, lying upon grayish ground whose moist 
surface yields reflections. Gray and sandy-brown and rich red the 
plumage of the birds, and back of them baskets against the bifurcate 
trunk of a tree. In the foreground a horn with purple cord and 
tassels, and in isolation a single detached feather. 


Signed on the stone, at centre, M. p’HoNDECOETER. 


From the Galerie Sedelmeyer, Paris. 


Ge oF HMagblred, 


JEAN FRANCOIS MILLET 
Frencu: 1815—1875 


587i_-HOMEWARD FROM THE FOREST 
| (Crayon) 
Height, 2214 inches; width, 16% inches 


Iw a bleak indefinite landscape a young French peasant woman is de- 
picted walking sturdily homeward after a day fagot gathering in the 
forest. She is passing toward the right, bent under a heavy back- 
load of fagots, their binding stick held in her left hand against her 
right shoulder, which she braces by bringing her right hand to rest 
against her hip. Accompanying her, her little girl walks aheady also 
observed in profile, and carrying baskets. 


Signed at the lower left, J. F. M. 
From the Haro Collection, Paris. 


ro 


ANDERS ZORN 
Swepisu: 1860—1920 | | ; 


588—ZORN AND HIS WIFE a 


Height, 121, inches; width, 8 inches 


asic 


Etching. Asplund, No. 43. Second state of two. Signed in pen- 
cil_—Zorn. Fine Impression, on Dutch paper, in perfect condition. 


SLY. ANDERS ZORN AU. lame : 
Swepiso: 1860—1920 


589—_MR. AND MRS. FURSTENBERG 


Height, 734 inches; length, 11 inches 


Etching. Asplund, No. 97. Third State of three. Signed in pencil,— 
Zorn. Good impression, on Dutch paper, in perfect condition. e: 


AT. Ul nee 


ANDERS ZORN 
SwepisH: 1860—1920 


590—REVE D’ AMOUR 


Height, 814 inches; width, 5 inches 


Etching. Asplund, No. 14. Only State. Signed in pencil,—Zorn. 
Fine Impression, in sepia ink, in perfect condition. Pencil dedication 
on lower margin,x—“To C. R. Lamm.” Of the greatest rarity. 


It is not so mentioned in Asplund’s: catalogue, but the artist himself, who pre- 
sented it to Mr. Lamm, stated that only two proofs (of which this is one) were taken. 


ea LU. Chaf pelt, 


PAOLO VERONESE 
VENETIAN : 1528—1588 


591—BIBLICAL COM POSITION 
(From the Book of Esther) 


(Drawing) 
Height, 101% inches; length, 14 inches 


A sketcH in ink for a painting done in 1556 for the Church of San 
Sebastiano in Venice, which houses notable works by Veronese and also 
his tomb. In a court of the great palace of Ahasuerus, at the top of 
some steps, the king stands at the right, having arisen from a throne, 
and extends his sceptre toward Esther, who has found favor in his sight. 
She is-at the left, and almost swoons in. the arms of her women. Back 
of Ahasuerus are his chamberlains and attendants, the group extending 
down the steps to the foreground, near the centre of which are two 
dogs, one standing, the other lying down. 


P00. BAS fohiffer. 


~—wty Sige Niel i pal 


Te “ 
ey 


ye a 


SCHOOL OF 


FRANCOIS BOUCHER 
Frencn: 1703—1770 


592--NUDE STUDY 
(Pastel) 
Height, 9 inches; length, 111% inches 


In seated posture on casual draperies, a young woman is portrayed 
facing the left, with legs lightly extended and crossed at the ankles, and 
shoulders three-quarters front, the nude figure in red crayon. She has 
yellowish-red hair and her head is poised lightly toward her right 
shoulder, her face appeairng in profile. Draperies in white and blue, 
with diaphanous folds enclosing her elbows. 


eas O | 


FRANCOIS BOUCHER 


5983—LA TETE DE FLORE 
(MADAME DESHAYES 


Height, 1558 inches; width, 1234 inches 


Aquatint, in colors, retouched in crayons. Engraved by Louis Marin 
Bonnet, after Francois Boucher. Beautiful Impression, margins 
trimmed to engraved surface. Said to be retouched in crayon by 
Boucher himself. Reproduced in French Colour-Prints of the Eigh- 
teenth Century, by Malcolm C. Salaman. Extremely Rare. 


Expertised by Gaston Neumans, Paris. 


SLO ae Wonavenae 


ft 


a oa 


ROSALBA CARRIERA 
VENETIAN: 1675—1758 


594— PORTRAIT OF A YOUNG LADY 
(Pastel) 
Height, 231% mches; width, 191% inches 


SEATED and inclining shghtly toward her right with elbow support a 
fair young lady with hazel eyes and delicate cupid’s-bow mouth faces 
the observer from a nebulous atmospheric background. She appears 
at half-length, her left arm crossed before her partly exposed breast 
and the hand reaching into an assemblage of fruits and flowers ap- 
parently supported within her right elbow. Her sleeveless gown of filmy 
material, buff and grayish, is enfolded within a mantle of deep blue. 


Authenticated by Gaston Newmans, Paris. 


AE Minx, Gea 


JEAN BAPTISTE PERRONNEAU | 


Frencu: 1731—1796 


595—PORTRAIT OF MONSIEUR 
| SARAZIN OF BORDEAUX 


(Pastel) 


Height, 23°4 inches; width, 2014 inches - 


At less than half-length, standing, to left, three-quarters front. A 
man of large features and a fresh complexion, with blue eyes, and a wig 
straight over his forehead and waved over his ears. Coat and waistcoat 
of old-rose with shimmering lights, and white stock and jabot. Neutral 
gray background with a lighter radiance about the head. — 


4800. J: Ghee 


GIOVANNI BATTISTA TIEPOLO 


VENETIAN: 1696—1770 


596—PROJET DE PLAFONNAGE 


Diameter, 18 inches 


Aw allegorical composition for a ceiling, depicting fourteen principal 
and auxiliary figures, against a bleu-de-ciel ground billowing with 
vaporous white cumuli. At the centre, Time, a male figure nude and 
_ winged, with flying crimson mantle, above and below him symbolical 
female figures, draped, at one side a celestial herald, and attending all 
numerous amorini. On square canvas with brown background. 


274s Ae Ce Lull, 


GUILLAUME THOMAS TARAVAL 
Frencu: 1701—1750 


597—-H ARV EST 


(Oval) 
Height, 1534 inches; width, 1334 inches 


ComPpLeTeED sketch for an over-door. At the foot of two trees with 
green foliage, whose gray and leaning trunks bend together, a group 
of half a dozen cupids idle or sport with and among sheaves of ripened 
grain, on a broken yellow-sandy earth bank. In the background, green 
trees, under a hazy sky of lght clouds. 


Signed at lower centre, Taravau. Inscribed on back: Farr 
EN SUEDE LE 27 Jutn, 1747. , 


Oe Le _ fox. 


PAULUS MOREELSE 
Dutcu: 1571—16388 


598—YOUNG LADY COMPLETING 
HER TOILET 


(Oval) 
Height, 341% inches; width, 21 inches 


Portrait of an oval featured and plump young lady pleased with her 
appearance and looking up from her mirror to the spectator before 
adjusting a pearl eardrop, which she holds in her right hand beside 
her face, at eye level. She is seated at a dressing table, facing the left, 
three-quarters front. She wears a rose gown, décolleté, with white lace 
collar which overlaps an emerald wrap draped about her shoulders, and 
pearls encircle her neck and one wrist. 


é =? : Slate AS oetL 2 


PIERRE MIGNARD 


Vrenon 71610-21698 


599 LA DAME AU PETIT CHIEN 


Height, 27 inches; length, 3214 inches 


Porrrarr of a round faced court beauty with pink cheeks and blue eyes, 
and brown hair dressed in a multiplicity of ringlets, seated on a divan 
and facing the spectator, leaning lightly upon her left elbow which rests 
on gold-tasseled cerulean cushions. She wears a pearl necklace and 
ear-drops, and a broadly décolleté and loose waist, white with white 
lace trimming and reinforced by an outer waist of royal blue embroid- 
ered in gold and caught up with pearls. In her lap a pet dog. Drapery 
and palace garden background with figures. 


L490. WG crrel, ag uw 


SIR PETER LELY 


EncuisuH: 1618—1680 


600—JEUNE HOMME AU CHIEN 


Height, 3314 inches; width, 2624 inches 


THREE-QUARTERS length figure, to right; a young gentleman of deli- 
cately refined features, beardless, head turned toward his right shoul- 
der and dark eyes on the observer. A strong light from the left 
strikes his face. He wears an abundant light chestnut periwig with a 
fine simulation of natural curls, falling about his voluminous mantle 
of rich dark green, one golden tassel of the mantle’s cord lying before 
his shoulder. A few buttons of his light brown coat and the front 
of his white lace collar come into view. At the right a favorite hound 
looks up at him. Background the corner of a massive stone building 
and a conventional sunset landscape. 


$78. A. Objet y-407 


ALEXANDRE ROSLIN 
SwepisH: 1718—1793 


601—PORTRAIT OF A LADY 
Height, 3544 inches; width, 281% inches 


Portrait at three-quarters length of an affable young lady, seated 
and facing the right, three-quarters front, her violet eyes upon the 
observer. She wears a silk gown of delicate wave-line stripes, low cor- 
sage and lace edging, and her neck is encircled by three strands of 
pearls. Her white lace winged cap trimmed with turquoise-blue velvet 
is bound by a black lace scarf knotted at her breast. Short sleeves 
with lace edging. Left hand in her lap, right resting lightly on the 
arm of her chair and a dark emerald drapery. 


From the Duchesse de Talleyrand Collection. 


Expertised by Jules Feral of Paris, and by Dr. Axel Gauffin, curator 
of the Stockholm Musewm. 


ee. CZ. Wallerburg 


(ATTRIBUTED TO) 
HYACINTHE RIGAUD 
Frencu: 1659—1743 


602—PHILIPPE OF ORLEANS 
Height, 36 inches; width, 2534 inches 


In pose of pride he is presented, at three-quarters length, to left, three- 
quarters front, august and smiling glance downward, and a bit sar- 
donic; left forearm resting on a balustrade. Huge soft-gray periwig. 
Doublet a luscious apricot hue, warm and rich in tonal surface, over a 
loosely fitted white lawn undervest with collar. Blue ribbon and the 
dove of the St. Esprit. Gray-black mantle. 


ALG Ce Sarre 


JEAN BAPTISTE LEMOINE 
Frencu: 1704—1748 


6083—-GLORIFICATION DE VENUS 
Height, 281% inches; length, 3714 inches 


In an ideal romantic landscape a central mound, and Venus reclining 
on it, facing the observer. She wears a light canary hued filmy tunic 
and rests on a rose drapery. Psyche and a nymph, nude, assisted by 
two cupids, are crowning and draping her with garlands of rich flowers, 
the group in a broad light. In the partial obscurity of shadow, among 
reeds beside a stream at the lower left, the nude half-figure of an aged 
man, with white beard and hair, looking up in veneration—Time or a 
river god. Back of the figures on the mound, dense beeches in autumn 
coloring, and beyond them, seen through rifts of the foliage, the tops 
of tall green cypresses. Blue and clouded sky with a tinge of sunset 
glow. 


| oer pred Mlerr 


NICOLAS LARGILLIERE 
Frencu: 1656—1746 


604A—PORTRAIT OF A LADY 
Height, 25% inches; width, 20% inches 


SEATED in a high-backed carved gilt armchair upholstered in dark 
emerald velvet, a matron stout and of gay disposition looks with happy 
eyes at the spectator—a personified expression of ready social affabil- 
ity. She wears a gown of warm burnt orange hue, with low corsage 
of white lace and voluminous sleeves, and is partly enfolded in a mantle 
of royal purple. She sits “bolt upright” on the edge of her chair, left 
hand on her knee, right arm resting on a wainscotting and in the hand 
a green sprig. At her elbow a decorated porcelain jar holding a rosy 
bouquet. Conventional landscape background. 


Authenticated by Mr. R. Pillot, Paris. 


fb 50. Semmes, ag t be 


MME. VIGEE-LEBRUN 


Frencu: 1755—1842 


605—PORTRAIT OF THE GRAND DUCHESS 
ELIZABETH OF RUSSIA (Later Empress) 


Height, 31% inches; width, 2514 inches 


A FAIR young woman with delicately rosy cheeks, blue eyes large and 
smiling, and an abundance of wavy and curling golden-blond hair is 
portrayed at a little more than half-length, facing the left three-quar- 
ters front, her lightly crossed hands and folded arms resting against 
the arm of a red upholstered sofa trimmed with gold fringe. She is 
gowned in white and lilac-gray showing faint purplish shadows, a white 
scarf circles her neck and is entwined in her hair, and she wears a gold 
neck chain of three strands. Olive-gray background. 


“T painted her standing, in full Court dress, arranging some flowers near a bas- 
ketful of others. | 

“When I had done her large portrait, she had another done for her mother, in 
which I painted her leaning against a cushion, with a diaphanous violet wrap.” 


Mme. Vigée-Lebrun in her Souvenirs, relating her visit to St. Petersburg in 1795. 


The Grand Duchess Elizabeth, of whom she is writing above, had been married 
in 1793 to the Grand Duke Alexander, who later, after the murder of his father, 
became the famous Czar Alexander I of Russia. The Grand Duchess before her 
marriage was a princess of Baden. 


pe 100 V arke age J. 


iseneai eee, 


ANDERS ZORN 


SwepisH: 1860—1920 


606—AFTER THE BATH: A STUDY 
Height, 32 inches; width, 23%4 inches 


Stanpine figure of a Titian-haired, plump young woman, nude, to right 
three-quarters front and inclined head in profile to the right, drying 
her skin with a white towel, right arm across her breast and left arm 
upraised and extended. Back of her a dark-haired young woman 
seated, observed in back view nude to the waist, and in a half-light. A 
full light from forward and the left illumines the standing bather and 
is met by the light entering the room broadly through two lightly cur- 
tained windows in the background wall of the room and shimmering on 
the softly polished floor. 


Signed at the lower left, Zorn, NEw York 794. 
(Illustrated) 


S400. : Ue Lourg punt 


WILHELM LEIBL 


GERMAN: 1844-1900 


607—PORTRAIT OF AN OLD WOMAN | —— 


Height, 11 inches; width, 914 inches 


Haxr-Lenctu, facing slightly to the right. A gray-haired woman with 
wrinkled face and sunken cheeks but some vigor of expression, her head 
bound in a black cap with heavy folds draped back of her shoulders, 
which have the protection of a green plaid shawl. She wears a brownish 
dress, over a plain white scarf which enfolds her throat. 


Signed at the upper right, W. Lust. 


Expertised by Lothar Megendorfer and L. Faustner, fellow students 
and painters. 


ake febm Lavy. 


JAN VAN GOYEN 3 . f 
Dutcu: 1596—1656 


608—LANDSCAPE WITH FIGURES 
: (Panel) 


LH eight, 1434 inches; length, 191% inches 


Aw agricultural and sylvan countryside of intimate nooks and far 
reaches is presented. At left in the middle distance a high hill sur- 
mounted by massive ruins, a structure in red. At the hill’s foot an 
encircling path, with figures tramping or in conversation, the path bor- 
dering a river which winds through a distant valley on the right; where 
-castellated buildings disclose themselves, and green fields and wooded 
hillsides. In the foreground, on the hither side of the river, which is 
crossed by a rustic footbridge, three more figures of a rural population 
are seen. 


J 7o | re : Je Braman 


. FRANCESCO GUARDI 


VENETIAN: 1712—1793 


609—LANDSCAPE AND FIGURES 


Height, 1814 inches; length, 26 inches 


Unper a brilliant, warm and soft light from a declining sun, and a blue 
sky swept by clouds of varying tones, a hilly and broken landscape is 
presented bordering a placid river which flows across the picture. On 
the low foreground bank two men are at work with poles and a man 
and a woman are walking at the stream’s edge, the woman carrying a 
basket of linen on her head. In the stream are two figures in a sandola. 
The farther bank rises abruptly at left in mounds topped by gnarled 
trees, and to right in the distance rounded trees, tall ruins and ‘lower 
buildings appear near the water’s edge. 


From the Goldschmidt Collection, Frankfurt, 1917. 


Authenticated by Giuseppe Frocco, Venice. 


Lo. Li ee 


JACQUES LOUIS DAVID 


Frencne: 1748—1825 


610—PORTRAIT OF PROFESSOR SALVAGGI 


Height, 24 inches; width, 1914 inches 


Bust portrait of a clean shaven man of large features, with deep-sunken 
reflective eyes of light brown, and chestnut hair curly and showing 
various lights, and carelessly brushed. He faces the right, three-quar- 
ters front, in a full light bland but warm. White stock and waistcoat, 
and dark green shawl-collared coat, with a bit of a red scarf between 
the coat collar and stock. 


Expertised by G. Sortais, official Paris expert “ores le Tribunal de la Z 
Seine.” e 


BARTHOLOMEUS VAN DER HELST 


Dutcn: 1613—1670 


611—PORTRAIT OF A GENTLEMAN : a 
(Panel) 4 
Height, 21 inches; width, 1634 inches 


Heap and shoulders of a nervous, intent man, with red hair falling be- | 
low his broad white lace collar, which is tied with a cord finished with + Sa 
white tassels. His set features show warm color and he wears a close- 
clipped sandy moustache and small chin tuft. His closely buttoned but 

loose fitting coat is black, and he faces the right, bab eb nS front. 

Dark background. ) 


Expertised by Pol de Mont, of the hea) Museum of Fine Arts, Ant- 
werp. 


wy & OTe 


JAN VAN RAVESTEYN 


‘Durce: 1572—1657 


612—PORTRAIT OF A LADY 
(Panel) 


Height, 2714 inches; width, 211% inches 


Hatr-LenctuH, seated, face and figure slightly to the left. A suave 
young matron, slightly whimsical of expression, with dark brown eyes 
and faint eyebrows, and pinkish cheeks. Light brown hair dressed with 
pearls; pearl earrings and necklace, and a double rope of pearls sup- 
porting a golden pendant. Black gown with figured ornamentation, and 
a deep and elaborate collar of intricately worked white lace, which ex- 
tends to below her shoulders and all across her breast, fitting tightly 
at the neck. Dark background. 


Signed at the upper right, JR (monogram) 168... 


From the Galerie Sedelmeyer, Paris. 


S00. 1 ere, ag. lh q : 


NICOLAS LARGILLIERE 
Frencnu: 1690—1743 


6183—PORTRAIT OF A GENTLEMAN 
Height, 31%4 inches; width, 2514, inches 


Portrair at once bold and sympathetic of a fine looking young man 
with large brown eyes and an affable expression and the bloom of health, 
figure to left and face three-quarters front. He wears a large gray 
periwig, a coat of vague emerald with a fine white lace collar, and is 
enwrapped in the full folds of a rich red mantle. He appears at half- 
length before a conventional and indeterminate landscape background 
of dark neutral tones. 


Signed «t left, well above the bottom, N. LArGiLiiERe. 


Expertised by Gaston Neumans, Paris. 


900. ¢.F OMe. 


BERNHARD STRIEGEL 


GERMAN: (circa)1461—1528 


614—PORTRAIT OF A YOUNG NOBLEMAN | 
IN PLUMED CAP 


(Panel) 


Height, 13 inches; width, 9 ches 


Hatr-LenertuH figure of a man of large features, clean shaven, and with 
reddish-blond hair banged, and at the sides of his face worn long in 
finely curled strands which reach to his shoulders. He wears a black 
cap of the fifteenth-sixteenth century type, girdled with red flowers and 
supporting overhanging white plumes. He is facing the left, three- 
quarters front, with a most serious expression, and in his left hand 
which is held across his breast carries daintily between thumb and 
ringed forefinger a small bouquet. He wears an orange cloak heavily 
trimmed with black, over a thin tunic of light material in rose and 
white, adorned by a white dove with spread wings. Red background, 
with 1 5 0 2 in ornamental figures at the upper left. . 


Certified by Dr. M. T. Friedlinder, Kaiser Friedrich Museum, Berlin, 
who declared it very valuable, being of early date; the museum has 
none so early. 


000 . Cass org feng. 


PETER PAUL RUBENS 


Pyedroer : 1577—1640 


615—PORTRAIT OF A YOUNG MAN 
(Panel) 


Height, 191% inches; width, 1614 ites 


Heap and shoulders of a youth who is sprouting a moustache, lip tuft 
and the suggestions of a beard, with reddish hair, raised eyebrows and 
a scarred forehead. He faces the right, three-quarters front, and 
gazes with the aspect of a scowl at the spectator. Figured black velvet 
tunic and brown sleeves. Neck encircled by a ribbon-fluted white ruff. 
Dark background. 


Inscribed at right, above eye-level: A P 16... AETATIS .. 


are the Collection de Cornelissen, Brussels, March 29-80, 1891 ; 
No. 78. 


Expertised by Dr. Bode, in 1916, who says it was paris between 
1613 and 1615. 


Reproduced in Emile Verhaeren’s “Rubens,” 1917. 


4, 100. 3 ae Te Sie 


JACQUES LOUIS DAVID 


Frencu: 1748—1825 


616—PORTRAIT OF MONSIEUR SEDAINE 


(Michel Jean Sedaine, French dramatist, 1719-1797) 
(Oval) 


Height, 2114, inches; width, 17% inches 


Busr portrait of a middle aged man of dramatic aspect, figure to left, 
face turned three-quarters front, right hand brought to the wide lapel 
of his coat at the breast. He is clean shaven and his gray hair is 
brushed straight back from his high forehead and shows curls above the © 
ears and at the back. Blue eyes bent quizzically upon the observer. 
Gray coat with broad collar, and a glimpse of a soft white lace collar 
or neck cloth. Neutral grayish background with a hinted warming of 
dull mauve. | 


Certified by Mr. G. Sortais, official expert of Paris, “prés le Tribunal 
de la Seine.” | 


Exhibited at the “Exposition David et ses Eléves,” at the Palais des 
Beaux Arts in Paris, 1913, and at other public exhibitions. 


576. jw» 7 


SIR ANTHONY VAN DYCK 


Fremisy: 1599—1641 


617—PORTRAIT OF THE PRINCE DONEGLIA, q 
OF THE HOUSE OF SAVOY | 


Height, 254% mches; width, 21 inches 


Porrrarr head (the armored torse lightly brushed in, with suggestive 
coloring’) of a handsome man with finely chiseled features, in a vigorous 
youthful maturity, facing the left, three-quarters front, with assured 
eyes directed upon the spectator. He is of warm complexion, with dark 
hair, upturned moustache and small chin beard, and he wears the high 
fluted ruff of his period, painted in a soft white. Dark background. 
Painted in Palermo, 1624; the original of the Dulwich Gallery three- 
quarters length portrait in armor. 


3600 . a: th 


FRANS HALS: se 


Dutcu: 1580—1666 


618—PORTRAIT OF A LADY 
: . (Panel) 
Height, 2514 inches; width, 1784 inches 


Hatr-LenctuH seated figure of a woman in black apparel of rich tex- 
ture, facing the spectator and slightly ‘to the left, before a reddish 
mahogany toned background, lunetted. She has a thin face with rose 
touched cheeks, brown eyes, and her dark hair is brushed smoothly 
from her high forehead to vanish in a tight white cap. She wears a 
deep ruff of ribbon fluting, gold bracelet and rings and white lace cuffs. 
Her right hand comes to view held before her chest. 


Signed at the left, midway, FH (monogram). 
Hofstede de Groot declares that the panel, which he considers a masterpiece, was 


painted around 1616, and being one of those early paintings which disappeared, is 
probably the earliest example of Hals’ work known to us. 


6, poe shes : ZL. (Jerg emer 


PETER PAUL RUBENS 


FLEMISH : 1577—1640 


619—PORTRAIT OF PHILIP RUBENS 
(Brother of the Painter) 


(Panel) 
Height, 27 inches; width, 1914 inches 


Heap and shoulders portrait of a man of definitely modeled features, 
broad and bulbous of forehead, slender nose and sensitive mouth, dark 
eyes set well back. Reddish-chestnut hair worn at generous length, 
full in volume and brushed at once with freedom and with care. Mous- 
tache and chin beard of similar hue, worn in the contemporaneous 
fashion (mode Louis XIII). He wears a white collar, down-turning 
and broad, a dark brownish doublet and a black cloak, thrown back 
to the shoulders. He faces the right, three-quarters front. 

The portrait shows Venetian influences and in France has been credited 
to the period of Rubens’ return from Italy, in his 30’s, the conjecture 
there being made that it was a self-portrait.. That assumption was 
later corrected. } . | 


Expertised by Max Rooses, Antwerp, 1912. 
Expertised by Hofstede de Groot, 1912. 
Expertised by Dr. Wilhelm Bode, 1918. 


7, 500. 0. teh eee 


HERMENSZ REMBRANDT VAN RYN © 


DutcH: 1606—1669 


620 SH LE PORTRAIT 
(Panel) 


Height, 2414 inches; width. 1834 inches 


Remsranpt limned by himself as a young man, observed at less than 
half-length, with figure to right, and face turned toward his right shoul- 
der, to look squarely upon the spectator, his brown eyes revealing a 
scrutinizing and direct gaze. An incipient moustache sprouts from 
his youthful lip, and his abundant hair of chestnut tones, brushed — 
loosely out, atop his head and at the sides, down to his neck, supplies 
in its semi-shadow the relief of a frame to his strongly illumined face. 
His coat is black, his neck is enwound by a scarf of neutral tones, in 
lieu of collar, and a gold chain draped over his shoulders supports a 
medallion or locket on his breast. 


No. 552 in C. Hofstede de Groot’s “Catalogue of Dutch Painters,” 
Macmillan & Co., London, 1916; vol. VI, p. 273; “Painted about 
1629.” Listed as nm the R. B. Berens Collection, London. 


Exhibited at the Royal Academy Winter icles London, 1899, 
when in the Berens ownership. ' 


From the R. B. Berens Collection, London. 
Reproduced in Dr. Valentiner’s “Klasstker der Kunst,” page 31. 


Dr. Bode, Part VIII, No. 547. 


F/ OOP, Yyusl, Ql. (denger. 


SIR ANTHONY VAN DYCK 


Friemisu: 1599—1641 


621—PORTRAIT OF A MAN 
Height, 2834, inches; width, 2414, inches 


A youne man of full face and studious, pensive aspect, clean shaven, 
with thick brown hair parted lightly over the centre of his forehead and 
falling in masses of curls at either side well below his shoulder tops. 
He is portrayed at half-length, figure to front and thoughtful face 
turned toward his left. His right hand is brought to the front of his 
waist. His rich costume is dark, with loose sleeves puffed with white 
about the forearm and ending in a lace wristband tied with a black 
velvet ribbon. Deep and broad “Van Dyck” collar of thin white linen, 
open at the throat, its cord and tassels hanging down. Neutral olive 
background. | 


From the collection of Mr. Robert Vinkin. 


Expertised by Hofstede de Groot, The Hague; by Max Rooses, Ant- 
werp; and by Gaston Newmans, Paris. 


eo + Ue 


SIR ANTHONY VAN DYCK 


Biewisa: 1509-1641 


622—PORTRAIT OF THE ENGRAVER 
PAULUS PONTIUS 


Height, 2914 inches; width, 2434 inches 


Hatr-LenctH portrait of a fine looking, clean-cut man, figure to left 
three-quarters front and head turned toward his left shoulder, across 
which he glances with alert smile at someone somewhat back of him and 
unseen by the spectator. He has wavy black hair brushed with studied 
carelessness from his brow, which is whitened by a high light while his 
features below are of warm complexion, almost swarthy, and he wears a 
slight curling moustache and small lip tuft. He is in rich black, with 
slashed doublet and slashed sleeves showing white silk, and wears a white 
overhanging collar and lace cuffs, and a loosely flowing black mantle. 
Neutral olive background. 


Expertised by Dr. Bredius, by Max Rooses and by Gaston Newmans. 


1, GOO: (Serna, oe LE 


-ALESSANDRO MAGNASCO ~ 


: ITALIAN: 1681—1 TAT 


623—LANDSCAPE AND FIGURES 


ose eight, 38 inches; width, 2814 inches 


Ar the left tall trees of green and brown foliage reaching high toward 
a dark blue sky largely filled with white clouds, which near the horizon 
are touched with color. In the middle distance a blue valley traversed 
by a river, and on the right mountains with Italian architecture-at their 
foot. In the foreground, on the bank of a stream, wayfarers and bare- 
legged shepherds. Examples of Magnasco, who was the teacher of 
Guardi, are quite rare. hanes: | 


SOO: : a. fe, ea 4 


HYACINTHE RIGAUD 


FRENCH: 1659—1743 ; 


624—PORTRAIT OF CARDINAL FLEURY — 


Height, 82 inches; width, 243), inches 


Har-Lencru seated figure of a venerable and genial cardinal, slightly 
to right, with face almost full to the front, his skull cap just showing 
above his long and loosely brushed gray locks. He wears his cardinal 
mantle, its white ermine lining turned outward over his right shoulder 
and across his breast, and deep cuffs of ornate white lace. Soft olive- 
toned background. | 


Expertised by M. Wildenstem, Rue la Boétie, Paris. 


00. : boa “th a 


ABRAHAM BLOEMAERT 
Dutcu: 1564—1651 


625—GIRL PREPARING THE ROASTS 
Height, 4514 inches; width, 3614 inches 


Aw affable round faced and smiling young Dutch girl dressed for work 
in the kitchen, with sleeves rolled up, appears at three-quarters length, 
standing, with figure to right and face turned to regard the spectator. 
She has paused in the task of unskewering and transferring a well 
roasted bird from a great spit, to add it to the company of other 
roasted meats which lie on platters in front of her, atop a low cup- 
board-table. She is dressed in a mauve-gray waist with white under- 
waist and collar, and a loosely-hanging white apron, or tucked-up over- 
skirt, over a skirt of soft blue. 


Signed at the lower right, AHam BioErMaErRT, Ao. 1647. 


FRANCOIS DESPORTES 
Frencu: 1661—1748 


626—STILL LIFE 


Height, 3924 inches; width, 311% inches 


On a marble balustrade stands a richly elaborated urn, with a re- 
lief ornamentation of human figures and acanthus-leaf, knob and fluted 
borders. In it, a huge and multicolored bouquet of brilliant flowers. 
These include morning-glories and blue-bells, roses and poppies, and 
have attracted butterflies. At one side lies the body of a hare, and at 
the other a group of peaches and a basket of rich blue plums. 


Signed at the right, midway, Dresportes, 1715. 


ae: Wye: ; Pre. 


FRANCOIS DESPORTES 
 -Frency: 1661—1743 


627—STILL LIFE 
HT. ULE ee: inches; width, 2914 inches 


In partial shadow the corner of a stone wall with overhanging vines 
and surmounted by an urn, and at one side a leaning tree. In front of 
it, in a soft light, the body of a freshly shot hare suspended by a hind 
leg, the shotgun, powder-horn and game bag at one side. At right two 
game birds that have fallen to the marksman, and below at the left a 
setter looking up at the hare. Over the wall a glimpse of early evening 
sk | 3 
set Signed at left, above the dog’s head, Fran, DEsportes, 1701. 


SOO. ae aw 1? fib bran : 


CHARLES ANDRE (CARLE) VANLOO 
| FRENCH: 1705— 1765 


628—A LADY OF MUSIC 


Height, 4244 inches; width, 32 inches 


THREE-QUARTERS length portrait of a lady, young, with light hair 
curled and powdered, seated facing the spectator. Painted as a copy 
of a framed oval portrait on a rectilinear canvas. The lady rests her 
left elbow on crimson cushions, the hand just touching a book of music 
held lightly in her right hand on her lap. Her head is inclined slightly 
to her right, and her dreamy eyes look into space. Low draped waist 
of soft greenish-turquoise note, with sleeves of pale yellowish tone, short 
and puffed, and bound by garlands. Flowers in her hair, at corsage 
and in her lap. Soft olive background with dark red drapery. Below 
the portrait proper, trophées of Cupid’s arms and instruments of 
music, a canary perched thereon and regarding the lady, and another 
canary that has yielded its life. 


Signed at the lower left, VANLOo, Fc. 


ee Terre, 29 ie 


MICHIEL JANSZ VAN MIEREVELT 
Dutcu: 1567—1641 


629—PORTRAIT OF A LADY 
. (Panel) 
Height, 2814 inches; width, 24 inches 


HAtF-LeNncrTH, seated, to left, three-quarters front. A Dutch lady of 
youthful middle age, and features a bit prim yet gracious, with bright 
brown eyes not belying smiling and sympathetic lips. Brown hair 
brushed primly back is glimpsed but briefly over the centre of her fore- 
head, before her cap and encircling headdress of white lace, and she 
wears a double ruff. Dark gown of rich stuff with elaborate ornamen- 
tation, and a heavy gold chain which comes to view at her waist. 


Pronounced by Hofstede de Groot in 1918 an authentic and character- 
istic work of this artist. 


FAOO, 


PETS ee agt. 
one 


JEAN PESNE > 


Paenow: 1623-1760 ee a 


630—PORTRAIT OF QUEEN LOUISA 
ULRICA OF SWEDEN 


Height, 391% inches; width, 311% inches 


THREE-quARTERS length, standing, with figure to front and head turned 
slightly toward her right shoulder. Large blue eyes and rosy cheeks, 
curled and powdered hair with a ringlet drawn forward over one shoul- 
der, and a tiara of pearls and gold. White silk décolleté gown em- 
broidered in gold, and ermine lined blue mantle embroidered with golden 
crowns. Her right hand lightly touches her mantle, and her left moa 
rests on a jeweled golden crown. 


(A pendant to the succeeding canvas) 


Ao 4a athee, 


JEAN PESNE 


Frency: 1623—1700 


631—PORTRAIT OF KING 
ADOLF FREDRIK OF SWEDEN 


~ Height, 3914 inches; width, 3134 nae ’ 


Turee-quarters length, standing, figure to left, face three-quarters 
front. The king, a large eyed, bright featured man with ruddy cheeks, 
wears a curled and powdered wig, and a white stock and black neck 
scarf appear above his gold studded dress armor. Left arm akimbo 
with hand at hip, his right hand holds the top of a mace which is poised 
ona chair in front of him. He supports an ermine lined roya! purple 
mantle embroidered with gold crowns, and wears the Order of. the 
Seraphim. / 


44 


(A pendant to the preceding sae 


2,900 - £4 alber 


ANDERS ZORN 


SwepisH: 1860—1920 


632—A PREMIERE 


Height, 34 inches; width, 24% inches 


Iw shallows of the sea, in a broad cove as indicated by a single project- 
ing point of gray and reddish rocks distant on the right, a robust 
mother is giving her small boy his first lesson in out of door bathing, 
each untrammeled by bathing suit. They stand little more than ankle- 
deep in the water, whose languid ripples are iridescent in the sunset | BS 
lights which glow softly on the nude flesh of the bathers, both of whom — 
are back to the spectator. Horizon high and of delicate tones, a 


At lower right, 95. 


3, 7/00 . | pe Capeg ter. kK 


i 
y 


“JEAN BAPTISTE OUDRY 


Frencno: 1687—1755 


63383—_STILL LIFE 


Height, 3864 inches; length, 39°4 inches 


STANDING against a gray stone wall is an outdoor garden table made 

of heavy timbers, and heavily boarded about the lower part of the legs 

to form a bin. In front of the bin a bushel basket heaped high with 

freshly gathered mushrooms, and on the ground around the basket 

onions, artichokes and cauliflower brought from the fields. Atop the 

table a plucked chicken at left, at the centre a blue and white bowl : 
filled to overflowing with ripe peaches, and at right some dead game 

birds, for one of which a cat climbing out of the bin is reaching. Soft 

light from the left. 


£26 tf OO q 


FRENCH SCHOOL 


- SEVENTEENTH CENTURY 


634—PORTRAIT OF A CHURCHMAN 


Height, 511% inches; width, 38% inches 


Nearty at full length, seated and facing the left, three-quarters front, 
and regarding the observer. A man of full features, with light brown 

hair thinning above the forehead but full and flowing back of the neck, 
and faint blond moustache and lip tuft. In white lace surplice and 
purple cape; white bands and gold pectoral cross. In his left hand and 
resting on his knee a red volume with gilt tooling. Drapery and book- 
case background. 


ell Onmik ¢ alls 


FRENCH SCHOOL 


685—PORTRAIT OF A LADY 


Height, 55 inches; width, 41 inches 


SEATED, portrayed nearly at full length, figure shghtly toward the 
right, face with mildly curious eyes turned to the spectator. <A lady 
of youngish middle age, with dark hair just beginning to show grayish 
tinges at the temples, a white lace scarf fixed in the headdress and 
drooping behind the head at either side. Rich plum-color gown, décol- 
leté, trimmed with silver and white lace. Azure mantle with orris edg- 
ing and golden-yellow lining shot with red. 


cei of Loinesb. 


JEAN BAPTISTE OUDRY 


Frencn: 1686—1755 


6386—THE ATTACK — 


Height, 49 inches; length, 68 inches 


In a shallow cove and among reeds, at the foot of the leaning trunk of a | 
pollarded tree, some wild ducks of colorful plumage have been feeding 
and are frightened and making desperate efforts at flight, at the ap- 
proach of a hawk that is swooping upon them. Farther astream are 
more ducks and a pair of white swans, and another hawk is descending 
upon them. Mountainous landscape and water background and dark- 
ening blue sky. ed 


SFO. : bleh, abt | 


LUCAS CRANACH EP 
Genscan, 14721558 
6837—DEATH OF MARY ‘a 3 
(Panel) — a 
Height, 62 inches; width, 47 inches Bass | : a 


Tue saint is propped up on pillows on her bed, with both hands ex- | 
tended holding the lighted taper, while around are grouped the Apostles "a 
in prayer, two kneeling. Mary is in a blue gown and wears a white . 
scarf about her neck, the others are clad in rich robes, priestly and — 
lay, of crimson and emerald and turquoise, and other colors. — Gold ? 
background with a floral-scroll frieze carved in the gesso foundation. 


Expertised by Dr. Planiky of Vienna. 


a 


OG Tea Heit See ee 


PETER PAUL RUBENS 


Fremisyo: 1577—1640 


68388-—LANDSCAPE WITH FIGURES 


Height, 62 inches; length, 95 inches 


Tau trees and large ones, with twisted trunks, and trees with slender 
trunks, growing in groups in an open wood throw the foreground into 
shadow and stand in shadow themselves, against a sunlit middleground 
and extended distance. Here in the shade, or illumined by occasional 
shafts of sunshine, numerous figures appear, and birds and a dog. A 
man playing the flute accompanies a girl seated beside him, who is sing- 
ing, to the edification of a shepherdess standing near. A shepherd with 
his sheep approaches, and near by Pan, semi-nude, embraces a maiden 
in crimson and blue seated on a green mound beside him. On the far- 
ther bank of a river stand a castle and a mill with a water-wheel, and 
beyond sunny valleys and a blue distance tall towers appear vague 
against a light horizon. 

Signed at the lower right, P.P.R. 


Expertised in 1914 by Max Rooses of the Plantin-Moretus Museum, 
Antwerp, who certified that in its entirety, forest and figures, this 
canvas was painted by Peter Paul Rubens. Max Rooses was well 
known and acknowledged as a great authority on Flemish painting. 


of, 400 | : Sap q 


PETER PAUL RUBENS 


Fremisu: 1577—1 640 


689—THE HOLY FAMILY UNDER ~~ | 
THE APPLE TREE 


Height, 106 inches; width, 74 inches 


At right the Virgin, breast exposed, clad in cardinal, lavender and 
white and enfolded in a blue mantle, seated at the foot of an apple tree 
in plenteous bearing and holding in. her arms the nude Child. Back of 
her, Joseph looks over her shoulder. In front of her, at the left, the 
infant St. John supported by his mother Elizabeth, both looking in 
adoration at the Child, while the Madonna gazes at the infant saint. 
Back of Elizabeth, who is seated or half-kneeling, Zacharias the father 
of John, stands with one hand on the tree and with the other extending 
a twig with two apples toward the Christ, who grasps it. In the fore- 
ground a lamb, a pair of rabbits and a brook, and in the background 
a varied landscape with sunset lights among the clouds. A red drapery 
is trained to a crotch in the apple tree. 


Note: Painted about 1619. The canvas originally extended only to just above 
the heads of Joseph and Zacharias; the upper part added by another hand. 


From the collection of the Earl of Chesterfield; sold at Christie’s. 
From the collection of the Earl of Carnarvon. 


Exhibited at the Royal Academy, Exhibition of Works by the Old Mas- 
ters, London, 1887; No. 141. 


Richard Earlom engraved “The Holy Family under the Apple Tree” 
in 1771. i 


g SOO. $. Gra bard: 


oa 


46, FLEET STREET, 
LONDON. E.C. 


Telephones Central 6529. (Entrance in Mitre Court). 
= Central 6530. . : 
Telegrams “ Elleniche, Fleet, London.” 
In the course of our business we have obtained the 


enclosed Photographs, and shall be pleased to supply Copies 


at the following vates :— 


4-Plate Size (63-in. by 44-in.) ... Unmounted ... 2/= each 
Ditto... ma a ... Mounted i 3/--= 


Whole Plate Size Gan: by 6!-in.) Unmounted .... 2/6 a 


Ditto... a cee ... Mounted .. 4s rs 
10-in. by 8-in. ... = .. Unmounted ... 3/6 ,, 
Ditto ... as Be .-- Mounted ‘0 § Olea 
]2-in. by 10-in. oa ...Unmounted ... 6/~ ,, 
Ditton. ie ... Mounted .. 8/6 ,, 
Sepia toned prints I1/- each extra. Prints on Special 


Art Mounts 1/- each extra on mounted price. 


Prints will be supplied glossy or matt surface aceonding to the suitability 
of the Negative. 


Quotations for Larger Sizes on application 


On Orders of £2 and upwards, a discount of 5 per cent. will be allowed. 


Remittance MUST in all cases accompany Order. 


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THIRD AFTERNOON’S SALE 
FRIDAY, FEBRUARY 23, 1923 


IN THE ASSEMBLY HALL 


OF 


THE AMERICAN ART GALLERIES 


BEGINNING AT 2.15 O'CLOCK 


Catalogue Numbers 640 to 849, inclusive 


SILVER 


640—SiLvVER CREAMER ' Stockholm, 1834 
Oval oviform, with gadroons toward foot, leaf-enriched scroll- 
handle. Interior gilded. Marks: Three crowns of St. Erik: 
G. F., maker’s mark. 

Height, 434 inches. 


641—Sinver Mvurrineer French Eighteenth Century 
Spirally gadrooned pear-shaped body; on blossomed cabriole 
tripod legs with hoof feet. Detachable helmet cover, with scrolled 
floral piercings and dove terminal. Marks. Fleur-de-lis: R. M. 


in oblong twice. 
Height, 5 inches. 


642—Two Sitver Tra Canppises Danish Eighteenth Century 

Inverted oval pear-shape, with double domed cover and scalloped 

oval molded foot. Enriched in repoussé with beautifully scrolled 

rocaille and floral motives. Marks: Three Towers. with date 

1758 under: Scrolled F, maker, Christoffer Fabritus (Rosenberg 
688): C 17. 

Height, 51% inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


643—Four Sitver Sart CELLARS Swedish, Empire Period 


Reed-molded oyal bowls, with oval medallioned busts, reeded loop- 


handles and gilded interiors; on flaring shaft and pierced ob-- 


long base having ball feet. Marks: Three pellets or crowns of 
St. Erik. Three others indistinct. Two engraved: S. R.— 


G. F. D. 31 July 1815. 
Length, 5 inches. 


644—Sitver Mustarp Por — Danish Eighteenth Century 
Spirally gadrooned pear-shaped body, foot and hinged cover hav- 
ing blossom terminal; deeply scrolled handle. Plated spoon. 
Marks, ‘*Three Towers”: C. L. W., maker’s mark: Date indis- 


tinct under towers. 
Height, 51% inches. 


645—SiLtvErR CHAMBER CANDLESTICK French Eighteenth Century 
Finely molded bobéche, set in beautifully shaped-molded tray; 
with scrolled handle having an engraved crest on rocaille-car- 
touche for thumbpiece. Marks: Crowned A and K: Maker’s 
mark H. A. with crown, pellets and sprays. Henri Allain, 1753, 


Paris. 
Length, 5%, inches. 


Third Afternoon 


646—Inpivivvat Sitver TErapor Dutch Eighteenth Century 
Melon-shape, with expanding spout, black-scroll handle and ter- 
minaled loose cover. Enriched in repoussé with scrolled rocaille 


cartouches and blossoms on shoulder. 
Length, 5%, inches. 


647—Two Sitver CHAMBER CANDLESTICKS 
} Swedish Eighteenth Century 
Fluted and leaf-motived candle socket, set in shaped octagonal 
tray; enriched with leaf and rocaille scrolled rim. Fine florally 
scrolled cartouche thumbpiece over ring handle. Marks: The 
three pellets or crowns of St. Erik: P Z: Two marks indistinct. 


Engraved A. M. L. | 
Length, 51, inches. 


From the collection of the Portuguese Ambassador to Sweden, 
Senhor Soto Major. 


648 


SILveR CoveRED CREAMER French Eighteenth Century 


Inverted pear-shape, spirally gadrooned at base; with tripod leaf 
and scrolled stump feet, faceted balustered loop handles having 
leaf ends. Dome cover with clustered berries and leaves for 
terminal. Engraved with scrollings and festooned medallions. 
Marks: Coronetted U. P. repeated. Cover apparently of later 


date. 
Height, 51 inches. 


649—SiLver CoFrFrEE-POT Swedish Eighteenth Century 
Round, with straight sides; enriched with pierced band of oval 
medallions at base and three leaf and claw feet. V’d spout; 
balustered ebony handle with ivory tip. Hinged molded dome 
cover having gadrooned vase terminal. Interior gilded. Marks: 
Three pellets or crowns of St. Erik. Maker, 5.W.S: Another 


indecipherable mark. 
Height, 51% inches. 


650—SiLvER PorRRINGER French Seventeenth Century 
Circular bowl, with small flaring lip; enriched with pierced side 
handle of arabesque straps, shell and husk motives; interior 
gilded. Marks. Coronetted C with star and B : O and mono- 


gram J.K. 
Height, 51% inches. 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. — 


651—Sitver Puncu LapLe Hamburg Mid-eighteenth Century 
Helmet-shaped bowl; enriched in repoussé with draped oval me- 
dallion and ribboned festoons of flowers; leaf shank and spirally 
twisted whalebone handle having silver tip. Hall Mark, Ham- 
burg’s three towers: Maker’s Mark, I. H. : Engraved under 


bowl C. H. Lohman, 25 April, 1788. | 
Length, 16% inches. 


652—Sitver Knire anp Fork SHeatH Early Italian Renaissance 
Tapering oval, with molded sides, boss-molded crown and mask 
cartouche terminal. Enriched with figure of “Salome” standing, 
holding the head of John the Baptist above long arabesqued 
masks and figures. Obverse engraved with similar figure; scroll- 
ing chain for suspension. Somewhat in the style of Holbein. 


Length, 71% inches. 


653—SILVER-HANDLED KyNire anp Fork 
| Italian Seventeenth Century 
Shaped steel blade with crescent mark; two-tined fork. Handles 
as standing figures of “St. Hubert,” the Patron saint of the 
Chase, and “Diana,” the Goddess of Hunting. 


Lengths, 75% and 6%, inches. 


654—GiLpED Sitver SHEATH witH Kynire anp Fork 
Italian Renaissance 
Leather, irregular oval tapering sheath, mounted at crown and 
foot with long tips terminating in arrow heads and shell motive; 
beautifully engraved with strap and leaf arabesque scrollings; 
small loop for suspension. Silver and tortoise-shell handled knife 


and fork. 
Length, 10%, inches. 


655—Sitver Puncu Lapiz Russian Eighteenth Century 
Scrolled boat-shape; enriched with twenty-five gilded kopek coin 
of 1747 inserted in base; finely pierced canted strainer. Expand- 
ing shank with connecting floral bracket; balustered boxwood 
shaft and white jade hand mounted with silver collar and finished 
with boxwood knob. Inscribed: Grigorow Macriden 1784. 


Marks indistinct. 
Length, 151% inches. 


Third Afternoon 


656—Siuver TRAVELING Grrine Disu 
Swedish Kighteenth Century 


Tapering round sides, with small enriched band at crown, hinged 
-reeded oval handles at sides, at rear detachable balustered ebony 
black handle. Slightly domed cover with sunk center bearing the 
coronetted double coat-of-arms of the owner, the Count de Fersen, 
and a hinged reeded oval handle. Coat-of-arms repeated under 
foot. Marks: Three crowns of St. Erik: One indistinct: In 
full ENEROTH,.the maker, Stockholm, 1790. 


Diameter, 77% inches. 


From the collection of the Count de Fersen (an intimate friend 
of Marie Antoinette). 


657—SILVER CREAMER Swedish, Empire Period 


Oval helmet-shape; enriched with oval medallioned busts of war- 
riors, half-blossom foot band, ball feet and looped strap handle. 
Marks: Three pellets or crowns of St. Erik: Figure within 


oval. Maker, I. F. G. 
Height, 5%% inches. 


658—Cover Sinver SvucRIER Swedish Eighteenth Century 


Molded bowl-shape, with three florally scrolled feet and similar 
upright handle; domed cover with cluster of buttercups for ter- 
minal. Marks: Three crowns of St. Erik: A Viking ship : 


C. E. M.; maker. ‘Date 1'767. 
Height, 5%, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. _ 


659—Two SiLver CANDLESTICKS Swedish Eighteenth Century 
Spirally twisted stem, candle socket and upper base. enriched 
with rocaille and leafage. Scrolled round dome-base with shell 
motives. Marks: B: The three crowns of St. Erik. Head in 


shield : PR in monogram. Stockholm, 1760. 
Height, 9%, inches. 


660—ENGRAVED SILVER CREAMER 
Swedish, Late Eighteenth Century 
Oval helmet-shape, on spreading foot and pierced oblong base 
having ball feet; reeded loop handle. Enriched at lip with band 
of scrolled leaves. Dedicatory inscription with date 1809. Marks 


indistinct. 
Height, 57% inches. 


661—Ovat Sitver Disyu Swedish Eighteenth Century 
Gadrooned oval, with short lip and finely scrolled handles. 
Marks, displayed eagle of the town of Arboga or Orebro (see 

Rosenberg): G. and DEI : Date 1771. Engraved M. L. R. 
Length, 614 inches. 


Third Afternoon 


662—Two Sitver CANDLESTICKS French Eighteenth Century 
Beautifully scrolled triangular shaft; enriched with shell and 
leaf motives; similarly scrolled round candle socket and shaped 
bobéche. On reed and scroll-motived round base with similar en- 
richment. Mark: <A Pedestal surmounting 766: Maker’s mark, 
1a i uae engraved. Height, 9%, inches. 


663—SitvEr Mustarp Por Danish Eighteenth Century 
Vase-shaped, with hinged dome-cover, round foot and _ finely 
scrolled handle. Enriched in repoussé with leaf scrolls, blos- 
somed cartouches and rocaille motives. Marks: Three towers 
and date 1743: Maker, M. W.—M. Engraved T. P. L. and 
G. L. Height, 614 inches. 


664—InpivipuaL Sitver Correr-por Swedish Eighteenth Century 
Graceful molded oval vase-shape, finely enriched with vertical ser- 
pentined gadroons; close curved spout, ebonized scroll-handle and 
dome-cover having floral terminal. Marks: C with motive 
above: Three floral motives in coronetted oval cartouche: N. W., 

Maker. Niclas Warneck of Karlstad. Date 1744. 
Height, 61, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. ~ 


665—Sitver TEapor Swedish, Empire Period 
Low-bowl shape, with incurved shoulder, low short spout,*looped 
boxwood handle and beaded foot. Enriched with two. masks of 
maidens. Loose beaded dome cover having bird terminal. Both 
marked with original owner’s double coat-of-arms. Marks: The 


three crowns of St. Erik: A.Z.: F.4. 
Length, 10% inches. 


666—Ovan Sitver Disn Swedish Early Eighteenth Century 


Oval, with finely fashioned spiral gadroonings. On four double 
scrolled Spanish feet. Marks: Three crowns of St. Erik: ~ 
_ Double C crowned: Maker signed in full, JOHAN SVART, of 
Karlskrona. Z and spray of flowers. 
Length, 63, inches. 


Third Afternoon 


667—SILVER COFFEE-POT Swedish, Empire Period 
Bead-enriched vase-shape; beaded foot. Oval figure medallions 
at sides, short spout and high beaded loop handle; triple domed 
hinged cover with floral terminal. Marks: Three crowns of St. 
Erik; one indistinct: L. JUNGQVIST, maker, Kristianstad. 


Height, 1214 inches. 


668—SiLtvER CoFFEE-POT Swedish Eighteenth Century 


Pear-shaped, with ribboned-reeded lip, small short curved spout, 
detachable balustered ebony handle. On blossomed, scroll-gad- 
rooned tripod feet. Domed, hinged cover; with pineapple ter- 
minal. Marks: Three crowns of St. Erik: Shield and maker’s 


name in full, STROM. 
Height, 724 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


nee en 


669—LarcEe Sitver CorreE-PoT Flemish Eighteenth Century 
Inverted pear-shape, beautifully enriched with spiral gadroonings — 
alternately stopped with small. oval medallions; reed and medal- 
lion molding at lip. Short spout with rocaille cartouche, carved 
ebony scrolled handle. On rocaille cartouche-scrolled and hoofed 
tripod legs. Domed cover, more intricately adorned than body 
with spiral gadroonings surmounted by an open lily with stamen. 
Marks: Crowned monogram A.E.: 71: Crowned D: Shield with 
pellets above E. Height, 1834 inches. 


670—SILVER SWEETMEAT VASE Swedish, Empire Period 
Gadrooned double-bowl body; with medallioned small lip. Sup- 
ported on banded tripod legs in the form of fish; on incurved tri- 
angular key-pattern base, with ball feet. Loose dome cover, with 
pierced gallery at crown enclosing a parrot perched on a ring. 
Marks: Three crowns of St. Erik: Shield with shrubs: BARK 
& SOHRL, makers, Barkander and Séhrling, Linképing. 


Height, 1014 inches. 


Third Afternoon 


671—Important Sitver CorreE-Pot 

By Jacques Léger, French Seventeenth Century 
Ewer-shape, enriched with beautiful vertical gadroonings follow- 
ing contour of body, interrupted by pear-shaped panels pendent 
from basketed strap with masks and bust medallions from leaf 
motives ; cupidons emblematic of the four seasons guard the inner 
cartouche of the panels enclosing subjects, “Diana and Pallas 
Athene.” Tall leaf-scrolled spout, with bust at base; paneled 
and scrolled ebony handle, carved with leaf and pearl motives. 
On outcurving shell and leaf feet. Square molded dome cover 
with canted corners, adorned with leaves and blossoms and two 
cartouches for terminal. Marks: Crown: reversed V’s, sur- 
mounted by demi-fleur-de-lis. Made by Jacques Léger, Paris, 


1690. (See Rosenberg, page 709.) 
Height, 11 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


Boe it SILVER-MOUNTED Guass BorriLEs And HoLpEer 


French Eighteenth Century 


Elaborately pierced ne boat-shaped holder, scrolled at ends 
with bunches of grapes, at sides with acanthus and laurel leaves 
scrolling into supports for two grape-mounted corks. Finely 
scroll-pierced circular receptacles for bottles, with grape and 
leaf enrichment. Marks: All indistinct: French. 

The two flute cut bottles mounted with silver tops. Swedish. 
Marks: Three crowns of St. Erik; others indistinct. 


Height, 81%, inches; length, 1234 inches. 


673—SILVER CoFFEE-POT Swedish Eighteenth Century 


Enriched at crown and foot with gadroon moldings, beaded in- 
curved shoulder and hinged cover having spray of blossoms as 
terminal. Slightly curved spout; on claw feet. Detachable 
balustered ebony handle. Marks: Three crowns of St. Erik; 
one indistinct: H. W. TRAHLE, maker’s mark. 


Height, 85% inches. 

674—Reroussé Sitver Disu Flemish Late Seventeenth Century 
Round, on small incurved foot. Enriched with four large speci- 

mens of fruit within scrolled oval medallions and interrupting 


rocaille motives. Gauffered rim. Parcel gilded. Marks: 


Sceptre : I.0.I. 


Diameter, 854 inches. 


Third Afternoon 


675—Two SitverR, CANDELABRA Danish Eighteenth Century 
Finely spirally twisted and scrolled shaft, and candle socket; en- 
riched with leafage and rocaille. On high, finely molded domed 
base further enriched with sprays of flowers. Three scrolled 
floral arms for lights, with central bouquet of flowers. Marks: 


Copenhagen’s three towers and 76 : C. W. : K. 
Height, 141, inches. 


676—CoverEep SiLveR SUCRIER Swedish, Empire Period 


Gadrooned oval boat-shape; enriched with figure medallions and 
high beaded loop handles. On pearl-motived oval foot and pierced 
oblong base with claw feet. Loose high domed cover adorned with 
Jong spear-shaped leaves and pineapple terminal. Marks: The 
three crowns of St. Erik: Crowned G: K,: W.S. 

Height, 9%, inches. 


677—SILvVER CoFFEE-POT Swedish, Empire Period 


Gadrooned barrel shape, with blossomed bands at crown and foot, 
scrolled claw feet, scrolled spout, hooked black side handle and 
leaf-enriched arched shoulder. Loose domed cover, with perched 
parrot as terminal. Marks: Three crowns of St. Erik: T3: 


G. FOLCKER, maker, Stockholm. 
Height, 934 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


678—Larcer Sitver TurEEN Aanp Cover 

Danish Eighteenth Century 
Oval vase-shape; fluted at base and molded foot, both enriched 
with rosetted medallioned band, double scroll-handles issuing 
from the mouths of fish. Incurved molded dome cover, with two 
series of flutings, medallioned bandings and pineapple terminal. 
Interior gilded. Engraved with coronetted monograms, C.F. on 
cover and body. Marks: F. within pearl medallion; P.H. mono- 
grammed; Gothic M: Three towers with 94 under, date mark 

of 1794. . 
Height, 1744 inches; length, 191% inches. 


From the Royal Danish Collection. 


679—LarceE Sitver TurrEEN AND Cover 
Danish Eighteenth Century 
Similar to the preceding; the marks similar also. 


Height, 1744 inches; length, 191% inches. 
From the Royal Danish Collection. 


Third Afternoon 


680—Sitver Tureen, Cover anp Tray French Eighteenth Century 


Broad inverted pear-shaped bowl; enriched with oak-garlanded 
medallions, band of flutings at crown, scrolled floral loop handles 
and leaf-scrolled feet. Domed cover, with band of flutings and 
large terminal of varied clustered vegetables. Reed-scroll molded 
tray, with further band of flutings. Marks: Crowned A, also 
R : F. R., with sceptre and pellets above, maker’s mark. 


Height, 91% inches; diameter of tray, 13%, inches. 


681—SiLver TEapot Swedish Eighteenth Century 


Molded oval; with scalloped gadrooned spout and lower body. 
Similarly gadrooned hinged cover with blossom as terminal. High 
looped black handle. On small oval foot. Marks: Three crowns 
of St. Erik: Coronet: E. O. L.: Coronetted A: P. 


Length, 12%, inches. 


682—LarcEe SILVER CoFFEE-POT Flemish Eighteenth Century 
Spirally gadrooned inverted pear-shaped body, on similar gad- 
rooned round foot; domed hinged cover with open bouquet of 
strawberries as terminal. Carved ebony scrolled handle. Marks: 
Pelleted shield : R : Coronetted M.D. Displayed eagle surmount- 


ing, 1744. Made at Luttich. 
Height, 1334 inches. 


Kindly read the Conditions wnder which every item is offered amd sold. 
They are printed in the forepart of the Catalogue. 


683—GiLpED Sitver PircHEeR anv Basin 

French Eighteenth Century 
' Ewer-shaped pitcher, with beaded hinged cover having floral 
terminal and leaf-scrolled handle. Enriched in repoussé with rib- 
boned oval medallion festooned with flowers ; varied leaf and bead 
motives at molded foot. Tray boat-shaped, with three lobes at 
each end adorned wtih medallions, festoons of flowers and bead- 
ings. Marks. Pitcher coronetted S and A. Tray, coronetted 

plain shield. : 


Height, 103, inches; length of tray, 1414 inches. 


684—SILvER COFFEE-POT Swedish, Empire Period 
Graceful oval vase-shape; enriched with band of engraved scroll- 
ings and oval figure medallions, high looped silver-strapped black 
handle and scrolled tapering spout. Gadrooned domed and 
hinged cover, with pineapple terminal. On reeded high oval base 
and oblong plinth with ball feet. Marks: Three crowns of St. 
Erik: P. NORLIN, maker. Made at Malmo, 1797. 


Height, 12%, inches. 


' 


Third Afternoon 


685—Two SILVER-PLATED CASSOLETTES 
French Eighteenth Century Style 
Fluted and leaf-enriched candle socket; supported on a florally 
festooned round pedestal having square base. Cover with in- 


curved flutings and flamed terminal. 
; Height, 10% inches. 


686—SiLvEr PERPETUAL CALENDAR 
Holland Late Seventeenth Century 
Oblong, engraved with days of week and months of year, in a fine 
architectural setting having varied sculptured figures. (Imper- 
fect.) In gauffered ebony frame. 
Height, 7% inches; width, 4°, inches. 


687—DutcH Sitver PuNGENT Late Seventeenth Century 
In the form of a fish, with flexible scales, hinged head having 


jeweled emerald eyes. Parcel gilded. 
=e] Length, 4%, inches. 


688—Dutcu Srrver PUNGENT Late Seventeenth Century 
Similar to the preceding; longer, with ruby eyes. Marks indis- 
tinct. 


Length, 6%, inches. 


689—Repousst Sitver Morse Flemish Renaissance 
Circular, with laureled and berried border. The Madonna, kneel- 
ing, attired in voluminous drapery, holds the Infant Saviour on 
her knees. St. John the Baptist reads from a scroll at left. 
Parcel gilded. (Head of Madonna missing.) 


Diameter 3 inches. 


690—GiLpED Sitver-Bounpd Boox Nuremberg, 1645 
“Geistliche Wassequelle.” Published at Nuremberg in 1645. 
Demi-octavo. Gilded silver covers hinged to paneled half-round 
back; two clasps. Engraved with inscribed medallions and 
pomegranate corners. Subjects within the medallions, “Pelican 
in Piety,” above skull coiled with serpent, and “The Sacred 


Bird,” flying into the sun. 
Length, 3% inches. 


They are printed in the forepart of the Catalogue. 
Kindly read the Conditions under which every ttem is offered and sold. 


691—Sitver Wine Beaker Finnish Seventeenth Century 


Funnel shape, with bossed straight foot having gadrooned flange. 
Engraved oval medallion, masks within cartouches and florally 
wreathed shields. Interior gilded. Marks: F monogrammed 
with reversed N, repeated twice. 

Height, 3% inches. 


From the collection of Count Raoul Hamilton, Ovesholm, Shane. 


692—Parcet GILDED Sitver Braker Augsburg Eighteenth Century 
Tapering sides, with molded lip. Enriched in repoussé with leaf- 
ance of floral and strap arabesques and a band of similar scroll- 
ings at foot. Marks: A pineapple with C below, date 1737: 


Chevroned rod : I.M. maker’s mark. 
Height, 35% inches. 


693—Russtan SrttvER BEAKER Eighteenth Century 
Tapering sides, with molded rim. Enriched with engraved val- 
scrolled tulips. Marks: Coronetted displayed eagle of St. 
Petersburg: Maker’s mark C. P. Date 1739. 


Height, 334 inches. 


694—GiLpED Sitver Marriace Coverep Cur . 
Danish Seventeenth Century 


Straight-sided cup, with three pomegranate feet. Enriched in 
repoussé with finely chiseled sprays of tulips, lilies and poppies. 
Loose molded cover, adorned with two coats-of-arms crested with 
scrolled helms, floral border and chased initials of owners E. B: 
M. C. D. O. and date 1661. <A lengthy inscription round cover, 
translated, reads: ‘‘God’s grace and mercy is our salvation.” 


Marks: C 56 : B. P. Maker’s mark. 
Height, 41, inches. 


695—Repousst SirveR Beaker Dresden Early Eighteenth Century 
Deep cup, with molded rim and three ball feet. Enriched with 
scrolled peonies and fine acanthus leaves. Marks: Maker’s, 
coronetted S. V.: Crossed swords with 12 above, Dresden mark 


of 1737: F : Chevroned rod. 
Height, 434 inches. 


Third Afternoon 


696—Two Sitver Braziers French Eighteenth Century 
Urn-shaped, with bead-molded rim; lugs supporting’ finely 
chiseled laurel garlands and two ring handles; fluted sides; 
pierced with medallions near base above leaf enrichment and bud 
pendant. On high incurved scrolled legs having leaf knees and 


circular rosewood feet. (One, wooden foot imperfect.) Marks: 
R.V.B. in monogram: Dolphin : 98 : Small shell. 


Height, 44, inches; diameter, 634 inches. 


697—Parcet GitpED Sitver BEAKER 
Hanoverian Sixteenth Century 
Tall flaring body, flanged toward and at foot. Chased with 
strap-scrolled floral arabesque valance at lip; at foot with car- 
touched fruit medallions interrupted by pomegranates. Han- 
overian coin base date 1591. Marks indistinct. 


Height, 47% inches. 


698—GiLpED Sitver Breaker 
Hungarian Early Seventeenth Century 
Tall slightly flaring body, with flanged foot; divided toward foot 
with chevroned molding. Enriched in repoussé with strap-scrolled 
leaf arabesque panels in upper portion bearing animated figures 
of “Hounds and Lions.” Lower panel, ““Hounds Chasing Wolf.” 


Mark: TK. 
Height, 55% inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


EEN eee eer reer reer 


699—Sitver WINE GOBLET Augsburg Seventeenth Century 


Funnel shape, with bossed gadrooned shaft. On round foot; en- 
riched with four classic figures of Neptune and Jove within 
masked and scrolled strap ovals. Marks: Two chevroned rods. 
Looped shield: L over pineapple: N, and two others indecipher- 
able. 

Height, 534 inches. 


700—Parcet GILDED SILVER Coverep TANKARD 
Flemish Seventeenth Century 
Truncated body; silver enriched in repoussé with “The Baptism 
of Our Lord.” Finely scrolled handle; arch molded foot, with 
Gothic leaf staff bearing rosetted cartouches at intervals; flanged 
and hinged cover, with similarly enriched molding to foot and 
double spurred thumbpiece. Marks: Crowned and lobed sceptre: 


N.S. 
Height, 7%, inches. 


Third Afternoon 


701—GiLDED SitveR Stranpine Couper 
Augsburg Late Seventeenth Century 
Small round cup. On hexagonal balustered stem, lobed at foot 
into similar gadrooned base; cup and lobes enriched with chased 
fleurs-de-lis and larger flowers. Inscription at foot which reads, 
translated, “Crown Princess’ Hussar Regiment’s First Prize, 
from the officers, at Bonarp, 1897.” Marks: Augsburg pine- 
apple: C. R. maker. Caspar Rifs von Rissenfels 1677, 1683 
and 1712, Rosenberg, page 113. 
Height, 8 inches. 
702—GiILDED SILVER StTanpinc CoureE 
| Augsburg Seventeenth Century 
Tall inverted bell-shaped coupe; with bossed and open bracketed 
stem and double molded round base. Enriched in repoussé with 
gadroons and laurel wreath, body with landscape medallions sur- 
rounded by arabesque scrollings and interrupting clusters of 
fruit. Mark: Monogram composed of 4 C. A. and P. 


Height, 81%, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


703—GILDED Sitver Coverep TanxkKARD 
Nuremberg Late Seventeenth Century 
Expanding round sides, with leaf-molded foot, domed hinged 
cover having cupidon terminal and two spurs over ball as thumb- 
pieces; scrolled demi-nymph handle. Enriched in repoussé with 
finely scrolled strap arabesque panels occupied by fruit and in- 
terrupted by strap-entwined vases of flowers. Marks:- Chey- 


roned rod, N and monogram. 
Height, 534, inches. 


704—Larce Coverep Sitver Tankarp 

Danish Seventeenth Century 
Round, with straight sides; beautifully gadrooned and hinged 
cover, with floral ball thumbpiece, finely arabesqued loop handle 
and ball feet enriched with fruit and similarly adorned with 
plaquette above the feet. The cover engraved with scene, ‘“The 
Hand of God about to Strike Sinful Man.” ‘The body with nine 
oval medallions occupied by episodes from “The Prodigal Son.” 
The largest, in center, depicts the Prodigal’s return and at a 
banquet, ‘‘Let us eat and be merry, he was lost and is found.” 
The medallions all have lengthy inscriptions concerning the varied 
scenes. Parcel gilded. Marks. Three towers: C.H. 


Height, 9 inches. 


Third Afternoon 


705—ReEpoussE SitvER CovereD Tanxkarp 
ey] Swedish Seventeenth Century 


Slightly tapering round body, enriched with subject, “The Queen 
of Sheba at the Throne of Solomon.” Many figures of warriors 
in classic garb flank the major scene. On florally lobed round 
base, with shell scrolled feet. Molded hinged cover with medal- 
lioned subject, “Cupid and Psyche.” Lion-adorned loop handle, 
with pineapple thumbpiece. Parcel gilded. Marks: The three 


crowns of St. Erik: Coronetted W. 
Height, 81% inches. 


706—ENAMELED GILDED Sitver Cuatice Cup 
Spanish Late Sixteenth Century 
Deep molded coupe enriched with vertical straps toward base al- 
ternating with oval enameled bosses. Balustered shaft with lower 
member enriched with similar straps and bosses to coupe. 
Molded domed base with oval enameled bosses alternating with 
scroll-engraved oblong motives. Marks, indistinct. 


Height, 10% inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


. 


YO7—ENGRAVED SILVER STANDING CouPE 
Russian Early Eighteenth Century 


Helmet-shape, with laurel wreath and valanced central band, gad- 
rooned body adorned at lip, above center and at base with strap 
arabesque scrollings; leaf-scrolled handle. On reeded ball balus- 
ter and high domed and molded foot. Engraved with further 
arabesques and leaf motives. Mark. III | 


Height, 10% inches. 
(Illustrated) 


708—ReEvoussE Sitver Tray Augsburg Eighteenth Century 


Round, small sunk center. Border enriched with scrollings of 
Gothic leaves terminating in handsome fruit motives. Marks: 
Pineapple : P.R. maker, Peter Rams, 1737, Rosenberg, 162. 


Diameter, 1014 inches. 


(Illustrated) os 4 . 


709—Repovusst Sitver PLaQueE Augsburg Seventeenth Century 
Oval, with gauffered rim. Deep center, enriched with figure al- 
legorical of “Constancy.” A maiden carrying a column seated in 
landscape. Border of displayed eagles interrupting clusters of 
fine fruit. Marks: Pineapple: I M. 


Length, 1334 inches. 


No. 707—Eneravep Sitver STanpiInGc Coupr 
(Russian Early Eighteenth Century) 


No. 708—Repoussé Sitver Tray (Augsburg Eighteenth Century) 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


710—RepovussEt Sitver PLaQuE Nuremberg Seventeenth Century 


Circular, with small gauffered rim. Engraved in center with 
“Marriage Ceremony” and Hinrich Eckhoff, Niclas Christoffer 
Baumann. The rim with three birds amid wreaths and very varied 


fruit. 
Diameter, 10 inches. 


V11—RepovussE Sitver Tray Russian Late Seventeenth Century 


Round, with wide scalloped rim. Enriched on rim with boldly 
modeled sprays of tulips. Marks: Two intricate monograms. 


(Needs restoration. ) 
Diameter 934 inches. 
From the Russian Imperial Service. 


Third Afternoon 


712—Parcet Ginpep Sinver PLaauE 
: 7 Augsburg Seventeenth Century 


Round, with small gauffered rim. Enriched in center with sub- 
ject, “Daniel in Lions’ Den,” captioned Daniel. Border of shell 
and scroll motives. Marks: Pineapple: Hunting horn, the mark 
of David Jager, 1661, Rosenberg, 77. 


Diameter, 10 inches. 


713—RepovussE SILVER PLAQuE Augsburg Seventeenth Century 


Oval, with small gauffered rim. Center enriched with subject, 
“The Reaper.” A young maiden seated near a wheat field, her 
sickle in one hand, wheat in other. Border of scrolling jeaves 
and handsome clusters of fruit. Marks: Pineapple: Another 


very indistinct. Maker, Samuel Schneeweiss. 
Length, 124%, inches. 


Kindly read the Conditions under which every ttem is offered and sold. 
They are printed in the forepart of the Catalogue. 


714—GiLpEp RepoussE SILvER PLAQuE 
7 Nuremberg Late Sixteenth Century 


Circular, with gauffered rim. Enriched with laurel-wreathed 
head of warrior in center; broad rim with interlaced scrollings of 
acanthus leaves bearing three clusters of finely varied fruit. 
Marks: N and H.N. in monogram. (Needs restoration.) 


Diameter, 87%, inches. 


(Illustrated) 


715—ReEpoussE SILVER PLAQuE Augsburg Seventeenth Century 


Oval, with deep center. Enriched with clustered nuts, flowers, 
fruit and wheat. Open border of similarly fine fruit and birds. 
(Needs restoration.) Marks: Pineapple: BW. 


Length, 181% inches. 
From the collection of Pontus Furstenberg, Goteborg. 


(Illustrated) 


716—RepovussE PLate Augsburg Early Eighteenth Century 
Circular, with broad border enriched with three circular medal- 
lions occupied by laureated heads of Roman warriors, interrupted 
by leaf-scrolled sunk shell motives. Marks: Pineapple: Mono- 
gram A.W.; date 1711. Maker, August Warenberg. | 


Diameter, 114, inches. 


(Illustrated) 


Repousse Sitver Priagues 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


T17—EnaMELED ParceL GILDED Sitver CHatice Cup 
French Sixteenth Century 
Tapering coupe, enriched with band of Gothic inscription and 
series of cabbage leaves. On deeply leaf-lobed bossed hexagonal 
stem, the bosses with blue diamnod enamels bearing “‘Heads of 
Our Lord” in engraved silver. Open traceried and buttressed 
architectural motive at foot above florally lobed spreading foot 


adorned with blue and red enameled coat-of-arms. 
Height, 9 inches. 


718—-Repoussé Sitver Prague — Augsburg Seventeenth Century 


Oval, with gauffered rim. Enriched in center with “Pastoral Sub- 
ject.” two lovers seated in landscape playing musical instru- 
ments. Rich border of very varied fruit. Marks: Pineapple. 


Another indistinct. 
Length, 105% inches 


Third Afternoon 


719—Optone RepoussE Sitver PraauE 
7 Holland Early Eighteenth Century 
“Judas Iscariot Receiving the Pieces for the Betrayal of Our 
Lord.” Three Pharisees are seated under a drapery at left. 
Judas is before one, counting the money. ‘T'wo priests are dis- 
puting on a dais at right. Beyond, allegorical scene of “Christ 
in the Garden of Gethsemane.” Marks indistinct. In ebony 


frame. 
Height, 61% inches; length, 91% inches. 


CUIVRE DORE AND MARBLES 


720—Two Cutvre Dort Bronze Canpiesticks By Millet of Paris 


Finely chiseled water-leaf shaft, with acanthus socket and foot. 
Rope-molded round base, enriched with spiral sprays of buds. 


Height, 5 inches. 


421—Two Cuivre Dort ann Marsie CANDLESTICKS 
Louis Philippe Period 
Cupidon holding aloft a spray of buds and flower for socket, 
seated on fluted half column having molded round base; enriched 
with pearl and leaf motives. 
Height, 9% inches. 


422—Cuivre Dort Taste Crock 
Augsburg Late Seventeenth Century 
Drum-shape; with molded bezel, annular silvered dial inscribed 
with Chinese numerals, single hand and aperture giving days of 
the week. The sides curiously pierced and engraved with pseudo- 
Chinese “Symbols” and cloud forms. 


Height, 2% inches; diameter, 4% inches. 


Note: It is a curious fact that Central Europe as early as the seventeenth 
century appreciated the possibilities of trade with the Chinese Empire. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


723—ScuLPTuRED Statuary Marnie Crock, Mountep 1n Cuivre 
Dore After Falconet 

Circular porcelain dial, set in an arched urn form, over which a 
gracefully robed nymph standing at left leans over reading from 

an open tome; at right a rooster is perched on three further 
tomes. On molded oblong base with round ends; enriched in 
finely chiseled cutvre doré with double rope and pearl moldings 

and panels of rosetted husk motives. Dial signed, “Furet, H.ger 


Du Roi.” : 
Height, 124% inches; width, 11% inches. 


724—Cuivre Dork anp Statuary Marsire Crock After Falconet 


“Venus and Cupid.” Round porcelain dial, set in an architec- 
turally domed oblong and two steps at sides on which stand 
Venus at left and Cupidon at right. Cupidon offers his mother 
a dove just caught, while a dead bird, laurel spray and drapery 
rest on dome of clock. Molded oblong plinth and base of marble 
enriched with leaf and pearl moldings and drapery festoons be- 


tween claw feet of plinth. 
Height, 1514 inches; length, 12 inches. 


725—Two Marsue Vases, Mountrep 1n Cutvre Doret 
In the Manner of Gouthiére; French Eighteenth Century 
Oviform, striated green and gray marble; with molded foot and 
mouth. Mounted in finely chiseled cutévre doré with leaf motives 
at lip and satyr masks enriched with clusters of grapes. Paneled 


square base. 
Height, 12 inches. 


Lhird Afternoon 


726—Two Svarvuary Marsite Cassoterres, Mountep 1x Cutvre 
Dore | French Directoire Period 
Globular body, with loose incurved neck, round dome cover, 
small and large bases, incurved triangular in form. Mounted in 
cuvore doré, with gadrooned slender tripod legs having bronze 
heads of cupidons at crown and leafed hoof feet; moldings, water 
leaves and berried pendant to bowl, upper base with berried pin- 
nacle and round collar feet; lower base with demi-eagle and 
scrolled appliqués and bronze corners. (Cover and one base im- 
perfect.) Height, 14%/, inches. 
From the Svane Bruk Collection, Sweden. 


727—TIwo Royvat Berun Porcentain Cassotettres, Mounted In 


Curvre Dorét Lows XVI Style 


Royal blue bowl; incurved triangular statuary marble base. 
Mounted in chiseled cutvore doré with round pierced dome cover 
of ribbons, acanthus leaves and pineapple terminal, molding at 
mouth ; slender long tripod legs with satyr masks at crowns, grad- 
uated berries and leaf hoofed feet ; rope molding, rosette and gad- 
rooned feet to marble base. Height, 141 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. 


728—Two Bronze Aanp Cuivre Dort Canperasra After Clodion 


Youthful Satyr and Bacchante in bronze, each holding aloft two 
berried acanthus-leaf arms with leaf-vase sockets in cuévre doré. 
The Satyr advances quickly with one foot off ground; he wears a 
garland and wreath of vine leaves.. The Bacchante is seated, 
lightly draped and laureated. Green black patina. On pearl 


motived molded round bases. 
Height, 16144 inches. 


From collection of the Minester of Foreign Affairs, Lagerheim, 
Stockholm, Sweden. 


729—Marsie Crock, Mountep 1n Cuivre Dort After Falconet 


Round porcelain dial; half set in deep incurved oval black marble | 
base; surmounted by seated group in cuivre doré. Venus and 
Cupidon, with quiver and wreath at right; base enriched with 
panel, “Cupidons Boar-hunting,” acanthus-leaf scrolls, festoons 
of fruit and flowers and round feet. Statuary marble plinth of 
same contour as base. Dial signed: Schmitz a Paris. 


Height, 16 inches; width, 1254 inches. 


%30—Two Cuivre Dort, Bronze anp Marsie CANnpDLESTICKS 

By Avelion; French Eighteenth Century 
Lightly draped juvenile figures of Flora and Bacchante, facing 
toward one another, one laureated with flowers, the other with Ivy 
leaves. Rich green-black patina. Each holds aloft a cutvre doré 
cornucopia wreathed with grapes for socket, and stands on a 
rustic base having tree trunk at rear. On molded statuary 
marble pedestals; enriched with rosetted chain festoons and vase 


feet. 
Height, 17%, ‘inches. 


731—Two Bronze anp Cuivre Dort Marsie CanpELaBra 
Directoire Period 
Graceful draped figure of nymph; holding aloft a cutvre doré 
cornucopia bearing sprays of wheat and four festooned and 
scrolled arms. The nymph stands on a round statuary marble 
pedestal with square base enriched with leaf molding. Green- 


brown patina on the bronze of nymph. 
Height, 281/, inches. 


Third Afternoon 


f : 732—Cuivre Dort Carter By Fieffé; Lows XV Period 
Circular porcelain dial, surrounded by robust cartouche-shaped 
Le scrollings of rocaille, leafage and sprays of flowers; unusual 
: glazed peephole under dial. Signed on dial, Fieffé H. G. R de 


: VObservatoire. Also on back of movement: Fieffé 4 Paris. 
Height, 20 inches; width, 1034 inches. 


* 733—Two Bronze anp Cuivre Dort CanpELABRA 

Directotre Period 
Draped standing figure of Hebe, in green bronze, holding aloft 
with raised arm a graped cornucopia emitting three gilded leaf 
and wheat scrolled arms with interior scrollings joining the 
crown of a plumed central staff having rooster’s heads, doubly 
festooned with chains and tassels. On molded high statuary 
marble pedestal adorned with gilded band of sportive cupidons, 
leaf molding and square base. Height, 42 inches. 


From the collection of Baron Rudbeck, Edsberg, Sweden. 


| Kindly read the Conditions under which every item is offered and sold, 
They are printed in the forepart of the Catalogue. 


734—Bisaurt Crocx, Mountrep 1n Cuivre Dori 

After Falconet; Directoire Period 
Round gilded dial set in bronze leaf and blossomed bezel and 
molded octagonal bisque frame having flanking garlanded half- 
round pedestals; surmounted by graceful figure of Venus seated 
on a blue cushion and withdrawing a drapery from a basket of 
sleeping cupidons. On oblong plinth, mounted with panel of 
sportive cupidons and base with claw feet. 


Height, 16%, inches; width, 11 inches. 


Third Afternoon 


735—Lyre Cuivre Dort ann Marsie Crock 

Marie Antoinette Period 

Open lyre-shaped support; enriched with husk and berries, fes- 
toons of acorned oak leaves and scrollings of acanthus leaves. 
Annular porcelain dial with four hands recording. hours, minutes, 
seconds and days of the month. Compensation pendulum having 
ring set with large rhinestones. On flaring flattened oval statu- 
ary marble pedestal; mounted in cuivre doré with floral festoons, 
scrolled basket of flowers, pearl molding and leaf-vase feet. Por- 
tions of mountings apparently of a later date.’ 
pu eh, 8S, My Height, 23 inches. 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


“86—ScuupTrureD Statuary Marsir Crocx, Mountep 1n Cuivre 
Dork - After Falconet 

Round porcelain dial, set in rusticated high base, upon which is 

a fair nymph seated toward left playing with her little spaniel. 

On molded oblong plinth with round corners; mounted in cutvore 

doré, with panel of sportive cupidons, pearl and rope moldings 

and engine-turned end panels. Dial signed: ‘‘Cachard, sucr de 

Ch. Le Roi a Paris.” Height, 181, inches; width, 15 inches. 


737—Two Bronze anp Cuivre Dort CAnDELABRA 

Louis Philippe Period 
Spirally fluted vase-shape, with leaf motives and berried pend- 
ant; fitted with plumed central staff having rose wreath reinforc- 
ing three arms scrolled with acanthus leaves. Supported by 
three bronze demi-nymphs scrolled with leaves and having hoofed 

legs. On rouge antique incurved triangular marble base. : 
Height, 291, inches. 


738—Two Bronze aAnp Cuivre DorE CANDELABRA 

Directotre Period 
Graceful figure of a draped nymph in bronze, carrying two cuivre 
doré scrolled arms enriched with heads of roosters and eagles; 
on her head a vase emitting two leaf-scrolled arms and central 
shaft adorned with wheat and a surmounting screeching eagle 
perched on flaming staff and orb. On high round statuary marble 
pedestal embellished with gilded chain, festooned chimeric ani- 
malistic feet; base with outstepped corners and vase feet. 

Height, 3414 inches. 


739—Sratuary Marsie Crock, Mountep 1n Cuivre Dort 
After Falconet 


Wreathed annular porcelain dial; sustaining a statuary marble 
orb and supported on fluted round pedestal and paneled oblong 
base, having serpentined ends and similar smaller half pedestals 
at front. Richly mounted in chiseled cutvre doré with draped 
graceful figure of Venus mourning a dead love-bird fallen at her 
feet. Cupidon, standing on cloud forms at right of dial, beckons 
his disconsolate mother to look at another bird he has just 
caught. ‘The festooned orb and base have panels of sportive 
cupidons, acanthus rinceaux at ends and leaf vase feet. 

Height, 19 inches; width, 14 inches. 


Third Afternoon 


740—Two Curvre Dort Watt Apprievrs Lows Philippe Period 


Fluted tapering shafts at back, surmounted by a laurel-festooned 
vase having pineapple terminal and acanthus-leaf and floral pen- 
dant. ‘Three fluted scroll-arms with leaf candle-stockets and 
laurel drops at their inception with the shaft. 

Height, 18 inches. 


741—Cuivre Dort Staruary Marsie Crock After Falconet 


Circular porcelain dial, supported on two grape and valance fes- 
tooned staves resting on the shoulders of two winged cupidons 
seated on the backs of two recumbent goats facing outward. Sur- 
mounted by a Bacchic nymph quaffing wine from a cup and seated 
onadrapery. The goats rest upon two supplementary plinths of 
statuary marble at left and right of the major plinth, which has 
round ends and is mounted with panel of sportive cupidons, cor- 
nucopias, engine-turned end panels and vase feet. 


Height, 201% inches; width, 16 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


742—T wo Gries Dort Wart APPLieuks 
In the Marie Antoinette Style of Gouthiére 


Tapering slender round shaft, with pineapple terminals and mask 
of nymph about center festooned with pearl motives to two 
arms cornucopia scrolled with leaves, rams’ heads, wreaths of 
grapes and vines; birds are perched at centers of scrollings and 
support the festoons at either side. Gilded molded wood backs 


with scroll and honeysuckle enrichment. 
Height, 26 inches. 


From the collection of H. K. H. Kronprinsens Vaning, Kungl 
Stattes, Stockholm. 


743—Cutvre Dort Watt APpPLliaut French Directotre Period a 
Back, with ram’s-headed ribbon supporting chimeric leopard’s 
mask. Leaf-scrolled and fruit-garlanded arm, with pierced Py 
square valanced bobéche. Molded walnut back. 
Height, 13% inches. 


744—CuivrE Dort Wart AppLieur French Eighteenth Century 
Acanthus-leaved and husked back, emitting a double wreath of 
buds at crown and clustered buds at foot. Two cornucopia arms 
enriched with further leafage, scrollings and rosettes. Finely 


chiseled. 
Height, 121%, inches. 


oc Repousseé Brass Pore Lanrerns 

Venetian Eighteenth Century 
Tapering triangular body, with husked canted corners, glazed ; 
arched panels, dome and base; enriched with acanthus leaves at 4 
corners and scrollings. Black ball terminals. Socket for pole. 


Height, 3014 inches. 


746—Brass Bown (anp Stand) 


French Renaissance forged iron tripod stand enriched with tesa 


ings and fleurs-de-lis. Finished brass. 
Height of stand, 273, inches. 


Third Afternoon 


PAINTINGS 


BYZANTINE SCHOOL 


FourTEENTH CENTURY 


147—_MADONNA AND CHILD 
On panel: Height, 10 inches; width, 7 inches 


. Tue Holy Mother, in typical voluminous draperies of crimson, holds 
the Infant Saviour to her breast. 


~ FRENCH SCHOOL 


EIGHTEENTH CENTURY 


748—THE MARQUISE DE CLINCHAMPS 
Pastel: Height, 10 inches; width, 83 inches 
Tue charming subject, attired in blue and ivory with lawn bertha at 


her throat, stands before a statuette of Cupidon and a wooded land- 
scape. 


SNISEKI OHASHI 


JAPANESE ScHooLt: NINETEENTH CENTURY 


749—A RECUMBENT LION 
Water Color on silk: Height, 36 inches; length, 4514 inches 


A nose beast, somewhat startled from its slumbers, turns its head 
to observe the cause of disturbance. Framed with delicate brocade 


mat. 
Signed at lower left, SNisEKI OHASHI. 


Note: This painting obtained a silver medal at the Paris International Exhibition of 1900. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


KOKIO TANIGUCKI 


JAPANESE: NINETEENTH CENTURY SCHOOL 


750—DRIVING RAIN 
Water Color on silk: Height, 28 inches; length, 3834 inches 


Rain driving from the west in great sheets almost obscures a wooded 
landscape. ‘Two birds fly to shelter from the storm. Framed with fine 
brocade mat. 

Signed at lower left, Koxio Tanicuckt. 


Awarded a silver medal at the Paris International Exhibition of 1910. 


751—EMBROIDERED Sruk PicTuRE French Seventeenth Century 
“The Death of the Bishop of Lyons.” The aged prelate 


stretched on a pallet, wearing full canonicals, surrounded by his 
varied entourage. In wave-ebony frame. | 


Height, 181% inches; length, 17 inches. 


752—Inxuarp PicTuRE Italian Early Seventeenth Century 


“The Way to Calvary.” Our Lord, borne down by the weight 
of the cross, struggles forward with His burden. Soldiers and 
the multitude are at left and right, watching the progress. 
Framed in red tortoise-shell, having gilded and scrolled figure 
appliqués at corners and sides. 


Total height, 201% inches; length, 281, inches. 


FABRICS 


753—EMBROIDERED Crimson Satin BorpEr 
Florentine Early Sixteenth Century 
Lustrous crimson; enriched in yellow, blue and ivory silks ap- 
pliqué with beautifully drawn scrollings of husks and acanthus 


leaves. 
Length, 3 yards 4 inches; depth, 10 inches. 


Third Afternoon 


754—Two Goxup BrocatTette FRAGMENTS , 
| Florentme Sixteenth Century 
(a) Peach-pink; woven in gold and ivory with Gothic canopies 
over figures of two facing winged angels supporting crosses. 
(z) Crimson and gold; with subject, “Our Lord Crowning the 
Holy Virgin,” above winged cherub-heads and the descending 
Holy Spirit, as a dove. 


755—Stx Gotp BrocaTetLteE FRAGMENTS 

Florentine Sixteenth Century 
(a) Golden-yellow and peach-pink ; woven with standing figure of 
ROME LO = 
(3) Two similar; each with subject, “The Annunciation.” 
(c) Apricot and yellow-green; subject, “The Annunciation.” 
(>) Peach-pink ; woven in gold threads with medallion supported 
by winged angels and enclosing subject, “Enthronement of Our 
Lord.” 


(x) Crimson and gold threads, with rayed symbolic medallion 
and heads of cherubs. 


756—Stump Empromerep Crorn Borper Chinese 
Black cloth, enriched in colored silks with long scrolled medallions 
interrupted by butterflies, the medallions executed in embroid- 
ered and stumped parchment paper and painted ivory with 
Chinese groups of figures at various activities; flanked by red 
floral bands and crowned with quaint animals in stump work 
interrupted by scrollings of fruit and flowers. Trimmed with 


maroon lattice fringe. 
Length, 3/3 yards; depth, 22 inches. 


757—Turet EmpromwEereD YELLOW SiLkK Borpers 
Indian Eighteenth Century 
Old-yellow silk; semé with rose-crimson oval floral plaquettes. 
Varied floral foot borders in similar color. (Imperfect in several 


places. ) 


Lengths, 6 yards 13 inches, 5 yards 22 inches and 4°, yards; depths, 
261%, inches. 


1 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. == i 


758—Go tp BrocapEe Taste CENTER Ispahan Sixteenth Century 


Rare salmon-pink field; imbricated with gold scales. End panels 
with golden and old-red jardiniéres of flowers on finely fluctuat- 
ing green grounds. Similar green borders with trailing golden ‘ 
flower. Trimmed with silver fringe. (Needs slight restoration.) 


3 yards 28 inches by 141% inches. ' 


Note: An exceptionally fine and rare type of weaving, exhibiting the 
pattern completely finished in reversed colors on back of material. = 


Third Afternoon 


759—Brocapvep Crimson VELVET PANEL 
Asia Minor Sixteenth Century 
Ruby-crimson velvet ground; reiterated ciselé in the flowers ; dis- 
playing infloretted banded ogivals of golden yellow enclosing deli- 
cately enriched palmettes similarly infloretted. (Needs slight 
restoration. ) Height, 45 inches; width, 26 inches. 


760—Scurarit VetvET PANEL Sixteenth Century 
Deep ivory silk ground; woven in ciselé velvet with central medal- 
lion and sprays of carnations in charming soft red and green. 
Most interesting border of linked and scrolled floral motives in 
similar red and sapphire blue. — Length, 48 inches; width, 251, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


761—Sitver anp Goutp NEEDLEWORK CUSHION 
English Late Sixteenth Century 
Oblong; couched solid silver field, enriched in very fine petit-point 
with oval wreath of gold bowknotted flowers. Executed in deli- 


cate yellows, blues, greens and ivories. 
231, inches by 20-inches. 


762—Two Parat Emproiperep Crimson VELVET CusHIONS 
Italian Sixteenth Century 
Oblong; rare rose-crimson velvet; embroidered in yellow, blue 
and crimson silks appliqué with central “Papal Tiara” of three- 
tiered crowns and St. Peter’s crossed keys; surrounded by a 
strap-scrolled cartouche and sprays of Gothic leafage. 


23 inches by 17% inches. 


(Companions to the following) 


763-—Two Parpat EmproiwERED Crimson VELVET CusHIONS 
Italian Sixteenth Century 
Similar to the preceding. 


Third Afternoon 


764— Arras Tapestry CusHIion Sixteenth Century 


Square. Woven with two coats-of-arms, displaying in one a half 
fleur-de-lis, in the other two double fleurs-de-lis ; crested by varied 
leaf-scrolled helms and surrounded by sprays of fruit and flow- 
ers amid which butterflies and dragonflies flit; fruit and floral 
borders. Executed in rich antique colors on tawny and yellow 


grounds. 
21 inches square. 


Note: This and the following pillow were made, according to tradition, 
for Charles IX of France when Dauphin. 


(Companion to the following) 


765—Arras Tapestry CusHIoN Siavteenth Century 
Similar to the preceding; woven on tawny yellow grounds. 
20 inches square. 


Note: This and the preceding cushion were, according to tradition, made 
for Charles IX of France when Dauphin. 


(Companion to the preceding) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


766—MILLE-FLEURS EMBROIDERED COVER 
Persian Sixteenth Century 
Enriched with alternate diagonal stripes of warm ivory and blue, 
bearing innumerable fine pink and blue flowers; similar end bor- 
der. Finished with chevroned narrow bandings. 


20 inches by 19 inches. 


767—Go.pEN Kinxos BrocapE Cover 
Russian Late Eighteenth Century 
Rich gold ground; woven with detached motives, each composed 
of red shield bearing St. George impaled on black double-dis- 
played eagle, surmounted by imperial diadem. 


24 inches by 18 inches. 


768—MI.LLE-FLEuRS EMBROIDERED CovER 
Persian Sixteenth Century 
Enriched with alternating pale yellow and ivory stripes diag- 
onally placed and bearing delicately toned pink and blue flower 
in great profusion. Finished with pasted-colored fringe. 


28 inches by 22 inches. 


769—Two Gorunic CisELE Douste Pitz Crimson VEtvET Covers 
Italian Fifteenth Century 
Lustrous fluctuating wine-crimson; woven with a higher pile of 


~ ruby-crimson, displaying scrolled coronet surmounted by ro- 


setted Gothic lobed motive. 
2717, inches by 24 inches. 


770—Goruic Crimson VELVET PANEL Italian Fifteenth Century 


Lustrous rose-crimson velvet ; woven in pale yellow and faint pas- 
sages of blue with large infloretted blossom within floral and 
banded ogival surmounted by coronet. 


Height, 35 inches; width, 1714 inches. 


771—Two Scurari VELVET PANELS Sixteenth Century 


Straw-yellow silk field; woven in ciselé velvet with central and 
corner bouquets of rose-du-Barry carnations. Green lattice and 
crimson floral borders. (Need much restoration.) 


Length, 40 inches and 35 inches; widths, 221, inches. 


Third Afternoon 


772—CisELE Crimson VetveT PaneL Rhodian Fifteenth Century 
Rich rose-ruby; displaying ivory medallions ringed and gar- 
landed with delicate hyacinths, carnations and tulips in cut crim- 


son velvet. 
Height, 30 inches; width, 191% inches. 


773—CutT Crimson Vetvet Paneu Rhodian Fifteenth Century 


Lustrous rose-crimson velvet; woven in straw-yellow with tulip 
and carnation bouquet scrolled with infloretted leaves. 


Height, 41 inches; width, 22 inches. 


774— EMBROIDERED Apricot Cover Rhodian Seventeenth Century 


Lustrous apricot satin; enriched in blue, ivory, dull pmk and 
yellow-green, with scrolled floral ogivals flanked by large crescent- 
shaped infloretted leaves. -(Slightly imperfect.) 


33 inches square. 


T75—EMBROIDERED LinEN CovER Rhodian Seventeenth Century 
Deep ivory linen; enriched with conventionalized leafy bouquets 
off center and similar smaller diagonal motives as borders, al- 


ternately in green and crimson silks. 
26 inches by 211% inches. 


776—GoLD-EMBROIDERED Linen Cover 

Bokhara Seventeenth Century 
Ivory linen field, enriched in blue, green and yellow silks and gold 
threads with stellate medallion enclosing formal bouquet of 
flowers; surrounded by vari-sized pear-shaped bouquets of dif- 
fering blossoms. Broad border of floral plaquettes scrolled with 

carnation and fleur-de-lis vines. 
2 yards 20 inches by 1 yard 21 inches. 


V77—EmpBrompERED Linen Lone Pittow Cover 
Rhodian Eighteenth Century 
Striped ivory linen; enriched at ends in solid crimson silk with 


cube motives and arcaded floral border. 
52 inches by 151% inches. 


Kindly read the Conditions under which every item 1s offered and sold. 
They are printed in the forepart of the Catalogue. 


778—EMBROIDERED LinEN Cover Bokhara Seventeenth Century 
Deep ivory linen, enriched in sapphire-blue, straw and orange 
yellows, pale-green and tawny-yellow with large lobed medallion 
having concentric rings of varied flowers. Border of scrolled 


similar trailing flowers. 
49 inches square. 


779—EMBROIDERED Lawn MantrLteE  Rhodian Seventeenth Century 


Oblong sheer lawn, with aperture for neck. Embroidered in pas- 
tel colors with leafy sprays of carnations. Similar border lined 
pink silk. : 

Length, 1 yard 30 inches; width, 1 yard 10 inches. 


780—EMBROIDERED QuitTED LinEN CovER 

Persian Seventeenth Century 
Deep ivory linen; carefully quilted with scale imbrications. En- 
riched in rose-crimson and green with lobed medallion enclosing 
formal bouquet of flowers, similar bracket corners; the field semé 
with sprigs of carnations. Similar scrolled border. ‘Trimmed 

with green fringe. 
42 inches by 82 inches. 


781—EmMBROIDERED QuILTED LinEN Cover 
- Persian Seventeenth Century 
Ivory linen quilted with minute diamond lattice. Enriched in 
rose-pink, blue and pale green with loose formal central bouquet 
of flowers, scrolled bracket corners of similar flowers and scrolled 
border. (Slightly stained.) 
49 inches by 35 inches. 


782—GoLD-EMBROIDERED QuILTED LinEN CovER 
Persian Seventeenth Century 
Lattice-quilted ivory linen center; enriched in soft red, blue, 
green, straw yellow and gold threads with infloretted lobed tile 
motives interrupted by smaller leaf-scrolled tile devices having 
sprigs of flowers. Solidly worked border of leaf medallioned 


asters. Fringed. 
2 yards 1 inch by 1 yard 5 inches.. 


% 


Third Afternoon 


783—EMBROIDERED AND QUILTED COVERLET 
é Sicilian Sixteenth Century 
Deep ivory linen, quilted with dots of straw-yellow silk. In- 
tricately embroidered, in same color, with innumerable detached 
motives, jardiniéres, sprays and scrollings of flowers, animals 
of the chase, huntsmen and warriors. 


2 yards 15 inches by 2 yards 8 inches. 


784—Two GoLp-EMBROIDERED VELVET Lapy’s or Boots 
Persian Seventeenth Century 
Shaped tops, with upper portion of jade-green velvet ; lower por- 
tion embroidered solidly in silver and gold threads with panels 
of raised flowers. 


785—Two SitveR-EMBROIDERED Ivory Dress Fronts 
Italian Seventeenth Century 
Rich ivory silk; two tapering panels trimmed with silver lace 
and embroidered with scrollings of dainty colored flowers in silks 


and silver threads. 
Length, 33 inches; width, 6 inches. 


786—CasHMERE SHAWL Indian Late Eighteenth Century 


Ivory stellate center, with deep S-scrollings in the borders en- 
closing finely infloretted palmette motives and interlacing lotus 
borders. Executed in blues, yellows, reds, ivory and black. 


2 yards 5 inches by 1 yard 29 inches. 


787—Goxp anv Ivory Brocape Care French Eighteenth Century 


Heavy ivory silk; woven in dainty pink, green and gold threads 
accentuated with black; displaying series of small conventional 
bouquets interrupted with sprigs of flowers. 


Length, 2%, yards; depth, 1 yard 16 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


788—CasHMERE SHAWL Indian Late Eighteenth Century 

Very rare fluctuating sky-blue field ; woven with corners, deep end 

borders and narrow side borders in crimson, old yellows, blue and 

green with interlacing palmette motives, highly conventionalized 

- floral devices and occasionally with more naturalistic blossoms. 
(Shghtly imperfect about center.) 


3 yards 8 inches by 1 yard 21 inches. 


789—EMBROIDERED GREEN SILK Rose 
Egypto-Arabic Late Seventeenth Century 
Sleeveless, with two long tapering banded flaps at back. Em- 
broidered in brilliant reds, pinks and blues with growing series 
of lotus blossoms and palmettes. 


790—CHINESE EMBROIDERED RED SILK SKIRT Ch’ien-lung 
Cherry-red satin; enriched in gold and colored silks with fine 
trailing sprays of roses, “Feng-huangs” and blue border of 
further flowers and butterflies. 


Length, 2 yards 11 inches; depth, 221%, inches. 


791—CuinEsE Gotp Sirk Tapestry Manparin Rope 
K’ang-hst 
Fine chocolate-brown field, woven in the tapestry method with 
five-clawed “Imperial dragons” risen from water motives at foot 
and seeking the sacred pearl amid cloud forms, and bats, the 
“Symbol of Happiness.” Blue collar of similar dragons. Rich 
typical coloring. (Has been restored.) 


792—Go.tp BrocaTELLE OrRPHREY Florentine Sixteenth Century 
Peach-pink; woven in gold threads with winged cherub-heads 
interrupting flamed medallions of the sacred insignia. 


Width, 9 inches; length, 9 inches. 


793—EMBROIDERED Crimson Sittx Hoop Italian Sixteenth Century 
Rich crimson satin; displaying in colored silks appliqué a car- 
touched symbolic oval medallion surrounded by husk scrollings. | 

Trimmed with fringe. 
Length, 1914 inches; width, 19 inches. 


Third Afternoon 


794—Gotp BrocaTELLE OrPHREY Florentine Sixteenth Century 


Ruby-crimson; woven in gold threads with subjects, “Christ 
Arisen” and the “Two Roman Soldiers,” and surrounding winged 
cherub-heads. Height, 30 inches; width, 8 inches. 


795—BrocaTELLE OrPHREY Florentine Late Stateenth Century 


Mellow peach-pink; woven in golden-yellow with Gothic leaf ogi- 
vals alternately enclosing subjects, “Christ Arisen” and leaf- 
husks. Ribbon and rosette borders. 


Height, 43 inches; width, 91/ inehes. 


796—Two Gotp BrocaTELLE ORPHREYS 

| Florentine Sixteenth Century 
(a) Similar to the preceding; but woven in gold threads in a 
different scale. 
(8) Deep peach-pink; woven in golden-yellow with subjects re- 
peating, ‘The Annunciation.” 


Heights, 44 and 28 inches; widths, 71, inches and 81/ inches. 


797—Two Goup BrocaTELLeE ORPHREYS 
Florentine Sixteenth Century 
(a) Similar to the preceding. 
(sp) Similar; but with the subjects introduced horizontally. 
Heights, 28 inches and 7 inches; widths, 91, and 41 inches. 


798—Two Go.tp N&EDLE-PAINTED ORPHREYS 
Flemish Sixteenth Century 
(a) Exhibiting the “Four Evangelists” standing within niches. 
(3) Silver-enriched ; displaying “The Virgin and Child” and “St. 
Joseph” within elaborate arched niches. 
Heights, 50 inches and 40 inches; widths, 634, and 61 inches. 


799—Two Goxp BrocaTELLE OrPHREYS 
Florentine Late Stxateenth Century 
(a) Peach-pink; woven in golden-yellow with winged cherub- 
heads interrupting flaming sacred symbols. 
(zs) Similar, with interrupting oval medallions enclosing figures 
of the “Holy Virgin.” 


Heights, 65 inches and 38 inches; widths, 91 inches and 9 inches. 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


800—Untevt Goutp BrocaTELLE ORPHREY 

Florentine Fifteenth Century 
Ruby-crimson; woven in gold threads, pale sapphire-blue, green 
and curious orange in the features with a series of most interest- 
ing episodes from the life of Our Lord: ‘’The Annunciation,” 
“The Nativity,” “The Circumcision” and “The Flight to Egypt.” 
Fach scene finished with diamond-motived borders. (Needs slight 
restoration. ) 

Height, 58 inches; width, 10 inches. 


801-—-Two Gortp BrocaTELLE ORPHREYS 

Florentine Fifteenth Century 
(a) “The Adoration.” The Holy Virgin and three angels under 
a blue canopy before the recumbent Saviour. Peach-red woven 
in gold and the flesh in ivory. ) 
(x) Apricot-yellow; woven in gold threads and ivory in the 
features; with winged angels before pots of lilies and playing 
viols. Finished with green galloon. 


Heights, 1014 inches and 8514 inches; widths, 19 inches and 7 inches 


802—GoLD-EMBROIDERED CLotTH Prayer PANEL : 
Persian Seventeenth Century 
Red mihrab, enriched in gold threads, ivory and lavender with 
three infloretted cypress motives, ivory spandrils and supports 
with floral vines. Green inner border, with blue and tan blos- 
soms. Deep main border of recurring red, with tan and ivory 
blossoms festooned with husk motives sustaining bouquets. 


Height, 66 inches ; width, 451% inches. 


803—GoLp anp SitveR EmMBRomwERED VELVET SADDLE-CLOTH 
Persian Sixteenth Century 
Shaped lustrous yellow-brown-black velvet. Enriched in raised 
silver and gold with Gothic leaf-scrolled border and fine floral 


panel at rear. 
Depth, 27 inches; width, 31 inches. 


Third Afternoon 


804—Royat Sinver anp GoLtp EmproipErED VELVET SADDLE-CLOTH 
Persian. Seventeenth Century 

Broad spade-shape, with crimson velvet panel at crown. Large 
panel over flanks solidly embroidered with diagonal ribbings of 
gold; enriched with central bouquet and flanking scrollings of 
acanthus leaves in silver touched with passages of crimson and 
green. Similar leaf-scrolled border. Trimmed with two fringes 


of ivory and crimson. 
Length, 1 yard 19 inches; width, 2 yards 8 inches. 


805—Royat GoLp-EMBROIDERED VELVET SADDLE-CLOTH 
Persian Seventeenth Century 
Broad spade-shape, with crimson velvet-scrolled cartouche at 
crown ; the large panel over flanks solidly embroidered with diag- 
onal ribs of gold, enriched with raised gold pomegranate and leaf 
scrollings which are worn to the silver of the gold threads, giving 
a most charming tone to the whole. Trimmed with two fringes 


of ivory and crimson. 
Length, 1 yard 23 inches; width, 2 yards 6 inches. 


806—QuILTED anD EmprorpERED Sitk Cover 
French Eighteenth Century 
Very lustrous fluctuating field green silk, embroidered with border 
of conventionalized scrolled leafage and bouquets in ivory. 


2 yards 8 inches by 2 yards 3 inches. 


807—QuitTED Crimson Sitx Coverter French Eighteenth Century 
Rose-du-Barry silk. Very skilfully quilted with recurring medal- 
lions and sprays of flowers. 


21%, yards by 2 yards 5 inches. © 


808—GoLD-EMBROIDERED RosE-crIMson Sik Cover 
Persian Seventeenth Century 
Rose-du-Barry crimson silk; enriched in gold threads and lovely 
grass-greens with intricate scrollings of diverse flowers. Similar 


narrow border. 
35 inches square. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


809—Goxtp anp Sitver YELLow Linen Cover 

Russo-Persian Seventeenth Century 

Pale yellow sheer linen, with oval wreathed oblong medallion in 

red-pink, green, gold, silver and lavender, semé with chevroned 

lozenge motives and niched crosses at quarters. Inscribed silver 

border of cypress and pink sprays of flowers alternating. 
(Slightly imperfect. ) 

38 inches by 36 inches. 


Note: A most delicate, refined and unique specimen of weaving, exhibit- 
ing the pattern complete on both faces of the material. 


810—Mintertevrs Kinxon Brocave ; . 
Persian Late Sixteenth Century 
Rich solid gold ground; woven in dainty old pinks and blue with 


trailing sprays of varied delicate flowers. 
52 inches by 28 inches. 


811—Cutnesz Brocapep VELVET BaNn@QuETTE CoveER K’ang-hsi 


Mouse-yellow velvet; brocaded with charming: scrollings of lotus 
blossoms in pinks, blues, ivories and greens. Pink key-scroll 
border and welted sides with further similar scrollings of lotus. | 


Square, 45 inches; depth, 2% inches. 


From the collection of Ambassador Brandt, Pekin. 


812—GoLp AND SILVER-EMBROIDERED Siuk Cover 
Persian Late Siateenth Century 


Lustrous rose-crimson satin; solidly worked in silver and gold 
threads with large detached scrolled bouquets of flowers. Similar 


leaf and blossom border. 
48 inches by 45 inches. 


813—GoOLD-ENRICHED JARDINIERE VELVET Cover 
Italian Seventeenth Century 
Displaying central bouquet of crimson and lavender flowers, 
doubly festooned at ends with vines and further flowers. Borders 
of leaf-scrolled crimson roses, leaf guards. Grounds subsequently 


worked solidly in gold threads. 
59 inches by 26 inches. 


Third Afternoon 


814—Two Sitx BrocapE Covers Japanese Seventeenth Century 


(a) Old-red silk; woven in pastel colors, gold and deep blue with 
finely scrolled lotus blossoms. 

(3) Warm gray silk; woven in blues, greens, pinks and ivory 
with detached rosetted hexagonal motives. 


50 inches by 41 inches and 48 inches by 1414 inches. 


815—SILVER AND GREEN BrocapE CoveER 
Japanese Eighteenth Century 
Jade-green satin; woven in soft blue, ivory, pale yellows and 


silver with series of rocky wave motives surmounted by dragon in 


the clouds. 
5314 inches by 511% inches. 


816—Gotp Brocapre Cover Japanese Seventeenth Century 


Old red field ; woven with interlaced floral motived lozenged lattice 
in blue, gold and pale yellow; enclosing Imperial ivory and gold 


chrysanthemum devices. 
53 inches by 51 inches. 


817—Gortp BrocapE Cover Japanese Seventeenth Century 
Apricot silk; woven solidly in gold threads with circular, medal- 
lioned dragons interrupted by key and cloud scrollings. 


58 inches by 50 inches. 


818—Ivory Brocapr CovER Persian Late Sixteenth Century 


Center and border of rosetted green stripes enclosing various de- 
tached sprays of pink flowers. Ground damassé with interlacing 
floral medallions. (Restored; slightly stained.) 


1 yard 22 inches by 84 inches. 


819—EmproirreD CrotH Cover Persian Seventeenth Century 


Light straw-tan field; semé with appliqué cloth, pink and yellow 
blossoms. Rich blue border with interlacing scrollings of varied 
blossoms. Similar old-red guards. 


1 yard 25 inches by 1 yard 31% inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


Dene eee eee ee nen EL 


820—Sitver Brocape Cover Persian Early Seventeenth Century 


Pale sea-green field, plenteously shot with shimmering silver; 
woven with detached sprays of red-pink roses having blue leaves. 
Crimson millefleurs inner border: outer of shot yellow brocade 
with leaf ogivals occupied by sprays of further dainty pink 


roses. 2 yards 25 inches by 35 inches. 


821—EmprorERED Ivory Sirk Cover French Eighteenth Century 


Lustrous sheer silk; enriched in rich harmonious colors with an 
intricate frontal border of festooned grapes, floral bouquets and 


vines. 3 yards 8 inches by 1 yard 21 inches. 


Third Afternoon 


822—MituEeFLEvrs Gotp BrocapvE Pane 
Ispahan Late Stateenth Century 
Drap dor field; enriched with minutely bordered diagonally 
placed green stripes guarding beautiful vines of lavender, pink, 
eld red and ivory flowers. Border of scrolled blossoms in deeper | 


tones. Height, 6 feet 1 inch; width, 3 feet 5 inches. 


823—-GoLp Brocapr PANEL Italian Eighteenth Century 


Lustrous rose-red field; woven in threads of gold and silver; dis- 
playing leaf-scrolled medallions enclosing bouquets and _ pine- 
apple motives. Lined. Length, 12 yards 2 inches; width, 22 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


824—BrocaDED VELVET CovER Rhodian Seventeenth Century 
Rich ivory field; woven in blue, old red, yellow and green with 
alternating series of leaf scrolling stellate rosettes and smaller 


round rosettes. 
2 yards 8 inches by 1 yard 21 inches. © 


Note: A distinct European influence pervades the pattern. 


825—EMBROIDERED AND QUILTED SILK CovER 
French Eighteenth Century 
Rose-ruby silk, with diamond trellis center. Enriched with side 
borders of quasi-architectural motives of shell devices, ribbons 
and flowers in ivory silks. 
2 yards 4 inches by 1 yard 29 inches. 


826—Pracu Brocape Taste Center Persian Seventeenth Century 


Beautifully fluctuating peach-colored silk; woven with blue in- 
floretted straw-colored palmettes and interrupting detached 
scrolled motives. Similar larger palmettes at end borders. 


4 yards 10 inches by 25 inches. 


827—Goup BrocapE Cover Venetian Seventeenth Century 


Lustrous ivory field, woven in gold threads and colors with series 
of trees and tulips variously sheltering stags, rabbits and flying 
birds. Trimmed with gold galloon. 

2 yards 7 inches by 1% yards. 


828—Rossr-crimson Damask Coverter Italian Seventeenth Century 


Lustrous two-toned silk; woven with an intricate pattern of 


scrolled husks and leafage. 
2 yards 20 inches by 2 yards 11 inches. 


829—Go.tp BrocapE PANEL Italian Eighteenth Century 


Lustrous ruby crimson; woven in lavender and gold threads ; with 
detached scrolled ogivals enclosing bouquets and surrounded by 
vines of grapes. L.ned. 

15 yards 6 inches; width, 21 inches. 


Third Afternoon 


~ rene oT 


830—GoLp anp Sitver BrocaprE Taste CENTER 
sj Ispahan. Late Sixteenth Century 
Center of three bands—ivory, blue and old-red; woven in gold 
semé with innumerable minute palmette motives. Finished with 
borders of interlacing vines bearing pink flowers. End panels 
of blue and pink columned oval medallion in which further gold 


and silver are introduced. 
3 yards 32 inches by 19 inches. 


831—Two Green BrocapE Covers Spanish Eighteenth Century 
Ribbed emerald green field ; enriched with varied detached sprays 


of flowers in brilliant colors. 
2 yards 1 inch by 1 yard 1 ineh, 


832—Rosr BrocapEe Cover Persian Seventeenth Century 
Rose-du-Barry satin; woven in center with two columned and 
domed temples having hanging lamps and vase of flowers below. 
Fine border of infloretted plaquettes having surrounding vines 
and floral borders. Executed in mellow pastel colors. 


1 yard 28 inches by 1 yard 10% inches. 


Kindly read the Conditions under which every item is offered amd sold. 
They are printed in the forepart of the Catalogue. 


833—MILLEFLEURS Gotp BrocapE PANEL 
Ispahan Stateenth Century 
Old-red field ; woven lavishly in gold touched with black semé with 
innumerable dainty blossoms. Foot panel with gold ground, dis- 
playing vases of formal carnations in old-red, blue, silver threads 
and black. Similar borders of scrolled flowers on three sides. 


Height, 9 feet 9 inches; width, 2 feet. 


(Illustrated) 


834—Ivory Brocape Cover French Seventeenth Century 


Damassé ivory ground; enriched with golden leaf and strap 
scrollings interspersed with pink and blue flowers. 


57 inches by 15% inches. 


835—EMBROIDERED Linen PANEL Rhodian Seventeenth Century 


Fan-shaped toward foot. Deep ivory linen embroidered in rich 
old-red and fluctuating jade-green with curiously varying con- 
ventionalized vase and other plaquettes interrupted by bands of 
diagonally placed leaf motives in these alternate colors. 


Height, 9 feet 5 inches; width at foot, 5 feet 5 inches. 


836—EmproweEreD Linen Panen Rhodian Seventeenth Century 


Similar to the preceding. The motives interrupted by quaint 
stripes instead of leaves. 


Height, 9 feet 4 inches; width at foot, 9 feet 4 inches. 


N 


o. 833—MILLEFLEURS GoLtp BrocapE PANEL 


(Ispahan Siateenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


837—CHINESE GOLD-EMBROIDERED Sitk PANEL K’ang-hst 
“The Fairy Queen of the West.” Jade-green silk woven with all- 
over cloud scrolls, enriched in very beautiful mellow-colored silks. 
The elaborately attired Fairy Queen is seated at center attended 
by two genii. A devotee riding a kylin, at left, is attended by 
two personages and Lao-Tze is descending on the back of a flying 
crane; at right a princess riding an elephant, with two attendants 
bearing fruit and flowers approaches center and a fairy descends 
from the sky on the back of a “‘Feng-huang.” — 


Height, 3 feet; length, 8 feet 6 inches. 


ORIENTAL RUGS OF THE EIGHTEENTH AND NINETEENTH 
CENTURIES 


838—SENNA SappLE-cLoTH Rves Late Eighteenth Century 
Dense close pile; field deep tan-ivory, with simulating mihrab 
bracketed in lustrous black; woven with finely arabesqued floral 
motives in pale sapphire-blue, ivory and rose-crimson. Crimson 
border enriched with dainty floral scrollings in the colors of the 
brackets; pearl-bordered guards of brilliant minute crimson blos- 
soms. 


3 feet 2 inches by 3 feet 11% inches. 


839-—Royat Boxuara Rue | Eighteenth Century 


Dense firm weaving, Beautiful lustrous rose-red field; woven 
with two shimmering rose-pink lezenge motives displaying varied 
plaquettes in the rose-red of field, ivory and black; these within, 
guarded and parted by ivory strapped motives of floral and geo- 
metric devices in part latch-hooked. Ivory butterfly motived 
border with scrolled and diamond guards; finished at foot with 
a superb example of weaving, a border of X-devices alternating 
with latch-hooked diamonds in the colors of the field. (Needs 


slight restoration. ) 


4 feet 81% inches by 1 foot 81% inches. 


Third Afternoon 


840—RosxE-crimMson AnD Ivory Rue 

Mid-Persian Eighteenth Century 
Dense ivory field; woven with soft green leaf-scrolled, handled 
vases in rose-du-Barry having sapphire-blue blossomed centers 
and high loose bouquets of similar pink roses with sapphire-blue 
birds perched at the crowns thereof. Rose-crimson borders and 
guards displaying varied pale green, yellow, black and ivory con- 

ventionalized blossoms. 
4 feet 7 inches by 3 feet 1 inch. 


841—JapE GREEN AND Crimson Rue 

Northeastern Persian Early Eighteenth Century 
Rare firm pile; shimmering rose-red field of many ruby tones; 
woven in sedate jade-green with vases sustaining large arabesqued 
pomegranate motives. Lighter jade-green border on three sides 
displaying series of rose-crimson, pink and black j’uéi motives ; 
crimson and yellow key patterned guards and outer band of rose- 

red. Fringed at one end. Fragment of a larger long rug. 


5 feet 1 inch by 2 feet 7 inches. 


842—SapPHIRE-BLUE MiILLEFLEURS Ruc 

Chinese Nineteenth Century 
Sparkling sapphire-blue field of great radiance; woven in red- 
pink, deep ivory, black and golden-yellow with arabesqued bou- 
quets of varied charming carnations. Banded blue border of 
angular scrolled lotus blossoms in red-pinks; inner blue and gold 
key-patterned minor border with pearl guards. Finished with 
an outer band of recurring sapphire-blue. . 


5 feet 6 inches by 2 feet 11 inches. 


843—Royat Boxuara Rose-rep Meparziionep Rue 
Eighteenth Century 
Lustrous flame rose-red fluctuating with gemlike ruby areas. 
Woven in black, sapphire-blue, ivory and rose-pink with detached 
rows of latch-hooked diamonds alternating with blossomed 
stepped cruciform motives. Scrolled husk-blossom border with 
striped and angular leafed guards. (Needs slight restoration. ) 


6 feet 2 inches by 4 feet. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


nner ees eee 


844—Si1rk Prayer Rue Mid-Perstan Late Eighteenth Century 
Lustrous tan-ivory mihrab with pale blue lotus-scrolled span- 
drils, gracefully floretted columns supported on scrolled lotus 
jardiniéres and leaf-scrolled plaquetted vase emitting loose bou- 
quet of varied flowers ramifying the arch. Woven in jade-green, 
old red-crimson, blue, lustrous black, deep yellow and lavender. 
Black border displaying lovely angular sprays of sapphire-blue 
hyacinths guarding floral plaquettes; broad crimson guards of 
scrolling lotus, small carnations and asters. 


6 feet 2 inches by 4& feet 4 inches. 


845—Rosre TRELLIsED Rue Mosul Eighteenth Century 
Ruby-red field, latticed with small soft jade-green diamonds en- 
closing rose-pink blossoms. Light sapphire-blue borders woven 
with square bouquets of carnations in crimson-pink, black and 
light green. Double guards of green scrolled pink carnations on 
tawny grounds and many blossoms; yellow outer guards. 


8 feet 514 inches by 4 feet 2 inches. 4 


846—Rose-pu-Barry MeEpaLiionep Rue 

Shirvan Late Eighteenth Century 
Beautiful glowing rose-du-Barry field; woven with seven vari- 
colored arabesqued lozenge medallions enclosing latch-hooked 
lozenge motives in sapphire-blue, ivory, jade-green, yellow and 
black. The medallions are parted by spade-terminated staves 
and surrounded by very varied complex animalistic and geometric 
motives. Ivory border with multicolored interlaced latch-hooked 
X-motives ; angular scrolled golden-yellow inner border pinnacled 
and blossomed over field; crimson-banded black and blue guards. 


9 feet 4 inches by 4 feet 1 inch. 


847—SAPPHIRE-BLUE Rue Shirvan Eighteenth Century 
Rich resonant sapphire-blue field, with charming lighter areas. 
Deep blue borders displaying arabesqued squares, linked to 
scrolled staves and having floretted pomegranate motived centers, 
in ivory, crimson and yellow; double guards of scrolled sapphire- 
blue and tawny-brown bearing scrollings of crimson carnations. 


12 feet 11 inches by 3 feet 9 inches. 


Third Afternoon 


848—Royat Boxuara Carpet Early Eighteenth Century 


Lustrous jaspé cherry-red field, with fine deep areas. Woven in 
black, ivory, deep blue and rich rose-pink, with oblong lattice 
enclosing finely blossomed double cruciform motives and bearing 
at the intersections particolored lobed lozenge devices having 
stellate centers. Very intricate borders in the colors of the field 
displaying floretted X-devices, chevroned motives and oblongs of 
stellated lozenges ; dainty guards of double-U motives alternating 
with tiny blossoms. End finished with blue and old-red stripes. 


(Needs slight restoration. ) 
9 feet 3 inches by 6 feet 3 inches. 


~849—Two Marcuep JapE-GREEN AND Rosr-pu-Barry Rves 

| Fereghan Late Seventeenth Century 
Deep variable jade-green field. Woven in rose-du-Barry pink 
and crimson, black, light and dark sapphire-blue, yellow, ivory 
and plum-color with slender staff bearing alternately highly con- 
ventionalized bouquets of lilies and curious archaic h or bird-like 
motives embodying cloud scrollings and infacing three small car- 
nations; similar smaller outfacing motives flank the bouquets. 
Charming broad rese-du-Barry pink borders displaying angular 
scrolled large lotus blossoms and ovaled blossoms of Herati 
leaves. Angular scrolled ivory guards. 


Respectively, 15 feet 6 inches by 3 feet 2 inches, and 14 feet 9 inches 
by 3 feet 2 inches. 


Note: It is rare, indeed, to find two seventeenth century rugs of this 
fine quality so very beautifully matched. 


$s 


~ 


De aa rom aes 


3 


FOURTH AND LAST AFTERNOON’S 
: SALE 


SATURDAY, FEBRUARY 24, 1923 
IN THE ASSEMBLY HALL 
OF 


THE AMERICAN ART GALLERIES 


BEGINNING AT 2.15 O'CLOCK 


Catalogue Numbers 850 to 997, inclusive 


MISCELLANEOUS CABINET OBJECTS 


850—CuinesE Carvep CrystaL Group Ch’ien-lung 
Recumbent “Dog of Foo,” playing with brocaded ball in fore- 


paws. 
Length, 2 inches. 


851—Cuinesr Carvep CrystaLt Box Ch’ten-lung 
Irregular oval, with loose cover. Enriched on both sides with 
Buddha’s-hand fruit, the citron and sprays of leaves. Open leaf 
and scroll-carved stand. 


Length, 4 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


852—Carvep Rock Crysran Ewer Italian Siateenth Century 

Oviform body; enriched with masks, festoons, flutings and two 

episodes from Neptune’s life within scroll-panels; molded round 

foot with scrollings. Scrolled neck with two masks. Handle 

composed as a demi-siren clasping a dolphin’s tail. Mounted in 
gilded silver with valanced collars at handle and below body. 

Height, 914 inches. 

853—Carvep Rock Crysrau VAsE French Eighteenth Century 

Faceted, tulip-shaped body, with high balustered stem, many- 

sided flaring foot and triple domed cover terminated with four 

cabochon opals set as terminal. In various sections held together 

by a silvered rod. Height, 9%, inches. 


854—Rocx Crystrat Covurpr, Mountrep 1n Cutvre Dore. 
French Eighteenth Century 
Fluted elliptical bowl, with oblong baluster side handle. On 
faceted round stem and fluted oval foot. Mounted on cuivre 
doré with rosetted and fluted collars above and below ball stem. 
Height, 454 inches. 


Fourth and Last Afternoon 
I 


855—CuInese Carvep Rock Crysrat Coverep VasE Cl’ien-lung 
Oblong section, gracefully expanding at middle. Enriched with 
animal and ring handles and key-patterned borders at lip and 
foot. Molded cover with oval aperture surmounted by weird 


figure of a tiger. 
Height, 101% inches. 


856—Two Cutnes—E Mutton-Frat Jape Bowts Ch’ien-lung 
Bell-shaped bowl, with short foot and saucer-shaped cover. 
Finely fashioned of rare even-textured pale greenish-cream jade. 


Seal marks on cover and bowl. 
Diameter, 61/, inches. 


8564—Two CuinesE Mutton-Frat JADE SAUCERS Ch’ien-lung 


Even texture of pale greenish-cream jade. 


857—SMatu Cuivre Dorr SHArep Box 
Oval pear-shaped, with small knopped pendant, domed hinged 
cover with swivel looped ring for suspension. Chased with fan 
motives and floral sprays. 
French Eighteenth Century 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


858—Carvep Ivory PLaaQuE French Stateenth Century 
Oblong; with traceried round niche occupied by the stately arisen 
figure of “Our Lord.” His Mother and Father are kneeling in 
adoration before Him. (Imperfect. ) 


Height, 21 inches; width, 1% inches. 


859—ScuLPTuRED OBLoNG BaAs-RELIEF , 
After Albert Durer; Seventeenth Century 

“St. Christopher.” Virile bust of bearded man with long curling 

hair, turned in profile to left. Signed similarly to the original, 


1505 and monogram AD. 
_ Height, 3144 inches; width, 24% inches. 


860—Batrersea Enamet NecessarrE English Eighteenth Century 
Long tapering heart-shape, with hinged cover. Mounted in 
cutvre doré at hinge, top and foot. Decorated with scroll panels 
displaying reserved landscapes, flowers and two scenes, “Venus 


and Cupid.” On yellow grounds. 
; Length, 334 inches. 


861—Carvep Ivory SHEATH Flemish Renaissance 
Oval tapering sheath, fitted for knife and fork and with round 
pierced side spurs for suspension. Carved with figures of “King 
David” and “Warrior” under canopies, at crown with pearl mold- 
ing, at foot with leaf-enriched heart-shaped cartouches and acorn 


pendant. Side bands inlaid with malachite. 
Length, 734, inches. 


862—Carvep Ivory PLaQuE Flemish Late Sixteenth Century 
Oblong; depicting two episodes in the life of the Virgin. The 
upper, ‘“The Adoration of the Three Wise Men of the East.” 
The Holy Virgin is seated in a stable, the Infant Saviour on Her 
lap; the three wise men and St. Joseph are grouped before the 
sacred couple. Under, ‘““The Dying Virgin,” laid on a pallet at- 
tended by the elders and apostles of the church. 


Height, 414 inches; width, 2% inches. 


Fourth and Last Afternoon 


[ 863—EnaMELED Gotp Knire anv Forx 
: Italian Seventeenth Century 
Handles as standing figures of “King and Queen,” variously hold- 
| ing sceptre, long staff and bouquet of flowers. Rich royal blue, 
FE green and ivory enamels. Steel blade marked with crescent 
joined to star. Four-tined fork marked S. 

Lengths, 64% inches and 5%% inches. 


; 864—PincuBeck GoLp CHATELAINE 

| French Early Eighteenth Century 
Scrolled cartouche-shaped nécessaire with hinged cover and hinged 
double girdle cartouche and strap hook at back. Enriched with 
classic figures of Mars and Venus, Venus and Adonis, Pastoral 
subjects and rocaille scrollings. Fitted with tweezer, knife and 
Scissors. Length, 7°, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed wn the forepart of the Catalogue. 


865—DecoratepD Eum-root Tra Cappy : 

By Angelica Kauffman, English Eighteenth Century 
Oblong with hinged cover, inlaid with tulipwood bandings and 
three oval medallions occupied by finely painted ivory miniatures. | 
In the top, ‘**I!'wo Charming Sisters” placing a floral wreath on 
a votive altar; front with two miniatures; in each, one of the 
sisters at pastoral avecation. Interior fitted with two cut-glass 
stoppered caddies of the period. 


Height, 51% inches; length, 75% inches. 


Fourth and Last Afternoon 
eres tere ere meee rere, ener SST EAT EONNOON 


866—Inuaiw Turtipwoop Mustcat Box, Mountrep 1n Cuivre Dort 
French Eighteenth Century 


Paneled oblong top and front, enriched with medallioned par- 
quetry and key bandings in tuya, tulip, hare and kingwood. Sup- 
ported on ivory lacqué columns and key-pattern base with ash- 
lared feet. The front and end panels hinged to open. Mounted 
in finely chiseled cwivre doré, with square balustered gallery gad- 
rooned at foot and terminating end pedestaled leaf-vases, the 
columns having Corinthian capitals and rosetted bases, frieze 
and base moldings, and lower panel of rosetted medallions. Plays 
several old-fashioned tunes on brass cylinder. 


Height, 151% inches; length, 1834 inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. | 


SCHOOL OF JEAN HONORE FRAGONARD 
Frencu: 1732—1806 


867—Ivory Miniature Porrrair | 
Bust portrait of a fragile young lady with large eyes, a blue rib- 
bon tucked into her rambling hair, figure to right and face turned 
three-quarters front. In a light gown with small puffs at the 
sleeve tops, and wearing a white lace boa about her neck, loosely 
tied with a blue ribbon. Mounted in gold. 


(Illustrated) 


868—Sratuary Marsie Musicat Box, Mountep 1n Cuivre Dork 


Louis XVI Period 


Molded oblong marble top, with semicircular ends. Supported 
on six fluted marble pilasters and base of similar contour to top. 
Richly mounted in chiseled cutvre doré with rosette and acanthus 
rinceaux to small fascia of top; finely latticed and husk panels 
between pilasters flanking central oval medallion with scrolled 


spandrils and enclosing original cut silk basket of small flowers. | 


Plinth with panel of sportive cupidons, engine-turned end panels 
and flattened bulbous feet. Lattice panels with green silk backs. 
Plays several old-fashioned French airs. 


Height, 914, inches; length, 1814 inches. 


(Illustrated) - 


869—Bronze Tasre Bett py F. Hemony 
Hamburg, Mid-sixteenth Century 
Molded bell, enriched with many archaic figures, the coat-of-arms 
of Hamburg and inscription at foot: mE FEcIr ANNo 1569 F. 
HEMONY. Handle in the form of an armored knight. 


Height, 634 inches. 


—E 


No. 867—Ivory Miniature Portrait 
(School of Jean Honoré Fragonard) 


No. 868—Statuary Marsre Musica, Box, Mountep 1N Cuivre Dore 
(Louis XVI Period) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


870—Hownn’s Bronze CoLiar Italian Seventeen Century. 
Broad-banded circular collar, with hinges at one side and spring © 
eatch on other. Enriched with two coats-of-arms and intricate 
engraved leaf and strap arabesque scrollings. Lined with parch- 


ment. 
Diane ‘7 inches. 


871—RareE Cuivre Dort Locx, Hasp anp Key : Pet Fem: 
Italian Renaissance 

Molded square lock plate; enriched with vase and mask pilasters, a 
flanking motives of military trophies above sleeping figures of a 

Venus and Adonis. Tapering hasp, with robed figure of Pomona | 
carrying basket of fruit on her head and standing above a quarts am 
tered oval-shaped coat-of-arms, Rich original patina. Peres Sel 
iron Gothic key with oval pierced radiated how. . im 


Lock plate, 7 inches square. 


(Illustrated) 


No. 871—Rare Cuivre Dort Lock, Hasp anp Key 


: (Italian Renaissance ) | 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


CUIVRE DORE AND MARBLE GROUPS AND CANDLESTICKS 


872—GiLpED Bronze Group 
Nicholas Couston, French (1658-17383). 
A chubby cupidon, asleep, grasps the head of a curling dolphin, 
on whose back he is reclining. The dolphin skims over the crest 
of wave motives. Finely modeled and broadly chased. Rich orig- 
inal patina. On molded oblong plinth. 


Height, 9%, inches; width, 934 inches. 


(Illustrated) 


873—Cuivre Dore Group Empire Period 


“The Empress Josephine.” Wearing typical Grecian robes and 
holding a flaming heart in her right hand; a wreathed and flaming 
torchére is at her left. On oblong rouge marble plinth; mounted 
with rosetted and husk-motived base having short feet. 


Height, 1814 inches; width, 834 inches. 


874—Two Cuivre Dort anp Marsie CanpLesticks 

Régence Period 
Finely chiseled cutvre doré. A lightly draped nymph is seated on 
the upcurled tail of a dolphin, one foot resting on the animal’s 
head; she holds aloft a smaller dolphin, from whose mouth issues — 
a leaf bobéche and fluted socket. A bearded satyr is seated on 
the back of a lion crouching toward back. On round pink Bréche 
marble pedestal; molded with statuary marble at foot. 


Height, 171% inches. 
(Illustrated) 


S74 872 | 874 


No. 872—Gitpep Bronze Group (Nicholas Couston, French, 1658-17838) 


No. 874—Two Cuivre Dort ann Marsie Canpvuesticks (Régence Period) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


CUIVRE DORE CRYSTAL AND MARBLE CLOCKS AND CANDE- 
LABRA OF THE SEVENTEENTH AND EIGHTEENTH CENTURIES 


875—Cuivre Dort Crystan Crock Augsburg, Seventeenth Century 
Elongated octagonal case, supported on the head of a kneeling 
Atlas; the case with crystal sides and back having florally pierced 
faceted border to silvered round dial; surmounted by a standing 
figure of “St. John the Baptist Preaching in the Wilderness.” 
On molded elongated octagonal base, with folding shrine under 
foot ; painted with episodes in the life of our Lord. Signed: Wil- 
helm Zoller. (Crystal and painting of shrine imperfect.) 


Height, 9 inches. 


From the collection of Count Raoul Hamilton, Overshoim, Skane, 
Sweden. 
(Illustrated ) 


876—Two AxapasterR Vases, Mountep 1n Cuivre Dore .- 

French Eighteenth Century 
Graceful fluted oviform vase; with small incurved mouth, small 
shaft and square base, of rich mottled creamy alabaster. 
Mounted in cutvre doré with gadroon-molding at lip, pearl mo- 
tives on shoulder, fine ram’s-head and husk handles, acanthus and 
water leaves at base, laurel garland at foot and small square 

plinth. 
Height, 1334 inches. 

(Illustrated ) 


(Aanjuay Ypuaayphig youasy) auog AUATAS) NI GULNAOP! ‘sasv A YALSVAVIY OMT—919 ‘Oo 


(Nungua Ypusajuoaay “bangsbhny) M9017) TVL 
918 


N 
SAU AMO AWAIND—czg ‘ON 
G18 


918 


Kindly read the Conditions under which every item is offered and sold. q 
They are printed in the forepart of the Catalogue. a 


877—BisavE Crock, Mountep 1n Cuivre Dort  Directotre Period 
Drum movement at right against which a charming ¢upidon, 
seated on a draperied cushion, rests his left arm. On oblong 
plinth enriched with panels of cuivre doré, a rooster amid acan- 
thus rinceaux, scrolled honeysuckle at ends. Half-statuary marble q 
base of same contour as plinth, mounted with pearl molding and a 
round feet. Porcelain dial. 


ae ee 


Height, 1214 inches; width, 1034 inches. | . 


878—Curvre Dori Group Empire Period 


“Love’s Missive.” A maiden in typical clinging low-cut robe, 


holding a letter in her right hand, advances to her willing mes- 
senger, Cupidon, standing on a small bench ready to fly at the 
bidding of his mistress. On oblong black marble base, mounted 
on leaf and rope motived gilded plinth, with stump feet. 


Height, 131% inches; width, 93/4, inches. 


Fourth and Last Afternoon 


879—BronzE AnD Cuivre Dort Crocx Louis XVI Period 
Round porcelain dial at right, set in fluted half-column; sur- 
mounted by a draped vase having pineapple terminal. A green 
bronze cupidon, allegorical of the “Arts,” is seated on three 
volumes at left. On cuivre doré oblong base enriched with leaf 
rosettes, scrollings, guilloche motives and round feet. Dial 
signed “Courvoisier 4 Paris.” (Bronze figure of cupidon has 


been refinished. ) 
Height, 121% inches; width, 12 inches. 


880—BronzE Group After Clodion; Directotire Period 
“A Vestal Virgin.” Stately standing figure, robed in Grecian 
draperies, carrying a vase under her left hand and tending her 
altar fire with right. Rich green black patina. Signed at back 


of shaped plinth, ‘Clodion.” 
Height, 2034 inches. 


From the collection of Count Stenbock, Ornd, Sweden. 


Note: The Count inherited this charming bronze from the Princess Sophia 
Albertina of Sweden, sister of King Gustavus III. 


K indly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


881—Sraruary Marnie Crocx, Mounrep 1n Cuivre Dorr 
French Eighteenth Century 
Round porcelain dial set on marble pedestal, with cloud forms at 
left. and surmounted by rose-garlanded trophy. Two cupidons, 
allegorical of astronomy, are at left and right: at left, seated 
on clouds playing with two telescopes; at right, standing on two 
books before a celestial globe. Oblong paneled base with round 
ends, enriched with leaf rosettes, panel of sportive cupidons and 
spirally gadrooned round feet. Dial inscribed ‘‘Bréant.” 


Height, 1414, inches; width, 137% inches. 


Fourth and Last Afternoon 


882—-BronzE AND Cuivre Dore Crock 

After Clodion and Gouthicre 
Round porcelain dial, with cutvre doré tun-shaped movement, 
canopied by four rustic arched stems bearing many grapes and 
pineapple terminal. ‘The movement is set above a draped lon- 
skin on two long poles borne on the shoulders of two sturdy 
juvenile satyrs of green bronze advancing over a rustic base to 
left. On statuary marble oblong plinth, with round ends. 
Mounted with rope molding on leaf vase feet. Dial signed: 


Piolaine a Paris.”’ 
| Height, 1734 inches; width, 16%, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. 


883—Cuivre Dort Mountep Statuary Marsrie Crock 

By C. W. Haase; Directotre Period 
Pyramidal marble shaft, with molded oblong base. Circular por- 
celain dial, set toward foot of shaft. Mounted in cuore doré 
with surmounting classic panel, “Two Nymphs,” sustaining the 
globe and having a cupidon dancing above; under are two out- 
facing lions joined with a drapery festoon, sides with long open 
military and laurel-wreathed trophies, the shaft surmounted by 
an intricate armillary globe; base with panel of sportive cupidons 
and drum feet. Auxiliary black marble plinth mounted in 
cutvre doré with chain-festooned shell motives at cornes and urn- 
shaped feet. . Height, 30%, inches; width, 131/, inches. 


884—Two Bronze anp Cuivre Dort Marsre CAnDELABRA 

Directotre Period 
Graceful draped nymph holding aloft with both hands a cornu- 
copia emitting central spiral shaft terminating in a plume, and 
three leaf-scrolled arms for lights, joining the center shaft under 
plume. On round statuary marble pedestal having cupidon ap- 
pliqué and square black marble base apparently of a later period. 
Height, 2834 inches. 

From the collection of the Countess Taube, Elesj6, Sweden. 

(Illustrated ) 


885—CuivreE Dort Mountep Marsiet Crock 

By Barancourt: Directotre-Empire Period 
Circular porcelain dial, set in oblong black marble plinth and 
surmounting pyramid; mounted in cwivre doré with the lion-skin 
and clubs of Hercules as trophy on plinth, the pyramid with 
laurel garlanded and winged flaming torch surmounted by an 
eagle perched on orb. The black plinth sustained on an elongated 
oblong statuary marble base having flanking twin corniced 
columns and supplementary base. Mounted with balustered gal- 
leries, four flowered black marble vase pinnacles, medallioned 
warriors’ heads, laurel-wreathed panel and seven urn feet to base. 
Supplementary base with pearl molding. Signed: “Barancourt 

ay Le tee Height, 2914 inches; width, 20% inches. 
Note: This fine clock was presented by the Emperor Napoleon to Marshal 

Ney, as is inscribed on back of ball under eagle: “A M. Ney par lEmpereur.” 


(Illustrated) 


(powag audugq-as10j9a0q7 <yunoounsng fig) “0019 AIAUV]Y GILNAOW AAO AYAIND—gge ‘ON 
(powag 2420}9041q.) VUAVITGNVD AIAUVIN AUC] AYAIND ANV aAZNoUg OMIL—FS88 ‘ON 


788 ¢88 788 


PPD Dee i Soh a RR ADR OHI OMT A 0 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


886—ImportTant Frencu Cuivre Dore Vase wirn Crock 

By Nils Berg, Stockholm; Louis XVI Period 
Vase-shaped ; with loose husked, spirally fluted high dome-cover 
having ball terminal, boldly modeled ram’s-head handles sustain- 
ing festoons of laurel husks, which also garland the circular por- 
celain dial set above center of body, further enriched with series 
of fine water-leaves at foot. Round spreading base similarly 
adorned with flutings to cover, leaf-molded below. On square 
plinth having incurved corners and guilloche motived panels. 
Fine chiseling and gilding. Signed on porcelain dial: “Nils 

Berg.” : 
Height, 43°, inches. 
Note: A similar vase, slightly smaller, is in the Royal Swedish Collection. 

(Companion to the following) 


(Illustrated) 


887—Two Important Curtvree Dort Vases 
French Louis XVI Period 


Similar to the preceding; without clock and plinth. 
Height, 3914, inches. 


Note: A similar important vase to these is in the Royal Swedish Col- 


lection. 
(Companion to the preceding ) 
(Illustrated ) 
888—Cuivre Dort anp Marsie Crock After Falconet 


Drum movement supported on statuary marble pedestal and ob- 
long plinth with rounded front. Enriched in finely chiseled cuivre 
doré with lightly draped figure of Venus standing at right, en- 
wreathing a cupidon resting on the drum of clock, over which a 
drapery falls to a trophy and clouds at left; a wreath of roses is 
over the dial and a quiver of arrows is at Venus’ feet; plinth with 
panel of sportive cupidons and rosettes. On black marble base 
having the same contour as plinth, and round feet. 


Height, 1414, inches; width, 12% inches. 


From the collection Lewenhaupt, Stockholm, Sweden. 


(powed TAX SOT “YouetT) sasvA aUOG TUATO SY INVLYOdW] OMT— 199 "ON 


(Pomed [AX sory Swpoyyooiy ‘bag SEN hg) 


MOOT) HLIM ASV A AUO 


188 


Kindly read the Conditions under which every tiem is offered and sold. 
They are printed in the forepart of the Catalogue. 


889—CuivrE Dort Mountep Musicau Crock 

After Falconet and Gouthtére 
Circular porcelain dial, supported by two outfacing winged 
cutwre doré sphinx, central honeysuckle motive and oblong plinth 
of very beautiful red Verona marble, set on a base of similar 
marble with extended round ends; upon which stand two graceful 
nymphs sustaining garlands of flowers festooned from the hands 
of a winged cupidon surmounting the dial of clock; an altered 
ewer and a tripod are beside the nymphs and two juvenile satyrs 
are seated before the plinth. The base has panel of Bacchic 
cupidons playing with lions and lambs. Elaborate pedestaled 
socle, enclosing the musical cylinder and pipes. ‘The molded top 
and base are of the same contour and rich marble as in clock. 
Richly mounted in finely chiseled cutvore doré with egg-and-leaf 
moldings, finely balustered open gallery and delicate acanthus 
rinceaux at marble top, which is supported on beautiful cary- 
atids rising from base. Open round central medallion with sub- 
ject, “Venus Rising from Waves,” 
and flanked by wreaths of ivy leaves. Open end panels of the 
‘Sun in Splendor” above intricate trophies. Base with panel of 
cupidons lighting their flambeaux at a brazier, rosettes, festooned 
end panels and flattened bulbous feet. The chiseling of the cutore 

doré is of the most exquisite character and beauty. 
Height of clock, 231/, inches; of socle, 1634 inches; widths, 21 inches 

and 251/, inches. 
‘From the collection of General von Friborg, Copenhagen, Den- 
mark. 


From the collection of Colonel Paulsen, Hothe, Copenhagen. 
(Illustrated) 


890—Two Bronze anp Cuivre Dort Marpize CAnDELABRA 

French Eighteenth Century 
Standing figure of Venus, in green bronze; she wears a Grecian 
chiton and holds aloft in one hand three cornucopia arms en- 
riched with fruit; in other lowered hand two similar arms. On 
high, molded square statuary marble pedestal enriched with 
gilded moldings. Height, 81 inches. 
From the collection of Count Stenbock, Ornéd, Sweden. 


Note: The Count inherited these two interesting candelabra from Princess 
Sophia Albertina, sister of King Gustavus ITI. 


(Illustrated) 


supported by winged sphinx — 


| 


ee eee 


ee ne ee a ae Cree, | 


ron eee 


(hanquag yyuaaybig youatg) VAAVIAGNV) ATAUV]Y THO] AYAIND ANV AZNOUG OMT—O68 “ON 


(asatyjnoy pup jauooppg 1aj{f) MOOT) IVOISAY GILNAOJW FHOC] AMAIND—688 “ON 


068 688 068 


_gausvcenasmuantheanntceu oer cenen seen anaccanapetesem sone weteote nen 


RO Gne ee RAFAERELORRERPEANAL SGOT ORE 


% 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


891—Inuaip Kinewoop Crock anp Bracket, Mounted 1n Curvre 


Dort By A. Dubois; Lows XV Period 


Arched and scrolled cartouche-shaped clock; with incurved dome, 
serpentine tapering oblong bracket. Richly mounted in chiseled 
cuvore doré with surmounting figure of David bearing the head 
of Goliath, leafage at dome, arched crown with shell-motived 
floral wreath, under panel of porcelain dial with figure of Andro- 
mache chained to the rock, feet, valance, molding and pendant of 
bracket with rocaille scrollings; the bracket also has corner ap- 
pliqués of leafed nymphs’ masks. Signed: “A. Dubois” on back 


of clock door and back of bracket. 
Total height, 821% inches. 


Fourth and Last Afternoon 


892—Cuivre Dort PenpuLE anp BRACKET 


By Joseph Morleret and Gallien, Ciseleur; Louis XV Period 
Finely scrolled cartouche-shape, with incurved feet. Enriched 
with varied rocaille motives and leafage, surmounted by a cupidon 
seated on clouds above a curious sunburst; ends with open blos- 
somed lattice-panels. Open, shaped bracket with further rocaille 
scrollings and central coiled chimeric dragon. ‘Signed on dial 
and back of movement: ‘‘Joseph Morleret 4 Paris.” Signed under 
foot of clock by the bronze ciseleur, Gallien. 


Total height, 291% inches. 
From the Lewenhaupt Collection, Malhammar, Sweden. 


Note: It is excessively rare to find both the signatures of the clockmaker 
and also of the bronze ciseleur on one clock, for in most instances one 
worked for the more eminent of the two and his name was suppressed. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Cataiogue. 


893—Curvre Dore anp Bronze Mountep Marsie Crock 


Directoire Period 


Circular porcelain dial, surmounted by gilded festoons and cloud 
forms, above which flies a cupidon of greenish bronze; supported 
on a statuary marble urn having support of spiraled rosette at 
center and double spiral tripod legs with eagle heads and claw 
feet. On oblong statuary marble base, broken at center front 
and enriched with central Sévres blue jasper plaque of sportive 
cupidons and on the long flanks with similar plaques in cutvre 


doré; vase feet. The flanks sustain statuary marble pedestals 
-adorned with small chain-festooned oval classic Sévres medal- 


lion and are surmounted by two green bronze figures, robed 
nymphs allegorical of the arts of “Painting” and “Literature.” 
Small portions of the mountings apparently of a later date. 


Height, 22 inches; width, 19%, inches. 


Fourth and Last Afternoon 


894—Cuivre Dort Carter By Béeckaert; Louis XV Period 


Round porcelain dial, set in a cartouche of fine scrollings of 
rocaille and leafage bearing sprays of flowers and arched basketed 
arbor at crown under which is a seated cupidon. Signed on dial: 
*Béeckaert 4 Paris.” 

Length, 231, inches; width, 1414, inches. 


From the Hjort Collection, Virondé, Stockholm. 


895—CutvrE Dork Mounten Marsue Crock -Directoire Period 


Clock in the form of a round temple, having fluted open columns, 
surmounted by an open fluted frieze, porcelain annular revolving 
dials and vase-pinnacled stepped dome; on molded base and in- 
dividual oblong Alps-green marble plinth, mounted with gilded 
scrollings of demi-nymphs; centered on an extended oblong plinth 
of statuary marble enriched- with laurel garland, honeysuckle 
scrollings and vase feet. The extended ends of plinth sustain 
two pedestals of statuary marble adorned with bandings of classic 
figures, leaf/ and gadroon-moldings; these surmounted by two 
gracefully draped nymphs, in green bronze, carrying cutvre doré 
scrollings sustaining displayed eagles. The marble base has been 
subsequently rearranged and portions of mountings thereon are 
apparently of a later date. 

Height, 294 inches; width, 23%, inches. 


From the collection of Count Stenbock, Ornd, Sweden. 


896—Two Bronze anp Cuivre Dort CAanpdELABRA 

By Fenchére; French Directoire Period 
Bronze standing figure of Pomona sustaining with both hands 
on her head a basket of cutvre doré fruit, emitting a medallioned 
staff of wheat and three bronze arms in the form of demi-chimera 
crowned by festooned gilded bobéches and sockets. On high 
round statuary marble pedestal enriched in cutvre doré with four 
columns borne on the heads of couchant lions, rosettes, scrollings 


and vase feet. 
Height, 3314 inches. 


From the collection of Colonel Fischerstrom, Stockholm, Sweden. 


Kindly read the Conditions under which every item is offered and sold. 
~ They are printed in the forepart of the Catalogue. 


897—-AsTRONOMICAL CuIvrE Doré Srrikinc Taste Ciock 

Nuremberg Seventeenth Century 
Square architectural form; with fluted and pedestal columns at 
corners, broad molded base broken round columns. Surmounted 
by a balustered gallery enclosing similarly galleried and arcaded 

turret sustaining round arcade with guilloched mosque dome. 
The bells of movement are within the turret and arcade. Each | 
face with dials variously recording hours of the day, days of = 

month, phases of the moon and sun; the lower side dials enriched 

-with enamels on silvered grounds. 
Height, 1434 inches. 


From the collection of Baron Rudbeck, Edsberg, Sweden. 


Fourth and Last Afternoon 


. 5 by : oe 
‘ 
° ‘ 


898—-EumM-root CuHiminc Bracket CiLocK 


By John Ellicott;London Eighteenth Century 


Molded dome and cornice; oblong case with canted pilasters, 
arched door having pink silk spandrils and glazed ends. On 
molded base. Mounted with five-flamed vase-pinnacles, rocaille 
appliqués on dome, fine leaf loop lifting-handles, pilaster pend- 
ants of scrolled demi-nymphs and straight banded plinth with 
exceptionally virile leaf-scrolled toes. Annular silvered hour 
dial with gilded scroll-corners and small similar dial in dome indi- 
cating the tunes played, “Buttered Peas” and a “Minuet.” 
Signed: “John Ellicott, London, 1700-1772.” See Britton, 
page 107. 
Height, 241, inches; width, 1414 inches. 
_ Note: An exceptionally fine, rare specimen of this noted clockmaker’s 
work. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the 1 Pa of the Catalogue. 


899—Two Cuivre Dors& Wart APPLIQuES 
French Eighteenth Century 


Leaf-scrolled back, adorned with sprays of flowers; two irregu- 
larly scrolled leaf arms with blossomed spirally scrolled candle 
sockets, and enrichment of ivory porcelain flowers. 


Height, 1414, inches. 
From the collection of Herr Nystrand. 


900—Two Sratuary Marsie Cassotetres, Mountrep 1n Cutvre 


Dore Louis XVI Period 


Bowl-shape, with round covers and incurved triangular base. 
Mounted in chiseled cutvre doré, with tripod slender legs having 
rams’ heads and leaved hoof feet, rope moldings, center rosette 
pendent, with rope motived shaft terminated at plinth with 
rosetted pineapple, molded round feet and vine-leaved pineapple 


to cover. 
Height, 13%, inches. 


Fourth and Last Afternoon 


901—Two Cuivre Dort Anprirons Louis XV Period 


, Figures of youth and maiden wearing Watteau costumes, seated 
facing one another upon open scrolled rocaille motives. Steel 


back-irons. | Height, 91% inches. 


: From the he BPE of Count Stenbock, Orné, Sweden. 


902—Two Cuivre Dort Watt Arppiriavks 
French Eighteenth Century 
Back, with oak-wreathed stag’s head in full relief: surmounted by 
a scrolled cornucopia arm enriched with rosettes and varied leaf- 
age and similar to two arms below. Shaft of finely chiseled acan- 
thus and clustered oak leaves bearing acorns. Height, 181/, inches. 


From the Castle of S66, owned by the Banér family. 


903—Two ALaAaBAsTER CANDELABRA, Mountepd 1N Cuivre Dort 
Directotre Period 
Vase-shaped creamy alabaster body. Mounted in cutvre doré 
with three sprays of lilies for lights, double serpent handles, satyr 
masks, festoons of flowers and leaf moldings. On tapestry gray 
marble plinth adorned with festooned fruit and drum feet. 
Height, 361%, inches. 


From the collection of Count Nils Posse, Stockholm, Sweden. 


Kindly read the Conditions under which every item is offered and sold. . 
They are printed in the forepart of the Catalogue. : 4 


904—Bronze and Cuivre Dort CassoLetTtTE Directotre Period q 
Vase-shaped cuivre doré body ; with spiral flutings, basket pierced = 
shoulder having leaf and husk motived loose cover; coiled serpent 
under pendented body resting on rosette at base, laurel molded 
and scrolled feet to round statuary marble base. Supported by 
bronze tripod legs of winged demi-nymphs terminated in hoof feet. 


Height, 1314 inches. 
From the collection of Sir Lioned Phillips, Bart., London. 


905—Bronze Group | Italian Seventeenth Century 
Lion, standing with right forepaw raised, holding a gilded ball; 
his mouth is open, snarling at some object above him; long curl- 
ing mane highly conventionalized green-brown patina. 


Height, 934 inches; length, 1134 inches. 


Fourth and Last Afternoon 


906—BronzEe Group 
By Adrian de Vries, Flemish Seventeenth Century 


“Neptunus.” Bearded and curly-haired man of lithe physique; 
holding aloft a conch shell in left hand, his trident in his right. 
His right foot raised on the head of a dolphin, whose tail rises 
and covers the lower portion of his body. Rich green-gray 
patina. On statuary marble pedestal of later period. (Trident 
imperfect.) 

Height, 1914 inches. 


Kindly read the Conditions under which every item ts offered and sold. 
- They are printed in the forepart of the Catalogue. q 


907—GiLpED ScuLprureD BrEcH STATUETTE 
By Antonio Morandi; Italian Seventeenth Century 
“David.” After Bernini’s figure in the Villa Borghese, Rome. 
Lithe, active standing figure, lightly bearded and carrying a 
lion’s skin over left arm, advancing to throw the fatal stone at 
his fell antagonist. On rocky base, in red, and molded. lozenge- 


shaped base. (Imperfect.) a 
Height, 14 inches. 


From the collection of Chevalier C. A. Ossbahr, Rome. 


(Companion to following) 


Fourth and Last Afternoon 


908—GiLpED ScutrtureD BrEecnu STaTuEtTtTEe 
By Antonio Morandi; Italian Seventeenth Century 
“Tl Moro.” After Bernini’s figure on the Fountain in the Piazza 
Navona, Rome. Bearded muscular man, standing on an elaborate 
conch shell supported by a dolphin resting on a rocky base, in 
red, and molded lozenge-shaped plinth. (Imperfect.) 


Height, 14 inches. 


From the collection of Chevalier C. A. Ossbahr, Rome. 


(Companion to the preceding) 


Kindly read the Conditions under which every item is offered and sold 
| They are printed m the forepart of the Catalogue. — 3 


FRENCH, ENGLISH AND ITALIAN FURNITURE OF THE 
SEVENTEENTH AND EIGHTEENTH CENTURIES 


909—T'wo Carvep anp GILDED PEDESTALS 
Italian Early Eighteenth Century 
Shaft composed of a husk-festooned demi-cupid terminating in 
leaf-scrollings. On leaf-scrolled tripod legs having claw feet. 
Molded circular top of green lacqué with pendant. 


Height, 45%, inches; top, diameter, 1534 inches. 
Irom the collection of Baron Kingspor, Niisby. 


(Illustrated) 


910—CarveED AND GILDED JARDINIERE Adam Period 


Bowl-shaped body; enriched with pendent pineapple, festooned 
chains, pearl, guilloche and ringed rosette motives. Supported 
on husked and fluted tapering tripod legs having hoof feet and 
two reinforcing guilloched collars at intervals. On incurved tri- 
angular base with pinnacle and similarly shaped black plinth. 


Height, 37 inches. 
(Illustrated) 


911—Rosr-crimson VELVET Corrret, Mountep 1n Repoussé SILver- 
PLATE AND GILDED SrTanp English Stuart Period 


Oblong, with arched, hinged cover. Mounted with silver-plated 
medallion, square and quarter-round corners, coronetted escutch- 
eon and medallion-scrolled bail handles; all enriched with varied 
large flowers in deep relief. Curious original forged-iron lock. 
Stand with oblong frieze having serpentined leaf motives. Sup- 
ported on C and § scrolled legs enriched with much leafage and 
blossoms ; fluted X-stretcher, with basket of flowers as terminal. 
Crimson Utrecht velvet top. Portions of ornamentation are in 
composition as frequently found in work of the period. 


Coffret: Height, 181% inches; length, 2634 inches. 


Stand: Height, 3114 inches; length, 82 inches. 


(powaq wopp) “aaINIGUVe aaaTIX) aNV ddAuvQ—OI6 “ON 


(hunquay yquaaqybig hywway UniYIT, SIVISHda gd GaaTIXy GNV GHAUVD OA T—606 ‘ON 
606 0 


16 606 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


a 


912—Two Carvep WaLnut ARMCHAIRS Régence Period 


Broad molded scrolled cartouche back, finely scrolled open arms ; 
scrolled seat valance and cabriole legs. Enriched with leafage, 
shell motives and arabesques. Seat and back cannée; brown 
leather armpads. 


913—Carvep Waunut ARMCHAIR French Eighteenth Century 


Molded cartouche-back, armpads and seat, covered in pale blue 
brocade displaying sprays of pink and yellow lilies entwined by 
infloretted ribbon motives. Finely scrolled open arms; on cabriole 
legs, enriched with bouquets and leaf feet. 


Fourth and Last Afternoon 


914—Carvep Watnut Corner CHAIR Régence Period 
Double-paneled peaked back scrolling into arms, deeply serpen- 
tined seat with scrolled valance and three frontal cabriole legs. 
Enriched with shell motives, leafage and arabesques. Back and 
seat cannée. 


915—Carvep Manocany ARMCHAIR Chippendale Period 
Serpentined open back, with pierced interlacing vase splat; en- 
riched with leafage and husks. Open scrolled arms, with rocaille 
motives. On stretchered balustered legs. Loose seat of multi- 
colored chevrons in “Point Hongrois” embroidery. (Portions 
curiously restored.) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


916—Fovur Carvep Woop Armcnuairs French Eighteenth Century 
Molded cartouche back and valance seat, covered in blue brocade 
of the period displaying lace-like ribbons interrupted by old-red 
flowers. Finely scrolled open arms; on cabriole legs. Back and 
valance enriched with blossoms. 


917—Two Murano Grass Mirrors Venetian Eighteenth Century 
Mirror-banded cartouche-shaped frame, enriched with inner and 
outer borders, pediment and apron of clear and green glass leaves 
and blossoms. Mirror etched at back with pearl border. 


Height, 33 inches; width, 18 inches. 


918—Rep TorToisE-sHELL Mirror Italian Seventeenth Century 


Ovolo and cyma moldings in red tortoise-shell parted by ebony 


wave-moldings. 
Height, 323, inches; width, 28 inches. 


Fourth and Last Afternoon 


919—Two Carven Manocany Cuatrs English Eighteenth Century 


Molded arched open back, with rosette corners and three reeded 
splats; blossoms and sprays of wheat at crown. On tapering | 
square legs, with stock toes. Seat covered in yellow and ivory 
stripe. 


920—Carvep AND GinpeED Tinting Tasite with Torte Tray Tor 


Adam Period 


Round loose tole tray, with pierced gallery; decorated with pink 
scrollings. Supported on leaf and flute-enriched baluster having 
guilloched outcurving tripod legs finished with inturned key 
scrolls, pineapple pendant and supplementary incurved trian- 
gular base. 
/ Height, 3214, inches; diameter, 24 inches. 


921—Gotp BrocapE Watnut FavuteviL 
| French Eighteenth Century 
Leaf and rocaille scroll-molded back, armpads and seat covered 
in contemporary brocade; enriched in gold, silver and colored 
silks with highly conventionalized floral motives. Open scrolled 
arms and cabriole legs adorned with rocaille and leaf motives. 


922—T'wo Murano Grass Mirrors 
Venetian Late Seventeenth Century 
Gadroon-molded cartouche-shaped frames, enriched at intervals, 
at pediment and base with alternate pink and blue glass flowers, 
green and clear glass leaves. Mirror intaglio-cut at back with 
figures of nymphs dancing above strap arabesques and under fes- 
tooned canopies. 


Height, 38 inches; width, 21 inches. 


923—Two Carvep anp Ginpep Forpinc BENCHES 

, French Eighteenth Century 
Scrolled X- ce. with stretchers; enriched with husks, leaf- 
age and rosettes. Flexible seats of floral old-red armure. (Have 
been regilded.) 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 
ne 


924—Carvep AnD GiLpED Stare CuHair French Eighteenth Century 


Arched spade-shaped back, enriched with leaf-scrolled garlands 
and festoons of roses; acanthus-leaf back supports; open scrolled 
arms, with similar enrichments. On husk and leaf, spirally fluted 
round tapering legs. Covered in pale pink and ivory stripe. 
Signed by makers under seat: “Leys and Violet”; ‘‘Leys Fils.” 


925—Carvep WaLnut ARMCHAIR French Eighteenth Century 
Arched molded back, scrolled with rocaille and leafage; open 
scrolled arms and valanced cabriole legs with further rocaille 
motives. Loose seat, back and armpads covered in pink and 
ivory brocade of the period. 


From collection Stroémholm Slott, Sweden. 


Fourth and Last Afternoon 


926—ILLuMINATED LEATHER WaLnut Cuair 
Flemish Seventeenth Century 
Oblong back and seat covered in tooled leather; enriched in gold 
on pale blue grounds with lobed floral medallions scrolled with 
bandings and floral sprays. On double stretchered spirally 
twisted legs. (Seat needs restoration. ) 


927—ItutuMINATED LeaTHER WaLnvut CHAIR 
Flemish Seventeenth Century 
Similar to the preceding. The leather tooled with leaf-scrollings 
and sprays of varied fruit. Pearl-gray background. (Seat 
needs restoration. ) 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 
ee eee 


928—-NEEDLEWORK CARVED Watnut CHAIR Stuart Period 


High arched panel back, with pierced leaf-scrolled pediment sides, 
apron and open baluster-supports. On balustered legs, with 
pierced leaf scrolled high frontal and balustered H-stretchers. 
Needlework in back, displaying shell and vase, cartouched sub- 
ject, “Diana and Her Hound”; seat, pastoral subject within 
scrolled cornucopias ; blue field, with sprays of flowers. 


929—NEEDLEWORK CarveED Watnut CHAIR Stuart Period 


Similar to the preceding. Needlework in back, pastoral subject, 
“Shepherdess Dancing before Her Flock”; in seat, “The Good 
Shepherd Carrying Lost Lamb on His Back.” 


Fourth and Last Afternoon 


930—Imrortant NeEpLEworK Watnut Favurevuin Régence Period 
Similar to Nos. 928 and 929. Very interesting needlework in 
gros-petit point; in back, “A Group of Three Personages Play- 
ing with Parrots,” the latter perched on a large hoop which one 
holds round himself and gay-plumaged bird amid fantastic scroll- 
ings. Seat with further birds and scrolling. Rich harmonious 
colorings. 


931—Srven Toorep anp I_tLumiInaTED LEATHER PANELS 
Spanish Seventeenth Century 
Rich apple-green field; tooled in gold with winged cupidons sup- 
porting festoons of rare large fruit, on which perched birds are 
seen. (One panel slightly ripped.) 


Height, 131% inches; length, 30 inches. 


932—I_iuminaTeD LEATHER Watnvut CHair 
| Flemish Seventeenth Century 
Oblong back and seat, covered in tooled leather; enriched in gold 
on pale blue grounds, displaying fine scrollings sustaining hou- 
quet of flowers, seat with basket panneaux and floral sprays. 
On double stretchered walnut legs. 


933—IniuMINATED LeaTHER Watnout Cuair 
Flemish Seventeenth Century 
Similar to the preceding; the leather with festooned scrollings in 
back and festooned vase in seat. Deeper blue grounds. 


934—IriuminaTeD LeaTHER Waxtnur Cuair 
Flemish Seventeenth Century 
Oblong back and seat, covered in tooled leather. Enriched in 
gold on black grounds with cupidon amid scrollings of fine fruit 
and flowers. On double stretchered spirally twisted legs. 


935—Two IttuminateD LearHer WainutT CHarrs 
Flemish Seventeenth Century 
Oblong back and seat, covered in tooled leather. Enriched in red- 
gold with basket panneaux, shell motives and birds on blue-gray 
grounds. On double stretchered spirally twisted legs. 


oe 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


936—Brussets Tapestry Carvep WALnut State CHair 

? | Régence Period 
Serpentined high back, armpads and seat covered in very richly 
toned Brussels tapestry displaying wreath of beautifully varied 
large flowers amid which are two birds; the wreath encloses a 
hilly landscape; seat similar, without birds. Finely scrolled open 
arms enriched with leafage and arabesques; valanced seat rail 
and cabriole legs having double U-stretcher and similar errich- 
ment to back. : 


Fourth and Last Afternoon 
ee ree ee ee ees ene a ee) BOLO: 


937—NEEDLEWORK WatnutT Strate CHarr Régence 


Broad-arched high back, armpads and seat covered in gros-petit 
point in rich colors on tawny black grounds. Display two figures 
of “Court Beauties” dancing to the music of a mandolin played 
by a seigneur in Turkish garb; chimeric animals and scrollings 
: surround the figures; seat with similar animals and scrollings. 
Finely scrolled open arms, valance cabriole legs with double U- 
stretcher; enriched with arabesqued shell devices and leafage. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


938—Two Important NeepLEworK Waunut Favureruits 
Régence Period 
Broad molded cartouche back and armpads, covered in gros-point 
developing fantastic scrollings and floral motives in rich harmo- 
nious colors on variable tawny black grounds. Finely scrolled 
open arms and cabriole legs enriched with rocaille motives and 
blossoms. 


(Illustrated) 


939—Important NEEDLEWORK Watnut Favutevin Régence Period 
Similar to the preceding. More interesting needlework, the seat 
with chimeric bird. 


940 


Carvep Manocany Cuair Chippendale Period 
Open back, with cupid-bow crowning rail enriched with rocaille 
and leafage; pierced interlacing vase-splat. On cabriole legs, 
having leaf knees and claw and ball feet. Loose seat, covered in 
ivory and golden-yellow floral cut velvet. 


From the collection of Consul General Gussing, Ystad, Sweden. 


941—Carvep Maunocany CHair Hepplewhite Manner, circa 1850 
Molded open heart-shaped back, enriched interlaced oviform cen- 
ter panel, festoons of drapery, an ear of wheat. On fluted square 
tapering legs. Seat covered in ivory and golden-yellow floral 
cut velvet. 


From the collection of Consul General Gussing, Ystad, Sweden. 


942—CarvED AND GILDED ARMCHAIR Louis XVI Period 


Broad molded square back; enriched with guilloche and ribbon 
motives. Open scrolled arms, with leaf and husk devices; guil- 
loche molded seat rail. On tapering husk-adorned fluted legs. 
Back, armpads and seat covered in pink stripe. 


(powad aouabay ) STINALAV yy, LOANTV AA MUOMATAHAN LNVINOdNT OMT—S8&6 “ON 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


rr Sn Sanit Ene 


94: 


AID SATINWOoOD ConsoLe Tasie, Mountep 1n Cutvre Dork 

French Eighteenth Century 
Paneled satinwood frieze, finished with purple-wood bandings and 
incurved ends. Supported on brass fluted columns with vase feet 
and similar shaped shelf stretcher to frieze. Back fitted with 
mirror. Mounted in cutvre doré with pierced galleries to half- 
statuary marble top and shelf stretcher, moldings, oblong bail 


handles, cupidon appliqués over columns, leaf capitals, collars 
and toes. (Marble restored.) 


Height, 3714 inches; length, 4514 inches. 


Fourth and Last Afternoon 


944—TuLipwoop Secretary, Mountep 1n Cutvre Dork anp Sevres 
PLaQuEs Louts Philippe Period 

Oblong paneled top, with sloping hinged writing fall, lined with 
velvet; fitted interior; frieze with three drawers. On tapering 
square legs. Fall front and ends fitted with five graduated re- 
served turquoise-blue Sévres oval porcelain plaques; beautifully 
painted with “Pastoral Subjects” after Boucher. Mounted in 
cutore doré with leaf moldings, ribboned and floral ovals to 
plaques, rosetted medallioned frieze, fruit drops on legs and tees. 


Height, 3954 inches; width, 481% inches 


From the collection of Baron Styrbjérn von Spedingk, Froberga, 
Sdtert, Sweden. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


945—Acazou CyiinpER Desk, Mounrep 1x Brass | 

French Eighteenth Century 

Oblong half-statuary marble top, frieze fitted with two drawers. 

Cylinder fall front with pull slide, lined with green-black leather ; 

interior with two drawers and long compartment. ‘Table frieze 

with long drawer paneled as two. On square tapering legs. 

Mounted with pierced gallery, moldings to panels, oblong bail 

handles, flutings above legs and toes. (Two brass flutings and 
molding missing.) 

Height, 42°, inches; length, 2814, inches. 


946—Inuaip Tunipwoop Writing Desx, Mountep 1x Cutvre Dork 

Louis XVI Style 

Serpentined top, lined with ancient leather. Back fitted with 

quaint domed compartments flanking two drawers and central 

dome at lower height. Deep knee-hole frieze, arranged with three 

drawers, having mirror and box compartments in right drawer. 

On cabriole legs. Mounted in cuivre doré with pierced gallery, 

scrolled leaf and ram’s-head appliqués, toes, handles and 
escutcheons. 


Height, 871% inches; length, 38 inches. 


(Illustrated) 


No. 946—Inuaiw Tutipwoop Writine Desk, Mountep 1n Cuivre Dore 


(Louis XVI Style) 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 
I ————— 


947—Two Tuxiepwoop InLaip Encoicnures, Mountep In CuIvre 
Dore French Eighteenth Century 
Serpentined front, fitted with door enriched in tulipwood and 
pear-tree with parquetry cube and lattice motives; satinwood 
pilasters with rosetted vertical diamond lattice. On valanced 
stump feet. Mounted in cuivre doré with garlanded appliqués 
on supplementary end pilasters at crown, at foot with scrolled 
acanthus leaves, ribboned palm spray on valance, patera and 

leaf moldings on door. Shaped warm gray marble top. 


Height, 3334 inches; width, 33 inches. 


From the collection of Count Bielke, Thureholm, Sodermanland, 
Sweden. 


Fourth and Last Afternoon 


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948—Inuaip Turipwoop Casinet, Mountep witH Stvres PLaqaurs 

AND Cuivre Dort Louis Philippe Period 

Oblong top, broken over pilasters; frieze fitted with long drawer ; 

two large enclosing doors under; interior fitted with three trays. 

On valanced oblong feet. Doors enhanced with turquoise-blue 

reserved Sévres porcelain oval plaques, beautifully painted with. 

double garlands of flowers and birds. Mounted in cutvre doré 

with leaf, husk and gadroon moldings, figures of nymphs, rosette 

and scroll appliqués and frieze with acanthus rinceaux. Inset 
half-statuary marble top. 


Height, 40 inches; length, 52 inches. 


From the collection of Baron Styrbjorn von Spedingk, Froberga, 
Sdtert, Sweden. 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 
ne 


IMPORTANT EXAMPLE OF FRENCH EIGHTEENTH CENTURY 
FURNITURE 


Signed by the Master Cabinet Makers of the Period 


949—Carvep AND GILDED ConsoLte TasLE 

By Ince and Mayhew; English Eighteenth Century 
Serpentined front and ends, deeply valanced with open rocaille 
medallion occupied by a chimeric winged dragon, flanked by 
scrollings. Supported on florally festooned and scrolled palm 
branches and leaf-scrolled feet, stretched to large open rocaille- 
scrolled medallion about which two further winged chimeric 
dragons approach to combat. Finely matched and shaped- 
molded Belgian black and goid marble top. 


Height, 331%, inches; length, 401%, inches. 


Fourth and Last Afternoon 


————————— 


950—InuLaip Kinewoop Wrrrinc Taste, Mountep 1n Cutvre Dore 
By C. Wolff; French Eighteenth Century 
Delicately serpentined oblong top, lined with tooled blue-black 
leather. Similarly shaped frieze, with three deep drawers in 
front and three mock drawers at back. On finely shaped cabriole 
legs. Richly mounted in cutvre doré with moldings at top cor- 
nered with cartouches, husk and scrolled leaf knees and toes, leaf 
and rocaille scroll handles, escutcheons and similar semicircular 
motives parting drawers ; the mock drawers also mounted. Signed : 

“C, Wolff, M. E.,” on under rail of lower drawer. 


Height, 3034 inches; length, 501% inches. 


From the collection of the Countess Sigrid Follin, Palsjo, Héil- 
singborg, Sweden. 


: 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


951—Brass-MouNTED Manocany TABLE 

By C. D. Pick and Seast; Directotre Period 
Round top and frieze, fitted with compartmented drawer and 
three similar mock drawers. On beaded tapering square legs 
having shaped X-stretcher. Simply mounted in brass, with open 
wave gallery, moldings and escutcheons to drawers, open scrolled 
brackets, half medallions and small toes to legs. Signed by 
makers on drawer top: “C. D. Pick and Seast.” 


Height, 301% inches; diameter, 1834 inches. 


(Illustrated) 


No. 951—Brass-mMountTED ManuoGany TABLE 
(By C. D. Pick and Seast; Directoire Period) 


Kindly read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 
ee SS ee eee 


952—Two Iniaip TuLtrpwoop EncoicnvurEs 
By G. Jansen; French Eighteenth Century 
Flattened-serpentined front; fitted with door enriched with lobed 
circular medalJlion and purple key bandings in feathered tulip- 
' wood. Surrounded by a rosetted diamond lattice which crosses 
door and at sides on supplementary hollow pilasters; flanked by 
mock fluted pilasters. On stump tapering feet. Mounted in 
cutvre doré with patere over pilasters, scrolled rocaille escutcheon 
and satyr mask over center foot. Tapestry gray and black 
marble top following contour of the front, Both signed “ME” 
in monogram, “Maitre Ebéniste,” and “G. Jansen” at left of 
wood top. — 


Height, 35%, inches; width, 29% inches. 


From the collection of Julia S. Fletcher. 


(Illustrated) 


(hunquag yjuaaybry youaty fuasune “sy hq) 


SHUANDIOONY aqooMdITi [, qIv IN] OM T,—<G&6 “ON 


Kindly read the Conditions under which every item is offered and sold. 
_ They are printed in the forepart of the Catalogue. 


953—Iniaip Ktnewoop Commopr, Mounrep 1x Cuivre Dort 

By I. B. Fromageval; Louis XV Period 
Serpentined and valanced front and ends; fitted with round-faced 
long central drawer, two short above flanking small box drawer, 
and long drawer below. On outcurving stump feet. Mounted 
in cutvre doré with large scroll-pierced leaf shoulder appliqués, 
toes, handles, escutcheons and roicalle motived appliqué at val- 
ance. Molded rouge-royale marble top. Signed on left rail of 
oak top: “I. B. Fromageval.” 


Height, 331, inches; length, 52 inches. 


Fourth and Last Afternoon 


954—Kinewoop Iniaip Commopr, Mountep 1n Cuivre Dort 
By B. Hedouwn, M. E.; French Early Eighteenth Century 
Bombé-serpentined front and ends; fitted with two upper short 
and two lower long drawers. On short outcurved feet. Mounted 
in cutvre doré with leaf-scrolled open rocaille knees almost ex- 


tending to similar feet, large scrolled handles and escutcheons. 
Mounts have recently been cleaned. Molded rouge-royal marble 
top with especially fine veining. Signed on oak top in three 


places: B. HEDOUIN. M. E. 


Height, 34%, inches; length, 534%, inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


955—Inxuaip Hare anp Tuntewoop Caninet, MountTep 1n Cuivre 
Dore By L. Aubry; French Eighteenth Century 
Slightly serpentined front and ends, with incurved frieze fitted 
with drawer, two enclosing doors under. Ends enriched with 
shaped panels of harewood inlaid with trailing flowers in frieze 
and baskets of tall loose flowers in very variedly toned woods in 
doors and ends. On short cabriole feet. Mounted in cutvre doré 
with scrolled cartouche escutcheons, rope moldings at frieze, vase 
appliqué on apron and rocaille scrolled toes. Molded rare purple 
splashed Siena brocatelle marble top. Signed at right of wood 
top: “L. Aubry” (circa 1760). 


Height, 4444 inches; width, 3814, inches. 


(Illustrated) 


No. 955—Intaiw Hare anv Turipwoop Casinet, Mountep IN 
Cuivre Dore (By L. Aubry; French Eighteenth Century ) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


ES 


956——_Inportant InLAIp Tuntipwoop Upricut SrecretTary, MountEep 
IN Cuivre Dore 
By Jean Francois Oeben; French Eighteenth Century 
Rectangular; frieze fitted with drawer. Large fall front lined 
with tooled green leather; interior with six drawers flanking com- 
partments; mock fluted pilasters with valance stump feet. Lower 
portion enclosed with two tambour doors disclosing compart- 
ment, two drawers and right enclosed with falling door. Front 
beautifully enriched with parquetry cubes of tulip, hare and 
kingwood finely double banded with scrolled straps enclosing 
rare tortoise-shell grained elm-root. Ends with large round 
medallion and cubes. Mounted in finely chiseled cu¢vre doré with 
pierced key patterned gallery to Brocatelle marble top, rosetted 
and husked medallioned frieze on green ground, moldings and 
tryglyphs at crown of pilasters, scroll and key-patterned feet 
and acanthus-leaf appliqué at valance. Signed by Oeben under 
base rail (slightly obliterated). 


Height, 6114, inches; width, 471, inches. 


Jean Francois Oeben, the famous French cabinet-maker, renowned for 
the dignity and beautiful color and quality of his work, was made “Ebéniste 
du Roi” in 1754. He is generally known for his conception of the “Bureau 
du Roi,” which was finished and signed by Riesener after his death. 

A similar secretary by Oeben is in the Louvre (see Mollinier illustration). 
Another, slightly varying in details, is illustrated in “De Stil Louis XVI,” by 
Seymour Ricci, 1918, page 137. | 

The restoration of this charming and important example of Oeben’s crafts- 
manship was entrusted to the well-known restorer and connoisseur, Gustaf 
Sahlholm, Stockholm, by the present owner. 


E'rom the collection of the Swedish Minister of Foreign Affairs. 
Lagerhewm. 


(Illustrated) 


No. 956—Importrant [NuLaip TuLtipwoop Upricut Secretary, Mountep 


IN Cuivre Dore (By Jean Francois Oeben; French Eighteenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


eee en SaaS. 


957—ImportTant InLAip Tutrewoop Writine Taste, MountTep IN — 
Cuivre Dore 
By Pierre Bernard and C. P.; French, circa 1770 


Oblong top, banded with tulipwood and lined with original tooled 
leather; scrolled frieze, fitted with three mock drawers at back 
and three drawers on front. Supported on graceful cabriole legs. 
Mounted in finely chiseled cutvre doré with gadrooned molding at 
top stopped with shell corners. Shaped, panel-moldings to frieze, 
leaf-scrolled bail handles. Escutcheons, semicircular appliqué 
parting the drawers. Mask of nymphs on ends, demi-nymph 
trusses at knees and leaf and claw toes. ‘The mounts are signed 
C. P. The table is signed on top of left drawer, “P. Bernard, 
EKbeniste,”” and royal fleurs-de-ls. 


Height, 3414 inches; length, 68%, inches. 


Note: This remarkably fine writing table has the unusual -distinction of 
having both the cabinet-work and mountings signed. Pierre Bernard was 
“Maitre Ebéniste,” January 24, 1766. C.P., the signer of the richly gilded 
and vigorously chiseled mountings is presumed to be Philippe Caffieri, the son 
of the famous Jacques Caffieri. Philip is said to have reversed his initial 
to thoroughly distinguish himself from his father. The mountings in this 
instance bear out the theory, as they most certainly show strong influence of 
Jacques Caffieri, the father, with whom Philippe worked for many years. 


(Illustrated) 


(OLLI vous ‘youasg <q '*Q pup panusag aisaig fg) aaoq ayAIng 
NI GAULNOAOWW ‘ATAV], DNILIUAA GOOMAITAT, GIVINT LINVLYOdW[—ZLGG ‘ON 


Kindly read the Conditions under which every item is offered and sold. | 
They are printed in the forepart of the Catalogue. 


958—Ricuty Inxuaw Turiewoop Commopr, MountTep In CUIVRE 
Dorit Louis XV Period 


Serpentined valanced front and ends, enriched in light-colored 
woods with charming scrollings of flowers, finely engraved. On 
outcurving legs. Elaborately mounted in the style of Cafferi with 
broadly chiseled cutvre doré. Displaying floral wreathed strap 
and rocaille scrollings forming broad cartouche over drawers and 
similar flanking panels; these are raised to form handles; ends 
also with scrollings, exceptionally fine scrolled shoulder appliqués, 
‘leaf-molded legs, toes and cartouche-escutcheons. Rare molded 
Brocatelle marble top. 
Height, 3434 inches; length, 57 inches. 
From the collection of the Chateau de Courbiéres, Haute Loire, 
France. 


Fourth and Last Afternoon 


959—LaceauER Commopr, Mountep 1n Cuivre Dort 

Louis XVI Period 
Front with rounded extension at center, fitted with two long 
drawers and scalloped valance; on finely shaped cabriole legs. 
Decorated in gold on black with Chinese landscapes, figures and 
pavilions. Mounted in very beautifully chiseled cutvre doré with 
strap and acanthus-leaf scrollings forming borders to the two 
drawers and ends; ram’s-head and husk appliqués at shoulders, 
leaf and husk knees and claw feet. Warm mottled brown marble 


top. 
Height, 341, inches; length, 5034 inches. 


From the collection of Sir Lionel Phillips. Christie's, London, 
April, 1913. 


| Fourth and Last Afternoon 
NN 


960—InxLain Kinewoop Commopr, Mountep 1x Cutvre Dore 
| Louis XIV Period 


Serpentined front, with round-faced long central drawer, two 
short drawers flanking a small box drawer above and long drawer 
below. On outcurving stump feet. Elaborately mounted in 
cutore doré with scrolled nymphs’ heads at shoulders, pierced 
cartouche knees, leaf toes, balustered bail handles with demi- 
Court beauties and escutcheons. Molded Bréche d’Alpes marble 
top. er 
Height, 32 inches; length, 5134 inches. 
From the collection of Mme. Agnes Sundgreen, Stockholm, 
Sweden. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


p 
es 
é 
961—Inuaip Kincwoop Commopr, Mountep 1n Cuivre Dort 

Louis XIV Period 

Serpentined front and ends, with long upper drawer simulating 

3 two, and two long drawers under. Enriched with finely matched 

; parquetry motives. Mounted in cuivre doré with finely scrolled 


husk and rosette knees, leaf and claw-footed toes, elaborately 
scrolled double handles, escutcheons and parting chimeric 
dragons on lower drawer. Molded and shaped rouge-royal 
marble top. Mountings have been recentiy cleaned. 


Height, 301, inches; length, 481% inches. 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


962—InLAIp Kincwoop CANTONNIERE AND CABINET STAND, MounTED 

In Cuivre Dort Régence Period 

Domed and scrolled cartonniére fitted with narrow hinged doors 

in dome and six finely tooled leather sliding boxes with ring 

handles. Cabinet oblong, with finely feathered and banded 

panels; two doors at ends. On valanced stump feet. Richly 

mounted in delicately chiseled cutvre doré with masks of nymphs, 

leaf-scrolled corners and chimeric dragon feet to cantonniére. 

Cabinet with band and leaf corners, moldings at base, knobs and 
escutcheons. Has been carefully restored for present owner. 


Height, 5634 inches; width, 3614 inches. 
From the collection of Consul Leljavalek. 


(Illustrated) 


9638—InLaip Watnutr Tart Cast CrocKx Queen Anne. Period 


Inlaid domed hood, with gilded columns and vase terminals; long 
case, with round peephole to door, inlaid with finely scrolled ara- 
besques of most unusual type. On molded pedestal with similar 
fine enrichment. Gilded brass dial, with scrolled cupidon cor- 
ners and silvered numeral ring, denoting minutes on smaller ring 
and days of the week. Striking movement. Signed: “Joseph 
Davis.” Wapping Docks. (See Britton for other members of 
this large clock-making family.) 


Height, 7 feet 10 inches; width, 1 foot 8 inches. 


No. 962—Iniaw Kinawoop CANTONNIERE AND CaBINET STanp, Mountep 


IN Curvre Dore (Régence Period) 


Kindly ‘read the Conditions under which every item is offered and sold. 


They are printed in the forepart of the Catalogue. 


964 


Intaip TorTOIsE-sHELL AND Epony CaBINET 

Italian Seventeenth Century 
Incurved molded oblong cornice; front with two paneled enclosing 
door; the interior of doors and front with architectural motives ; 
fitted with two enclosing doors with mirrored compartment 
flanked by eight small drawers; the two interior enclosing doors 
are surrounded by twelve further drawers and enriched with 
cutore doré figures on pediments, Ionic capitals and bases. Two 
mother-of-pearl inlaid drawers under, flanking a box drawer. 
Stand with long writing slide and drawer under, bracketed with 
carved leonic head and ring brackets. Supported on six black 
balustered legs, with box stretcher and ball feet. All faces are 
inlaid with red tortoise-shell paneled with ebony wave moldings. 
The lower drawers and ends with arabesque scrollings in mother- 
of-pearl. Heavy brass bail lifting handles on ends of upper por- 
tion. (Small portion of molding missing.) 


Height, 5 feet 10% inches; width, 4 feet 21%, inches. 


From the family collection of the Gyllenkrooks, Swvenstorp, 
Sweden. 
(Illustrated) 


(fanquay yzuaaquaaagy wnrniy) 


LANIGV) ANOGY GNV TIAHS-ASIOLUOT, GIVINT—F96 ‘ON 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


965—Inuaiw Turtipwoop Urricut Secretary, Mounted In CuIvrReE 
Dore French Eighteenth Century 
Rectangular, fitted at crown with two sliding tambour doors and 
large compartment, under with two enclosing doors, writing slide 
lined with green velvet, two shallow interior drawers and two fur- 
ther compartments, similar enclosing doors below simulating two 
long drawers and larger compartment. Inlaid with feathered 
parquetry and black cube bandings. On mock fluted tapering 
round legs. Mounted in chiseled cutvre doré with open gallery at 
half-statuary marble top, rosettes on canted pilasters, ring and 
rosette oak leaf and laurel handles, festooned circular escutcheons 
and leaf vase toes. MHalf-statuary marble top. (Marble re- 
stored.) Mountings have been recently cleaned. 


Height, 6114 inches; width, 39%, inches. 


From the collection of the Duchess of Genoa, née Princess Eliza- 
beth of Saxe, from the “Vilia Elizabeth,” near Lyons, 
France. 

(Illustrated) 


No. 965—Iniaiw Tuxtipwoop Upricut Secretary, Mounrep In 


Cuivre Dore (French Eighteenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


966—ScuLPTuRED WatnutT CaBINET 

French Renaissance, School of Goujon 
Rectangular upper portion, with architectural molded canted 
pediment enriched with military trophies and niched center occu- 
pied by statuette of the ‘Virgin and Child.” Frieze with cherub- 
heads festooned with draped fruit; front enclosed by two paneled 
doors with parting and side pilasters having cherub-heads and 
pendent military trophies. ‘The doors sculptured in low relief 
with subjects, left, “Venus and Cupid’; right, standing figure of 
“Mars.” Extending lower portion, with molded frieze fitted with 
two drawers, having subjects of ‘‘Neptune” at left and ‘“Perseph- 
one” at right; parted by masks. The doors under and similar 
pilasters to upper portion. The doors adorned with subjects, 
“Bacchus” at left and “Vulcan” at right. On molded base with 


ball feet. 
Height, 7 feet 2 inches; width, 5 feet 5 inches. 


Note: The sculptured figures on this superb cabinet are so strongly rem- 
iniscent of the work at the Hotel de Ville at Rouen by Jean Goujon that it 
is apparently the craftsmanship of Goujon or an immediate pupil. 


Dr. Von Falke, of the “Kunstgewerbe Museum” in Berlin, has at- 
tested to the authenticity of this rare cabinet. 


(Illustrated) 


967—LacauERED CaBINET AND STAanp 

English Seventeenth Century Style 
Double-arched front, with similarly shaped enclosing doors; dis- 
closing small arched hinged crowning doors, large central door 
flanked by ten drawers. Gilded leaf-crowning moldings with four 
arched pediments of scrollings. Elaborately decorated in duo- 
gold on black with Chinese personages in romantic palace Jand- 
scapes at various avocations, and birds amid flowers. Cuivre doré 
lock plates and corners repoussé with hunting scene and scrolled 
heads of cupidons. Carved and gilded stand, with gadrooned 
frieze having arched valance, pendent husk and strap motives, 
Ionic capped tapering legs with leaf-scrolled X-stretcher having 
vase terminal at juncture. 


Height, 7 feet 6 inches; width, 8 feet 1114 inches. 


t (French Renaissance, 


966—ScuLPTURED WALNUT CABINE 


No. 


School of Goujon) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


968—Prntetic Marsite Water Jar Arabic Fourteenth Century 
Graceful oviform vase, with small incurved mouth; beautifully 
enriched with flutings from shoulder to foot, three reeded upright 
loop handles on shoulder terminating in fleurs-de-lis shaped mo- 
tives. Passing through the loops of the handles is a band of 


ornamental Cufic inscription. (Two handles missing; lip 

chipped. ) Height, 251, inches. 
(Illustrated) 

969—PentTetic Marste LAvaso Arabic Fifteenth Century 


Square body, with incurved corners; supported on four arched 
rudimentary shell feet; enriched with sunk panels at sides and 
archaic masks spout. Center hollowed for pointed earthenware 
water jar. Curious extending oblong basin under spout, rounded 
somewhat on inner and outer sides. (Restored at lip of lavabo.) 

Height, 1334 inches; length, 18 inches. 


970—Carvep anp InLatip Watnut CHanceEr’s Tape 

Flemish Renaissance 

Oblong folding top ; extending on inlaid hinged brackets at front 
and also sliding to front to give acccss to deep compartment of 
body, thus making a counter. The upright, paneled front, with 
two arches inlaid with jardiniéres of flowers in colored woods, 
flanked by panels of arabesques. Supported on scrolled cross 
stretchers carved with scrollings. Ends with brackets toward 
sloping rear, and shaped panels inlaid with stellate motives. 
Frieze paneled with carved Renaissance leaf scrollings to match 
double panels of rear. Rear with insloping paneled front. In- 
laid with initials H. K. (Oak top and interior fittings restored. ) 
Height, 30%, inches; top, open, 5114 inches by 47 inches. 

Note: An extremely rare type of medieval changer’s table. 
From the family collection of the Gyllenkrooks, Svenstorp, 
Sweden. 
(Illustrated) 


971—ScurrtureD Marsie anp Jasper Bust 
Italian Renaissance Style 
Pius V. The head of a grave and thoughtful clean-shaven man, 
looking slightly downward; sculptured in statuary marble. His 
red cassock is of remarkably beautiful blood-red jasper. On 


molded circular base of rosso-antico marble. 
Height, 321% inches. 


No. 968—Prnreric Marsre Water Jar (Arabic Fourteenth Century) 


No. 970—Carvep AND INLAID WatNutT CHANGER’S TABLE 


(Flemish Renaissance ) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed mm the forepart of the Catalogue. 


972—MassivE Carvep Cypress Door 

Syro-Damascan Fifteenth Century 
Oblong single slab, two and one-quarter inches thick, with ex- 
tended hinge posts out of the solid slab. The front richly sunk- 
carved with arched center panel of arabesqued lotus scrollings, 
with similar spandrils and Saracenic arabesque border. Obverse 
with three panels, bordered with broad bands of similar Saracenic 
arabesques to front. Framed for protection. 


Height, 6 feet 10% inches; width, 2 feet 7 inches. 


Note: A unique specimen of fine Damascan carving of the fifteenth cen- 
tury. 


Described and reproduced im “Die Kunst der Islamischen, 
Volker,” by Dr. Ernest Diez of the University of Vienna, and 
by Dr. Martm in his publication called “‘Thiiren aus 
Turkestan.” 

(Illustrated) 


973—Lartice PaneLtED Watnut Door Carien, Sixteenth Century 


Oblong, with series of three small panels at head and foot flanking 
a large panel enriched with molded diamond-latticed hexagonal 
motives of a finely proportioned type. 


Height, 6 feet 10 inches; width, 2 feet 101% inches. 


974—Massive Carvep Watnut Door Carien, Siateenth Century 
Oblong, with two series of double panels at crown and one at foot 
flanking large panel enriched with cruciformed square center sur- 
rounded by molded diagonal key lattice of interlocking oblongs 
and squares. In fine condition. 


Height, 6 feet 1014 inches; width, 3 feet 314 inches. 


No. 972—Masstve Carvep Cypress Door 
(Syro-Damascan Fifteenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


975—ImPertIaAL CuHinEsE Pietra Dura Laceuer THREEFOLD ScREEN 
Cl’ten-lung 

Molded black paneled folds; enriched in mother-of-pearl, carne- 
lian, jade, turquoise, lapis-lazuli and other rare colored hard 
stones with vases symbolic of the “Hundred Antiques,” rare 
sprays of prunus, magnolia and peonies, and fantastic animals. 
Reverse lined with black silk; each fold adorned with seven em- 
broidered round medallions, in center with weird gold Imperial 
five-clawed dragons seeking the sacred pearl of power; wings with 
similar gold-embroidered medallions at crown and twelve floral 
medallions under, displaying in colors the ‘‘Flowers of the Twelve 


Months.” 
Height, 5 feet 54 inches; length, 7 feet 714 inches. 


(Illustrated) 


976—GotHic Carvep Oak STALL 
School of Avignon, Late Fifteenth Century 
Massive oblong back, arms and seat; supported on hewn square 
legs. The back sunk paneled with. rosetted ogival tracery and 
Gothic trifoliate arches. Outer arms and back with border of 
square four-lobed rosettes. Original gray patina. 


Height, 5714 inches; width, 221% inches. 


(6unj-uar.y)) 


NANOS GIOMATUHT, UANDOW] VUA VALAIG ASANIHD IVINTIW]—GL6 ‘ON 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


ASIA MINOR, HISPANO-MORESQUE, MILLEFLEUR, ISPAHAN 
AND PERSIAN RUGS OF THE FOURTEENTH 
TO THE SEVENTEENTH CENTURY 


977—ImpeRIAL CHERRY AND SAPPHIRE-BLUE Ruc 

Northern Chima; Ming 
Marvelous fluctuating cherry-red field of many hues; woven with 
central large weird angular scrolling five-clawed dragon amid 
rare sapphire-blue cloud-scrolls, seeking the sacred pearl of 
power; four similar smaller dragons at corners in blacks, ivory 
and soft yellow. Borders in colors of field of very conventional- 
ized wave and sacred pearl motives centered on all sides with 


fantastic j’wt heads. 
. 3 feet 10 inches by 3 feet 6 inches. 


Note: An excessively rare specimen of Chinese coloring with a unique 
tonality. 


(Illustrated) 


978—Crimson AnD Ivory Rue 
Hispano-Moresque Early Fifteenth Century 
Lozenge field of rose-crimson ; woven with ivory and black scroll- 
ings. Border of lustrous rosier-crimson, elongated and arched at 
ends; displaying most beautifully drawn rare Gothic-Saracenic 
leaf-arabesques in ivory. One long side cut. Spandrils repeat 
the pattern and colors of center. 


A feet 11 inches by 1 foot 111% inches. 


Note: An excessively rare specimen of Chinese coloring with a unique 
Alhambra, the pattern of tiling and arch motives indicating that it must be 
contemporaneous with it. 


(Illustrated) 


ABBA te 


itunes 


No. 977—ImprrIAL CHERRY AND SAPPHIRE-BLUE RuG 


(Northern China; Ming) 


No. 978—Crimson anv Ivory Rue (Hispano-Moresque Early Fifteenth 
t Century ) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


979—Koupsa, or Dracon CarretT 

Eastern Asia Minor Fourteenth Century 
Rich lustrous ruby-red field fluctuating to deep rose-toned areas. 
Woven with broad infloretted zigzagged bands of variable jade- 
green and ivory forming diamonds of differing sizes, occupied 
and sustaining at their junctures very diversely shaped inflor- 
etted plaquettes, large bouquets infloretted with lotus and tulip 
motives and four of the famous weird dragons from which these 
carpets are named. The coloring is broad and superb, including 
in the weaving rich deep purple, varied amber-toned yellows, sap- 
phire blues, ivories and flame rose-pink. Ivory border of angular 
scrollings in the colors of the field, with crimson and pale blue 
scrolled outer guards. End borders wider (defective). (Needs 
restoration. ) 


11 feet 914 inches by 6 feet. 


Note: This rich-toned harmonious carpet, with finely balance varied pat- 
tern, is illustrated in full colors by F. R. Martin, “A History of Oriental 
Carpets before 1800,” Plate XXVIII, and there recorded as being in Nasby 
House, Sweden. 


Exhibited at Munich at the Exposition of Mussulman Art, 1910; 
and illustrated in the work describing the Exposition by 
Drs. Sarre and Martin. 


(Illustrated) 


979—Kovusa, or DraGon CarPET 


No. 
(Eastern Asia Minor Fourteenth Century) 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


980—GoLDEN-YELLOW AND SAPPHIRE-BLUE MILLEFLEURS Rue 

Ispahan Fifteenth Century 
Fluctuating golden-yellow field, originally the color of Arabic 
deep amber velvet ; woven with infloretted blue cypress tree about 
center, flanked by pink jardiniéres of lighter sapphire-blue lotus 
flowers edged with rose-crimson and black. Below these motives 
are sprays of very varied growing flowers with rose-du-Barry 
pink predominating, among which two peacocks disport them- 
selves. Lustrous crimson end border of highly conventionalized 
scrollings of lotus flowers, in amber-yellow, jade-green, ivory and 
black; varying black blossomed guards. Fragment of larger 
carpet. (Needs slight restoration.) 


9 feet 4 inches by 4 feet 11% inches. 


(Illustrated) 


No. 980—GoLDEN-YELLOW AND SAPPHIRE-BLUE MILLEFLEURS RuG 
(Ispahan Fifteenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


981—RareE SAPPHIRE-BLUE Fiorat Rue | 

Ispahan Early Sixteenth Century 
Fluctuating sapphire-blue field of many gem-like tones; woven 
in rose-pink; crimson, pale blues, jade and dark greens, orange 
and pale yellows, ivory and pinkish-plum color with intricately 
infloretted large blossoms of very diverse forms, scrolling from 
center and arabesqued with a multitude of small flowers, vines 
and Chi-chi scrolls. Varying orange and light amber borders on 
two sides, bearing interlacing scrollings of varying lotus blossoms 
interspersed with dainty sprays of hyacinths, gentian and small 
lilies, woven in the colors of the field. Circa 1520. (Fragment; 
needs slight restoration. ) 


8 feet 214 inches by 8 feet 81% inches. 
Note: This lovely and royal fragment of color and pattern is illustrated 


in color by F. R. Martin, “A History of Oriental Carpets before 1800,” 
Plate XVI, and there quoted as in Nasby House. 


(Illustrated) 


-BLUE FuioraLt Rua 
nth 


981—Rare SAPPHIRE 


O 


N 


Century ) 


tee 


(7 


arly S 


(Ispahan E 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


982—JaDE-GREEN FLoraL Carpet 

Western Persian, Sixteenth Century 
Deep rich variable jade-green field fluctuating to deep blue in 
areas. Woven in dark and light sapphire-blue, ruby-crimson, 
lavender, yellows and ivories, with three series of large highly 
conventionalized and infloretted flowers, lotus and tulips alternat- 
ing. These arabesqued with smaller blossoms ; flanking the center 
series at crown are two weird lizard-dragons; below at intervals 
are infacing and outfacing fish-like motives. Ivory borders, dis- 
playing varicolored tulips centered with staves; banded guards. 
The balance and harmony of color of this carpet is of a most de- 
lightfully high order. (Center restored.) — 


11 feet 9 inches by 5 feet 7 inches, 
Note: This rare and beautiful carpet has been illustrated in color by 


F. R. Martin, “A History of Oriental Carpets before 1800,” Plate XX XIII, 
and is there recorded as being in Nasby House, Sweden. 


(Illustrated ) 


: 


) ; } ; 
, oe re ; ie 


AL CARPET 


—JADE-GREEN FLor 


. 982 


No 


iateenth Century) 


S 


ian, 


(Western Pers 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


983—LeEaAF-LATTICED BLuE Carper 

Mid-Persian Seventeenth Century 
Resonant deep rich blue field. Woven with a light, crimson dia- 
mond lattice bearing large serrated leaves of variable jade-green 
and sapphire-blue placed as cruciform motives. The diamonds 
enclose large pendented blossoms of ivory, rose-crimson, blue and 
green; these being also latticed to form smaller diamonds. 
Smaller pendented similar blossoms mark the junctures of the 
larger lattice. Soft rose-du-Barry crimson border displaying 
alternately rosetted lozenges and blossomed yellow oblongs. 
Guards of scrolling blue, crimson and yellow husks on ivory 
grounds. | 


13 feet 2 inches by 5 feet 3 inches. 
(Illustrated ) 


No. 983—Lear-LatTtricep Biur Carpet 
(Mid-Persian Seventeenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


984—ImrERIAL MEDALLIONED Marine CARPET 
Ispahan Seventeenth Century 


Five imposed stellated diamond medallions variously of rose-du- 
Barry pink, sapphire-blue, deep ivory-yellow, deeper blue and 
paler du-Barry pink, fill all but small bracket corners of the 
field. The central medallion is occupied by four infloretted green 
plaquettes rarely arabesqued with blue, ivory, yellow and plum- 
colored small flowers; the other medallions forming borders to 
center bear trailing sprays of similar flowers. ‘The small corners 
display in each a quaint Viking-shaped boat sailing on striated 
pale blue water, two fish and an excited bather up to his waist in 
the water. Rose-du-Barry crimson borders enhanced with deep 
blue infloretted pear-shaped plaquettes interrupted by panels of 
similar blue scroll-bandings and sprays of flowers. Old yellow 
and ivory-pink floral guards. 


14 feet 5 inches by 6 feet 514 inches. 


Note: This unique velvety carpet of Royal provenance was originally in 
the Royal Persian Collection and the penalty for the possession of a similar 
carpet by a private person was death. 

This carpet is illustrated in color by F. R. Martin, “A History of-Oriental 
Carpets before 1800,” Plate VI, and therein recorded as being at Nasby 
House, Sweden, 


Exhibited at the Exposition of Mussulman Art, Munich, 1910. 
Illustrated in the “Work Descriptive of the Exposition” by 
Drs. Sarre and Martin. 


A similar fine carpet is on view at the “Kunstgewerbe Museum,” 
Berlin. Another is known to be at Knole House, Kent, Eng- 
land. 


(Illustrated) 


No. 984—Imprr1aL MEDALLIONED Marine CARPET 
(Ispahan Seventeenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


985—Rare Persian SAPPHIRE-BLUE FLowER GarDEN CARPET 
Ispahan Late Seventeenth Century 
Deep rich sapphire-blue ficld of very lustrous velvety texture; 
woven with innumerable growing varicolored blossoms of great 
variety, forming flower beds of the garden. In the center is an 
oblong panel irregularly striated with blue and old-red forming 
the central pool, with fountain and boats thereon; from it issue 
broad cruciform bands variously in crimson and green and two 
tones of green similarly striated to center; on the two preceding 
to ends, varied flowering shrubs growing on islands and further 
boats. At the four corners crimson oblongs with more flowers; 
red, ivory and blue striated square paneled pools at inner ends. 
Finished with crimson lavender and turquoise-green pinnacled 
borders and blue-blossomed ivory guards. The flowers are in 
delicate colors and crimsons. (Needs slight restoration.) 


10 feet 2 inches by 6 feet 2 inches. 


Note: This very rare and beautifully woven carpet has been illustrated 
in color by F. R. Martin, “A History of Oriental Carpets before 1800,” Plate 
XXIV, and there recorded as at Nasby House, Sweden. 


Exhibited at the Exposition of Mussulman Art, Munich, 1910. 


Illustrated in the “Descriptive Work of the Exposition” by Drs. 
Sarre and Martm. 


Referred to in the “Burlington Magazine,” No. CX XII., May, 
19138, page 96. 
(Illustrated) 


No. 985—Rare Persian SAPPHIRE-BLUE FLowER GARDEN CARPET 


(Ispahan Late Seventeenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. 


986—Perrsian Frowrr Garpen Carper 

Western Persian Late Sixteenth Century 
The main stream of the garden is placed off center and is paneled 
with walls of detached blossoms and variously striated in differing 
crimson and ivory and two tones of green. Flanking the stream 
are irregular oblong blossomed panels of deep rich resonant sap- 
phire-blue occupied by diverse conventional flowering shrubs and 
occasional archaic animals. ‘The blue panels are interrupted at 
intervals with crimson flower beds and four striated side oblongs 
zigzagged in rose-crimson, blue and tawny-brown. Green and 
‘rose-crimson pinnacled border having blossomed ivory guards. 


12 feet 3 inches by 6 feet 5 inches. 


Note: Exceptionally early Persian garden carpets, with walls, pools and 
flowers, are exceedingly rare. Very few of this type are known to exist to-day. 


(Illustrated) 


No. 986—Perrstan Fiowrer GarpeNn Carpet 
(Western Persian Late Sixteenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. 


987—LattTiceD Ivory CaRrPET ' Mid-Persian, Dated 1807 


Lustrous ivory field; woven with red diamond lattice sustaining 
long dark blue serrated leaves, the diamonds occupied by cruci- 
form bouquets of roses and tulips in rose-crimson, yellow, pale 
blue and tawny black. ‘These bear smaller diamonds enclosing 
smaller blossoms at junctures of larger diamond motives. Rich 
lapis-lazuli blue border, displaying in the colors of the field de- 
tached lotus flowers, guarded by long leaves inversely hooked 
from flanking crimson bandings; crimson and yellow guards of 
angular scrollings. Inscribed on end border with Mussulman 
date, 1222 A. H.; namely, 1807 in the Christian era. 


18 feet 11 inches by 8 feet 5 inches. 
Note: This interesting carpet has been illustrated in color by F. R. Mar- 


tin, “A History of Oriental Carpets before 1800,” Plate XXIII, and there 
recorded as at Nasby House, Sweden. 


(Illustrated) 


No. 987—Larticep Ivory Carpet (Mid-Persian, Dated 1807) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


988—FLowrERED CarTOUCHE CARPET Persian Sixteenth Century 
Rich lapis-lazuli blue field. Displaying series of long cartouches 
alternating with cruciform motives, finely arabesqued with a 
great diversity of bouquets and large infloretted lotus blossoms. 
Long arched stems of hyacinths guard the cartouches and cruci- 
form motives, giving a splendid sweeping movement and dignity to 
the composition. Woven in lavender pinks, wide range of crim- 
sons, amber-yellow, jade-greens, sapphire-blues and ivory with a 
curious flame-red recurring in the crimsons. Variable rose-du- 
Barry borders in the colors of the field, occupied by very broad 
angular scrollings and lotus blossoms ably supporting the 
strength of the field. Ivory and tan guards of scrolling carna- 
tions. 


15 feet 2 inches by 7 feet 5 inches. 
Note: This finely conceived and handsome carpet has been illustrated in 


color by F. R. Martin, “A History of Oriental Carpets before 1800,” Plate I, 
and is there recorded as at Nasby House, Sweden. 


(Illustrated ) 


Century) 


teenth 


1 


FLowereD CartoucHe Carpet (Persian Si 


No. 988 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


989—JADE-GREEN Lotus CARPET 
Eastern Persian Early Seventeenth Century 


Lustrous jade-green field, fluctuating to almost every tone of 
varying green. Woven in rose-du-Barry pink with charming 
Gothic-leaved and delicately traceried ogivals enclosing varied in- 
floretted lotus blossoms in sapphire-blue, pale yellow, rose-crim- 
son, variable plum-color and gray-ivory; lightly arabesqued with 
ivory scroll sprays. Beautiful golden-yellow border, displaying 
more brilliant colors than the field, angular scrollings of Herati 
leaves enclosing larger lotus blossoms. Ivory guards of leaf and 
flower scrollings. Green fringe on ends. Circa 1625. 


15 feet 3 inches by 5 feet 9 inches. 
Note: This delicately traceried floral carpet is illustrated in color by 


F. R. Martin, “A History of Oriental Carpets before 1800,” Plate XV, and 
is there quoted as being at Nasby House, Sweden. 


(Illustrated ) 


4 No. 989—JapE-GREEN Lotus CarPET 
: (Eastern Persian Early Seventeenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed m the forepart of the Catalogue. 


990—RoseE-pu-Barry AND SAPPHIRE-BLUE CARPET 

Armenian Early Seventeenth Century 
Very lustrous deep sapphire-blue field, fluctuating in areas to 
almost black. Woven in light rose-pinks, lavender, crimson, rose- 
du-Barry, variable jade-green, ivory and pale sapphire-blue, with 
stepped lozenge medallion displaying loose formal bouquet on 
pink semé blue ground imposed on an irregular serrated green 
medallion mainly covered by four lobes of rose-du-Barry issuing 
from the central medallion and enhanced with very charming 
fleurs-de-lis and lotus sprays. The field, with staves supporting 
open cloud-scrolled vaselike motives, interrupted by varied bou- 
quets of flowers. Broad rose-du-Barry crimson borders, beauti- 
fully woven in colors of the field with large infloretted lotus de- 
vices alternating with long serrated leaves and interrupted by 
sprays of hyacinths and daisies. Blossoms and hooked ivory 


guards. (Needs restoration. ) : 
21 feet 3 inches by 9 feet 2 inches. 


Note: This very beautiful carpet has been illustrated in color by F. R. 
Martin, “A History of Oriental Carpets before 1800,’ Plate XXXI, and was 
recorded as being at Nasby House, Sweden. 


(Illustrated ) 


No. 990—Rosr-pu-Barry AND SAPPHiRE-BLUE CARPET 


(Armenian Early Seventeenth Century) 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


GOTHIC ARRAS, ENGHIEN, GOBELINS AND FLEMISH 
TAPESTRIES OF THE SIXTEENTH TO THE 
EIGHTEENTH CENTURY 


991—Gortuic Arras AniMAL VERDURE TAPESTRY 

Early Sixteenth Century 
“Gothic Leaves, Wild Animals and Flowers.” Large serrated 
scrolling Gothic leaves of soft green ramify the field of deeper 
blue-green. A lon at right and a lioness at mid-center are about 
to pounce on a doe seen at left. In the center foreground grows 
a cluster of flowering lavender-pink and blue fleurs-de-lis and 
vines of charming red-toned-yellow flowers which meander amid 
the large scrolling leaves. Near crown, at left and right, two 
perched birds of gay plumage call to one another. Fine borders 
of clustered flowers and fruit sustained on laurel staves.. Woven 
in the colors of the field with deep rich reds and pinks added. 
Finished with blue bandings. 


Height, 8 feet 91% inches; width, 8 feet 3 inches. 


(Illustrated ) 


ANIMAL VERDURE TAPESTRY 


991—Gornic ARRAS 


No 


teenth Century) 


(Te 


(Early S 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


992—-Sitver EnricHep Renaissance ‘TAPESTRY 

Enghien Late Sixteenth Century 
“Antony and Cleopatra Enthroned.” 'The happy lovers, clasp- 
ing hands, are seated on two daised chairs before garlanded col- 
umns and laurel festoons. The diademed queen is attired in vol- 
uminous blue classic robes and gray mantle, Antony in flowing 
yellow and pink mantle over military costume. At right, par- 
tially seen, are three attendants, and a bearded Roman military 
chief offering a commander’s baton with right hand and pointing 
to a large military trophy at the couple’s feet. Antony averts his 
eyes, having no wish to leave his enchantment. Woven in greens, 
tans, pinks, red-brown, blues, yellows and ivories with the com- 
plementing yellow and blue of the mantles and the silver enrich- 
ment giving a most agreeable tonality. Side borders of band- 
ings with egg-and-reel motives in silver and yellows. 


Height, 9 feet 3 inches; width, 5 feet 414 inches. 


(Illustrated ) 


No. 992—SILVER EnricHep RENAISSANCE TAPESTRY 
(Enghien Late Sixteenth Century) 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


998—RenaissancE Herartpic Tapestry Flemish Sixteenth Century 


*“‘Arabesqued Coat-of-Arms.” Oval medallion, bordered with gar- 
landed fruit and flowers enclosing on a sapphire-blue ground a 
shield, displaying three trees within borders having alternately 
displayed eagles and double blue lobed devices. Supporters, two 
rampant eagles. Surmounted by a many-plumed helm scrolled 
with large Gothic leaves which reappear at the base of shield. 
The spandrils are enriched with strap arabesques and husks 
woven in rare sapphire-blues, green, browns and yellows, ranging 
from pale golden to orange pink. Sapphire-blue borders, woven 
in the colors of field, with husk and leaf scrollings parted at 
centers of crown; foot and sides with medallioned strap-scrolled 
cartouches. Bead-and-reel guards in similar colors to borders. 


Height, 9 feet 8 inches; width, 9 feet. 


(Illustrated ) 


No. 993—RenaissaNce Heratpic Tapestry 
(Flemish Sixteenth Century) 


Kindly read the Conditions wnder which every ttem is offered and sold. 
They are printed in the forepart of the Catalogue. 


994—Arras Tapestry PAaNnEL Siateenth Century 
“Millefleurs, Birds and Fruit.” Displaying. clusters of roses, 
lilies, tulips and forget-me-nots interspersed with bunches of 
grapes, cherries, strawberries, apples, plums, pods of peas, flying 
birds and perched parrots pecking at cherries. Woven in rich 
old-reds, crimson-pinks, yellows, ivories, varied blues and greens, 
on tawny brown grounds fluctuating to dull mustard-yellow. Fin- 
ished with borders of ribboned staves alternately bearing leaves 
and fruit. Recurring mustard-yellow alternating with old-red in — 

the grounds. | 
Height, 2 feet 1 inch; length, 15 feet 11 inches. 


(Illustrated ) 


995—-FiemisuH Tapestry TasLE Cover 

Brussels Late Sixteenth Century 
“The Visit of the Three Angels to Abraham.” Finely scrolled 
oval strap-cartouche at center, festooned with ribboned garlands 
of husks, centered with mask at base. Displaying the three 
winged angels of the Lord attired in voluminous robes seated at 
a table spread outside a cottage behind whose half-door stands 
Sarah. The angel at center announces the important message to 
Abraham, who wears quaint rustic costume and is standing at 
right near Sarah. Woven in very lovely pastel colors and crim- 
sons. Deep rich resonant large blue-black field surrounding the 
cartouche; enriched in the fine colors of the center with detached 
sprays of very varied flowers radiating to the cartouche from 
all over the field. The flowers included are roses, tulips, tiger- 
lilies, peonies, poppies, stocks, double marigolds, hyacinths, for- 
get-me-nots, lilies of the valley, daffodils and daisies; amid which 
flit occasional dragonflies and butterflies, sipping the honey from 
the flowers; snails and lizards, too, are seen. 


Height, 7 feet 10 inches; length, 11 feet. 


(Illustrated) 


994 


Century) 


EstRY Panet (Sixteenth 


4—Arras Tap 


au) 


No 


995—FLemisuH Tapestry TaBLeE Cover 


(Brussels Late Sixteenth 


No. 


y) 


Centur 


Kindly read the Conditions under which every item ts offered and sold. 
They are printed in the forepart of the Catalogue. 


996—GosELins TAPESTRY By I. Souet, 1712 


“The Month of October.” After Lucas van Leyden. A grand 
seigneur and his lady are seated at right foreground; he holds 
a wine tankard on his right knee and is in conversation; his 
little daughter has her hands on her father’s shoulders and her 
head peers at the distinguished couple. An attendant brings 
forward viands behind and stands before a double-arched trellised 
arbor overgrown with vines bearing beautiful bunches of grapes. 
A distant chateau is seen through one of the arches of the arbor. 
At left the little son of the seigneur holds up a bunch of grapes 
he has taken from a basket resting on a Gothic table, to a seated 
peasant boy near him. Beyond, partially before the arbor is a 
further seated seigneur, making love to one of the young maids; 
at left a group of peasants is pressing grapes in a large vat. 
About middle distance and in the far distance before finely wooded 
hills are two groups, one of fiddlers under trees playing for the 
other group, dancing on the sward before them. ‘The weaving is 
in lovely pastel colors, dominated by the superlatively lovely 
crimsons and blues of the major costumes. ‘The beautiful borders 
have camaieu medallions at corners and quarters, displaying at 
center crown the sign of the Zodiac for October, a lobster cap- 
tioned ‘‘October.”” At sides and upper corners heads of Roman 
warriors and maiden; the three at foot occupied by figures of 
cupidons playing, hunting and pressing grapes. ‘The medallions 
are flanked by leonic heads with paws which sustain, from rings 
held in their mouths, clustered garlands of rare fruit, flowers, 
birds pecking at fruit and in one a bird’s nest with the fledg- 
lings chirping for more and more food. Woven in the rich colors 
of the field with wine-red grounds fluctuating to yellow in areas. 
Finished with leaf-molded golden-yellow and red guards. 
Height, 9 feet 6 inches; width, 9 feet 1 inch. 


Note: Souet, the weaver, was “Chef d’Abeliar” at the Gobelins, 1693- 
1934. Jules Guiffrey stated from the records that this tapestry was woven 
under Souet in 1712. It was given by Louis XIV to the Swedish ambassador, 
Count Sparre, who in turn presented it to Queen Louisa Ulrica, the wife of 
King Frederick Adolphus of Sweden, and remained in the Royal Collection 
until acquired in 1900 through Mme.Colonel Thekla Boy by Carl Robert Lamm, 
of Nasby. Bottiger, the Curator of the Royal Swedish Collections, describes this 
beautiful Gobelins tapestry in his extensive work, “Woven Tapestries of the 
Royal Collections.” The set of twelve months, of which this is October, is one 
of the most noted sets known. Originally woven in Flanders (1530) for the 
Infante Ferdinand of Portugal, and generally known as the “Months of Lucas.” 
Lucas von Leyden drew this splendid cartoon. 


(Illustrated) 


Souet, 1712) 


996—GoseELINs Tapestry (By I. 


No 


Kindly read the Conditions under which every item is offered and sold. 
They are printed in the forepart of the Catalogue. 


997—PastoraL TAPESTRY Brussels Seventeenth Century 
‘‘Spring-time Sheep Shearing.”” Panoramic view of rising uneven 
lightly wooded country, overgrown in the foreground with flowers 
and brambles, amid which near a pool at right and a winding 
stream toward left are ducks, proud peacock and hen and water- 
fowl. On the banks of the stream toward center and before farm- 
houses are three groups, men preparing and dipping a flock of 
sheep, the patient shearers sitting toward front and a group 
preparing garlands of flowers on a trestled table. At right 
Diana and a nymph appear, with two leashed hounds nearby. At 
left, before and in the Italian gardens of a grand chateau, are 
the seigneur and his gay friends at May-day gambols, some en- 
gaged in conversation, others playing musical instruments, a 
party rowing a boat on a lake and a large mounted and un- 
mounted company shooting birds. Distant wooded hills rise to 
a very small strip of sky. Woven in delicate blues, fine yellows, 
tans, ivories and greens, lightly relieved with crimsons. Borders 
of rare ribboned bouquets of flowers pendent. from leaf scrolls, 
interrupted at intervals by running hounds, hare, recumbent doe, 
peacocks and other birds. Woven in the delicate colors of the 
- field on grounds shading from rich warm brown to golden-yellow. 
Signed with Brussels mark, two B’s with shield between, at left 
foot of selvedge, and about center with the weaver’s name: 

M:DE . VOS. 
Height, 11 feet 1 inch; length, 16 feet 8 inches. 


Note: Mark de Vos, a famous Brussels weaver, was active, 1655-1663. He 
came of a family of weavers noted for their landscapes especially. 


From the collection of Rittmaster Printzskéold, Eksj6, Sweden. 


(Illustrated) 


(hinquay ypuaaquaaagy sjassnig) AULSAAV], TWAOLSVJ—L66 ‘ON 


aera f De 4 Pas 


te Se 


Pao ota 


: EVENING SALE OF 
E LAMM COLLECTION 


ST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


CATALOGUE 
NUMBER 

BLOEMAERT, Asranam 

Girl Preparing the Roasts 625 

- BOUCHER, Francors 

La Téte de Flore (Madame Deshayes) 5938 
BOUCHER, Francois (After) 

Vénus couchée et endormie prés de Amour 572 
BOUCHER, Francois (School of) 

Allegorical Composition: Door Panel 585 

Nude Study 592 
CARRIERA, Rosara 

Portrait of a Young Lady 594 
CHAMPAIGNE, PHILIPPE DE 

Portrait of a Man 570 
CHARDIN, J. B. Srmton_ (Attributed to) 

Still Life 568 
COTES, SaMvuEL 

Portrait d’Homme, Tricorne sous Bras 578 
COY PEL, ANTOINE 

De difficile Défaite 561 


CRANACH, Lucas 
Death of Mary 637 


CATALOGUE 
NUMBER 


DAVID, Jacqurs Lovis 


Portrait of Professor Salvaggi 610 
Portrait of Monsieur Sedaine 616 
(Michel Jean Sedaine, French Dramatist, 
1779-1797) 


DESPORTES, FRaAncols 
Still Life 626 
Still Life 627 


DE TROY, JEAN FRANCOIS 
LL’ Amour 564 


D’HONDECOETER, MeEtcHior 
Still Life 586 


DUPLESSIS, Joseru SIFrrepE 
Portrait of a Man 573 


FRENCH SCHOOL 


Head of a Man 559 
Portrait de Madame La Cour 566 
Portrait de Monsieur La Cour 567 
Portrait of a Man of Rank BTA 
Portrait du Roi Soleil : 582 
Portrait of a Churchman 634 
Portrait of a Lady 635 


GUARDI, Francesco 


Landscape and Figures 609 
HALS, Frans 
Portrait of a Lady 618 


HOPPNER, Joun (Attributed to) 
Portrait in White and Blue 577 


KEY, Aprian THomas 


CATALOGUE 
NUMBER 


Portrait of Sir Walter Raleigh at the Age of 


Thirty-four 


LARGILLIERE, Nicotas 
Portrait of a Lady 
_ Portrait of a Gentleman 


LARGILLIERE, Niconas (Attributed to) 


Dame au Manteau rouge 


 LAWRENCH, Sir Tuomas, P.R.A. 
Portrait of a Man 
Portrait of a Young Lady 


LEDOUX, ManpeEMoIsELLE PHILIBERTE 
Portrait of a Child 


LEIBL, Winnie 
Study of a Head 
Portrait of an Old Woman 


LELY, Sir PETER 
Jeune Homme au Chien 


LEMOINE, JEAN BAPTISTE 


Glorification de Venus 


“MAGNASCO, ALESSANDRO 
Landscape and Figures 


MAINERI, Gian FRANCESCO 
Christ Carrying the Cross 


562 


604 
613 


584 


576 
581 


558 


560 
607 


600 


603 


623 


571 


MIGNARD, PIERRE 
La Dame au petit Chien 


: MILLET, JEan FRANCOIS 
Homeward from the Forest 


MOREELSE, Pavtvus 
Young Lady Completing Her Toilet 


NETSCHER, Caspar 
Portrait of a Noble 


OPIE, JoHn 
Portrait of a Young Lady 


OUDRY, JEAN BAPTISTE 
Still Life 
The Attack 


PERRONNEAU, JEAN Baptiste 


Portrait of Monsieur Sarazin of Bordeaux 


PESNE, JEAN 


Portrait of Queen Louisa Ulrica of Sweden 
Portrait of King Adolf Fredrik of Sweden 


(Cen bral 
RIGAUD, HyacintTHeE 
Portrait of Cardinal Fleury 


RIGAUD, HyacintHe (Attributed to) 
Portrait of a Courtier 
Philippe of Orleans 


ROSLIN, ALEXANDRE 
Portrait of a Lady 


CATALOGUE 
NUMBER 


599 


598 


565 


583 


633 
636 


595 


630 


631 
6GQO 


624 


580 
602 


601 


CATALOGUE 
NUMBER 
RUBENS, Perer Pavur 
Portrait of an Old Woman (Said to be the 


Artist's Mother-in-law) 563 
Portrait of a Young Man 615 
Portrait of Philip Rubens (Brother of the 

Painter) 619 
Landscape with Figures 638 
The Holy Family under the Apple Tree 639 


STRIEGEL, Bernuarp 
Portrait of a Young Nobleman in Plumed 
Cap 614 


TARAVAL, GUILLAUME THOMAS 
Harvest 597 


TIEPOLO, Giovanni Bartista 


Projet de Plafonnage 596 
UNKNOWN 
Portrait of a Smiling Man 575 


VAN DER BANCK, Jowan 
Portrait of Katharina Affleck 579 


VAN DER HELST, BartrHoLtomeuvs 
Portrait of a Gentleman 611 


VAN DER NEER, ArErt 
Landscape in Moonlight 569 


VAN DYCK, Sir AntTHONY 
Portrait of the Prince d’Oneglia, of the House 
of Savoy 617 
Portrait of a Man 621 
Portrait of the Engraver Paulus Pontius 622 


VAN GOYEN, Jan 
Landscape with Figures 


VANLOO, CHartes ANDRE (CarLr) 
A Lady of Music 


VAN MIEREVELT, Micuret Jansz 


Portrait of a Lady 


VAN RAVESTEYN, Jan 
Portrait of a Lady 


VAN RUYSDAEL, Satomon 
Landscape and Figures 


VAN RYN, HermMensz REMBRANDT 
Self Portrait 


VERONESE, Paoto 


Biblical Composition (From the Book of 
E'sther) 


VIGEE-LEBRUN, Mme. 


Portrait of the Grand Duchess Elizabeth of 
Russia (Later Empress) 


ZORN, ANDERS 
Zorn and His Wife 
Mr. and Mrs. Furstenberg 
Réve d’ Amour 
After the Bath: A Study 


A. Premiére 


CATALOGUE 
NUMBER 


608 
628 % 
629 
612 
557 


620 


591 


605 


588 
389 
590 
606 
632 


_ COMPOSITION, PRESSWORK 


_ AND BINDING BY 


THE VERY NOTABLE a 
“LAMM COLLECTION ~ (ae 


FROM NASBY. CASTLE (NEAR STOCKHOLM), SWEDEN 


ORDER OF SALE. 


THE LACQUERS, BRONZES, INROS, FAIENCE, PORCELAIN: 


WEDNESDAY AFTERNOON, FEBRUARY 21 
CATALOGUE NOS. 1 TO 229 


THE ANCIENT FIREARMS, WEAPONS AND ARMOR ame 
THURSDAY AFTERNOON, FEBRUARY 22 (WASHINGTON’S aie 
CATALOGUE NOS. 230 TO 556 ‘ 


THE VALUABLE PAINTINGS TO BE SOLD THE EVENING OF 


WASHINGTON’S BIRTHDAY, THURSDAY, FEBRUARY 22 
j CATALOGUE NOS. 557 TO 639 


THE SILVER, CLOCKS, FABRICS, RUGS 


FRIDAY AFTERNOON, FEBRUARY 23 
CATALOGUE NOS. 640 TO 849 


THE FRENCH EIGHTEENTH CENTURY FURNITURE, VERY 
RARE RUGS AND TAPESTRIES 


SATURDAY AFTERNOON, FEBRUARY 2n 
CATALOGUE NOS. 850 TO 997 


Rist 
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pare 7 


AFTERNOON SESSIONS BEGIN AT 2.00 O’CLOCK 
EVENING SESSION, THURSDAY, FEBRUARY 22np 
(WASHINGTON’S BIRTHDAY), BEGINS AT 8.15 O’CLOCK 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE. 
“BY DIRECTION OF THE OWNER 


UNDER THE MANAGEMENT OF 


THE AMERICAN ART ASSOCIATION: 
No. 30 EAST 571H STREET 
NEW YORK CITY 
1923 


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